9 Books that Center Deaf and Hard of Hearing Characters 

Growing up with a pair of hearing aids, it never occurred to me that deafness was an experience. Mostly it was a problem that I was taught to hide. When I started meeting other deaf people my own age, and learning British Sign Language, I began to see deafness from a new perspective. Books, when I found ones by deaf authors or with deaf characters, became an important resource and source of joy. 

My debut novel, A Sign of Her Own, explores one woman’s personal discovery of deafness. Set in late 19th-century Boston and London, Ellen Lark, who is deafened by scarlet fever, becomes a pupil of Alexander Graham Bell and studies his technique called Visible Speech. When Bell’s attention turns towards the telephone, Ellen finds herself drawn to a deaf man, Frank McKinney. As their friendship deepens, and Bell’s views on sign language become clear, Ellen is left with a decision that calls into question everything she has been taught. 

Many books helped me understand deaf people’s experiences at this turning point in history. Some were historical texts and studies which provided insights into the attitudes of the time, as well as deaf people’s own experiences and opinions. But I also turned to contemporary fiction, poetry and memoir. Written by (mostly) Deaf and Hard of Hearing authors, these works explore themes that are universal, through the lens of deafness: Language, how it fails and unites us, and loneliness, the ways in which we find community and connection, and silence, that manifests in many forms. From a graphic memoir to these nine books showed me just how varied the Deaf experience can be. 

El Deafo by Cece Bell 

This classic graphic memoir should be read by everyone of all ages. Cece Bell  depicts what it feels like to grow up deaf in the mainstream education system as she grapples with the emotional consequences of being different from one’s peers. The book offers insights into the common assumptions that people make about deafness, and provides young deaf readers a rare chance to see themselves represented in fiction.

True Biz by Sara Novic

On the rare occasions that a deaf character features in fiction, they are often isolated figures, stranded in hearing society. In True Biz, Novic gives us the diversity of Deaf experience through a variety of characters who come together at a school for deaf students which is being threatened with closure. Novic paints an engaging, tender and passionate picture of contemporary Deaf culture, illuminating a range of issues that affect deaf people today, while paying homage to the school’s central role in Deaf history.

Chattering by Louise Stern

As a native sign language user, Stern is interested in the way language inhabits our bodies, and the physicality of communication, silence and sound. The characters in these short stories seek new experiences, traveling between Deaf and Hearing worlds and navigating their passage with a mixture of signing, lipreading, and pen and paper. The stories are deftly written moments of insight and revelation in which Stern skillfully flips the perspective on hearing people’s attitudes to deafness. 

Hearing Maud by Jessica White

A work of creative nonfiction by Australian writer Jessica White, this book combines the author’s personal experience of deafness with the story of Maud Praed, the deaf daughter of Rosa Praed, a Australian novelist living in London in the 19th century. White writes with heartbreaking precision about Maud’s life as the only deaf child in the family and her eventual commitment to an asylum. Equally fascinating is how White charts her own journey through the landscape of deafness, giving readers a global story of deaf history that crosses continents. 

The Perseverance by Raymond Antrobus

This poetry collection opened my eyes to the creative possibilities of writing about Deaf experience. Antrobus writes about growing up deaf, Deaf history, his Jamaican British inheritance and his relationship with his father. What connects the poems is their exploration of the linguistic and acoustic edges of deafness, as Antrobus recounts being made to speak and hear, stumbling through English grammar, making translations in sign language, and the relationship a deaf person has with sound and noise. Antrobus also takes on Deaf history and representation in the last two centuries, addressing works by Charles Dickens and Ted Hughes, and showing how the “space of deafness” has been shaped and controlled by hearing narratives.

Deaf Republic by Ilya Kaminsky

At the end of Ilya Kaminksy’s poetry collection, he writes: “The deaf don’t believe in silence,” he writes, “silence is the invention of the hearing.” Set in an unnamed occupied territory, Kaminsky’s vignette-like poems unfold the lives of the town’s residents after they choose to become deaf in response to the killing of a deaf boy. Using silence  as protest and resistance, the townspeople create their own sign language to communicate. The result is an imaginative act which asks us to consider how we construct our ideas of silence and deafness, and for what purposes.

Sounds Like Home by Mary Herring Wright

First published in 1999, this memoir by Black Deaf author Mary Herring Wright has been reissued in a new edition. It gives a vivid account of Wright’s experiences in a school for deaf and blind Black students in North Carolina in the 1930s. Providing a fascinating insight into residential school life for deaf people at the time of segregation, Wright movingly portrays her girlhood and coming-of-age, and her bonds with her Hearing family and deaf friends as she alternates between family and school life.  

A Mighty Change: An Anthology of Deaf American Writing edited by Christopher Krentz

In this anthology of deaf American writing from the mid-19th century, Krentz brings together texts that reflect the opinions and experiences of deaf people at the time. Although largely focused on well-known figures in American Deaf history, these accounts are interesting in mapping out the emergence of Deaf culture that preceded the era of oralism. They also provide an insight into how deaf people used writing to demonstrate their capabilities, and to connect with the wider Deaf community. 

Deafening by Frances Itani

This novel by Canadian author Itani, published over twenty years ago, was inspired by her deaf grandmother. Deafening was the first time I’d encountered a deaf main character in fiction. Quiet and compelling, this is the story of Grania O’Neill, a young deaf girl from a family of Irish immigrants. The novel portrays her encounters with language and love as the story moves from a boarding school for deaf children to the frontiers of World War I. Through Grania’s growing relationships with her grandmother and friends, and finally with a hearing man, Itani illuminates the myriad ways in which language fails us and connects us.

9 Fun Murder Mysteries You Should be Reading

Putting the words “fun” and “murder” next to each other in a conversation is a great way to give off the impression that you are gleefully maladjusted. But I’d wager if you tried it (the conversation starter, not the murder)—go ahead, show up at a party and say, “Isn’t murder fun?”—people would know just what you’re trying to say. You aren’t referring to your dark alter-ego as a serial killer (we hope), but to this long-enduring concept of the fictional murder-as-puzzle. The quirky detectives, the red herrings, the tropes of “it was the butler all along!” all under the shine of not taking itself too seriously while managing to be fiendishly clever. Books that aren’t trying to change your life, but are trying to outsmart you. Stories that champion wit, often giving a good dose of heart, and if you’re lucky, even sneak in some revelations that get you right in the feels. 

It’s not unfair to ask why such a thing exists. Why take a concept like murder—this horrific act of ending someone’s life for reasons that are usually riddled with selfishness—and put a light-hearted spin on it? I can only offer my take on it all, but my love of the genre is founded on the fact that in our imperfect world of unfairness and injustice, these stories present us a reality in which clues are trackable, ticking clocks not unbeatable, and comeuppances always dealt. You may need to shift your understanding of what’s plausible in order to roll with the plot lines of a lot of fun murder mysteries, but once you realize you’re in the hands of authors who probably grew up watching Murder She Wrote, you can sit back and accept that there are in fact times when the serious concept of murder is not taken too seriously. As one of the characters in my upcoming book, How to Solve Your Own Murder, says, “If TV has taught us anything, it’s that the murder rate in small towns is disproportionately high.”

And if you think that every permutation of whodunnit has been done to death (I make no apologies for puns), you are painfully mistaken. Here are nine books that range from humorous hijinks to slightly darker but creatively clever approaches to murder mysteries. 

Over My Dead Body by Maz Evans

When Dr. Miriam Price wakes up from a supposed drinking binge to find her own dead body on the floor of her flat, she finds herself stuck in “limbo” unless she can prove hers wasn’t a death by misadventure. Miriam is sure she’s been murdered, but her memories on the incident are murky, so she’s got to piece together the last few weeks of her rather messy life to try to find the culprit, or face being stuck in limbo for eternity. The trouble is, with her rather prickly personality and long list of enemies, she’s got a lot of avenues to investigate and not a lot of time to do it in. Adding insult to injury is the fact that while she can move amongst her friends and family, only one person can see her—it’s a clever bit of afterlife world-building on Evans’ part, that only the dying can see the dead. So Miriam is stuck trying to solve her murder with the one person she’s been feuding with for months—her elderly neighbor Winnie. The wit is electric in this one, and the unlikely crime solving duo of Winnie and Miriam is equal parts hilarious and heartwarming. A great one for a highly original take on the classic whodunnit, this book is cozy crime meets The Good Place, in the best way. 

Voyage of the Damned by Frances White

A murder mystery on a sea voyage, with a rich fantasy setting and an unforgettably snarky narrator. Ganymedes Piscero has a secret — he’s the heir to one of the twelve provinces of Concordia, a role that should have come with an inherited magical ability called a Blessing. Each of the heirs to the twelve provinces have one, but Ganymedes has come up short and shows no signs of inheriting his. When he’s forced to pretend he’s got a Blessing while on board a 12-day voyage with the other heirs, Ganymedes hatches a plan to be the biggest problem he can so that he can get kicked out of his role and go live his life in bliss, far from the politics of the realm. But when one of the heirs turns up murdered, Ganymedes finds himself at the centre of a plot that might just take down the whole empire. Suspects abound, including a host of people who all have reason to hate one another — and who all have magic that they like to keep secret. Adding an extra pinch to the heart is Ganymedes’ former lover Ravi, a man who seems to have changed overnight into someone Ganymedes doesn’t recognize. Wonderfully paced, with a fantastic pairing of a snarky disaster of a man and a small girl with a malicious streak, this is murder mystery like you’ve never seen before. 

Malice by Keigo Higashino 

This one sits in the “fun” category not because of coziness or humor, but because it’s one of the cleverest murder mysteries I’ve ever read. It takes the whodunnit and turns it on its head, and sinks the reader deep into the whydunnit, with twists upon twists all built on a set of events that you think can’t be flipped any further. It starts with the murder of bestselling novelist Kunihiko Hidaka, who is discovered in a classic locked-room scenario. Detective Kaga investigates, and discovers that Hidaka’s best friend Nonoguchi, who is also a writer, is someone from Kaga’s own past. The case becomes a tangled story of past and present, while Kaga and Nonoguichi wrestle artfully with who has control of the narrative. Keigo Higashino is the author of the bestselling thriller The Devotion of Suspect X, and Malice will provide surprises for even the most seasoned sleuth. 

The Three Dahlias by Katy Watson

Dahlia Lively was a famous fictional detective in the 1930s, and has become such a national treasure that she’s been portrayed in television and film over the decades three separate times. When the three actresses who have played Dahlia are invited to a murder mystery convention at the home of Dahlia’s late author, everything is not what it seems. There’s Rosalind, the original Dahlia; Caro, the seasoned TV Dahlia; and Posy, the newcomer—each with their own motivations for being there, and their own secrets. When a murder occurs mid-banquet, the three Dahlias must team up to solve the crime, in an effort to save their careers—and possibly their lives. Set in a stately home with its own poison garden, miniatures of murder scenes, and a host of suspicious family members and fans mixing together, this is a wonderfully fresh take on the traditional cozy crime set-up. 

Miss Austen Investigates by Jessica Bull

Twenty-year-old Jane Austen is attending a ball, and underneath the glittering conversation and society manners is a layer of secret liaisons, cunning lies, and most importantly, murder. When the body of a milliner of Jane’s acquaintance is found on the premises, Jane’s clever mind is activated. But when her brother Georgy is accused, she’s convinced of his innocence and is determined to clear him. Georgy has learning difficulties—a historically accurate fact that Bull has clearly taken great care with—and thus becomes the unfortunate scapegoat to a killer willing to do whatever it takes to remain undiscovered. Rich with historical details, Georgian atmosphere, and a winning cast of Austens, this was like a trip back in time and a conversation with Jane Austen all in one. 

Belladonna by Adalyn Grace

Nineteen-year-old Signa has a peculiar talent—she can consume Belladonna berries, and not only survive, but she’ll be visited by Death himself. He’s a mysterious and compelling force in her life, but since Singa seems to inhabit the murky space between life and death, it’s unsurprising that her guardians all tend to meet untimely ends. When Signa goes to stay with her only remaining relatives, the wealthy and strange Hawthorns, she finds herself investigating the death of its matriarch, along with the mysterious illness of the daughter of the house. She forms strange alliances and makes startling discoveries, but it’s her alliance with Death himself that makes her the perfect person to uncover what’s really happening at Thorn Grove. A slightly gothic fantasy, this book preserves the golden age crime novel feel on top of some very creative world building, with a heady romance in the mix. 

Finlay Donovan is Killing It by Elle Cosimano

Finlay Donovan is a struggling writer and single mom, who meets up with her agent at a Panera and to discuss her newest crime novel. The problem? She’s mistaken for a contract killer when the woman at the next table overhears the plot of her book—and she’s slipped a note with a mouth-watering amount of money promised if she kills a nasty husband. Finlay might not be a killer, but she’s a curious writer, and when she decides to do a little spying on her target, she ends up over her head when he actually turns up dead. She’s desperate to root out the killer before it all comes back on her, all while trying to make a deadline, deal with a horrible ex of her own, and juggle her young kids. It’s a fresh and funny take on the genre, with some truly clever twists. 

The Antique Hunter’s Guide to Murder by C. L. Miller 

Twenty years ago, Freya Lockwood was an antiques expert, world traveler, and all around adventurous woman. But something happened in Cairo that changed the course of her life, and caused her to turn her back on the antiques world, and fall out with her mentor Arthur. When Freya learns that Arthur died suddenly under mysterious circumstances, she reluctantly returns to the small village she grew up in to help her beloved Aunt Carole through the loss. But Carole and Freya quickly realize that Arthur was involved with something dangerous, and has left clues that only Freya has the knowledge to decode. Soon Freya’s past comes to back to haunt her, and she and Carole are drawn into an antiques enthusiast’s weekend that could hold all the clues to Arthur’s murder, or could be a terrible trap. Carole and Freya make such an entertaining duo, and the book is rich with description and details of real antiques.

The High Rise Mystery by Sharna Jackson

I am unapologetically putting an upper middle grade mystery in the mix, because not only do I think that adults have so much to gain in reading children’s books for fun (looking at problems through a child’s lens can give such great perspective), but this book in particular hits all the beats of the fun murder mystery, in perfect balance. 

Nik and Norva are sisters who live in The Tri—a triangle of high-rise buildings in central London. When they find their neighbor Hugo dead in the apartment’s dumpster, the two girls bravely put together an investigation of their own in order to clear the police’s main suspect—their father. It’s a brilliant mix of hijinks, genuine puzzles, social commentary, and family love. And if you think that just because it’s a kid’s book you’ll easily guess the ending, I’m here to tell you you’re wrong. 

“Worry” is the Novel of the Online Generation

The biting cultural commentary that emanates from the pages of Alexandra Tanner’s debut novel Worry is like the too-bright light of a smartphone screen at night, pulling you closer and keeping you absorbed late into the night.

One year following a secret suicide attempt that only Jules, our narrator, knows about, her sister Poppy moves in with her in New York City, a temporary arrangement that slowly transforms into an uneasy, long-term situation that forces both sisters to examine their separate malaise. Poppy, riddled with hives and titular worry, tries to move forward with her life (in part by adopting a three-legged dog named Amy Klobuchar). And Jules, in an attempt to escape the bleakness of her days—characterized by unfulfilling content writing jobs, the end of a long term relationship, an increasing sense of loneliness, and a sense of angst about the death of real art— loses herself to the internet, where she pores over posts made by anti-vaxxers, influencers, and internet mommies. 

With wit and brilliant insight, Tanner explores the nuances particular to sisterhood, set against a landscape riddled by capitalism and consumption. I had the chance to talk with Tanner via Zoom about social media’s terrible pull, the allure of the illusion of choice in a world that so often feels out of control, and the ways siblinghood can serve as a reflection of our truest selves. 


Jacqueline Alnes: A few years ago I read your essay, “My Mommies and Me,” about a collection of Mormon mommies you started following during the pandemic. I remember feeling like, is she in my brain?

Alexandra Tanner: I love that. 

JA: Can we just start by talking about your internet mommies? Actually, I mean Jules’s internet mommies because this is fiction. 

AT: I was thinking this morning about how it’s like a chicken-egg thing. I knew I wanted to write about all the insane shit I was looking at on the internet, and I didn’t know how to do it. Do I write a nonfiction experimental book that’s me scrolling through the internet every day? Do I write a novel? I had this idea for siblings living together and I was getting deeper and deeper into the mommies in 2019, early 2020, and just being a victim of the algorithm where it shows you ten beautiful children lined up in order, wearing matching pajamas, and two months later it’s like “Look at this holocaust denial shit.” I understand how people who are on the internet looking for that in a non-ironic way or non-voyeuristic way are caught up in that, because it’s completely compelling. It’s hard for me to even articulate what I love about them. It’s like an alternate universe.

JA: It feels riddled with holes.

The internet set up to feel like you can win, like you’re finally going to hit on the prize.

AT: I remember writing that essay and wondering, what’s my way in? Is it just that I’m different from them? And that’s not even it. It’s a part of it, but it’s so much more wrapped up, for Jules, specifically, she has mommy issues, she has internet issues, she’s not getting what she wants from her mother, she’s not getting what she wants from the internet, so I think her experience of them is different than my experience, which is just consume, consume, consume. I think she thinks there’s some end point where they are going to help her arrive at some end point about herself. They’re… maybe not. 

JA: I like the part where she intellectualizes her interest in the internet mommies at one point by saying she is “interested in how femininity is coded and recoded on image-centric platforms like Instagram.” I always think, when I’m scrolling, that I’m going to discover something, and that someday I’m going to understand why I spend hours doing this, but I don’t. Why do you think we obsess over lives of strangers in this way?

AT: I have so many thoughts. I think it’s the gamification of the internet. It’s set up to feel like the Skinner box where the pigeon pushes the button and they get a treat. It’s set up to feel like you can win, like you’re finally going to hit on the prize and something’s going to be bestowed upon you, whether it’s attention or free stuff or an understanding. 

I think a lot about stalking strangers on the internet versus looking at people you went to high school with and the people you know, you’re like, I can still get inside their head, I know why they’re posting like this. With a stranger, it’s more wrapping yourself in someone else’s consciousness and seeing what that feels like, and transporting yourself a little bit. 

JA: I’m starting to feel like this is therapy. Alex, please diagnose me. 

AT: Please help me with my internet recovery.

JA: Can we talk about evangelism? There’s so much here I don’t even know where to start. People selling products, religion, conspiracy theories, and a mom who becomes an evangelist in her own way. What draws you in about evangelism or what did you learn from interacting with these different forms?

AT: I want to say that evangelist consciousness is so counter to Judaism’s consciousness, which is inheriting something and having your own private relationship with it versus getting everyone on board and getting into people’s brains and saving them. The religious saving is one aspect, but MLMs and innocent moms getting pulled into pyramid schemes and into debt and home foreclosure, like that LulaRoe documentary, is another. The evangelism of the MLM is that it can save you from the drudgery of work, and the drudgery of parenting and being trapped in this hamster wheel life. You can make your own choices, you can make your own money, you don’t have to rely on anyone, you don’t have to rely on a corporation. That’s been really interesting to me as I’ve looked at religion and these specific kinds of consumerism. There’s a promise of salvation from something.

JA: It almost reminds me of how you were talking about social media. It must be this hit of adrenaline you get if you’re in an MLM, where you get a feeling of “I did something” or “I sold something” even though parts of it aren’t really real. You get constant affirmation.

The evangelism of the MLM is that it can save you from the drudgery of work, of parenting and being trapped in this hamster wheel life.

AT: Absolutely. If I have a great tweet today, I’m saved from paying attention to work; I can pay attention to likes. If the right people like it, someone’s going to reach out to me with a book deal or a brand partnership. Something greater is coming.

JA: What is meaningful is often so boring. What is meaningful in life is often not the Instagram story. It’s the work of figuring out yourself or your faith or your community. I feel like so much about the world we live in is veering toward quick hits. There’s this theme of people making fear-based decisions in the book instead of coming from a place of hope for what might be different.

AT: Jules is definitely motivated by fear. I think she’s completely stuck because of how afraid of everything she is. I think Poppy is a little more about trying to make a beautiful life, even though that’s vulnerable. Jules is like, why try? What are you going to get? It’s all about the moment and if you think too far beyond the moment or try to chart a life for yourself beyond “what can I look at that’s going to piss me off online today,” it’s scary.

JA: Both these characters are in their twenties, in New York City. It feels like it might be a good time, but they are so bleak about things. It made me think a lot about our current landscape. I teach a lot of 18 to 20 year olds and I feel like there’s something that’s happened the past few years where it seems like they are more realistic about life than I might have been at that age. What do you think contributes to this bleakness?

AT: I think it’s everything. Political apathy, climate apathy, the structures that are in place that are making people feel bad and forcing them online or to stay in their apartment or go about their lives. I’m hesitant to talk about millennial vs. Gen Z, but there was this sense of being a kid in 1999 and being like, “The future is here! It’s possible! Everyone has unlimited capital and potential!” The swiftness with which that came crashing down and the long reticence to accept that none of that was ever true, it was only true for a moment, was so many people’s formative moment. I think people are starting to realize that there is so much structural misery and inequity and devastation in the world that it is prompting us to focus on our own little capsules of happiness, moment to moment. It’s selfish, but I think we live in a selfish world.

JA: The system makes us want to be selfish sometimes, and makes us believe that the only way to survive is to be out for ourselves. There’s very little that incentivizes us to be in community. 

AT: It de-incentivizes it. If you care, you’re a sucker. There are all these memes about your non-profit boss. If you sacrifice certain aspects of your life because you believe in a mission you’re, I don’t know, you’re a pancake. 

JA: Did you learn anything for yourself about the gulf that exists between screen life and real life from writing this novel?

AT: I mean, yeah. Once I realized I was going to center this book around social media, particularly ultra-right-wing conspiracy theorists (horrible parts of the internet that no one should look at), I threw myself into it 100% and gave so much of myself to it during the drafting of the book. While I was selling the book and revising the book, I still had my foot in the door there. Once I was done feeling like I’ve had to pay attention to this stuff, I’ve been meditating and trying to be more conscious about the time I spend on the internet and the things I look at. 

There is so much structural misery and inequity and devastation in the world that it is prompting us to focus on our own little capsules of happiness.

The things I see online aren’t just a game, it can affect me, it can make you a worse person, not even a worse person morally, but the internet promises that it can show you how to be the best version of yourself—drink a gallon of water every day and take your vitamins and lift weights Monday, Wednesday, and Friday, and take long walks—it gives you this plan that’s not attainable because it’s just content. Even the good parts of the internet that are wellness TikTok—go on a cleanse, you can reclaim your body—that’s not real. None of it’s real. The only thing that’s real is being in the present with yourself. Writing this let me get in the mud of being addicted to the internet, look at where I was, and then lift myself back out of it. 

JA: For me, it always has preyed—I mean, I guess it can’t say, “It preyed on me,” because it’s the internet

AT: It preys on you! TikTok tried to show me a video of a snake eating a little baby mouse last week. It preys on you. 

JA: It feels like when you’re at your most desperate or unsatisfied, which, going back to where we are in the world, where a lot of people are feeling that way, the internet offers the illusion of something better. 

AT: Yeah.

JA: I don’t have a sister, but reading this, I felt like I did because these sisters are so mean to each other but also cannot be without each other. 

The internet promises that it can show you how to be the best version of yourself. It gives you this plan that’s not attainable because it’s just content.

AT: Siblinghood is just having another you, but it’s not you. You have the same psyche in a lot of ways. You grew up in the same house, in the same environment, learning the same things, having the same worldview pressed upon you, which is all very obvious, but once you go out in the world a little bit, have an adulthood, and then come back together, it’s interesting. I think it’s part of what’s unique about their situation in this book, is that these sisters are living together after they haven’t been for a while. They are confronting their shadow selves, Jungian shadow selves, and also trying to assert their differences from one another, while also mirroring one another, because that’s what you do when you’re a sibling. I loved thinking about starting from the kernel of my relationship with my sibling, who I did live with for a short period of time, and saying, what if that never ended? What if it was longer? What if it was more pressurized? I’m fascinated by how siblings know exactly what to do to help one another, hurt one another. They can say one thing that can snap you out of the worst mood you’ve ever been in, or they can throw you into psychological trauma. 

In a lot of ways, if you have a certain kind of sibling relationship, there are moments where you have no boundary. Even with a partner, you maintain a boundary of “I have to be nice to this person” but with a sibling you don’t really have that. 

JA: It almost feels like the siblings are oppositional to the internet. It seems like it’s uncomfortable for them to have to confront their real selves. When they live on the internet, they don’t really have to think about who they are or what they are doing, but the person sitting next to each of them is a direct reflection of who they really are. 

AT: I want to write that down for myself. The fakest thing in the world and the realest thing in the world.

JA: What do you hope readers take away from this novel? 

AT: That’s hard, because I think I wrote this book so much to press up against the idea of lesson learning. I wanted it to add up thematically and to that amazing revelation that you had, I want things like that to come out, but I don’t know if there’s a takeaway. Have you seen A Series Man, the movie? 

JA: No.

AT: It just ends. Bad thing after bad thing and then confirmation that the worst thing is bound to happen. I didn’t quite want it to be that. I wanted it to be about how it’s up to you to look at what your life adds up to and what it means, and make something of the randomness, if you can—but you might not be able to. 

My Great-Grandmother Knew Our Indigenous Songs had the Power to Heal Our World

In 2006, I watched my great-grandmother address a sold-out crowd at Seattle’s Benaroya Hall. She climbed the wooden steps of the stage, her small frame draped in her wool shawl, and I watched as her father’s painted drum was handed to a percussionist in the orchestra. My great-grandmother, my namesake, turned and addressed the audience. She spoke about the First People of this land. She talked about a need for healing. “People,” she said, her heart breaking for a wounded world, “have lost their way.”

Her father’s drum sounded. The first powerful beat reverberated like thunder.

14 years later, my mom sits at her desk, a mosaic of script pages laid out around her. She’s studying the opening scenes, the interviews, and the movements of the music. She’s finalizing what will become the documentary of my great-grandmother’s symphony. She looks up from her tiles and tells me, “This must happen now. People need to hear this music again.” The footage for the documentary has sat unused, dormant for all these years. Until now.

That spring, at the height of the COVID-19 pandemic, police officers murdered George Floyd in the streets of Minneapolis. Protests erupted around the country, and cop cars burned in the streets of Seattle.

My great-grandmother was 83 years old when she commissioned The Healing Heart of the First People of This Land. She had been troubled by the world. Back then, in 2001, the news was all about George V. Bush’s war on terror. She saw beyond the fear. She saw a country divided, the wars across the ocean and the violent injustices in her own streets. She saw that the people had lost their way. She believed so deeply in our people’s stories, the teachings inherent in them. She knew that no one would listen to an old Indian woman, that she would have to reach them another way. Somehow, she arrived at what she called highbrow music: symphonies. This came as a shock to us. My great-grandmother hadn’t grown up with this kind of stuff. She loved square dancing and Elvis. But she believed this was the way, that if all people could experience our beliefs through song, the music could heal the wound. She needed something that everyone could hear. She called a famous composer. “I need you to write a symphony,” she demanded, “and to perform it at Benaroya Hall.”

The composer turned her down.

She knew that no one would listen to an old Indian woman, that she would have to reach them another way.

But weeks after the call, he couldn’t get this 83-year-old Indian woman’s voice out of his head. He called her back and together they collaborated on a symphony, the first to be based on Coast Salish spirit songs with lyrics in Lushootseed, the traditional language.

In our longhouse ceremonies, songs hold a spiritual power. There are certain songs for prayer, for healing. My great-grandmother had a cassette tape with recordings of two spirit songs: one belonged to a beloved cousin, and the other was Chief Seattle’s thunder spirit song. She entrusted the tape to the composer with instructions to listen to but not share them. She wanted the songs to guide him as he wrote the symphony. She hoped that the healing power of these spirit songs would take shape in the symphony and that when people heard it, they might be touched by that power. She was hoping for medicine, for a world that could change.

On a hot summer day in 2020 I stood thronged in protest, in collective grief and anger. We yelled, we chanted, we demanded justice. I raised my cardboard sign that read in bold letters indigenous solidarity with Black Lives Matter . But it didn’t feel like enough, would never feel like enough. Weeks went by. Weeks of flash-bangs and tear gas. Weeks of protesters being arrested and assaulted, until finally the people took over the precinct. With the police gone, the organizers secured six Seattle city blocks, declaring it the Capitol Hill Autonomous Zone. There were medical tents and tables of free books on political education. People brought crates of food to share, while others held demonstrations. My partner and I walked the streets of a free Seattle, watching films being projected onto buildings, seeing murals painted over boarded-up windows. There were large plastic bottles of hand sanitizer duct-taped to telephone poles.

It seemed as though the people had created a utopia. Until it didn’t. We turned a corner to find the park in the center of the autonomous zone in full-blown festival mode. Kids in droves wielded glow sticks. It looked like Coachella. It looked like Burning Man. People were drunk, waving selfie sticks instead of placards, wearing angel wings and carrying Hula-Hoops. Is this what change looked like?

But in the middle of the intersection, we found a gathering of Coast Salish people. I watched as men laid out large cedar boughs in a circle. Then women entered carrying burning bundles. The cedar smoke wafted over the crowd, the tents, the abandoned precinct. They were sharing their medicine.

Would I feel safe again? Would the world feel safe again?

When the first speaker approached, he asked that any and all Coast Salish and Indigenous people come forward to the edge of the circle. He asked that the white people step back for us. I looked at my partner, who looked at me, then gently let go of my hand. A young woman stepped away from her girlfriend and together we both stepped forward, away from our white partners.

“Before we begin here today,” the man with the mic yelled, “I want to honor our elder Vi taqʷšəblu Hilbert. It’s important we remember her, here on her land, for the work she did for the Coast Salish people.” The man spoke in Lushootseed and in English. He introduced a group of Coast Salish singers. They made a half-moon around the burning cedar and hit their drums hard. I closed my eyes and saw my great-grandmother as she stood on stage at Benaroya Hall fourteen years earlier. I saw the painted drum, heard its heartbeat as it boomed like thunder, as it called out for change. I hadn’t heard my great-grandmother’s name, her Skagit name, the name we shared, spoken in a very long time.

The symphony had been her last project; she passed away before the documentary could be made. But right up until the end she went to gatherings, to speaking events, events like this. I had seen her small and frail but still so powerful when she spoke. I thought of her here today in this crowd and shuddered at the imagined worry. Even amid the threat of this pandemic, she would have been here. I let the drums wash over me as I cried, transporting me to the smoke-filled longhouse, my great-grandmother’s hand on my shoulder as we listened.

Throughout this pandemic I return to the books my great-grandmother made, the ones that house our language and our stories. Some days I spend crying, curled in the crook of my partner’s lap as the cats and dog wander the house, charged with an animal anxiety. Some days I make salmon and black coffee, simply to fill the house with the familiar aroma of my great-grandmother’s kitchen. All these white women on Pinterest are baking loaves of sourdough, and I am trying to time travel.

We climb out onto the roof of my house and watch the sky change. The world has stopped, but it feels even more frozen on the reservation. I have good days and bad days. We make a game out of our once-a-month grocery shopping. We call it the Hunger Games. We call it the Soft Apocalypse as we wait in line outside the Trader Joe’s, masks on and six feet apart from everyone but each other. We dress up at night, light all the candles in the house, eat the fanciest meal we can muster, and drink wine like expats in Paris.

We spend the summer locked inside, only able to be outdoors for 15 minutes at a time. Beyond that it’s too dangerous, as the smoke from the wildfires ignites my asthma. I boil pots of cedar and rosemary to help me breathe. And still people are dying in record numbers. We are losing our elders and I try to find my breath. I look for a mountain I can no longer see, its peak enveloped in smoke. A thick blanket of haze conceals the islands I know are out there dotting the waters beyond the shore.

There is a belief in my Coast Salish culture that songs have the power to heal, that they can be medicine.

On election night my partner and I sit barefoot on the floor, nervously checking our phones. We scroll. We put them down, then anxiously pick them up again. We do this until I can’t take it anymore. “How is this even an option?” I hold up my screen showing the very close count. I am afraid as a Coast Salish woman, a female-bodied person, a queer person. I am afraid for the people still being murdered by police, for the elders still threatened by the pandemic. I am afraid for how many times I might have to endure another aggression from a person who refuses to wear a mask but still clings to their MAGA hat like it was a prayer. Would I feel safe again? Would the world feel safe again? My partner picks up his guitar and strums the opening chords of one of my favorite Ramones songs. I join in off-key and giggling. By the time we reach the chorus we are hysterical, barely able to get the lines out. We make it through the song only to roar with laughter and begin again. There is a power in the repetition. We let the song transport us. In her own home on election night, my mom is not scrolling the news. She is pressing play, pause, and rewind, busy transcribing interviews, busy sorting through the raw footage of that day at Benaroya Hall. Again and again, her grandmother illuminates the screen, paused in smile, in speech. Occasionally the music floats through, the symphony inspired by a Coast Salish spirit song. In the interviews my great-grandmother talks about her anxiety for the world, her rising concern, but there is something confident in her smile, some glimmer of hope when she speaks about the power of song.

“People have lost their way,” she says. “They need to be reminded to take care of one another.”

There is a belief in my Coast Salish culture that songs have the power to heal, that they can be medicine. My great-grandmother wanted to share that knowledge, she wanted to remind people to have compassion, she wanted to change things. I don’t know anything about symphonies or orchestras. I don’t know any spirit songs. But as we sing out loud until two in the morning on election night, we are no longer checking our phones. We are not thinking about the president or the pandemic. We are laughing, lost in the music, lost in trying to get it right, lost in a brief moment of hope. We are singing, we are dancing.

We are trying to heal.


Excerpted from Thunder Songs: Essays. Copyright © 2024, Sasha taqwšəblu LaPointe. Reproduced by permission of Catapult. All rights reserved.

Money Can’t Take the Shame Out of Living

“The Inheritance” by Rachel Ephraim

When I was seven, my mother asked me to steal a Baby Ruth from CVS. I told her I didn’t want to, but she said I should give it a try just to see how the whole thing felt. 

“But I don’t like chocolate,” I explained. 

“That’s not the point,” she said. The point was that I was young, and when you are young, she said, you can’t get in much trouble if you’re well-dressed and white and female. Besides, I was a good height for the candy counter. And the Nestle corporation was depriving whole nations of children from clean drinking water. Wouldn’t it be nice to stick it to them? It didn’t matter we had more money than we knew how to spend. Man had invented money to perpetuate the primal urge to watch others suffer. She promised: it wasn’t about the money.

In the end, I took the candy but only got as far as the door before giving a loud confession. My mother acted surprised and put on a show of disciplining me. In the car on the way home she said, “You’re a trust-worthy girl, Sarah,” and I got the sense that the whole event was a bigger experiment than she’d let on. It had been a test and one I’d passed, although it would take years to understand how and why.


The autumn I turned thirty-seven, I was walking to work when I saw her: a baby that could have been mine, but wasn’t. She was strapped to the chest of my ex-boyfriend Dave, who held a coffee in one hand, a bottle of milk in the other. 

“Sarah?” he said, disoriented. Even though we both still lived in the same college town where we’d met as undergrads, we hadn’t spoken in years. Keene was like that; you could avoid a person if you gave the effort some attention. While Dave had grown up in New England, I had other motives for sticking around. Moving from a Fifth Ave. penthouse to a dorm room in New Hampshire had provided a false and humble bearing I’d never managed to leave. 

“Mr. David Cooper,” I said, tipping an imaginary hat.

When Dave proposed, I’d meant to say yes but signed up for a half-marathon instead. We’d both agreed that meant something. Truth be told, it wasn’t that I couldn’t imagine a life with Dave—I’d loved Dave—but a deep and inexplicable panic had set in that could not be brushed aside. 

Up close, the baby looked to be around eighteen-months and had blonde hair that stood on end. It was October, still warm enough that her missing sock wasn’t cause for alarm. More problematic was that the bare foot made me want to run a pointer finger across her sole. I’d read somewhere that stimulating an infant’s feet impacts development, and I yearned to prune a few neural connections the way one might impulsively remove lint from a stranger’s fleece. Meaning I wanted to make a difference, even if it was small. Especially if it was small.

Dave had grown a handlebar mustache and looked like a playful villain. I asked about his life in a general way. Was he still working as an electrician? He put on a British accent. “Vera wins the bread these days.” 

Vera. Stylish and empathetic Vera. She was an impossible-to-hate public defender who I hated. He’d only met Vera because she’d once been my friend. Long ago, I’d confided in her that I wasn’t so sure I was the marrying type, and she encouraged my hesitation. Give yourself time, she’d said. No one needs to figure out everything all at once.  

“I’m just a no-pay Mary Poppins,Dave continued. Still British. Dave had been the kind of boyfriend who could make me laugh by stating uncomfortable truths in odd voices. When he ditched the accent to bring up my mother, to say he’d read about her death in the paper, I grabbed at his daughter’s foot and she startled. As the baby cried, I admitted Mom’s death wasn’t the best thing that ever happened to me, and Dave’s face twisted with familiar pity.

“Hey, you and Vera should come by the house,” I said. It wasn’t the first time I’d acted impulsively in an effort to find stable ground. A month earlier, I’d slept with the vet tech after euthanizing my cat; a month before that, cut my hair after denting the car. But as soon as the words left my mouth, I regretted the invitation. 

Bottle now in his pocket, Dave stood with pinched fingers below his nose. After spreading his thumb and forefinger in opposite directions across the slick black hairs of his mustache, he said, “Do you mean that?” 

I should have taken the opportunity to loop back and admit it wasn’t a good idea—not while I was still grieving my mother, maybe not ever—but instead I invented a small dinner party. I wanted to prove that even though I lived alone, I wasn’t lonely. “It would be great if you guys could make it,” I said and then relayed a few false details.

“We’ll be there,” Dave said. “Vera has been—well, I know for a fact she’d love to see you.”

When we said goodbye, Dave waved with his daughter’s chubby, balled-up fist. She’d settled and was looking at me the way I imagine an animal gazes upon a terminal patient. That was the word that arrived: patient.


Walking into work, I was mentally sorting through my options to retract the invitation when my phone pinged. Vera. 

“You don’t know what this means,” she wrote. “There have been so many times I’ve wanted to reach out.” 

I’d recently taken a temp job writing obits for the local paper. I didn’t need the cash but a way to distract myself from who I might become now that my mother was dead. The office was small. Five desks in eight hundred square feet and a back table for the printer. There were three street-facing windows, a kitchenette, and one peace lily plant someone had named John Lennon.

Ping! “I can make a salad. Or a dessert. Just let me know what’s best.”  

I took off my coat and hung it on the back of my chair. From across the room, my boss Trixie—a broad-shouldered woman in her fifties—pointed at the clock. Before her life as a managing editor, Trixie had been a competitive swimmer. In both roles, she cared only for the minute-hand. Because of my run-in with Dave, I was late, and Trixie did not look kindly on an employee using company time for leisure. An extravagance a small paper like ours can’t afford, she said when people took long lunches or tried to schedule an appointment during work hours. I threw my keys onto the desk’s surface, turned on my computer, and gave Trixie an apologetic smile. 

Ping! “Do you still like Sour Patch Kids smothered in peanut butter?” 

Vera followed this last note with a laugh-cry emoji, as if we texted all the time, as if she hadn’t married and then procreated with my ex. I shoved the phone in my pocket without answering. What was she saying? That she remembered my childish behaviors? That it wouldn’t surprise her if I was still full of bad taste and unconventional tricks? 

I’d show her.

It should be noted that my mother married four times. Her first marriage was to my father, who left before I could speak. Next came Phil. Phil was the one with the money. He was classically old, and Mom, twenty-five, still had her looks. “Sweet as sugar,” she’d say grabbing Phil’s wrinkled face with long red nails. Phil was seventy-five when they married, eighty-five when he died. “The devotion that lasted a decade,” Mom said at the funeral and never changed her tune. Their love was real, she claimed, and she wasn’t going to waste her breath convincing people otherwise. 

“It’s true, the spirit doesn’t care about age,” she once said when I challenged her on the subject. She’d caught me, a young teen, sneaking out the window to meet a twenty-six-year-old pizza delivery boy promising a free pie if I sat shotgun on his route. I didn’t care about the pizza as much as I’d felt charmed by the idea that my presence could warrant gifts. Phil had been dead two years, but Mom still dressed in black. She stood in my doorway, a shadow of a mother. “But the pizza boy? Really?” 

I called Mom a snake, a swindler, and a hypocrite, which she took in stride, but when I used the word I’d heard kids at school toss around—gold digger—she asked if I knew how squirrel tasted. By then, I’d memorized the story: she’d spent a childhood eating squirrel hearts, squirrel livers, and squirrel kidneys. “And I liked it!” she’d finish emphatically, as if this were the real horror. The implication was Mom had done for me what her own mother could not; she’d taken the shame out of living.

Only she hadn’t.    

Over the years, there were plenty of ways in which Mom and I stumbled into the embarrassments of our pleasures. After Phil came Andrew, a loser. Then Drake, another loser. Each took Mom for nearly two mil, which truth be told, hardly made a dent in what Phil left us. 

And me? I acted in ways only the emotionally poor behave, meaning I took attention, any attention, at whatever cost. To which you might say, Hey, Sarah, didn’t you leave a very good and pretty funny man named Dave who gave you plenty of attention? and I still wouldn’t be able to tell you why.

As I settled into my desk, Dave’s baby stayed on my mind. The fact appeared in a wave of morning nausea: Dave’s child only existed because of a choice I’d made. If I hadn’t left the relationship, Dave would be glued to my genetic material, ipso facto, he’d never have matched the other half of his daughter’s DNA with Vera’s. In this way, I felt a motherly tug to that wide-eyed one-socked baby. In my refusal of her father, I’d birthed the possibility of Dave’s baby, no? 

This got me thinking: how many other kids had my poor decisions breathed into this world? 

All morning, I sat with my computer screen angled toward the wall and perused Facebook. The idea was to get a look at the kids of the men I’d left behind. As I scrolled through their photos—this one chubby, this one in soccer gear—I felt a rush of deep love swell beneath my breastbone. Cosmically speaking, I’d played a part in their here-ness. Maybe I wasn’t just a woman nearing forty. Maybe I was a much bigger force than I could ever imagine. The whole event got my bowels moving, and I entered the office’s bathroom. 

It must be said: there are some people who have a clear and easy relationship to their body. If they are thirsty, they take a drink; if they are cold, they tend to their warming; if the urge to take a shit arrives and they are, say, at the grocery store, they pull their cart to some out-of-the-way aisle and locate the restroom. I am not one of those people. In college, I waited days until I could walk the half-mile to the campus library where I relieved myself in the very private, single occupancy, double-lock fourth-floor bathroom. Somewhere along the way, Mom had taught me how to sever what a body wants from what a body does. Even still, I used public bathrooms strictly for urination, but after looking at all those kids, my stomach was in knots. I was sitting in one stall of the two-stall bathroom, thinking vaguely of Dave’s baby but also of Mom and Mom’s money, when the bathroom door opened. 

Hearing the sounds of heels on linoleum, I panicked. At first, I tried all the standard tricks. I gave a distracting and unnecessary flush. I coughed. I made a noisy production of pulling toilet paper from the roll while shuffling my feet. Maybe, if I finished quickly, I could leave before putting a face to those heels. It felt unfathomable that in the near future I’d have to stand around the microwave while a burrito warmed and a co-worker—who had put ears to the sounds of my sphincter, a nose to the aroma of my lower intestines—asked what I was having for lunch. 

Soon enough, I was at the sink going through the quick motions of hand washing when my high-heeled companion let out a thunderous fart followed by an audible sigh. The water of the sink was still running, so my presence did not elude her. She had already trumped my bathroom production, and from the sounds of it, she was just getting started. The bravado and gall of her doings not only impressed but moved me, emotionally speaking. I decided right then and there: I wouldn’t cancel the dinner party with Dave and Vera, I would arrange one. I could be brave. There were fears, very real fears, I could overcome. 

I squatted and craned my neck to look into that small window of open space beneath the stall. I wanted to catch a glimpse of the heels, which turned out to be two-inch faux-leather pumps in bubble-gum pink. 

“Just bring yourselves,” I texted Vera. “This will be fun!”

It was my belief at the time I had ownership of very little in this world. Seeing Dave’s baby had challenged this belief, but when I got back to my desk, the browser still on a photo of Chuck Moorehead’s kids in store-bought Halloween costumes, I felt my motherly heart deflate. These children, with their curly red hair and expertly applied face paint, were so clearly not mine

And yet, hearing that gaseous woosh then plunk, plunk, plunk had made one thing obvious: we were singular creatures with closed systems of intake and output and that was OK. It could be normal, natural even, to be alone. What did I have to prove to Dave and Vera other than this? I imagined them leaving my home, bellies full, saying to one another, You know, Sarah’s got a good life. She’s got her independence, her comfort, her freedom. 

It was soon revealed that the heels belonged to Georgia, the newspaper’s one-woman ad sales team. Georgia was in her early thirties and had thick blonde hair which she wore in a high ponytail. The ponytail, alongside a mild case of rosacea, gave her the look of an alpine skier. When co-workers talked about getting together after work, it was never Georgia who spearheaded the effort. She was the sort of woman who knew you had a cat or a sick aunt and asked after them in a quick moment of care. 

It wasn’t so much that I wanted to sleep with Georgia, but I wanted to learn her ways.

I needed to hand in my edits, but I’d become distracted. As Georgia returned to her desk, I watched her the way I’d watched men in bars. I was curious to know more. I admit it crossed my mind that Georgia, a bit of an office bore, might be a phenomenal lover. It wasn’t so much that I wanted to sleep with Georgia, but I wanted to learn her ways. How to get comfortable in a body? How to put one’s needs into the foreground? She was just the kind of person who’d impress dinner guests with her soft demeanor and core of unwavering confidence. To have a friend like this, I thought, would speak well of me. 

Sitting at my desk watching Georgia make a phone call, my thoughts spiraled. Georgia had knocked loose in me a desire to greet vulnerability with abandon. When Trixie passed my desk to give me my next assignment, I stood up and saluted her like a soldier. 

“On it, Ma’am,” I said. I was full of energy and resolve. 

“Settle down,” she huffed. “A woman’s died for Christ’s sake.”  


In an effort to befriend Georgia, I began bringing small treats into the office each day. I discovered that Georgia liked sweets, like salt-water taffy and peppermint candies, and that she’d chat a little longer than usual if I brought my offerings straight to her desk. I made up excuses—an aunt who’d traveled to the Cape, a niece raising funds for a dance team—but soon my co-workers had expectations. 

“You know what I haven’t had in a while?” Trixie said one afternoon.

“What’s that?” I asked. 

“Blondies,” she said, which set me on a course of baking that Georgia especially liked. It seemed that eating was another way in which Georgia was unabashed with her wants and needs. She didn’t hesitate to open her mouth wide or give moans of pleasure as crumbs fell across her keyboard. And yet, the buttery cakes, muffins, and cornbreads upset Georgia, gastricly speaking. Nearly every day she bee-lined it to the restroom shortly after she ate, a small sweat blooming across her forehead.

I’d already set the date with Vera and Dave when I got up the courage to follow Georgia into the bathroom one afternoon. I was planning on saying how much I admired her, how I’d noticed her being absolutely herself and what a gift that was, but Georgia was already in the far stall. What began as a guttural grunting turned into a splashing, a spitting. I could see through the long sliver by the door’s hinges that Georgia was on her knees.

At first I felt terrible. Had my baking skills failed her? Had I purchased old eggs? Rancid oils? Suddenly I understood: Georgia, who hadn’t gained a pound—Georgia, who always ran to the bathroom after an indulgencehad a secret.

I wanted to meet Georgia in her pain, which is to say, I stuck around. I reapplied my lipstick while imagining Georgia’s fingers at the back of her throat, pointer and middle finger fitting naturally, if not a little snuggly, in her soft, wet mouth. How did it all work? Did she wiggle them until she felt the mound of tissue that made up her tonsils? As she heaved, I thought back on Georgia’s first bathroom performance. Maybe I’d gotten it wrong; maybe Georgia wasn’t at ease with herself in the way I’d assumed. Maybe she was loaded with laxatives, and bruised histories, and survival plans.  

When Georgia emerged from the stall we stood next to each other at the sink. As we washed our hands while facing the same wide mirror, Georgia had what looked like tears in her eyes. I felt desperate to know: how did it feel to relieve such an enormous pressure? 

“I’m sorry you had to hear that,” she said. “I think there’s a bug going around.” 

“My friend Paul just had a nasty virus,” I said. “Wonder if it’s the same thing.” There was no Paul, no virus, but it comforted me to comfort Georgia. I wanted to say other things—things that would let her know that if she wanted me as a confidant, she could have me—but instead I followed up with, “I’m having a small dinner party next week. Any chance you’d want to come?”

Georgia did not immediately answer. She dried her hands with a paper towel then tightened her ponytail. “Ok,” she finally declared. “I think I could use something like that.”


With Georgia on the roster, I needed a guest or two more to round out the evening, but who? I wanted the vibe to be casual yet intimate, playful yet mature. Over the course of the next week, I invited my Pilates instructor (busy), the cute barista at the corner cafe (engaged and wary), and my therapist, who I tried to entice with the idea of treating the party as a session of sorts—a live tableau of my confusing and disintegrated life. You could show up for just an hour! I’d said, and when she gave a dour look, I amended the offer. Fifty minutes? She declined, encouraging me to pause for a moment to ask myself what I was trying to accomplish with these shenanigans. 

Back at work, Trixie called me over to her desk, where she waved the pages I’d turned in earlier that morning. 

“Is this really it?” she asked. “This is your best effort?” Trixie had assigned me not an obituary, but a profile. Let’s see what you can do with some more space, she’d said. A plumber had won a thousand dollars in an art competition with a piece titled, “Plunge this,” a self-portrait of his mouth wide open. I’d rushed the interview, and the piece was padded with bland descriptions of shapes and color in place of character and insight. But also, we were a free paper that ended up on the tables of elementary school art rooms. 

I’d used Mom’s death to explain sloppy work and missed deadlines before and tried this tactic again. 

“You know my mother died when I was sixteen,” Trixie said, and then confided that despite what others promised, losing a mother was not a loss time heals. “But it’s a loss you’ll have to manage,” she said, meaning shape up or ship out. Meaning caring for small and banal stuff, like plumbers-turned-artists, could have an effect on the emotional landscape of a life. It was the first real piece of advice that made sense.

In a last-ditch effort, I invited Trixie to the party, and as it turned out, she was going to be in my neighborhood that evening and agreed to stop by. 

“Take another shot,” she said, handing me back the profile. “See what happens when you care.” 

That evening, I wandered the grocery store with questions on my tongue. Had Mom enjoyed offal as a girl because it was genuinely good? Or had she enjoyed it because she was starving? Maybe it was good because she was starving. Another answer: she’d forced herself to eat those tiny organs—spongey, bitter—until she believed they were a delicacy, a privilege. And weren’t they? And weren’t they not? 


I spent the morning tidying, the afternoon cooking, the order of which I only rethought as Dave and Vera arrived, the house now sticky with effort. I still lived in the same modest two-bedroom in the lackluster neighborhood I’d chosen in my twenties, the same house where Dave had asked, Will you ever be ready for something new? 

“It smells amazing in here,” Vera said as she and Dave walked through the door. Vera looked good, much softer since I saw her last. But even with a round face and full backside, Vera hardly looked satisfied. A deeper, more subtle change had taken place, and the shift acted on me with a kind of primal intensity—something felt rather than understood. Were the muscles of her face doing new things? Had the cadence of her voice altered slightly? 

“You’re the one who smells amazing,” I said after giving a quick hug. “What’s that perfume you’re wearing?” 

“It’s called une shower,” she laughed, “which is as much of a beauty routine as I can manage these days.” 

She took off her coat, revealing the yellow cotton dress she’d bought on a road trip we’d taken through Maine one summer. That weekend, I’d marveled how Vera could find something in a grungy thrift store and turn it into the kind of outfit you’d see on the streets of Paris. But now the dress, ill-fitting and wrinkled, looked like a nightgown one wore for comfort alone.    

“No baby?” I said to Dave, putting my hands to hips in a playful posture of severe interrogation. I was feeling hyper, not right, and began baby-talking. “Where’s my little munchkin? Where’s that chunky little darling of a meatball?” 

“She’s with my sister.” Dave took off his jacket, received Vera’s, and put them both in the coat closet that once housed his ski equipment. “If you can believe it, it’s our first night alone since Olive was born.”

“We’re not alone,” Vera said to Dave, and then to me, “Work is insane. Being a mother is insane.” 

A bit too loudly, Dave put on the voice of a sportscaster: “Mom and Dad’s big night out!” At this, he grabbed Vera’s hand to make a quick joke; hands raised, Dave gave a cheer of mock-celebration. Their “big night out” was so lame it was funny. I could tell Vera was worried that Dave’s behavior could be the pinprick to the balloon that was our reunion. With a false laugh, I tried to convince everyone, myself included, that their parental titles and entwined hands could not upset me. 

“The ol’ place looks good,” Dave said, now walking an odd gait around the living room like some white-gloved inspector. He ran a finger over my bookshelf, a finger over the mantle. A shiver, from the base of my neck down the length of my back, betrayed my efforts to act nonchalant. I could tell myself many things—anything really—but my body whispered the truth; I was feeling things, electric things, in Dave’s presence. 

“It’s like nothing’s changed,” Vera said, warming herself by the fire. She wasn’t wrong. I still had the same thrift-store furniture I’d made Dave strap to his car’s roof. The woman at the register had said, Your wife has a good eye, to which Dave framed his face as if he were the steal. Why thank you, he’d said, and she’d laughed. Oh, we’re not married, I stated, and on the ride home Dave wanted to know why I’d felt compelled to correct her, a stranger. And lie? I asked. For what reason?     

“The others should be arriving soon,” I said. “Although it looks like the party will be smaller than planned. Penelope’s dog swallowed some chocolate this afternoon. She and Martha are at the vet.”

“Oh that’s too bad,” Vera said. “I was hoping to see Pen and meet this hot wife of hers.”

Throughout our twenties, the three of us had done everything together, but Penelope had been my friend first. Penelope, whose father had remarried the babysitter, didn’t think twice about her allegiance when Dave and Vera began dating. In fact, sometimes she took her anger at the whole situation too far, and I had to remind Penelope that sure, Vera was dead to us now, but she wasn’t really “a conniving bitch who cared only for herself.” I hadn’t told Penelope about running into Dave or about the dinner party. She didn’t even have a dog. 

“Let’s have a drink,” I said, waving us toward the kitchen where I’d laid out a tray of charcuterie. It made no sense why a whole chicken, sitting in a baking dish on the stovetop, should embarrass me, but I quickly shoved the bird—exposed, raw—into the oven before glancing at a cheat-sheet I’d hidden in a drawer. (High heat for ten minutes, then down a hundred degrees.) Twenty minutes per pound, I chanted to myself while pulling a corkscrew from the drawer. Twenty per pound. Twenty per pound. The fact of the matter was, I’d never been a great cook. Growing up we’d had a personal chef, and after Mom died, I lost my appetite for many things, food included. When I ran into Dave, I’d been eating the same thing for months: oatmeal, PB&J, spaghetti smothered in butter.

“What a thing,” Dave said, “to be back here.”

Vera put her hand to her heart. “Feels like we’re twenty.”  

I opened a bottle of Cabernet Sauvignon, more specifically, a ’75 Lafite Rothschild. I’d also inherited Mom’s wine collection, over five hundred bottles worth around three million, a portion of which I kept boxed in my guest room. In the months since Mom passed, I’d drunk only one bottle by myself, a 2016 Chateau d’Yquem Sauternes blend to wash down a box of Kraft Mac & Cheese, after which I promised myself to find a buyer for the collection. Only I hadn’t yet. 

With familiar ease, Dave went to the cabinet where I kept the wine glasses. Another pinprick, this one felt by me on Vera’s behalf. Dave knew every square inch of this home and hadn’t forgotten. I looked at Vera, and she looked at me. As we tried to find the familiarity in each other’s faces, I imagined a scenario in which I gifted a good portion of Mom’s money to Dave and Vera’s baby. I could be a rich auntie, a third and important piece in the child’s life. But Vera looked back with an expression I’d never seen before. Her big brown eyes—usually receptive and curious—had turned toward some private conversation that wasn’t going well.

“Being young sure is something,” I said. “We were nearly teenagers when we all met.” 


The three of us were clinking our glasses when Trixie arrived, buzzed on the heels of a holiday party just down the street. I’d never seen her in anything but work clothes, a rotating ensemble of slacks and blazers, but tonight she wore a festive silver dress with sequins the size of compact mirrors.  

“Cool outfit,” I lied, but the dress made me dizzy. I could see a hundred versions of myself, each more warped than the next. 

“Is this it?” Trixie asked out the side of her mouth. “Is this the party?” 

Before I could answer, Georgia knocked at the door. She’d come from her father’s house in Jaffrey, and he’d demanded she meet his new horse, stabled twenty minutes further north. 

“I’m sorry I’m late,” she said, handing over a box of chocolates. We hugged—a first—and I could smell the barn in Georgia’s hair, the sweet and warm aroma of hay caught in the fibers of her sweater. But wrapped in my embrace, Georgia grew rigid. 

She hadn’t confided in me, and yet, I knew her secret. A new tension had emerged—between what I’d learned and what I could express—and as I released Georgia from my grip, I found myself overwhelmed by indecision. Should I encourage our blooming friendship by looping my arm through hers while giving a house tour? Or was it wise to hide my enthusiasm until we could fully trust one another? 

“Make yourself at home,” I said, pointing toward the living room where Dave and Vera had settled. “I’ll grab some more wine glasses.” 

I dashed into the kitchen. In my moment alone, I tried to take a slow, deep breath but was finding it difficult to quiet myself. What had I done? What was I doing? I had assembled this random group to prove what? That I was anchored to Keene, to my life, in some significant way? That the past could not continue its haunting? Whatever my intentions, an energy was blooming inside me, not entirely pleasant. 

When I returned to the living room, Trixie and Georgia flanked the fireplace in club chairs. Dave and Vera sat in the loveseat, which left me Mom’s rattan lounger. It was the only thing she’d kept from her own mother, claiming, while it wasn’t pretty, it could cradle a spine just so. She wasn’t wrong. Even Penelope, who suffered a bad back, came over sometimes just to get twenty minutes in the old thing. I eased into Mom’s chair taking in the warmth of the fire. 

“I’m so glad you could all make it,” I announced. Could I lean into the evening? See what small pleasures might be waiting? “Hope everyone came hungry.”

“I have to admit, I didn’t realize this was a dinner party,” Trixie said, her mouth downturned in cartoon-mistake. “I may have already eaten—” 

“I didn’t realize Sarah could cook!” Vera said with too much punch. Dave shot her a warning look, and she raced to explain. “I just mean, I saw this girl microwave more ramen than should be medically allowed.”

Georgia gave a polite laugh—not too hearty as to indicate she’d join Vera in a tear-down, if that’s where this was headed, but just enough to smooth things over for the rest of us. As Trixie sipped her wine, her dress caught and tossed the fire’s amber glow. Parts of my home, isolated and distorted, began shifting in those large sequins. 

“We were in college,” I said. “Vera was the abnormal one, eating broccoli and beans every morning.” My voice came out terser than planned. 

“I was only playing—” Vera said. Her face had reddened. “I didn’t mean to—”

The mood of the evening was proving itself as unreliable as Trixie’s dress. Georgia wasn’t touching the charcuterie, and Dave and Vera, back in my orbit, appeared worried.  

“People change,” I said, restoring good-nature to my voice while throwing my hands in the air.

“The only true thing,” Trixie agreed, and continued to make her way through the Lafite Rothschild. “I’m no wino, but this tastes important,” she said, and then gave an appreciative sigh that emptied and filled her chest. Swimmer’s lungs. As the dress collapsed and heaved, a disco show appeared on the ceiling. Maybe it was the wine, but if I squinted, it could look like we were under water.   

“The bottle was a gift,” I half-lied, and Dave and I caught each other’s eyes to have a private chat. This was something we used to do at other people’s parties when we needed to relay non-verbal messages. In this shared look Dave said, Can’t fool me. With kind eyes, I retorted, It’s nice to be remembered. 

When I first moved to Keene, I’d decided not to tell anyone I came from money. Not even Vera. Only Dave, years into our relationship, knew the financials of my upbringing after celebrating Christmas with my mother in New York. Back in New Hampshire, when he asked why I hid this part of myself, I said it was an uncomfortable fact, that the money wasn’t even really ours, that my mother had changed some very core part of herself to get it. 

At the time, Dave said I was overthinking it, that the people who loved me would embrace my full story. But money changes things, I said, to which he replied, You’re right. Knowing our kids will be rich, I’m never eating cereal again. He’d been joking, but also, it was the first time he’d mentioned our non-existent, future kids. The money, and Dave’s new knowledge of the money, had materialized a life we’d never discussed. 

The money, and Dave’s new knowledge of the money, had materialized a life we’d never discussed.

Vera’s darting glances interrupted the silent conversation I was having with her husband. Could she tell that Dave and I still had access to our shared history, a history which hadn’t included her? As I scanned Vera’s face—older, slightly unfamiliar—I wondered about our fates. Who had put their hands in which pots? And which claims had lost their value? 


We were nearly done with the Lafite Rothschild when Vera turned to Georgia and asked, “So how do you know Sarah?” 

“The simple answer is work,” Georgia started, “but when you’re around someone day after day, you begin to know them the way animals know each other.”

“How do you mean?” asked Dave. 

“Through proximity. Through habitual experience.”

It was great to hear Georgia talk this way. She was making it seem like our friendship had philosophical undertones, which when I thought about it, it probably did. I decided to take the opportunity to announce Georgia’s merits.

“You’ve never met such a hard worker,” I said. “And like such a nice person. So nice. So many people complain about their co-workers, but we’re just a little family, aren’t we gals?” I was exaggerating, sure, but it felt good to parade my new life in front of Dave and Vera. 

When Georgia politely agreed, Yes, we were very lucky to have each other, to have nice jobs, Vera’s face tightened. Vera—who’d always been easy-going—now looked like a kid who’d just been told not every child gets invited to every birthday party. Is this what I’d wanted? To witness Vera feeling the flame of jealousy? I checked my watch. We still had fifteen minutes before I could take the chicken out, then ten more for the meat to rest. To kill time, I brought out another bottle, this time an ’89 Chateau Petrus Pomerol. When Trixie tasted it, her eyes all but bulged out of her head. She grabbed the bottle and ran her hands over the label. Then she took out her phone and Googled the vineyard.

“I knew this was good,” she said, “but this is beyond.”

“Is it?” I asked, my voice light.   

Is it? This is a five-thousand-dollar bottle of wine!” she said. 

I was about to make up some elaborate excuse when Vera stepped in. “Sarah’s mother married an oil man,” she said. “Grew up as rich as a Kennedy, but you’d never guess, right?” 

The comment came out sounding like a pointed attack. It was a tone that claimed Dave (See, we tell each other everything), while simultaneously scolding me (See, I know you spent our friendship lying). And yet, as soon as she’d finished speaking, her eyes admitted regret. She wasn’t really at the helm. She’d been overtaken by marriage and motherhood and was now lost inside herself and waiting for rescue. Could someone who knew her, could I, help her back into the driver’s seat of her own life? Despite all Dave had done for her, I guess this was a job he hadn’t managed. Even though I felt compelled to support her, I resisted the urge. This—Dave, motherhood, the distance between us—was what she’d wanted. She’d chosen it.   

Dave and I locked eyes again, but this time my message wasn’t warm banter. He’d betrayed me. He’d told Vera the one thing I’d shared with him and him alone, something he promised never to reveal, not to anyone. 

“My father is an oil man too,” Georgia said. “Works at a gas station when he’s not riding horses.” Georgia hadn’t meant to be funny, but Trixie laughed. If Georgia perceived the surmounting tension, she hid it well. To collect myself, I went back into the kitchen, where I found smoke escaping from the oven’s seams. I turned off the heat, turned on the exhaust, and inspected our dinner. I’d forgotten to reduce the temperature and had cooked the bird at high-heat for too long. My mistake had charred the skin beyond repair. 

This is how Dave found me, near tears with my face at the oven’s open mouth. 

“Look,” he said. “Vera’s going through a really hard time. She hasn’t been acting like herself.” 

I looked at him with wide eyes. Like, Really dude? Like, Don’t you see we have a bit of a situation on our hands? But Dave—for all his good humor and funny voices—also possessed the ability to ignore other people’s concerns if they weren’t his own. I remembered this now. 

I raced to get the mitt, pulled the chicken from the oven, then opened all the windows. The room became cold. I felt my muscles, already tight with panic, constrict further, but also, the sounds of a winter night—of cars driving through slushy roads—reminded me that outside these walls, there was a world that had nothing to do with me. 

“Vera hasn’t admitted this to anyone,” Dave said, “But ever since the baby, she’s been struggling. I’ve been so worried, but then this dinner tonight. It’s the first thing in so long. She was excited to see you again. We were both so happy—” 

I grabbed a knife to poke beneath the chicken’s skin; I wanted to know how far the damage reached. What could be saved? What would I toss? I was about to put my hands into the carcass—to start pulling out pieces of dry chicken to rehydrate in a soup or chicken saladwhen Dave’s phone rang. It was his sister. Baby Olive had developed a fever so high and so quick that a febrile seizure had occurred. I could hear Amy’s shaky voice on the other end. “I’m at the hospital now. The fever’s under control, but they want to monitor her. It’s not the kind of thing that causes damage. They promised there’s no damage.” 

Now Dave was the one looking wide-eyed. I could tell he’d been holding a lot, too much, and that this new and heavy piece was making his spiritual muscles shake.

“We’ll be right there,” Dave said. He hung up the phone, but stood frozen. He closed his eyes tight, and when he opened them, he looked at me straight-faced. It felt like the most familiar thing to take his hands into mine.  

“I shouldn’t have left,” he said, and for a moment, I thought I was inside a different conversation. “She was sleepier than normal when we dropped her off, but we all thought it was just another growth spurt. I should have stayed home. I shouldn’t have—” 

“No one did anything wrong,” I said. “Just a little scare. No permanent harm, right?” I looked at the scorched chicken. “Not missing much here anyway.”     


When Vera told me that she and Dave had developed feelings for each other, that over the eight months since Dave and I had dated, they’d kept in touch while slowly their friendship morphed, I was standing in my bedroom half-naked. Vera had dropped by to help me get ready for a date, and I was between dresses. When she asked for my blessing, I wanted to call her a bad friend, a desperate woman, a person with no ideas of her own. 

“What if I say no?” I said instead. 

Vera looked at me with a confidence I had rarely seen in her before. “I’m not asking for permission. I’m only hoping, with time, you’ll see a way forward for us.”

I raced to cover myself with an oversized sweatshirt then made my way toward the bed where I shoved my bare legs beneath the duvet. 

“When I look at his face, I see my whole life.” Vera kneeled then at the bed’s edge, her face hopeful like a child saying prayers. “Sarah, talk to me.” 

I then said a lot of things I’ve tried to since forget, accusations and name calling and general hysterics, but here we were again, the two of us still waiting for the consequences of our decisions to reveal themselves. I had a five-pound burnt chicken; she had a fevered baby. Were we really all that different?  

Dave and Vera raced to collect their jackets while apologizing for their sudden departure. Trixie gave a quick and encouraging story about a baby she once knew who’d had a febrile seizure and now attended Tufts. When Vera gave me a hug, she held on for a moment to whisper in my ear. “Being together again was so nice,” she said, and then pulling back, “Maybe you’ll come by the house sometime?” 

Here was the Vera I remembered, the Vera always securing the next plan while the present plan was still underway. Which was something that used to make me feel really great. As if she couldn’t get enough of me. As if she had a real and desperate need for my company. 

“Maybe,” I said.   

It was hard to tell if my face was flush from the wine, the oven’s heat, or the anger that flashed through me when Vera shared my best-kept secret. At any rate, my cheeks were aflame as I watched them leave. Closing the door, I wondered what would become of us.

“Who’s up for take-out?” I asked Georgia and Trixie. The smell of smoke lingered in the air. Georgia was quick to say her stomach was acting up again. In fact, it was getting rather late, she said, and we all agreed, like it or not, we had work in the morning. 

“And I believe you’ve got some writing to do,” Trixie said. 

I smiled, knowing I wouldn’t be coming into work tomorrow, or ever. I wasn’t trying to be a journalist, and if I could have small and banal interests that fed my spirit, they remained unknown to me. As Trixie put on her coat, relief cloaked my own body. The sequins, with their playful, dirty magic, were gone, and all that energy, which had been raging inside me like some trapped animal, quieted. I was worn, and in my weariness, I missed my mother. 

“It was nice to gather,” Trixie said. “Nice to meet your friends.” 

“The country can be a lonely place,” Georgia said. “Thanks for the invite.” And then she put her cheek next to mine and kissed the air the way one kisses a distant relative. If Georgia and I were going to be friends, we weren’t friends yet. Perhaps we’d hang out again and come to rely on one another, but maybe we’d enjoy forgetting the other more than any intimacy. 

 I apologized again for the food mishap, which truth be told, I didn’t even feel bad about. It’s funny the things you can convince yourself are important until they fail miserably.  


The day before Dave met my mother, we went to the zoo. We strolled from cage to cage while Dave gave each animal a voice and a problem. I’d felt too shy to chime in and play along, although in my head I assigned the ring-tailed lemurs dead end jobs for low pay. We ate hot dogs and cotton candy and said some really kind things to each other on a bench in the shade. Even though it was a nice zoo, it was a zoo. By mid-afternoon, the metal fencing and plexiglass wore on me.

“Doesn’t seem natural,” I said to Dave.   

“Captive breeding is an important conservation effort,” Dave said while tapping a sign that argued as much. 

I wondered about this. Did animals birthed inside a zoo have any chance of returning to the wild? Could they survive the life that should have been theirs? It was thoughts like these that could tank my system for days, weeks, months. Dave noticed my deflation, which I dismissed as a brewing fever.

When we saw my mother the next day, Dave told her about a mountain lion we’d seen walking the same worn circle. I could tell Dave was starting to really love me, and the world was doing that thing it sometimes did; it was receding, and I could feel the space between myself and everything. My mother had served a squash soup, which I left untouched.

“It’s your favorite,” she said, but it wasn’t true. I had never liked it, not once, and I sat without appetite as Dave asked my mother a series of questions about what I was like as a child. And then I listened to her describe someone I’d never met.


Soon after Mom died, I thought often of that blond tread of dirt, lonely and worn. I looped back on the image so often in those early days that in an attempt to ease my mind, I actually called the zoo. I wanted to find out if the mountain lion was still walking that same circle, but the person on the other end of the line said they’d never housed a big cat, or if they had, it was gone now. 

“Gone where though?” I asked.

“Like I said,” a listless voice drawled. “Not here.”   

Override takes many forms. I would come to see that long after I’d stopped working at the paper and sat eating salted pistachios at the lake’s edge. Truth, my truth, would come upon me there in a sudden breeze one June. The blossoms of wild blackberries and sweet grass, baked in early summer sun, would release an aroma so pungent and joyful that I’d wish my mother alive again. As the lake’s surface rippled, I’d have the thought: if only I could show her what I’ve learned.

But standing in my doorway, waving goodbye to Trixie and Georgia, I thought only about my inheritance. The word still felt loose and sick, like something that should have been fully-formed was instead puddled by confusion, loneliness, and grief. The secret was out; I had more than I knew what to do with, but what could I claim as my own? What kind of difference could I make? What did I want from this life of mine?  

I could start a fund for underprivileged kids, I thought. I could buy raw land to protect through conservation easements. I could turn the cash into gold, bury it in someone’s lawn, and then draw a treasure map to be placed in a neighboring mailbox. Now that would cause some chaos. But really: no matter what I did, the money would flow through me. It didn’t have to be complicated. In fact, it could be easy. I could give myself the things I desired and allow the rest to run right through. 

Help Us Choose the Saddest Book of All Time

Forget March Madness—this year, we’ve decided to try something new: March Sadness. That’s right, folks: this literary bracket is full of the most devastating novels we could think of, all with the goal of choosing the saddest of the sad. These are the books that have broken our hearts in the best and worst ways, the ones that will compel any reader to go on a long, long walk while playing the same depressing songs on loop and contemplating the tragedy of life. 

You, dear reader, are going to help us decide which of these books has single-handedly accounted for thousands of dollars in revenue for the Kleenex brand (we assume) thanks to readers blotting their eyes and blowing their noses. Voting starts Monday, March 25 on our Instagram and Twitter (sorry, did we say Twitter? We meant “X”).

Click to download a printable PDF

Fill out a bracket to predict the winner, then head to our social media channels to vote in the polls. And stay tuned to find out whether your top devastating read takes the win!


Update: We have a winner! It was a tough competition, but there was one book that cleared every round with ease, swept the competition, and rose to the top. (Drumroll please!)

As a recap, here’s how the bracket played out:


Round 1

A Little Life vs. Shuggie Bain

Anna Karenina vs. Madame Bovary

We the Animals vs. On Earth We’re Briefly Gorgeous

The Bluest Eye vs. The House of Mirth

Earthlings vs. Beautyland

Revolutionary Road vs. Giovanni’s Room

The Bell Jar vs. Normal People

The Nickel Boys vs. Edinburgh

Bridge to Terabithia vs. Where the Red Fern Grows

The Book Thief vs. The Notebook

Extremely Loud & Incredibly Close vs. Flowers for Algernon

The Fault in Our Stars vs. The Perks of Being a Wallflower

The Kite Runner vs. The Road

All the Light We Cannot See vs. The Song of Achilles

Atonement vs. Never Let Me Go

Little Women vs. Of Mice and Men


Round 2

A Little Life vs. Anna Karenina

The Bluest Eye vs. On Earth We’re Briefly Gorgeous

Earthlings vs. Giovanni’s Room

The Bell Jar vs. The Nickel Boys

Bridge to Terabithia vs. The Book Thief

The Fault In Our Stars vs. Flowers for Algernon

The Kite Runner vs. The Song of Achilles

Of Mice and Men vs. Never Let Me Go


Round 3

The Bluest Eye vs. Anna Karenina

The Bell Jar vs. Giovanni’s Room

Bridge to Terabithia vs. Flowers for Algernon

The Kite Runner vs. Never Let Me Go


Semi-Finals

The Bluest Eye vs. The Bell Jar

Bridge to Terabithia vs. Never Let Me Go


FINALS

The Bluest Eye vs. Never Let Me Go

7 Novels About Unconventional Serial Killers

All thrill seekers are different. Some need to bungee jump or chase tornadoes to experience a rush of adrenaline but for me, there is nothing more exciting than opening a book and meeting a brand-new fictional character for the very first time. And the best characters are the ones who make me feel…something. Because they’re the people who remind me that despite all our differences, sometimes we feel the same emotions and think the same thoughts. The fact that I can emotionally connect with a figment of someone else’s imagination is beyond exciting. It’s exhilarating. And it means I never have to go kayaking or jump out of a plane.  

The fictional characters who have the greatest emotional impact on me are the ones who will stay with me forever, and they’re often not the nicest people in the book. Far from it. In fact, sometimes they’re the worst breed of villain—serial killers. A murderer who kills once is bad enough but the people who strike again and again, should surely terrify and repulse me—shouldn’t they? Well, sometimes they do, but not always. Sometimes, for reasons I don’t fully understand, I find myself rooting for the serial killer, desperately hoping they won’t be caught. 

In my debut novel, You’d Look Better as A Ghost, I introduce Claire—a serial killer who sees her victims as ghosts before they die. Despite being a brutal, unforgiving psychopath, Claire is often described by readers as being extremely likeable and strangely relatable, prompting me to wonder why. What is it about her that resonates? Her difficult childhood, perhaps? Her authenticity? Or is her likeability directly related to her dark humor? Are we more forgiving of the people who make us laugh? 

With this in mind, I’d like to consider seven books that have introduced us to unforgettable characters and pose the question—why do we find these serial killers so likeable? (And what does that say about us?) 

Darkly Dreaming Dexter by Jeff Lindsay

As readers, we warm to serial killer Dexter Morgan in Jeff Lindsay’s series of books, because we know we’d be safe around him, wouldn’t we? After all, Dexter only goes after the bad guys who do terrible things, and this is part of his appeal. We agree with his assessment of other people and appreciate his wit and the peculiar logic to his code of ethics. Plus, he’s intelligent and good at his job as a forensic blood splatter analyst, and he treats both the women in his life—his adoptive sister and his girlfriend, with respect. I think we like him because when he’s not killing bad people, Dexter is extremely charming. 

Codename Villanelle by Luke Jennings

Whilst not as overtly comical as her character in Killing Eve—the TV adaptation of Luke Jennings’ novel, Villanelle is an undeniably fascinating creation. One of the world’s most skilled assassins, she is glamourous and unflappable with an ever-present, understated wit. But she is also a cold, brutal killer, so why do we, as readers, care about her? Perhaps the answer lies in her troubled childhood. After her mother’s death, her questionable father was often absent, leaving the young Villanelle in the care of orphanages, and us to ponder—would a different childhood have created a different girl? 

Hannibal by Thomas Harris

Someone else who is extremely interesting to ponder but definitely from a safe distance, is Hannibal Lecter. In fact, if one was brave/unfortunate enough to meet him in real life, the list of questions for the serial killer first introduced in the novel, ‘Red Dragon’ by Thomas Harris would be endless. How can a genius doctor and cannibalistic monster co-exist in the same human form? And maybe therein lies the answer. Maybe the behaviour of Hannibal Lecter is so extreme, so far removed from conventional norms that we no longer consider him human. Perhaps it is his complete lack of morality that allows us to skim over the killing and be entertained instead by his intelligence, charisma and sharp wit. Any character who ‘preferred to eat the rude’ is indisputably grotesque, but certainly not boring. 

My Sister, the Serial Killer by Oyinkan Braithwaite

Whilst Korede isn’t the serial killer in Oyinkan Braithwaite’s novel, she acts as accomplice for her murderous sister, so why are we on her side? Maybe it’s because the siblings are so different. Whereas Ayoola is beautiful, reckless and messy with her kills, Korede is average-looking, organised and meticulous in cleaning up each crime scene. And when Korede is read and understood in the context of her family—abusive father, passive mother, sociopathic sister—her determination to protect her sibling at all costs, can be more easily understood. Perhaps our sympathy for Korede’s position within her family and life, clouds our judgment and makes us more forgiving. 

Sweetpea by C.J. Skuse

Rhiannon Lewis, the anti-hero in C J Skuse’s series of books, survived a traumatic crime when she was young that left her with a serious brain injury. Years later, armed with an abundance of dark humour, brutal one liners and a kill list of those who annoy her, the reader is never sure whether Rhiannon would always have developed into a merciless, albeit hilarious psychopath, or whether her brain injury is solely to blame. Regardless of this, I think the reason we find ourselves rooting for Rhiannon is because if we’re honest, we all have murderous thoughts about the people who irritate us, and spending time with a character who not only shares those thoughts but acts on them, is highly entertaining and strangely reassuring. For all our faults, we’re not that bad. 

How to Kill Your Family by Bella Mackie

We know we shouldn’t like a woman who calmly killed numerous members of her family whilst experiencing not a moment of upset or regret, but there is something very intriguing about Grace Bernard, the protagonist in Bella Mackie’s novel. Maybe she’d be less relatable if this story was solely about revenge, but her rage at the class system and patriarchy certainly resonates. Grace refuses to conform; she doesn’t exhibit behaviours we have been conditioned to expect from women, and this is so refreshing to read. Yes, she’s often angry, cruel and self-important and yet there are times when we find ourselves agreeing with her. Maybe it’s the conflict Grace creates within the reader that makes her such a fascinating character.

Jaws by Peter Benchley 

Whilst not a conventional serial killer, the star of Peter Benchley’s novel certainly racks up a decent number of victims and I think deserves a place on this list. Without the shark, Jaws is just a story about Police Chief Brody working in Amity during the busy summer season. But with the shark, this is one of the most exciting stories of all time! And from the safety of the shoreline, I have to admit that I’m a big fan of the shark, who after all, is just doing what sharks do. And, returning to my initial question, maybe that’s the best answer of all. Maybe the reason I find the fictional serial killers on this list so likeable is quite simple. I love characters who are unashamedly themselves.

Téa Obreht on the Serbian Folktales that Inspired Her Dystopian Novel

In Téa Obreht’s dystopian future, the lights are still on. Cell phones work, online forums breed new conspiracy theories, and the government functions—at least enough to distribute rations of “canned gruel.” 

Set in a future of forest fires and submerged cities (the year is unspecified, but eating meat is considered a barbarism of the distant past), Obreht’s third novel, The Morningside, is the author’s first foray into climate fiction. Instead of depicting a world blown apart instantly by an asteroid or pandemic, Obreht imagines what might happen if the crises of our own era—rising temperatures, mass displacement, stark wealth inequality—continue unchecked. 

The novel’s heroine, 11-year-old Silvia, has spent her entire life in transit. She barely remembers the homeland, a country destroyed by mudslides and ensuing civil wars, and her tight-lipped mother refuses to discuss the past. When they land in Island City, a half-submerged metropolis that resembles both New York and Obreht’s native Belgrade, Silvia believes they’ve finally found a place of safety. And she’s delighted with her aunt Ena, a gruff building superintendent eager to share stories from “Back Home.” Ena’s favorite story concerns the Vila, a Slavic nature spirit known for taking revenge on humans who encroach on her land. But when Silvia becomes convinced that her upstairs neighbor is a real-life Vila, her investigations lead her to trespass on this mysterious woman’s domain—a mistake which, just as the folk tale warns, unleashes a series of curses that threaten her tenuous stability in Island City. 

I talked to Obreht about the folk tales that inspired The Morningside and the immigrant experiences that influenced her vision of “climate calamity.”


Irene Connelly: How did you come to know the story of the Vila? 

Téa Obreht: I grew up with it. My God, our folktales are so dark, and so long. The Vila is part of the epic poems of Serbia; the first place I studied it is in “The Building of Skadar,” which is about how the city of Skadar came to be built. With the exception of certain flourishes, Ena delivers the tale pretty much the same way. It’s been foundational to my knowledge of the world since I was a kid, probably too young to hear it. 

In some ways, the novel is indicative of my changing relationship with the folk tale. When you’re a kid, and you learn these tales of old, the women in them tend to be either divine or monstrous. In this case, the Vila is something to be feared, and she makes these monstrous contracts with the king. As I’ve gotten older, and studied literature and life, it has become very apparent the way those kinds of folk tales were intended to act as devices of hatred and repression and fear. There’s a lot more sympathy towards the Vila in this novel; there’s nothing about her that’s grotesque. 

IC: Many works of climate fiction envision a future in which society has completely fallen apart, often by way of one dramatic catastrophe. In The Morningside, you depict a much more gradual form of disintegration. How did you think about what this dystopia would look and feel like? 

TO: I wanted to write towards calamity, not catastrophe—seeing little pockets of society that would erode as a result of incompetence, or vulnerability, or bureaucratic malfeasance. I didn’t want there to be one large apocalyptic event.

When you’re a kid, and you learn these tales of old, the women in them tend to be either divine or monstrous.

Coming from the former Yugoslavia, and having family and friends from parts of the world where these breakdowns of nation or society have happened more recently, it’s surprising and inspiring and at the same time sort of depressing to see how people persist in trying to piece together a semblance of their lives from before. Of course, it’s the life from before that gets you to the collapse of society. But it is remarkable how much, in the West, there’s this idea of a massive apocalyptic event; whereas elsewhere, smaller apocalyptic events happen all the time, and people get through them. 

IC: In a lot of ways, this novel uses the experiences of immigrants today to envision what life might look like for everyone in the future. 

TO: My experience as an immigrant was that wherever we arrived—and we moved a lot after the collapse of Yugoslavia—there was this idea of arriving into a kind of utopian society. There was this notion of, “Here, things are functional. It’s not a disaster like it is back home, so something must be working.” And then you’re introduced to a new culture, new language, new people, new map, and realize slowly that things in your new home are also fraying at the edges. 

IC: Folktales, especially the legend of the Vila, play a big role in this novel, which makes a lot of sense: in a world characterized by disruption and uncertainty, oral traditions are a way of preserving knowledge and continuity. Which came first for you, the legends or the setting? 

TO: I’ve been trying to write a novel about the Vila for a long time. She’s flitted through the back of a couple projects that turned out not to be the right ones to contain her. I do think that folk tales are a way of passing down information; they’re also a way of navigating the present, because they can have a parable-like quality for the person receiving the story. Having the Vila in the back of my mind and beginning to write this novel, it was interesting to see the folk tale’s connection to climate change and human encroachment. It was all right there. 

IC: Ena tells Silvia folk tales to give her a sense of connection to their lost homeland. But Silvia’s mother sees her reliance on these stories as a way of romanticizing their past and eliding the ostracism that Ena, who is queer, faced in their native country. In that sense, folk tales have a more sinister function. 

In the West, there’s this idea of a massive apocalyptic event; elsewhere, smaller apocalyptic events happen all the time, and people get through them.

TO: I think Sil ends up sharing her aunt’s attachment to folk tales as a way of seeing a more informed, rounded reality. She takes tremendous solace in the belief that her folktale-infused way of seeing the world is the correct one. When we look at the things that religion, for example, can do for a person of faith, it’s a very similar kind of protection from outside violence. I hope that Ena’s attachment to folk tales reveals the complexity of being unable to reject and unable to accept the realities of home. Those are things that a lot of immigrant cultures also grapple with. You left for a reason, and those reasons were very real: They had to do with resources, with the attempt to provide your children a “better” life. However, there are also these magnificent things about the culture that you left behind that inform you. 

IC: You wrote that this novel “crept up on me between pandemic and pregnancy.” Can you talk a little more about that? 

TO: I’ve never written something in a more fragmented way. The novel had been knocking around in my mind for a long time and then, during the pandemic, the commission came to write a story for the Decameron Project. I used it to force myself to put these thoughts down on paper, and then I wrote a very messy first draft of the novel. Then I was pregnant, and I wrote a slightly less messy second draft. I wrote the final drafts after my daughter was born. There were physical, emotional, psychological shifts between drafts that forced me to write in different ways. 

IC: Did your consideration of Sil’s relationship with her mother change once you were writing as a mother yourself? 

TO: I think so. Writing that draft in that particular phase of life really crystallized what the novel was trying to say. One of my rules for myself is that if I get to the end of the first draft and the novel hasn’t revealed an underbelly of meaning, it’s not working. By the time I finished the first draft with this project, I did have access to that. But when I became a mom, there was this whole other layer of meaning couched in sympathy for Sylvia’s mother—and obliquely, my own. There was this idea of being raised by a parent who had been raised in an authoritarian society, of being very careful about what you said, very secretive, and using language to circle the wagons when you feel a threat in your new environment. These things felt really, really close to the bone. 

IC: Silvia’s bond with her mother is stymied by exactly these survival tactics. They only become close once her mother realizes that she can’t protect Silvia from harm, no matter how careful she is. 

TO: A lot of that has to do with the inability of immigrants to have a place for self-reflection, or to have a community to air their particular difficulties. If you’re an immigrant, you’re on your own, and you have to navigate deep emotional turmoil, and there’s a reflex to plaster it over with all these rules intended to keep you safe and chugging along. It ends with many years of chugging along without access to that emotional core. 

9 Memoirs That Reveal the Mental Health Challenges of Athletes

After reporting on elite athletes for almost a decade, I have one main takeaway: They’re just like us. No, really.

For all the physical strength and dominance they display, athletes on the collegiate, Olympic, and professional levels are still susceptible to the vulnerabilities that plague us all. They fret over their identities and legacies, the health of their platonic and romantic relationships. Some days they wake up feeling invincible; on many other days they know all too well they aren’t.

In recent years, I’ve had conversations with dozens of athletes about their mental health, specifically. My new book, Mind Game: An Inside Look at the Mental Health Playbook of Elite Athletes, is a deeply reported look into the athlete psyche and what non-athletes can learn from it. As someone who hasn’t played competitive sports since high school, I needed as many direct glimpses as possible into what high-level play is like—and the mental tolls that come with it. For that, in addition to original interviews, I turned to athlete memoirs.

Whether you’re looking to be inspired to push past an obstacle in your way or you’re struggling and just want to feel seen by someone successful who’s been in your shoes, look no further than athletes’ own powerful words. After all, no one has a better handle on their mental health struggles than they do. Here are nine captivating sports memoirs that grapple with mental health.

My Greatest Save by Briana Scurry with Wayne Coffey

Scurry, the goalkeeper of the U.S. women’s national soccer team during the famous 1999 World Cup victory, chronicles the saves that she made look effortless on the field and the trouble that she had saving herself off it. After a career-ending traumatic head injury in 2010, she fell into depression and self-medicated with Vicodin and alcohol. The icon digs deep to describe how she found herself and fought for her chance at recovery.

Where Tomorrows Aren’t Promised by Carmelo Anthony with D. Watkins

The 10-time NBA All-Star had a particularly tough time adjusting to fame after growing up in poor Brooklyn and Baltimore neighborhoods, where he described being surrounded by drugs and violence. For Anthony, learning how to be vulnerable as a Black man and process his feelings in a healthy way became a lifelong journey.

Open by Andre Agassi with J. R. Moehringer 

A former men’s world No. 1 tennis player, Agassi details a childhood rife with emotional abuse. Nevertheless, he was high-achieving from his teenage days at a tennis boarding school. Agassi, who is honest and reflective throughout about the pressures of playing professionally, even addresses getting past his 1997 positive test for methamphetamine.

Over It by Lolo Jones

The summer and winter Olympian—a hurdler and bobsledder—is perhaps known best for her shortcomings in both sports, especially tripping over the penultimate hurdle in the 2008 Beijing Games and missing out on gold. What fans may be less familiar with are the negative mental health effects she experienced after the traumatic event, when strangers wouldn’t stop mocking her. Jones’s faith, as she tells it, got her through, just as it got her through a tough upbringing.

Till the End by CC Sabathia with Chris Smith

An MLB Cy Young Award–winning pitcher who starred in Cleveland and New York, Sabathia was hiding his drinking as much as possible during the early stages of his career. Inevitably, people started to notice his erratic, confrontational behavior. In 2015 he took a step not many athletes do: publicly announcing that he was checking into a rehabilitation program — right before the playoffs, no less. He revitalized his career afterward and became an advocate for recovery from mental health and substance use.

Rise by Lindsey Vonn

Vonn put together one of the best skiing careers of all time; when she retired in 2019, she was the most decorated American in her sport. But that success and her speed on the slopes came at a cost: She struggled with depression for decades, learning to cope by leveraging attributes like grit and perseverance. Here, she gives clarity for athletes and non-athletes alike to those oft-murky concepts. 

The Save of My Life by Corey Hirsch with Sean Patrick Conboy

By his early 20s, the Canadian goaltender had accomplished his dream of making it to the NHL. He also earned a silver medal in the 1994 Olympics. But Hirsch was also wrestling with dark thoughts and relentless anxiety he wouldn’t share publicly until decades later, in a groundbreaking 2017 Players’ Tribune essay about OCD. This book is an insightful expansion of that article, detailing his path to recovery. 

In the Water They Can’t See You Cry by Amanda Beard with Rebecca Paley

In 1996, Beard made the Atlanta Games at age 14, and, with her teddy bear famously in tow, she walked away with three Olympic medals (including one gold). But the fame and pressure that accompanied global success at such a young age took a toll on her mind and body, as she silently struggled with depression and bulimia in the following years. Slowly, she learned to trust those around her and seek the help she desperately needed.

Getting a Grip by Monica Seles

The tennis star peaked at the women’s world No. 1 ranking in the early 1990s. From there, things got considerably harder. In 1993, a fan of opponent Steffi Graf stabbed Seles in the back, forcing her to take more than two years away from the sport to recover. During that time, she developed a binge-eating disorder and depression, while coping with her father’s cancer diagnosis and death. She eventually persevered through it all, making it back to the court and even picking up a ninth grand slam.

On Killing A Pigeon in New York City

Not a whit. We defy augury.

Hamlet, V. ii. 233

We were gone for almost all of August. When we got back, we found a rime of black and white bird shit and feathers encrusted on the top few steps of the stoop. Pigeons had been roosting on the pediments atop our windows. Whatever normally kept them away from our building was no longer keeping them away. Who’s to say where they came from; pigeons come from nowhere.

Nadia and I figured the late summer rains would wash the fecal matter away, and the pigeons would eventually leave. Find some other Brooklyn brownstone with protruding eaves. But the rains only got rid of the white shit, leaving behind the more three-dimensional, wormlike black shit, and the pigeons stayed. Fresh feculence of both varieties kept falling. The stoop, where we sometimes sat around and chatted with the neighbors, had become entirely unusable.

Our landlord, Erik, a veteran New York Times reporter based in Mexico City, was oblivious to the issue until he visited one rainy afternoon in October. He was standing by the trash bins sorting junk mail. He always wore a pair of newish black Sambas. No rain jacket or umbrella. High receding widow’s peak. Dark, angular, bushy eyebrows that gave him the semblance of a hawk.

“Sorry about the mess,” he said. “How long has it been like this?”

“Probably since mid-August,” I said. “We were away when it started.”

“That’s a long time, I’m really sorry. It’s frankly disgusting. It’s also a public health hazard.”

“How would you go about getting rid of them?”

The three of us looked up. A row of light and dark gray triangles hung over the lip of the brownstone’s uppermost ledge. The pigeons were sheltering from the rain.

“I’ll probably hire a guy to go up to the roof and hang off the side to clean those ledges. Then they put down this sticky stuff, which keeps the birds away.”

“Is that okay for the birds?” Nadia asked.

“Oh yeah, it’s all-natural. They don’t like the feeling of it on their feet, so they stop landing there.”

This seemed a better solution than nets and metal spikes, which always felt so medieval to me. Erik promised to have the property manager get straight to work. Rain had darkened his shoulders. The junk mail sat in his hands like undevoured prey. We thanked him and left it at that.

This seemed a better solution than nets and metal spikes, which always felt so medieval to me.

A few weeks later, I woke to the sound of voices on the landing. Aurelio, the property manager, and a couple of his guys were heading up to the roof. I lay still and listened to their footsteps creaking across the bedroom ceiling. When I went downstairs, I noticed that the stoop was clean. Aurelio the generalísimo—tall and well-fed, well-liked on the block—was standing by his van, staring up at the eaves. He smiled when he saw me and shook my hand. He said they might need to go inside the apartment tomorrow to work on the window ledges. I said no hay problema.

 “No hay problema?” he repeated, smiling again, and went back to work.

The crew came back the next day with coarse black brushes duct-taped to the ends of wooden poles. They dipped the brushes in a soap solution, lay flat at the edge of the roof, and reached down to scrub, presumably while others gripped their ankles from behind. I stood by the bedroom window at one point to watch. Fine particles of soapy water floated past the glass. The men joked around while they worked, suspended over the edge, supremely indifferent to death. Once the stone was clean, they took a pole with a putty knife taped to the end, smeared the blade with bird-repellent gel, and reached down to scrape the stuff onto the ledges. The job took less than half an hour.

Aurelio knocked at our door. I waved him and his right-hand man, Rodrigo, inside and moved some books and picture-frames away from the bedroom windows. I pointed to the potted sampaguita on the windowsill with its tracery of green leaves and vines wound about a bamboo trellis by the glass. I asked them to be extra careful with that—my cousin Emily had entrusted the plant to my care before leaving the city. Aurelio nodded. I went into the kitchen to wait.

Emily had been on my mind all morning. She had messaged the family WhatsApp the day before: “Hi fam! I am being admitted to labor and delivery. Baby will most likely be born tomorrow.” Hearts and prayer hands flooded the chat. I sensed something grave and unspoken: the baby wasn’t due for another month. “Eat noodles for us pls,” Emily added. A Filipino custom, eating noodles on birthdays for long life. Whose long life? I wondered. For us, Em had said. The custom covers both, of course, the same life force. Every birthday belongs equally to the mother—

It didn’t look at all, to me, like a deterrent. It looked like a fucking trap.

“All done!” Aurelio said, emerging from the bedroom. On their way out, Rodrigo waved his caulking gun, fitted with the tube of bird-repellent gel, and flashed his perfect set of silver teeth. I went in to examine their work. On the ledge outside the window near my desk, they had put down some thick squiggles of whitish, transparent gel. They had done the same on the other window ledge, by the bed. I found the sight of it vaguely unsettling—the gel had a semen-like quality, maybe that’s what it was. But it also had to do with the lines Rodrigo had drawn. There was something runelike and indecipherable about them. A wide, looping, archaic script, just dense enough to ensure that nothing could land there without touching it. The pattern was not haphazard; some knowledge was encoded there. Some canny human certainty about the ways of animals that I found disturbing. It didn’t look at all, to me, like a deterrent. It looked like a fucking trap.


Nighttime.

Nadia came in and said, “There’s a pigeon on the stoop. I think it’s stuck.”

“What do you mean?”

“It’s stuck.”

“To the stoop?”

“Come see.”

I followed them out. On the third step down, in the shadow of the wrought-iron handrail, a small huddled form sat motionless. I hadn’t seen anything there on my way up, an hour ago. Maybe I had missed it. We went closer, speaking gently: hey little one, are you okay? It didn’t move. Its head hung low, near the step. Its crown and throat were snowy white, with dark gray regions around its eyes. Its eyes were wide and black and blank, like the eyes of someone shocked.

“What should we do?” Nadia said.

I didn’t know. I switched on my phone’s light. The bird’s wings glistened with transparent gunk. Its feet were a mess. Globs of gel clung to the pink skin above its claws, and the feathers nearest its feet were saturated and dark. It did seem to be stuck where it was. I moved closer to see if it would try to strain. It hardly seemed to see me at all. It must have been exhausted. We watched it for a moment. Its whole form lifted faintly, then dropped, lifted, then dropped. It was breathing.

“We have to do something,” Nadia said.

I went upstairs to fetch one of the wooden poles Aurelio had left on the landing. I moved it carefully in front of the bird. No response. I touched the pole very gently to its breast. Nothing.

“Do you think we should try to free its feet?” Nadia asked.

“How?”

“Maybe with water?”

“That stuff is extremely sticky. I had to scrub some of it off the windowsill earlier.”

“We have to do something.”

I agreed. The alternative was what? It would just sit there until it died, or until the rats got to it. We went upstairs and did some research. As I clicked around, I saw an ad for something called “Tanglefoot Bird Repellent”—how obscene, I thought, how cruel. We found that vegetable oil might work. So we pulled on double layers of blue nitrile gloves and brought down a dishcloth, a roll of paper towel, and plastic containers of canola oil and water. Coming down the stairs, I felt a heaviness in my limbs. I wasn’t hopeful about the outcome, but Nadia was right, we had to try.

I wasn’t hopeful about the outcome, but Nadia was right, we had to try.

The pigeon had turned around. Now it was near the edge, facing away from the step. So it wasn’t entirely stuck. Maybe it wanted to fly. We decided to start by removing the gunk on its feathers. I moved to a lower step and held up a light. Nadia took a moment to drape the dishcloth over the pigeon’s head, and held a hand there to calm it. Then they dipped some paper towel in the oil and set about swabbing the wing feathers, pulling the gel outward, speaking to it the whole time.

It seemed to be working. The pigeon hardly appeared to notice. Nadia was able to pull one of the wings out from the body—a sickening sheet of gel stretched between wing and side. It had been literally stuck shut. I propped my phone against the step, dipped my fingers in oil, and did as Nadia was doing. We worked quietly, pulling feathers free, dragging the gel down to the tips, then out completely. It must have flapped its wings after it landed in the glue. It must have tumbled into the glue, then righted itself. It must have fallen three stories from the ledge. The Adhan began at the mosque on the corner. Evening prayers curled like smoke; we listened while we worked.

I thought of Emily and the baby. Josh, her husband, had sent a photo in the afternoon of Em lying with her eyes closed in the hospital bed. She looked unconscious or delirious. Her mother was standing above her, feeling her forehead, looking concerned. One aunt said she was going to the church to offer prayers to St. Gerard, patron saint of expectant mothers. She urged everyone to say the Memorare Prayer ten times. My mother wrote, “Lord, please protect Em and baby during this delivery. We trust in your perfect will and timing. Amen.” Josh had said the baby was likely arriving by the end of the day. I wiped a hand to check my phone for updates—nothing. I felt a sudden fear for Emily’s life, and the baby’s life as well. It was getting late. The pigeon moved very little.

Several stray bits of mangled feather matter had become lodged between its flight feathers. I extended the wings and removed each piece that seemed out of place, trying to simulate a natural preening motion. I had kept parakeets before, so I knew something about birds and their habits. A pair of pet-store budgies—one was green and yellow with a single ultramarine tail feather, the other was pale blue and white, puffy, rotund. It was never exactly my choice to own birds. The first was a rescue from my roommates’ theater production. They toyed for a moment with killing him onstage. I intervened on the grounds that art has nothing to do with killing animals onstage. The other one I adopted to keep the first company, to give his life purpose. Both lived in the bedroom I shared with my partner at the time—another Brooklyn brownstone, another life.

I sometimes woke up flat on my back with my hands folded softly at my chest, as if we had all died together.

But keeping birds troubled me. I was haunted by the thought of one of them slipping through the cage, flying for the window, striking the glass. Somehow worse was the thought of the window hanging open and one of them flying out, a blaze of tropical wings, suddenly alone in the cold and powerless to the casual killing force of everything in the city. Even worse was the thought of the other one left inside, confused, calling for its mate. All of it was awful, the whole arrangement. In the end I broke up with that partner and left that apartment, but I had nightmares about the birds for years—cradling their little forms between my hands, traveling with them through the chaos and noise of the subway, shielding them from gears and cars and heavy machinery. I sometimes woke up flat on my back with my hands folded softly at my chest, as if we had all died together.

I would tell Nadia about these dreams just after we started dating. We were sitting on the stoop one morning drinking tea when they asked if there was any subtext to the dreams’ recurrence. Previous relationship, I said. That seemed clear. I suppose I equated their absence with grief over the relationship. I suppose I felt I had abandoned the birds, as I had abandoned my partner.

Talking it through made it comprehensible. Even then, Nadia could tell when I was stuck or troubled, bewildered to the point of incapacitation. I saw them off that day with a kiss atop the stoop. I remember it vividly: Nadia closed the gate, waved, turned away. They were carrying a yellow backpack and wearing a yellow leather belt. I watched them recede down the block and sat back for a moment to enjoy the morning, the spring air. Then glancing down, I saw, just inches from my feet, a dead chick, sprawled on the step. No longer than a finger, pink and nearly translucent in the sun. Its head was thrown back, arms not yet wings at its sides. It must have fallen from a nest—the oak tree moved extravagantly in the wind, shuffling its leaves like cards. I sat for a while with these strange pieces of experience in my hands. The continuous line from dreaming to waking to this moment. Ill augury? I waved a fly away, went into the vestibule for an envelope, and lifted the bird with mute ceremony to the trash bin. It weighed next to nothing.


Once the feathers looked relatively free of the gel, we turned our attention to the feet. But as soon as Nadia started swabbing the toes, the pigeon startled. “It’s okay, it’s okay!” Nadia said, and placed a hand atop the dishcloth. They used their fingers to drag the gel away from the legs and claws. They were making steady progress; it was working. But then the pigeon jumped again, and this time it tumbled off the side of the step, falling with a thud onto the trash bins below.

“Oh no!” Nadia was horrified. “It’s okay,” I said, hurrying down the steps with the light. It had fallen all the way to the ground, between two of the bins. I moved them apart carefully. It was standing with its wing against one of the bin’s wheels. It was alive. Nadia was rattled—“That was my fault. Is it alright?” “It’s alright,” I said. “You’re helping it, you’re doing beautifully.” We decided to wait a few minutes so that it could rest. We needed to collect ourselves as well.

Hollow bones, I thought, pneumatized, devoid of marrow.

It was a cool night, temperate for November. Occasionally someone would walk past, glancing at us in our blue gloves, glancing briefly at the pigeon in the field of the flashlight. No one seemed to think about it much. Our neighbor Linh, who lived on the parlor level, appeared at the gate. Nadia told her what was happening. Her shoulders fell forward. She seemed genuinely sad. “Is there anything I can do?” she asked. We said there’s no need, we would take care of it. I could tell she was relieved. “We have some Dawn,” she said, and offered to bring it out. We accepted.

I squeezed some soap into the water and we went back to work. Nadia laid the cloth over the pigeon and picked it up entirely. They set it down in a clear part of the forecourt and tried to continue wiping at the feet. But now it was sitting flush against the bluish stone, as though brooding over a nest. I checked my phone: still no news about the baby. “It must be really tired,” Nadia said. Maybe if I held it up, they could get to the feet? They shrugged. We agreed to try.

I refolded the dishcloth and wrapped it around the bird’s head and body. Then I placed my hands on either side of the wings and lifted. It felt somehow both substantial and light. Hollow bones, I thought, pneumatized, devoid of marrow. But here was a life. These were its contours. I tried to impart calm through my touch. It did not strain or protest. I saw Nadia’s green eyes distant with concern. I thought about the heat at the edges of bodies, the life contained for a time within. I thought about the living force within my body, as well, and I thought about Emily, laboring to bring life into the world, laboring to keep it there. What large decisions was she in the midst of making? What life-or-death adjustments was she trying? My lola, the mother of Emily’s mother, would say that in giving birth, the mother has her one foot in the grave. One life going out as one comes in. The hold of one body weakening as it releases another. The thought was unbearable. Unbearable, unspeakable—to imagine the family’s prayers becoming prayers for the dead.

I tilted my hands so the pigeon’s feet faced up. Nadia pulled back the cloth and swabbed the claws with their fingers, now using both oil and soap. From time to time it twitched, and its feet grasped, but I held it steady and we spoke to it, and it relaxed. Nadia worked diligently for a few minutes. But holding the bird like this, we saw how deeply the gel had worked its way into the feathers covering the breast and abdomen. The stuff came away from the wing feathers, more or less, but it seemed to be caked about this lower region like tar. It all felt suddenly hopeless.

I frowned hard and looked down the street. No one else was out.

We looked at each other. I wondered where I should set it down. “Out there?” I said, gesturing to the sidewalk. I don’t know why I suggested that. Maybe I wanted to be free of the responsibility. Maybe I wanted to be like all the other people walking past, going about their swift urban existences. “How about here?” Nadia said, pointing to a corner of our forecourt near the neighboring wall. “It should have some kind of shelter.” I eased it down where Nadia pointed and lifted the cloth. Its right shoulder seemed higher than its left. Its head still drooped. Because I had set it down facing the wall, it gave the appearance of turning away from us, refusing our help.

“You poor thing,” we said. This bird had no chance. What more could we do for it? Calling animal rescue seemed absurd. A single pigeon in New York City; who would move a muscle? I thought about the rats again, big ones on this block. They would descend on it soon, any moment. It would be a bloody mess by the morning. A sad thought occurred to me. “Maybe we should put it out of its misery,” I said. Nadia searched my face. “You don’t think it’ll make it?” I didn’t even think it would last the night. Nadia frowned. I did, too. I felt we had a hand in this—getting rid of the pigeons had seemed like a good idea to us. We were partly responsible for this creature’s suffering. Maybe the least we could do was to end it. Miserable, the frailty of human logic.

“How?” Nadia said. I had no desire to kill it with blunt force. “Maybe we drown it,” I said. But we didn’t even own a bucket. Our other neighbor, Deb, was coming down the street. Nadia explained the situation to her. “That’s so awful,” Deb said. “That’s exactly what I thought would happen with the sticky stuff.” A completely inane solution, we agreed. “We’re considering putting it out of its misery,” Nadia said. I asked Deb if she had a bucket. She shook her head. I think she was lying.

Nadia and I went upstairs and rooted around in the kitchen. I found a bag made of thick green plastic and tried filling it at the sink. It seemed to work. I lifted it into a nylon grocery bag, in case the plastic ripped, and filled it about halfway. I asked Nadia if they thought that was enough water. They did. I held the double bag in my arms like a wineskin and brought it down. “Are we really about to do this?” Nadia said. The pigeon still hadn’t moved. I frowned hard and looked down the street. No one else was out. “It’s the right thing,” I said. “It would just suffer otherwise. I think I would want the same.” Nadia nodded, pensive. I said if they held the bag steady, I would drop it in. “Them,” Nadia suddenly corrected me. “Drop them in.” They were right, of course.

I wrapped the bird with the dishcloth, this time holding the fabric a little more snugly over their head. Their life in my hands. “Sorry, little friend,” I said. “You’re going to fly straight to heaven.” Nadia was solemn, holding the handles of the bag upright. “It’s really brave of you,” they said. I said I was just following their lead, which was true. I brought the pigeon closer to the bag.

“On three?” I said. We counted—

One. Two. Three.


Remember,

O most gracious Virgin Mary, that never was it known that anyone who fled to thy protection, implored thy help, or sought thy intercession was left unaided.

Inspired by this confidence I fly unto thee, O Virgin of virgins, my Mother. To thee do I come, before thee I stand, sinful and sorrowful.

O Mother of the Word Incarnate, despise not my petitions, but in thy mercy

hear and answer me.


Beside the bag, a little yellow larva was inching along the ground—a newborn caterpillar maybe, fallen from the oak tree. A little bead of pure life, inching, squirming, striving blindly. I stared at it, amused, while Nadia said some words I couldn’t hear. Water was seeping from the outer bag. “Oh no,” that’s what Nadia was saying. I worried suddenly that there wouldn’t be enough—I moved my hands and felt the coolness of the water at my wrists. It was still deep. I looked for the larva again and was pleased to see the water trickling in a stream just past it; it was dry, safe. The pigeon strained—I felt their feathers sharpen against my hands. I adjusted my grasp. I spoke to them. The wings went slack. “I think that’s it,” I said. We waited for a moment to be sure.

I hadn’t prayed in a very long time. We sat on the floor and did ten recitations, taking turns.

I lifted the body in its sopping cloth out of the water. Nadia opened the lid of the trash bin. I set it down inside. “It’s too bad we can’t bury it,” Nadia said. I brought the bags to the street and tipped them out. The water rushed forth. I felt relieved. It was done. I covered the pigeon’s body with the bags and carefully lowered the lid of the bin. We floated upstairs in a daze. I felt a vacancy in my eyes. We sat silent in the kitchen. I lit a stick of palo santo at the stove, and it burned a long time.

An image of St. Francis lay face up on the dining table. I found the sight of it calming. “He looks like the pigeon,” I said to Nadia. Wounded and alone. Wings at his sides. Draped in coarse cloth. We decided to pray the Memorare for Emily and her baby. Nadia lit a candle and turned out the lights. I hadn’t prayed in a very long time. We sat on the floor and did ten recitations, taking turns. My mother’s voice traveled to me across the years; I remembered her intoning this one often, almost every day. At the end I said, “We pray for Emily and her baby. For the soul of the pigeon. For the current of life that connects all of us.” The candlelight flickered through my shut eyelids. I didn’t remember how to end the prayer, so we just sat there for a while in the dark.