Each month in Postscript, Anna Knoebel revisits letters from prominent writers and other artists to revive the dying art of letter writing. Anna is the editor and co-publisher of Abe’s Penny, a magazine of arts and literature delivered in the form of postcards.
With our easy access to instant messenger and video chat, it’s hard to imagine a time when communicating by telephone was a big deal. Try imagining even further back, before the telephone, when letters sent the news, and Samuel Morse had yet to “press” Government to support his invention, an electrical telegraph system.
He was making a living as a painter and a painting teacher, having by then studied and the Royal Academy and completed his masterpiece, the Dying Hercules. According to the story, Morse was in New York, commissioned to paint a marquis, when he learned his wife was gravely ill. Though he immediately traveled home to be with her, he was too late; she had already been buried. Morse was always tinkering with electricity and inventions, but it may have been grief that spurred his obsessive interest in rapid long distance communication.














