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	<title>The Outlet: the Blog of Electric Literature &#187; Louisiana</title>
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		<title>In Tongues</title>
		<link>http://electricliterature.com/blog/2009/11/11/in-tongues/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=in-tongues</link>
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		<pubDate>Thu, 12 Nov 2009 00:54:00 +0000</pubDate>
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				<category><![CDATA[Thoughts]]></category>
		<category><![CDATA[Church]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[Louisiana]]></category>
		<category><![CDATA[Martin Hyatt]]></category>

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		<description><![CDATA[In the Louisiana neighborhood where I grew up, we were always looking for ways to get out. Barry Shinder found a way out when he was just seven, by jumping off a pier into way too shallow water off the Williams Bridge and paralyzing himself from the waist down.  Chrissy Shaw found a way out [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><span style="font-family: Times New Roman; font-size: small;"><img class="size-full wp-image-133 aligncenter" title="In Tounges" src="http://electricliterature.com/blog/wp-content/uploads/2009/11/222_snakehandlers_dewey4.jpg" alt="In Tounges" width="606" height="630" /></span></p>
<p style="text-align: left;"><span style="font-family: Times New Roman; font-size: small;">In  the Louisiana neighborhood where I grew up, we were always looking for  ways to get out. </span></p>
<p><span style="font-family: Times New Roman; font-size: small;">Barry  Shinder found a way out when he was just seven, by jumping off a pier  into way too shallow water off the Williams Bridge and paralyzing himself  from the waist down.  Chrissy Shaw found a way out by getting in  a car with strangers when she was just twelve years old never to be  heard from again.  And there were countless others, including Jason  Fillmore and Thomas Edgars who managed get behind the steering wheels  of cars long before they were old enough for licenses and wrapped themselves  around trees and telephone poles.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">Later  on, many of the people found their ways out by selling drugs and committing  crimes that people would later make famous movies about.  It seemed  as if they would do anything to end up in prison.  In fact, where  I grew up they talked about “how this one went to Angola” and “that  one’s gonna wind up in Angola” the way other families talk about  getting into a good college.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">Also  later on, many of us found our way out by drinking Jack Daniels straight  out of the bottle, taking blue Valium, shooting cocaine.  We weren’t  all brave enough to do it all at once, so we found our own slow ways  to creep out of the neighborhood.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">But  when I was seven and eight years old, before I discovered the typewriter  as an automobile to anywhere, before I discovered the various sizes  and shapes of pill and liquor bottles, I found another way out.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">I  would like to tell you that it was all hellfire and brimstone, and terrifying,  full of snake-handling and scary preachers, but that would be a lie.   It would also be a lie to tell you that I ever saw the light or that  I really accepted Jesus Christ as my personal savior.  I’d like  to be able to say that the preachers, including my grandfather and my  uncle were perfect men who showed us the way to salvation by being the  role models that so many of the boys in the neighborhood needed. But  none of it would be true.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;"> The Pentecostal Church on the edge of my neighborhood was an escape.   And considering the crime and danger that was going on in every other  house in the neighborhood, the Pentecostal Church was one of the few  places our parents would let us go.  And there was a time in my  youth, when I loved it.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;"> ***</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">My  grandfather whom I never met was a Pentecostal preacher and a sharecropper.   He was the pastor of his own church far north from the neighborhood  where I grew up, way up in a Parish even we hicks referred to as “the  country.”  I don’t know how much of a drinker he actually was,  but I do know that in my family when they say things like, “he used  to drink” that usually means “he used to drink most of the  time.”  But I never knew him, and all accounts I’ve heard were  that when he sobered up, he was a fine, non-judgmental man, not like  the preachers who later on would exist solely to tell us that the Pope  was the anti-Christ.  But like so many people in my family, he  didn’t last long.  When he was forty-eight, he had a spell of  some sort in the pulpit, got dizzy, passed out, depending on who you  ask.  People do get dizzy.  People do pass out.  People  also get brain tumors, which is what was going on with him.  He  was dead within a year, leaving my grandmother to raise a crop of children  in the Pentecostal tradition.  They grew up to be lovely and flawed,  the way that all people are.  But none of them stayed in the church. </span></p>
<p><span style="font-family: Times New Roman; font-size: small;">But  my father had a brother, Uncle Wilson, who also “used to drink”  and he became a pastor of the church in our neighborhood.  We loved  him.  He had an auto shop behind our house, had a great presence,  and was always on like electricity.  And when Brother Lambert wasn’t  delivering the sermons at the church, my Uncle Wilson did.  And  yes, he used to see the devil in everything.  I used to just listen.   Over coffee in the morning, he would tell us that the Iran hostage situation  was a sign of the end, and that barcodes were what were going to be  put on everyone’s forehead as the mark of the beast.  Cousin  Frank, a Baptist in New Orleans, told me the same thing a few years  later.  He also told me that the video games I played were going  to send me straight to Hell.  Anything electronic meant I was touching  the devil.  If I was, then I liked the way the devil felt.   He felt totally alive to me.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">They  warned me when I was eight that KISS stood for Kings In Satan’s Service  and that idolizing Gene Simmons was like worshipping the devil.   I listened to <em>Revolver </em>more and more.  Not to be rebellious,  but because I knew they were wrong.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">My  older, New Orleans Baptist cousins really used to get to me. They were  the new fundamentalists, terrifying in a way that the Pentecostals were  not.  I wasn’t sure why, but they seemed dangerous whereas the  Pentecostals seemed kind of harmless.  They told me that <em>Hotel  California </em>was going to send me to Hell. And when I was eleven and  they sensed something about me that wasn’t exactly what they wanted  to sense, my New Orleans Baptist cousins took me to church and showed  me a passage that said something about men lying with men instead of  women.   I knew what it meant.  It meant that I was doomed.   But they had been telling me that there was something wrong with me  and that there was a fire waiting for me ever since I could remember.   The images sometimes scared me, the refusal to be like them alienated  me, they added to my already deeply rooted shame.  They were pouring  more gasoline on this boy almost on fire, and I was always waiting for  someone to toss a lit cigarette or torch my way. </span></p>
<p><span style="font-family: Times New Roman; font-size: small;">When  you are burning up, and you know it, and you aren’t asking for water   you feel free.  That was one way I learned to get out.  To  get away from the crime-ridden world I was growing up in.  To burn.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;"> ***</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">My  parents never re-enforced any of this.  In fact, they’d stopped  going to the Pentecostal church years earlier when Brother Lambert had  nearly gotten arrested for stealing some meat from the local A&amp;P.   It was also around the same time, when my cerebral-palsied brother wouldn’t  stop crying in church and Brother Lambert got mad.  That’s all  it took for my parents to become backsliders for life. </span></p>
<p><span style="font-family: Times New Roman; font-size: small;">Still,  they liked it when my sister and I went to church.  By the time  I really started going on a regular basis, there were only a handful  of regular members.  Maybe fifteen.  There was a strict dress  code, women with their long skirts, not allowed to cut their hair; men  with short hair, clean-shaven.  Anything that didn’t look like <em> Little House on the Prairie</em> was pushing it.  In fact, Michael  Landon’s hair would have been enough of a sin to get him into serious  trouble with Uncle Wilson.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">Sometimes,  even today, at six o’clock on Wednesdays and Sundays, I feel like  I’m supposed to be somewhere.  Like I’m missing an important  meeting.  Those are the times when, as a kid, I was in church.   So my sister and I would go with some of Uncle Wilson’s nieces from  his wife’s side of the family.  And we would show up in that  cool, brick church, which smelled brand-new and ancient all at once.   It wasn’t a fancy church, but it was well kept, even the scratchy  carpet had a welcoming feel to it.  It was our home during the  time we were there.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">People  think you speak in tongues, or that you get the Holy Ghost because you  are so devout.  I never was.  After all, I had already been  doomed according to the way they said I should be living my life.   I knew that something as innocent as watching <em>Battle of the Network  Stars </em>earlier in the week and staring too long at both Jimmy and  Kristy McNichol was enough to disqualify me from me being saved.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">But  when the music would start, Cousin Hester, who wasn’t as messed up  as my brother, but was never like an adult even as an adult would start  waving her hands in the air.  And someone would have the tambourine.  And my uncle, would be working us up into a frenzy, every word, whether  it was “praise”, “Jesus” or “hallelujah”  was said at a decibel that would make me think some of the church bricks  must be tumbling onto the grass outside. </span></p>
<p><span style="font-family: Times New Roman; font-size: small;">And  I’d watch it all.  Like a concert, or like a show where I knew  the actors.  Except they weren’t acting, they meant it.   And because I loved them.  And because I could see them being carried  some place far away, I wanted to go with them.  So I would begin  chanting, “Dear Jesus, save me from my sins,” “Bless you  Jesus, reach down and touch me,” and this would go on for minutes,  this chant.  And it felt great.  It felt like I wasn’t even  there.  And then my uncle would come over and place his hand on  my head, “God, bless this child, reach down and touch this child!”   A shot of electricity would go through me like I had been touched by  Jesus himself.  I would find myself dancing what probably looked  to be a ridiculous dance, or sometimes I’d wander around with my eyes  closed, blinded by the energy.   Sometimes, I would wake up  in the front of the church even if I started at the back.  Sometimes  I would find myself near the pulpit.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">And  for those moments, which seemed to go on forever, I was not there, not  in that neighborhood, not in that town, not in this world.  This,  I learned was my escape.  And I didn’t have to believe anything  they said, didn’t have take the sermons to heart, all I had to do  was repeat after them, and feed on their energy, and I could suddenly  not exist.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">And  unlike Barry Shinder, or Chrissy, or Jason, or Thomas, my escape would  not make my mama cry.  Wouldn’t get my dad upset.  Wouldn’t  be in the papers.  If it was sensational, it was my own private  scandal. </span></p>
<p><span style="font-family: Times New Roman; font-size: small;">Years  later, after Uncle Wilson got thrown out of the church for having an  affair with a sixteen-year old church member the church would stand  empty.  Brother Lampert had died by then.  His wife and kids  were far away.  Weeds grew around the church.  And when I’d  go back home to visit, I’d wonder what was going on inside.   Maybe the ghosts of Jesus and Satan were having wrestling matches, maybe  it smelled even newer; maybe the hymnbooks were still in their perfect  wooden places behind the pews. </span></p>
<p><span style="font-family: Times New Roman; font-size: small;">Later,  after the church was no longer the church, I’d find other places,  other people in the neighborhood to escape with, other ways to get out.   Sometimes it would be on a Greyhound bus for a run of the streets of  Los Angeles, sometimes it would be a bottle of whiskey, a needle in  the arm, several intentionally skipped meals.  But I never found  a way out as safe and pure and simple as speaking in tongues and getting  the Holy Ghost.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">I  was never a believer, and yet I believed in the believers.  I believed  that they could take me away.  And when I was just a kid seeking  escape, they did.</span></p>
<p><strong>- Martin Hyatt</strong> was born just outside of New Orleans.  His novel,<em> A Scarecrow’s Bible</em>, won the Edmund White Award for Debut Fiction and was named a Stonewall Honor Book by the American Library Association.  In addition, he has been a finalist for the Lambda Literary Award, The Ferro-Grumley, and The Violet Quill Award. NY Magazine named  him a &#8220;star of tomorrow&#8221; in their Literary Idol feature.  He is the recipient of an Edward F. Albee Writing Fellowship and The New School Chapbook Award for fiction.  He has taught writing at such places at Hofstra, Yeshiva, The New School, and  St. Francis College.  He is the Founding Coordinator of a Writing Center in  New York City where he currently resides.  He has just completed a new novel entitled<em> Beautiful Gravity</em>.<br />
w<a href="http://www.martinhyatt.net">ww.martinhyatt.net</a></p>

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