Rax King, author of "Tacky," on being a virtuous shoplifter, Guy Fieri, and her go-to order at the Cheesecake Factory
Asako Serizawa on complicating the role of victim and perpetrator in her short story collection "Inheritors"
Jung Yun, author of "O Beautiful," on corporate colonialism and the perils of being a woman in a hypermasculine environment
Weng Pixin on reimagining the lives of five generations of her female ancestors in "Let’s Not Talk Anymore"
Aruni Kashyap's collection "There Is No Good Time for Bad News" shows how the oppressor and the oppressed are not mutually exclusive categories
Carribean Fragoza's domestic surrealist stories in "Eat the Mouth That Feeds You" are about Chicanas navigating the grotesque and the mundane
Myriam J. A. Chancy, author of "What Storm, What Thunder," on why we need to dispense with reductive narratives of Haitian "resilience" and "impoverishment"
Andrea Abi-Karam, author of the collection "Villainy," on queer public sex as an act of rebellion against state surveillance
Kalani Pickhart's novel "I Will Die in a Foreign Land" follows four characters at a crossroads during the 2014 Ukrainian Revolution
Thank You!
