BOMB Magazine Founder Betsy Sussler talks Aristophanes, Faulkner, and the enigmatic presence of the American South in "Station of the Birds"
The Pulitzer Prize-winning author on leaving the door open and writing toward a sense of inevitability
The millennials in Andrew Martin's "Down Time" spend COVID lockdown preoccupied with interpersonal nightmares
Anna Nygren’s “blush / river / fox” is a foray into the exuberant capacities of multilingual writing
Eight editors behind trans periodicals discuss trans activism and the power of t4t publications
Vigdis Hjorth on her latest novel, "Repetition," and how writing brought retroactive empathy for her younger self
“Lean Cat, Savage Cat” is fueled by sex, drugs, rock, and the seductive allure of self-creation
Karan Mahajan, author of “The Complex,” on risks in fiction, reinventing genre, and writing what you want to learn about
As they shed the Tin House Workshop name, Executive Director Lance Cleland discusses the values that remain at the organization's core
Beneath a murder mystery, T Kira Madden forges a story of survival and resilience
In “All the World Can Hold,” Jung Yun positions the cruise ship as a locus of performance, family, and unexpected trauma
Jan Saenz, Lisa Lee, and Albertine Clarke on fiction’s refractions and reminiscences
Thank You!
