Literary Citizenship Looks Like Aaron Burch
The author of “Tacoma” and founder of lit mags “Hobart,” “HAD,” and “Short Story, Long” on finding the novels hidden in short stories



The author of “Vigil” talks about writing playfully, revision as the cure for writer’s block, and representing both the light and the dark
“Crux” author Gabriel Tallent on climbing as a writer, the logic of friendship, and getting caught between Hemingway and Melville
Beronda L. Montgomery’s “When Trees Testify” considers the plants that store African American knowledge, resilience, and hope
Svetlana Satchkova’s “The Undead” contemplates artistic responsibility, state censorship, and the risks of being an artist in Russia
Sydney Rende’s “I Could Be Famous” plays with the fantasy vs. reality of modern-day fame
Rachel Eliza Griffiths on memorializing the most intimate griefs and joys in “The Flower Bearers”
The author of “One Aladdin Two Lamps” on the state of the world, literary adaptations, and surrendering to your own work as the ultimate writerly guide
"Famished” author Anna Rollins discusses how evangelical scriptures impact women and trickle down into American politics
Kathleen Boland’s “Scavengers” is a madcap adventure probing questions of reinvention, the wilderness, and the stories we tell ourselves
Annemarie Ní Churreáin’s “Hymn to All the Restless Girls” follows ravens and speaks ancient languages to reckon with a national legacy of misogyny
These Saudi poems inherit a borderless land bathed in the blue light of a networked world
David Ryan’s story collection, “Alligator,” melds dream logic, experimentation, and the rigor of capturing reality’s unexpected moments