The history of literature is littered with blood spatters and broken noses. Ben Jonson, Alexander Dumas and Marcel Proust fought duels. Alexander Pope slipped a pirate bookseller an emetic. The Earl of Rochester was suspected of hiring thugs to beat John Dryden.
But the sad truth, as I discovered researching Writers Gone Wild is that authors don’t get into nearly as much trouble as they used to.
It was a time when Ernest Hemingway traded punches with Wallace Stevens on a Key West dock after Wallace had humiliated Hemingway’s sister at a party. Not that Ernest needed an excuse to knock anyone down, but this was more ennobling than wrestling a critic on his editor’s desk at Scribner’s about a negative review.
Then there was the time Theodore Dreiser slapped a drunken Sinclair Lewis after Lewis called him a “son of a bitch who stole three thousand words from my wife’s book” at a literary dinner. That slap, fueled not only by alcohol, but Lewis’ suspicion that Dreiser had also slept with his wife, made national headlines.
And then there’s Norman Mailer. He would have filled a chapter in my book, but pressed for space, I resorted to reciting his record: against Bruce Jay Friedman (a victory against Friedman, a draw against Friedman’s Jaguar); songwriter Jerry Leiber (stopped by the restaurant owner); and Gore Vidal (two bouts, two KOs, but losing the rematch on points to Vidal’s verbal riposte: “Words fail Norman Mailer yet again.”).
When the most violent attack in recent years was Richard Ford goobering Colson Whitehead at a Poet & Writers party, the mystery is: why?