Writing & Money

you must chooseI sometimes think writers have a different relationship to money than other people. It’s the odd work-wage equation that changes things: you can easily find yourself toiling for no pay for decades, falling into a life of monk-like asceticism with diminishing expectation for salvation at the end of the line. Writing becomes like a protracted prayer—for recognition, or at least a wise, understanding reader who exists as a kind of imagined angel. In Enemies of Promise, his book about the myriad ways in which a writer can fail, Cyril Connolly admits that poverty is devastating, but adds that having money to throw around can be “a substitute for creation.”

Conversation among writers more often than not revolves around the subject of agents and advances. The name of a magazine comes up, and the first question is: how much do they pay? They sound like a group of salesmen, insisting on a materialism that we don’t really possess, as if to trick themselves into believing that the profession is like any other. The shop talk is a way of fending off our anxiety about a livelihood that constantly seems at the point of disappearing. On occasion, the pursuit of money is put forth as the only reasonable motive to write, an absurd bit of bravado that we all know to be untrue. Norman Mailer once told of being approached by a stockbroker after the success of his first novel The Naked and the Dead. Mailer handed him $10,000 to invest. Less than a year later, the broker informed him that the value of the investment had almost doubled. Mailer cashed in the account, and refused to retain the broker. “I thought, if it’s this easy to make money I’ll never write again.”

Having a cushion of inherited money brings its own set of problems, not the least of which is the resentment it incurs, queering the fellowship hard-up writers depend on to help them through lean times. The poet James Merrill, whose father was a founder of the brokerage company Merril Lynch, navigated the touchy subject of his wealth by creating a foundation that gave grants to writers. “Cleverly, Merrill had figured out that if he wanted to spend time with other poets rather than bankers, he needed to share the wealth without making it look like handouts,” Edmund White writes in his recent memoir City Boy: My life in New York during the 1960s and ‘70s, “If a friend put the touch on him, Jimmy could always say, ‘Apply to the foundation, but remember I’m just one of the board members.’” Everyone knew Merrill had the final say, but the set-up served its purpose. “If someone got money from the foundation, he or she didn’t have to feel beholden to Merrill himself. Nor was it a loan that had to be paid back – or that could potentially create bad blood…”

A well-heeled novelist I know who comes from a family of famous industrialists complains of the American romantic notion that money is inimical to the creation of art. He’s only half-joking when he says, “I’ve had a hell of a time overcoming my advantages.” He claims that the family fortune had been dissipated by his parents. “What I’m really like is the poor schmuck who inherits a twelve-bedroom house that he can’t afford to heat or repair.” In fact, he would discreetly make substantial loans to his friends. Several years ago he bailed me out of a mess, apologizing that he couldn’t afford to give me more. “Things are a little tight, you know.” He seemed irritated when I tried to pay him back, and never cashed the check.

Having to explain the chasm between your ambition and low status can grind you down, especially when it lasts into your forties. Edmund White ghostwrote textbooks for three hundred bucks a chapter. He worked for a petrochemical company preparing glossy annual reports designed to explain to shareholders why the company continuously lost money. White was grateful to a friend for understanding how brave he was going out into the world and meeting well-known writers even though he was not yet “armed with a single publication.”Starving-Writer

Sherwood Anderson’s collection of stories, Winesburg, Ohio, kicked around for four years before he found an interested editor. The editor summoned Anderson to New York and arranged to meet him at a certain corner near Central Park at four. Anderson arrived and waited. He was still waiting at six, when he gave up and returned to his hotel, seeing it as some kind of sadistic trick publishers enjoyed playing on hopeful authors. In his Memoirs Anderson wrote: “I went to my hotel and threw myself on the bed…tears flowing from my eyes. It all seems silly now but on that evening I was really more desperate than I had ever been before in my life.” Most writers recognize this particular brand of despair. To be told “It’s only a book,” as I was when in the midst of a seven-year heartache over my first novel, is like telling a lovesick adolescent “There will be others.” At nine that same night, the editor called Anderson. They had been waiting on different corners. He wanted to publish the stories. Anderson expresses no pleasure at this turn of events, only a vague  feeling of relief, a perfect illustration of Epicurus’s definition of happiness as simply the absence of pain. For Anderson, pain wasn’t absent for long. When Winesburg, Ohio was published, in 1919, “in review after review it was called ‘a sewer’ and the man who had written it taken as strangely sex-obsessed…a kind of sickness came over me, a sickness that lasted for months.”

I might have had an easier time of it during the long apprenticeship years had I listened to my father, who, seeking to protect me from a future of hardship that he saw more clearly than I did, urged me to get a university degree. “At least you’ll be able to teach while making your bones as an author,” he said. My concept of what being a writer would entail was so unformed that I took his well-meaning advice as a typically philistine insult. Teaching sounded like a prison sentence that I might never finish serving. What I really doubted, I think, was my ability to lead a double life, writing secretly on weekends. According to Connolly, excessive isolation is one of many traps the writer should take pains to avoid. Having no one to talk to can distort your work, but talking about it too much can kill it. In retrospect, I see I first had to announce my ambition in a brazen way in order to begin to believe in it myself. Now, like most of my writer friends, I pretend that I believed it was a viable profession all along.

- Michael Greenberg is the author of Beg, Borrow, Steal: A Writer’s Life and the award-winning memoir Hurry Down Sunshine. Visit his website at www.michaelgreenberg.org.

Hot Sauce

Shoplifting_1(from Conversations over Stolen Food)

Between December 2006 and January 2007, we recorded forty-five-minute conversations for thirty straight days throughout New York City. Half of these talks took place at a Union Square health-food store which we call “W.F.” Other locations included MoMA, the Metropolitan Museum of Art, the Metropolitan Opera House, Central Park, Prospect Park and a Tribeca parking garage. This piece comes from the first conversation.

7:43 p.m. Friday, December 29

Union Square W.F.

A: I’ve got a final question for you. If we eat things before we exit can no one call…catch us? There’s habeas corpus but there’s something else. Body of evidence? Doesn’t physical evidence need to exist of the event? So long as we consume all evidence perhaps nothing can be done to us.

J: Yeah, I guess we’ve created a body of evidence, but only we ourselves will listen to this tape, and, what’s more, I’ve become friends with the security guards. They know me by first name, as I know them by first name. Today I spoke to…

A: Don’t. You don’t want to get them in trouble.

J: Tonight we shared reintroductions. Tonight’s my first time in the this store for several months and I shook a lot of hands. It felt warm. It’s nice to be welcomed back.

A: Now could you explain what happened in Providence?

J: You mean…

A: Inside its W.F.?

J: Well I have to admit: the desire to keep my living expenses low became reckless. I would carry into the store a bag, a plastic bag from W.F., and I’d place it in the cart and, as I’d shop, I’d place things in the bag, and I’d place of course many many groceries outside the bag, but there were certain items, certain expensive items, that I’d place in the bag—such as sirloin steaks and blueberries (for a while they cost 5.99 a carton). I’d drink an expensive ginseng tea. There was this hot sauce I’d steal, pure extravagance of course and I knew I had turned sloppy, yet I knew…

A: You know the thief’s main virtue is modesty? A modest thief never…

J: That’s right.

A: I’m guessing. I’m guessing.

J: You’re right. And I was modest tonight in stealing my my steamed broccoli and shredded carrots and brown rice, which tastes unnecessarily salted, and that explains why I keep drinking water. You’d think a place committed to health wouldn’t salt foods so excessively.

A: So what happened? So?

J: So just as I left the store an undercover guard blocked my passage. He said Excuse me; I’d like to speak with you inside. And I looked at him and said I don’t know what you’re talking about. And he said Oh, you don’t know what I’m talking about? I said No I don’t. And he said You left the store with unpaid merchandise. And I said What? And he pointed to the bag containing my wrapped sirloin, which cost twenty dollars, and said I’ve worked in this business six years—get inside. The manager stood waiting for me, totally baffled, since we were likewise on a first-name basis, and after previous episodes of stealing (in an effort to keep expenses down) I would treat him with lots of affection: shaking his hands, wishing him a good night, telling him I’d see him real soon. He led me into an office, where he did not press charges. He firmly believed I was confused. That became the story; I’d got confused. I said I’d started talking with the cashier about her necklace. She wore this charm made of imitation gold which spelled her name in cursive and…

A: Hmm, I saw one on this woman sweeping. If you can read the name I’m curious. It looked very long, like Florestan.

J: Florestan, is that right?

A: But the necklace hangs backwards, so you’ll have to read backwards. But sorry go ahead.

J: Yes. I said I got confused: I’d asked about a girl’s necklace. I said I’ll pack my groceries apart from my roommate’s since she’s vegetarian. I said I myself used to be a vegetarian, and know what it’s like. I said I’d just started eating meat again and just got confused. And the manager kept nodding with a blank expression, neither agreeing nor disagreeing while the undercover processed the paperwork. I said Can’t we talk about this? The guard said No. He snapped my photo and said If you ever step into another W.F. you could be arrested on the spot. I started thinking of this project, not wanting to jeopardize it, yet of course didn’t say anything. It’s not like I could have said Oh but sir, come two months from now I’ve planned conversations over stolen food with my friend Andy. Please don’t stand between me and this project.

A: Today’s Times contained pieces on shoplifting. One gave the undercover… [Tape ends]

Jon Cotner and Andy Fitch just completed Conversations over Stolen Food. Their book Ten Walks/Two Talks is due out in December from Ugly Duckling Presse. Other publications include Animal ShelterBrooklyn RailDenver QuarterlyEveryday GeniusLITn+1 and UbuWeb.

In Tongues

In Tounges

In the Louisiana neighborhood where I grew up, we were always looking for ways to get out.

Barry Shinder found a way out when he was just seven, by jumping off a pier into way too shallow water off the Williams Bridge and paralyzing himself from the waist down.  Chrissy Shaw found a way out by getting in a car with strangers when she was just twelve years old never to be heard from again.  And there were countless others, including Jason Fillmore and Thomas Edgars who managed get behind the steering wheels of cars long before they were old enough for licenses and wrapped themselves around trees and telephone poles.

Later on, many of the people found their ways out by selling drugs and committing crimes that people would later make famous movies about.  It seemed as if they would do anything to end up in prison.  In fact, where I grew up they talked about “how this one went to Angola” and “that one’s gonna wind up in Angola” the way other families talk about getting into a good college.

Also later on, many of us found our way out by drinking Jack Daniels straight out of the bottle, taking blue Valium, shooting cocaine.  We weren’t all brave enough to do it all at once, so we found our own slow ways to creep out of the neighborhood.

But when I was seven and eight years old, before I discovered the typewriter as an automobile to anywhere, before I discovered the various sizes and shapes of pill and liquor bottles, I found another way out.

I would like to tell you that it was all hellfire and brimstone, and terrifying, full of snake-handling and scary preachers, but that would be a lie.  It would also be a lie to tell you that I ever saw the light or that I really accepted Jesus Christ as my personal savior.  I’d like to be able to say that the preachers, including my grandfather and my uncle were perfect men who showed us the way to salvation by being the role models that so many of the boys in the neighborhood needed. But none of it would be true.

The Pentecostal Church on the edge of my neighborhood was an escape.  And considering the crime and danger that was going on in every other house in the neighborhood, the Pentecostal Church was one of the few places our parents would let us go.  And there was a time in my youth, when I loved it.

***

My grandfather whom I never met was a Pentecostal preacher and a sharecropper.  He was the pastor of his own church far north from the neighborhood where I grew up, way up in a Parish even we hicks referred to as “the country.”  I don’t know how much of a drinker he actually was, but I do know that in my family when they say things like, “he used to drink” that usually means “he used to drink most of the time.”  But I never knew him, and all accounts I’ve heard were that when he sobered up, he was a fine, non-judgmental man, not like the preachers who later on would exist solely to tell us that the Pope was the anti-Christ.  But like so many people in my family, he didn’t last long.  When he was forty-eight, he had a spell of some sort in the pulpit, got dizzy, passed out, depending on who you ask.  People do get dizzy.  People do pass out.  People also get brain tumors, which is what was going on with him.  He was dead within a year, leaving my grandmother to raise a crop of children in the Pentecostal tradition.  They grew up to be lovely and flawed, the way that all people are.  But none of them stayed in the church.

But my father had a brother, Uncle Wilson, who also “used to drink”  and he became a pastor of the church in our neighborhood.  We loved him.  He had an auto shop behind our house, had a great presence, and was always on like electricity.  And when Brother Lambert wasn’t delivering the sermons at the church, my Uncle Wilson did.  And yes, he used to see the devil in everything.  I used to just listen.  Over coffee in the morning, he would tell us that the Iran hostage situation was a sign of the end, and that barcodes were what were going to be put on everyone’s forehead as the mark of the beast.  Cousin Frank, a Baptist in New Orleans, told me the same thing a few years later.  He also told me that the video games I played were going to send me straight to Hell.  Anything electronic meant I was touching the devil.  If I was, then I liked the way the devil felt.  He felt totally alive to me.

They warned me when I was eight that KISS stood for Kings In Satan’s Service and that idolizing Gene Simmons was like worshipping the devil.  I listened to Revolver more and more.  Not to be rebellious, but because I knew they were wrong.

My older, New Orleans Baptist cousins really used to get to me. They were the new fundamentalists, terrifying in a way that the Pentecostals were not.  I wasn’t sure why, but they seemed dangerous whereas the Pentecostals seemed kind of harmless.  They told me that Hotel California was going to send me to Hell. And when I was eleven and they sensed something about me that wasn’t exactly what they wanted to sense, my New Orleans Baptist cousins took me to church and showed me a passage that said something about men lying with men instead of women.   I knew what it meant.  It meant that I was doomed.  But they had been telling me that there was something wrong with me and that there was a fire waiting for me ever since I could remember.  The images sometimes scared me, the refusal to be like them alienated me, they added to my already deeply rooted shame.  They were pouring more gasoline on this boy almost on fire, and I was always waiting for someone to toss a lit cigarette or torch my way.

When you are burning up, and you know it, and you aren’t asking for water  you feel free.  That was one way I learned to get out.  To get away from the crime-ridden world I was growing up in.  To burn.

***

My parents never re-enforced any of this.  In fact, they’d stopped going to the Pentecostal church years earlier when Brother Lambert had nearly gotten arrested for stealing some meat from the local A&P.  It was also around the same time, when my cerebral-palsied brother wouldn’t stop crying in church and Brother Lambert got mad.  That’s all it took for my parents to become backsliders for life.

Still, they liked it when my sister and I went to church.  By the time I really started going on a regular basis, there were only a handful of regular members.  Maybe fifteen.  There was a strict dress code, women with their long skirts, not allowed to cut their hair; men with short hair, clean-shaven.  Anything that didn’t look like Little House on the Prairie was pushing it.  In fact, Michael Landon’s hair would have been enough of a sin to get him into serious trouble with Uncle Wilson.

Sometimes, even today, at six o’clock on Wednesdays and Sundays, I feel like I’m supposed to be somewhere.  Like I’m missing an important meeting.  Those are the times when, as a kid, I was in church.  So my sister and I would go with some of Uncle Wilson’s nieces from his wife’s side of the family.  And we would show up in that cool, brick church, which smelled brand-new and ancient all at once.  It wasn’t a fancy church, but it was well kept, even the scratchy carpet had a welcoming feel to it.  It was our home during the time we were there.

People think you speak in tongues, or that you get the Holy Ghost because you are so devout.  I never was.  After all, I had already been doomed according to the way they said I should be living my life.  I knew that something as innocent as watching Battle of the Network Stars earlier in the week and staring too long at both Jimmy and Kristy McNichol was enough to disqualify me from me being saved.

But when the music would start, Cousin Hester, who wasn’t as messed up as my brother, but was never like an adult even as an adult would start waving her hands in the air.  And someone would have the tambourine. And my uncle, would be working us up into a frenzy, every word, whether it was “praise”, “Jesus” or “hallelujah”  was said at a decibel that would make me think some of the church bricks must be tumbling onto the grass outside.

And I’d watch it all.  Like a concert, or like a show where I knew the actors.  Except they weren’t acting, they meant it.  And because I loved them.  And because I could see them being carried some place far away, I wanted to go with them.  So I would begin chanting, “Dear Jesus, save me from my sins,” “Bless you Jesus, reach down and touch me,” and this would go on for minutes, this chant.  And it felt great.  It felt like I wasn’t even there.  And then my uncle would come over and place his hand on my head, “God, bless this child, reach down and touch this child!”  A shot of electricity would go through me like I had been touched by Jesus himself.  I would find myself dancing what probably looked to be a ridiculous dance, or sometimes I’d wander around with my eyes closed, blinded by the energy.   Sometimes, I would wake up in the front of the church even if I started at the back.  Sometimes I would find myself near the pulpit.

And for those moments, which seemed to go on forever, I was not there, not in that neighborhood, not in that town, not in this world.  This, I learned was my escape.  And I didn’t have to believe anything they said, didn’t have take the sermons to heart, all I had to do was repeat after them, and feed on their energy, and I could suddenly not exist.

And unlike Barry Shinder, or Chrissy, or Jason, or Thomas, my escape would not make my mama cry.  Wouldn’t get my dad upset.  Wouldn’t be in the papers.  If it was sensational, it was my own private scandal.

Years later, after Uncle Wilson got thrown out of the church for having an affair with a sixteen-year old church member the church would stand empty.  Brother Lampert had died by then.  His wife and kids were far away.  Weeds grew around the church.  And when I’d go back home to visit, I’d wonder what was going on inside.  Maybe the ghosts of Jesus and Satan were having wrestling matches, maybe it smelled even newer; maybe the hymnbooks were still in their perfect wooden places behind the pews.

Later, after the church was no longer the church, I’d find other places, other people in the neighborhood to escape with, other ways to get out.  Sometimes it would be on a Greyhound bus for a run of the streets of Los Angeles, sometimes it would be a bottle of whiskey, a needle in the arm, several intentionally skipped meals.  But I never found a way out as safe and pure and simple as speaking in tongues and getting the Holy Ghost.

I was never a believer, and yet I believed in the believers.  I believed that they could take me away.  And when I was just a kid seeking escape, they did.

- Martin Hyatt was born just outside of New Orleans.  His novel, A Scarecrow’s Bible, won the Edmund White Award for Debut Fiction and was named a Stonewall Honor Book by the American Library Association.  In addition, he has been a finalist for the Lambda Literary Award, The Ferro-Grumley, and The Violet Quill Award. NY Magazine named  him a “star of tomorrow” in their Literary Idol feature.  He is the recipient of an Edward F. Albee Writing Fellowship and The New School Chapbook Award for fiction.  He has taught writing at such places at Hofstra, Yeshiva, The New School, and  St. Francis College.  He is the Founding Coordinator of a Writing Center in  New York City where he currently resides.  He has just completed a new novel entitled Beautiful Gravity.
www.martinhyatt.net

THE MASSES DEMAND A REALISTIC AND CONSTRUCTIVE ASSESSMENT OF THE GENERAL SECRETARY’S CONDITION

brezhnevA gypsy once told my mother I would reach the pinnacle of fame and fortune, but would never know happiness, and perhaps her prediction was correct.

There is never enough sleep or enough love in the world.

I remember the taste of freshly-fallen snow, the heat of the blazing open-hearth furnaces, how excited my father was the first time he saw an automobile. Life sweeps everything old, routine, and ossified from its path.

As a boy, I learned on the streets the importance of having loyal friends, a gang protecting one’s flanks and rear. I could be brave in a fight, but I also mastered the conciliatory gestures and overtures that could win over an enemy. As time went on, I would see many perish for failing to master these skills.

Before studying for my exams, I worked in a steel mill, attending meetings on how to increase workplace productivity and meet production targets. I participated in anti-delinquency campaigns, breaking up fights and confiscating weapons. Later it was my responsibility to supervise the editorial line of local newspapers, learning the right note of jubilation to strike when publicizing the Party’s triumphs. Organization and psychology were my strengths, not points of abstract doctrine.

To quote a phrase of the poet Yesenin — in my heart I never lied.

Those were times when much was possible for a man of determination with a technical education and a willingness suddenly to look the other way. Higher job positions became vacant very suddenly, and rapid upward mobility was possible for those who kept an invisible profile, never expressed opinions that had not already appeared in that day’s edition of Pravda, and were prepared to denounce friends and colleagues when there was no alternative.

Sitting on sub-committees, avoiding all signs of personal ambition, I learned who to criticize for production shortfalls, mouthing the repetitive denunciations so characteristic of the time. I drafted pledges, planned rallies, and spoke obliquely of questions and tendencies, giving speeches whose real meaning lay in which customary phrases were omitted, talking without inflection to avoid betraying my secret fears.

I participated in the reorganization of agriculture, helping relocate the peasantry to collective farms, and confiscating grain from hoarders. I appointed people who owed everything to me, who could be relied on, to important posts. Once I narrowly avoided arrest, using my connections to arrange a rapid transfer to another province, until those who were slandering me were themselves liquidated.

When it became necessary to put the economy on a war footing, and to evacuate large areas at short notice, I was one of those who helped achieve this logistical triumph. Sent to the front as a commissar to a tank company, to strengthen our soldiers’ love for their motherland, I won my first medals.

I had to give up my one true love, a military doctor, because higher authorities found our romance scandalous. A divorce from my wife would have destroyed my career.

Later, it was necessary to incorporate new territories and populations into our system, to rebuild towns and metallurgy plants and hydroelectric stations that had been ravaged and destroyed, and to resettle those guilty of collaborating with the enemy. I was content to be seen as a mediocrity, having observed what became of brilliant men. I uncovered conspiracies, and oversaw the construction of apartment buildings. My real regret is that I did not spend more time with my children.

When there was factional conflict among my superiors, I led all groups, by subtle signs, to think I was on their side. Their favor led to my being unanimously elected to higher and higher positions. I dressed elegantly. I knew what could be said and what could not, and how to draw strength for myself from those around me.

I always dreamed there would be peace one day.

At last I was transferred to Moscow. For the first time, I stood on top of Lenin’s Mausoleum during national celebrations. I grew alert to the significance of an abruptly announced vacation or illness, of an equivocal note struck in the middle of a panegyric, of exactly who was not present at a delegation sent to hug returning cosmonauts.

My wife and I were transferred to a larger apartment, but then I was demoted. For a while, the groups sent to receive me when I returned from business trips were disturbingly small. But despite rumors of my imminent retirement, I held several full-time jobs, directing the development and production of inter-continental ballistic missiles, tirelessly phoning regional party secretaries, inquiring after their problems and needs and even asking them for advice, working gradually to ease anyone who might have outshone me from positions of responsibility.

Even a harsh boss is preferable to an inconsistent one. This was inadequately understood by Khrushchev, the last of my mentors, a gambler who lacked strategic goals. As the proverb says – when the ice is melting, walk faster.

I gave out awards, anxious now to increase my visibility. My wife tried to get me to read more. Our daughter was a disappointment to me. She came home late, if she came home at all, and she was always falling in love with circus performers. I was a kind of circus performer myself, for most of my career, a juggler up high on the tightrope, never looking down.

After my rivals and I finally forced Khrushchev to resign, I set about eroding their power bases. My endurance was legendary. I could give an accounting report that lasted six hours, stopping only for applause. But unlike Kruschchev, with whom no one could get a word in edgeways, I was also a good listener, and knew the importance of keeping order, when to be coarse and when to be urbane. I could sleep at night if I took the right pills.

Until I had consolidated my position, I avoided encountering problems head on. I conscientiously read annual reports on trade and industry, and made sure that wages increased, while prices remained constant. I knew how to kick off a meeting by putting my underlings at ease. My collected speeches were published, to glowing reviews. It was reported that milkmaids wept at the sincerity of my televised addresses.

I was awarded decorations and insignia that had never previously existed. I was careful to choose no heir presumptive. Hoping to be remembered as a man of peace, I preferred whenever possible to play a waiting game, but when there was an outburst of revisionism in Czechoslovakia, I responded forcefully.

Bad examples are contagious, and if you wish to make peace, you must be seen to be strong. These things are never understood properly by the intelligentsia, who have no idea how the world really works, and so cannot see themselves objectively.

I broadened the legal definition of criminal dissent.

The police put my drunken brother in a psychiatric hospital, and it took several phone calls for me to get him released.

Andropov scares me.

Foreign heads of state presented me with luxury cars. My father, a simple factory worker, would have been astonished. I bought yachts and ski mobiles. I sat through many operas, when I would rather have seen a Western movie. Ideas have never meant as much to me as machines. Communism is a pretty story for popular consumption. The masses, after all, need something to believe in. Sometimes I envy them their freedom.

I shot boars in the forests, and supported national liberation movements throughout the Third World. I kept my desk tidy, and collected antique clocks. Sometimes I lost my way in the middle of a secret speech. A mild stroke left me with a slight speech impediment. For every treaty of friendship and cooperation, for every arms agreement I signed, I paid with my health. The doctors pronounced me clinically dead once, but I revived, and authorized sending military contingents to terminate the aggression in Afghanistan. I could not let Andropov think I was losing my grip.

He has put a stop to the visits from my favorite faith healer. I know who is behind the recent arrests of my daughter’s friends. Every year it gets harder to climb the marble steps to the top of Lenin’s tomb. I can no longer carry my own attache case. My doctors say it harms my health to review outdoor parades in these unfavorable weather conditions, but Andropov insists I be there, with the other old men in fur coats, my vision so dim now I can barely make out the shapes of the tanks as they glide past.

I have regular blood transfusions now, and in the same spirit Andropov appointed a youngster to the Politburo, the one with the ludicrous birthmark on his head. His name escapes me, which is disturbing, for one does not command an empire by forgetting names.

Soviet medicine keeps me alive. I would like to be able to start over again from the beginning, but my strength is gone. By the time I was in a position really to achieve things, I no longer had the energy.

My daughter turned out a nymphomaniac, my son a drunkard. They grew up with too many privileges, and lack strength of character.

There is never enough love in the world, or enough sleep.

I remind the doctors that they pronounced me dead once before –  not the same doctors, they were replaced – and they chuckle uneasily. They brought me a German television, when the Russian one broke down.  The newsreaders are wearing black.

The statistics I am given about the current state of the economy are encouraging. My wife has many mink coats. I was recently awarded the Afghan Order of Freedom.

I wish I was still the leader of a gang of children, fighting on the streets, swimming in the Dnieper, watching circus wrestlers. I was the best leader those rogues ever had.

Back then you could buy a sesame square and a sweet millet drink for under a kopeck.

I remember the taste of freshly-fallen snow.

My doctors are debating whether I am conscious. I will be kept on life support until my successor is confident all his cards are in place. I hope it won’t be Andropov. Why has he replaced my bodyguards? Why is this phone line not working? Why are the newsreaders wearing black?

Nothing has been announced, but my doctors have been told that, the next time I have a stroke, I should not be revived.

In my heart I never lied.

Л. БРЕЖНЕВ

L. Brezhnev

- James Warner blogs for Identity Theory at Everything Unfinished. His fiction has appeared most recently on Storyglossia and ApostropheCast and in Ninth Letter. He helps organize the world’s largest literary pub crawl, the Lit Crawl, for San Francisco’s annual Litquake festival.