7 Queer Books with Messy Endings

Queer characters deserve happy endings. And after everything we’ve been through—hiding our identities, hating ourselves, loving in secret, and living through stigma and fear—queer people deserve everything. We deserve the meet-cute, the toe-curling sex, and the over-the-top destination wedding. If I had my way, we would all have our student loans forgiven and become instant lottery winners when we turned thirty. 

Yet, we all know that life doesn’t work that way. Happy queer couples fall out of love and break up or divorce. Queer people are human, and all humans eventually die. Not to be a complete buzzkill, but I prefer such messy realism over fantasy. For one, I learn from messy queer characters and stories. I learn from these characters’ contradictions, blind spots, and how they navigate their shadow selves as they grow and develop. Only through personal transformation can queer people survive and eventually thrive toward liberation, and this path is often long and circuitous. While pat endings serve a dual purpose, providing both hope and escapism, they frequently do not do justice to queer stories, which are often complicated by childhood trauma, stigma, marginalization, and other complexities.  

In my debut novel, Something Close to Nothing, the dual protagonists, a mid-thirties professional gay couple in San Francisco, appear to have it all: a loving relationship, high-paying careers, a baby on the way via a surrogate, and a single-family house in San Francisco. Yet, Wynn and Jared’s shadow selves, their arrogance, anger, selfishness, and inability to communicate with each other lead to the downfall of their relationship. While they develop and grow throughout the story, I didn’t necessarily feel either was “ready” for a happy ending. They had too much growing up to do. I played with the book’s ending over the years and considered a few storybook and even “neutral” scenarios for them, but eventually landed on a messy one (no spoilers!). I knew the ‘truest’ ending would leave the reader with the precise lesson I sought to convey. Moreover, I considered the many queer stories that had come before me and found that almost all of them featured messy protagonists with equally or even messier endings. Here are my favorites: 

Brokeback Mountain by E Annie Proux

I came for the gay cowboys and stayed for the crystalline prose in this classic novella. Two young, closeted Wyoming cowboys fall in love but can’t be together for obvious reasons. Proulx publicly stated that she wished she had never written the novel due to rabid fans chastising her for the tragic ending. But given the time and setting, could it have ended any other way? Harsh landscapes yield harsh outcomes. Proulx aptly demonstrates how homophobia and violence not only destroy love but also lives. What I found most heartbreaking was how Ennis’s fear of coming out may have saved his life but also made the reader question whether life was worth living without love. 

A Little Life by Hanya Yanigahara

The novel opens like modern-day fan fiction with four young men, recent college graduates with promising futures, living in a run-down apartment in New York City’s Soho neighborhood. Yet, the story turns very dark, zeroing in on Wilhelm’s harrowing story of childhood sexual abuse. In an interview, Yanigahara said she hoped to write a “protagonist who never gets better.” In this gripping novel, many well-intentioned, kind, and loving characters attempt to save Wilhelm from his pain. The story made me consider the friends and acquaintances who have been lost to suicide and whether there are some people we can’t help due to living with unceasing and unknowable amounts of psychic and physical pain. These ruminations and the consecutive nights I stayed up reading resulted in me coming down with pneumonia soon after finishing the 832-page novel.  

Bastard Out of Carolina by Dorothy Allison

The recent death of Allison has put a spotlight on her rich literary legacy. The novel, based on Allison’s fraught childhood, sheds light on child abuse and rape yet is ultimately about multi-generational poverty, addiction, and abuse. At the end of the story, the protagonist, Bone Boatwright, is physically safe yet fully aware of how her childhood and her mother’s abandonment have scarred her, jeopardizing her tenuous future. “What would I be like at fifteen, twenty, thirty? Would I be as strong as she had been, as hungry for love, as desperate, determined, and ashamed?” 

Memorial by Bryan Washington

In his lyrical novel, Washington’s dual protagonists, Benson and Mike, are a young gay male couple in Houston whose relationship is in a fragile state. When Mike’s father in Japan falls ill, he abruptly leaves their home in Houston to be by his side. Told in alternate voices, Washington aptly demonstrates how couples sometimes need to grow apart and evolve individually to come back together better and stronger, or not. Washington leaves the ending artfully ambiguous, yet we are left with the belief that whether Benson and Mike decide to reunite or go their separate ways, the kids will be all right.  

Edinburgh by Alexander Chee

Chee’s gut-churning debut explores childhood sexual abuse. A charismatic choir director grooms and molests a shy Korean-American boy named Fee and his choirboy friends. The years after, are mired in guilt and shame for never reporting what he observed and experienced. The novel turns dark when Fee switches roles—from the perpetrated to a perpetrator—exploring his shadow side and showing the reader that we cannot escape our pasts unless we face them head-on.   

All This Could Be Different by Sarah Thankham Matthews

In Matthews’ coming-of-age novel, Sneha, a recent college graduate, has moved to Milwaukee to begin her first grown-up job. In her own words, she is ready “to be a slut.” Complicating this sexual awakening is her keeping her sexuality a secret from her parents, who have recently returned to their native India. Instead of swapping and sharing sapphic beds, she falls hard for Marina. While the two do not end up together, Sarah’s friends are there to hold her, showing her love can come in many forms. 

My Government Means to Kill Me by Rasheed Newson 

In this ingeniously plotted fictional memoir, Trey is a queer Black teen from Indiana who has forsaken his trust fund to make his way in 1980s New York City. Newson takes us along Trey’s lively and naughty adventures, from bad jobs to frequent escapades to a Harlem gay bathhouse. Trey’s political awakening leads to activism at the start of the ACT UP movement. Newsom carefully threads a heartstopper of a finale, where Trey saves the life of one friend and ally at the expense of another, shedding new light on the adage of “the end justifying the means.”

We Were Teens Seeking the Attention of Men, and They Could Smell It on Us

M.A.S.H. by Sarah Gerard

When I was thirteen, I began flirting with a man who worked for my father. I also worked for my father, after school. His advertising agency was a mile from my bus stop. It was a mile further to my house, walking in the Florida heat or rain, elongated by the weight of my backpack and my day. The relative nearness yet remoteness of my destination compounded my teenage irritation at my father’s refusal to leave the office for five minutes and pick me up. So, I stopped halfway, to bother or help him. He paid me five dollars an hour to file, bring people coffee, and mostly sit around until he was ready to go home.

It was 1998. The office had computers with music and the internet on them, and graphic artists and other interesting people to talk to. In the office kitchen there was an early model Keurig machine, which I enjoyed sampling, because there were flavors, like vanilla and hazelnut and caramel. A poster of Jenny McCarthy in a bikini squirting mustard onto a hot dog hung outside the doorway.

There was also a photo of the agency’s receptionist in a stringy black bathing suit hanging in the lobby. She was nineteen and married to my dad’s business partner, Sean, who was in his late twenties and ran the sales department. Sean was tall, handsome, loud, and Italian. He and my dad had met a decade earlier when they were in the same pyramid scheme together. Sean had been in the Marines and already completed his term without seeing combat. My dad was impressed by his confidence. He could be very convincing on several levels. He was my dad’s agency’s first employee. My mother disliked him.

His wife greeted the agency’s visitors. She didn’t wear bras, and since it was the late 90s, she often wore butterfly shirts that tied in the back, and behind the neck, and swooped down low around her breasts. She and Sean divorced after a few years. I was told that she had problems.

Like Sean’s wife, John was also nineteen when I met him. I remember him being a high school dropout. He’d been hired into the phone room by Sean, who knew him on a personal level somehow. 

I can’t recall how it started with John. The sequence is murky. I can tell you that my favorite outfit was a navy blue skort-and-spaghetti-strap matching set with white Spice Girls platforms, out of the box on my first day of eighth grade. I can say that I saw John making eyes at a graphic designer whose name was Melissa, the name of popular girls. Melissa was pretty, about his age. She seemed to like his attention until she saw me seeing her liking it. As far as I know, they never dated, though John dated other women in the office. He wasn’t cute. He was just persistent.

At thirteen, I had a retainer in my mouth, there to close a seven-millimeter gap between my front teeth; part of that process also involved pulling my upper canine baby teeth, which still had not fallen out on their own, and which left holes that would not fill in for another two years. I had newly pierced ears and freckles. It was the year I got my period and a padded bra. It was also the year I French kissed for the first time, while shadowing a boy at the high school, one I had requested by name after meeting him dancing in The Nutcracker.

I might have known it was flirting. It’s possible I was oblivious. It’s possible I was hyperaware.

It’s possible John saw me spinning in circles on some chair or playing with X-Acto knives on the drafting table. He might have seen me sitting outside on the plaza’s sidewalk, building a house for ants out of sticks and leaves.

I might have known it was flirting. It’s possible I was oblivious. It’s possible I was hyperaware. It’s possible I initiated or that I was unaware of initiating. I might have liked it; I might have thought I should like it. I might have liked it and then not liked it anymore or only liked it in theory, but wanted to like it, or liked it when he wasn’t around. I might not have known how to act when I didn’t like it, because I thought that I should. All of the above. I was sensitive.


I was also lonely. An only child, on days when I’d elect to walk the mile further to my house, I’d let myself in and make a box of Pasta Roni, adding extra butter and cheese. I’d watch TRL and make music videos on my dad’s Sony camcorder. Listen to Mariah Carey and Green Day and the Indigo Girls and read the liner notes in their CDs. I’d log onto AOL on the guestroom computer to see if I had emails, which I didn’t, and lurk in chat rooms, maybe briefly chat with a stranger, then chicken out or grow bored and log off.

I’d get around to my homework before my parents came home, read books on wicca or novels about teenagers, and write poetry on the computer in my room, which didn’t have internet. I’d call my friends on the main house line, unaware that the phone in my room could link to another, different line, which only rang for me.

I’d open my seventh-grade yearbook to the H page, and gaze at my hopeless crush. I’d passed him a note the year prior when we sat at the same table in science class. The note had been folded to hide a message inside: If you like me, pass this note back. He didn’t.

My friend Meaghan had a boyfriend named Louie. She was thirteen, like me, and Louie was nineteen, like John, and supposedly her mother would let Louie spend the night. Meaghan had shown us a point-and-shoot snapshot of them asleep together in her bed, and though their faces were obscured, we had all seen it, and we’d also all met Louie once at a local carnival, so we knew for a fact he was real.

It was a different time. We’d play M.A.S.H. in our notebooks in the bus circle, in the halls, between classes, at our lunch tables, then again on the bus ride home. Mansion, apartment, shack, or house: the available dwellings for when we grew up, a distant prospect. The future was mapped out in who we would marry and how many children we’d have, how many pets and what kind, and what the pets’ and children’s names would be. Maybe what we’d do for a living to support all these creatures. 

We always left one field in each column for our friends to fill with absurd variables from their most perverse imaginings. You could easily end up marrying someone you found repulsive. That was part of the fun.


Possibly it started with John in a vacant wing of the office. At the time, my father’s company occupied five total units in a multipurpose plaza, which it shared with a psychic and a chiropractor. The sales and creative and operations departments of my father’s agency made up four of the connected units. The fifth was a conference room, usually empty, that was separated from the others by an outdoor walkway. Adjacent to the conference room, a mailroom housed boxes of mirror tags and other promotional materials for car dealerships. Sometimes my father would give me a list of campaign orders and ask me to pack and label them in this mailroom by myself.

The outdoor walkway was shaded by live oak trees, under which people often stood smoking. John was one of them. Everyone smoked. The gossipy bookkeeper, the sales guy who told me he’d cured his stomach cancer using only acupuncture, the lesbian graphic designer who’d let me ride in the bed of her pickup truck. The smokers would joke around with me as I crossed between the units; I was my father’s daughter, cute but ostensibly forever off-limits. I’d joke back, linger, snoop on the conversation, act like I was cool. By this time John had added little to my name. Little Sarah. Little Sarah Gerard. His New York accent, round eyes, and square, sloping teeth, kind of lopsided, smirking as he said it.

Then I’d proceed on to the mailroom, quiet and air-conditioned, where the lights were out. I would listen to the Buffy the Vampire Slayer and Clueless soundtracks on my portable Sony CD player while I packed boxes for my dad. Music blasting in my ears, I weighed bundles of mirror tags according to order quantities, then boxed and addressed them to car dealerships in other states.

There was a bathroom in that separate unit. Occasionally I’d be in it, and on the other side of the door, I could hear people entering the conference room for a meeting. John would be among them, and I’d flush, aware they could hear this, and when I exited to return to the mailroom, John would follow me with his eyes. And I’d follow him with mine.

Sometimes he’d be smoking out on the main sidewalk in front of the plaza, and I would see him through the windows in the mailroom. Or I would be sitting on the planters out front, staring at the parking lot and considering just walking home the single remaining mile, when John would come out for a smoke and find me there. Sometimes he’d offer to drive me home, or I’d ask him.

That second mile, back to my empty house. John and I talked in the car, air conditioning blasting, cooling the searing seatbelts. Five minutes. The agency, his colleagues, and my father shrinking behind us. It may have been on one of these drives, in that private window, that it occurred to him, or occurred to me, or to both of us, to exchange screen names in my circular driveway before I went inside.


Sometimes, with nothing left to do, unsuccessful at coaxing my dad or anyone else to drive me home, I would cross the side street to the plaza next-door. I liked to browse the consignment shop there, trying on fur coats and shoes, and buying experimental items from the dollar rack with the cash my dad had paid me. 

To get there, I’d walk the length of our plaza to the opposite end, past the men who stood smoking outside of the final unit which housed the sales pit. I’d venture over, feeling his eyes on my back as I crossed to the other parking lot.

Sometimes after leaving the consignment shop, I’d proceed to the liquor store to buy a bag of Funyuns and a can of Barq’s Cream Soda. I might see John or another of my father’s employees there, too, buying cigarettes or a snack, or a tiny bottle of something. We’d check out together and walk the length of the plaza back to the agency. 

Others would be gathered around the back door of the sales pit, and our groups would merge. We’d stand outside on the sidewalk, and the men would talk like I wasn’t there. Then they’d remember I was, and change the subject; or not change it, but wink at me as if to say, Keep this between us.

The sales pit was a sausage factory. The guys who worked there were all friends, and they were all getting rich. They drove luxury cars and wore Robert Graham shirts that made them look like peacocks. The word money was a form of praise: That’s money, baby! I knew they all went to Mons Venus, the all-nude strip club that didn’t serve liquor. They’d go clubbing in Ybor on the weekends, do drugs, and have group sex. I’d heard this once about John, Sean, and his wife, at least. I vaguely recall hearing my dad tell my mom about it. It made sense.

I can’t recall a woman being in the sales room unless she was passing through to exit out the side door, visiting from another department on business, or coming in from the outside, briefly: one of the sales guys’ girlfriends, exotic birds in bright miniskirts and heels, blonde highlights and gold catching sun. No women were employed on the sales floor—this only, as I recall, happened twice, later, and both of those women had been my childhood friends. They didn’t last long. 

Typically, the only women to be found in the sales pit were those posing on desktop backgrounds, or on posters alongside a framed picture of Sean smoking a cigar like Al Pacino from Scarface. I think there was a Scarface poster, too.


At some point John was fired, then rehired and promoted. He’d taken a kickback from one of his clients at a local dealership and pulled into the plaza one day in a new car. He was gone for some time, during which he opened a nightclub in St. Petersburg, then came begging Sean for his job back when the club shut down. My dad resisted and so did my uncle, who was by now also a business partner. Sean gave John his job back anyway.

It’s possible nothing began between John and me until then, when he asked for my help with market research. For some reason, this time around, John was not on the sales floor anymore but had been given a longer job title and his own office adjacent to my father’s. There was a window connecting their offices, with glass that slid to the side should you ever need to say anything through it. It never opened. My dad didn’t like John.

Is it scandalous or naïve to say that a teenage girl wields power over a man?

I remember sitting in John’s office on an ergonomic swivel chair. I’d been tasked with making calls. I had a list of names and numbers and would cold-call to ask these adult strangers prepared questions about their last car buying experience. I recorded their answers on a sheet of paper, and this information was supposedly used. Most of these calls were easy because people didn’t answer or hung up. Sometimes they wouldn’t, though, probably because I sounded like a child, and I would ask my little questions, and say thank you. Five minutes.

I’ve thought about one man for years. He must be dead now; he sounded very old then. He told me how lonely he was, or maybe I just gathered. We talked for thirty or more minutes. I recorded his answers about car-buying, but then he kept talking, asking me questions, telling me about himself, trapping me on the phone, not letting me say goodbye, not seeming to want to leave me. Unsure how to end things, I listened, and answered politely, and listened more. What was said in that half-hour has long since vanished from memory, but what’s stayed is the feeling of intensifying panic. Somehow the conversation ended. I wish I could remember how I did it, what my technique was.

John’s office was steps from the kitchen. I would make repeat trips past the Jenny McCarthy poster to the Keurig, stopping to say hi to my dad on the way back. I remember John leaving me alone in his office then coming back and working quietly across his desk, then rolling to use another surface, rifle through a file drawer, then roll back to me, close in my proximity. 

A break outside together. A cigarette in the shady area behind the office, against a wooden fence, in dead leaves. No one could see us standing there while he smoked, and I watched him. I’d tried my first cigarette at twelve, I probably told him, confirming his hunch that I broke rules. My friend had stolen it from a retirement home ashtray. She’d been smoking since she was seven, sneaking from her father’s packs. I remember her having colorful stories to explain her injuries. We climbed a tree to hide ourselves from view, and she pulled a lighter from her pocket. I hated the taste of the smoke and the feeling of it in my lungs. I didn’t smoke again until later. But I enjoyed the smell coming from John’s mouth, and the motion of a cigarette rising to his lips.

Is it scandalous or naïve to say that a teenage girl wields power over a man? That I honed it to get cigarettes and later weed and alcohol, that my friends used men for the same purpose? That I used John, and that at times, I let him use me, too? 


Soon I was fourteen, in high school. I had a crush on a boy on my school bus, in my same grade. He smoked and would buy his Marlboro Reds from the newsstand by our bus stop. I’d follow him there. The man who owned the newsstand had grey hair down to his shoulders and was shy. He asked me my name. His was Elliott, which made me think of Elliott Smith, my new favorite singer-songwriter. Elliott and I would talk about music and magazines. I remember thinking he was cute, and knowing he thought I was cute too. He would sell me my first pack of cigarettes. He might also be dead now. When I search his name and the newsstand, I find him telling the local news that he knew the woman who was murdered and set on fire in the plaza’s dumpster.

By fourteen, I’d felt the influence of other men, older and not, strangers and not, trusted and not, transgressing and testing and teasing. I’d made choices to seek their attention, and it worked. It blindsided, flattered, scared, confused, excited, and hurt me. I’m not remarkable.

I learned that I could use my body to gain access. I learned that my body could be accessed for gain. I hadn’t yet learned its worth, or my value. Or unlearned the story of my body holding value for the purpose of exchange. I thought only of the possible cost if I used it the wrong way: Don’t tell your dad.

Two of my friends were young mothers. One of them would discover her baby had autism and place her for adoption while we were still in ninth grade. The other, that same year, stumbled pregnant down the stairs in Building 7, and the panic of our classmates catching her before she hit the ground sent ripples through the school. 

He was twenty or twenty-one and had started calling me Trouble.

John could smell it on me, on all of us. He was twenty or twenty-one and had started calling me Trouble. My friends would sometimes take the bus home with me. We’d get off at my bus stop and walk toward my house, stopping at the plaza, hoping for a ride, cigarettes, alcohol, or weed from John or another guy. John wasn’t special. He was just the only one of those guys who put his hands on me. That’s why he gets a story. 


It was on one of these walks toward the office that my friend and I spotted a bright blue car painted with white flames. We stopped to watch it pass. One of us pointed at it. It turned around and passed us again, going the other direction. Then turned down the next block, ahead of us, and waited. 

We approached. A man in his twenties was driving. He rolled down the window, revealing close-cut blond hair. I was wearing the navy spaghetti strap tank top that I’d once paired with the skort, but skorts weren’t cool anymore, so I was wearing it with tiny shorts and blue Velcro cutout sneakers I’d bought at Hot Topic.

We talked to him. What matters is we continued walking, unimpressed. He wasn’t unattractive. I couldn’t say what it was, a feeling. We were halfway down the next block when he called us back, but only my friend returned, while I waited.

She came back upset, and he drove away. We were across the street from the elementary school, still three or four blocks from my dad’s office, just on the other side of a gated complex and the plaza with the consignment shop and the liquor store. He had shown her his dick, she told me.

Initially, I thought this was funny. I did. I laughed. I thought she would laugh too. I’d forgotten she was upset, though she was right in front of me. 

She didn’t laugh. We walked on to the office, and I wondered why she was treating this like a big deal. Guys show everyone their dicks, don’t they? Isn’t this a good thing? Or at least comical? I thought my father would think it was funny too, the way he thought how the sales guys acted was funny.

I remember us telling my dad, and me laughing, and the sinking realization that he was not laughing with me—he was instead picking up the phone.

We were escorted home. That evening, a female officer came to our house. She showed me a binder of grey photocopied mugshots in plastic sleeves, with numbers underneath them. She pointed to a page of faces and asked me if I recognized anyone on it. This one, I said.


Come fifteen, braces, glasses, and acne. My adult teeth grew in. I cut my hair short and regretted it, gained ten pounds when I quit ballet, became bulimic, lost the weight, lied to my dad when he asked me why there were vomit splatters on the tile beside the toilet. I lost my virginity to a boy whose nickname derived from attempting to spell his other nickname in pee on the sidewalk, and not having enough pee to finish the job. My mother put me on the pill. I joined the high school choir.

I turned a pair of old jeans into a purse and went from dreaming of a career in opera to one in fashion, a designer or photographer. Then a musician like Conor Oberst. I liked talking to this new guy at the office, a sensitive aging New Wave rocker who clued me into the Cocteau Twins and Catherine Wheel. 

I’d ride around in my friends’ cars and the backs of pickups, take the public bus for hours north and south, sometimes hitchhike, go to punk shows, loiter at the mall movie theater, shoplift from Target, smoke Marlborough Lights I bought at the newsstand, drink Smirnoff Ice. It was a different time. I’d do whatever it took to get out, whatever that meant. I was throwing myself at experience. 


I was chatting on AIM. My screen name was Sarbab because Sarbabe was taken, and I had not yet changed it to BadGnrtion, and then afterward, TheMelancholies. It must have been the weekend, early evening, the sky dark. John was on and messaged me, or I did it first, and he responded.

I asked him to pick me up. It’s not that I wanted him to, or that I wanted to hang out with him specifically; it’s that I wanted something, anything, to happen. I wanted to know what the limit was, and I was afraid of finding out. I told him to bring beer.

I say this like I’m sure how it happened, but I’m not sure. I’ve written this scene a handful of times, and it happens a different way each time. I asked him to buy me beer and realized only after he arrived that he expected us to drink it together. I had thought, stupidly, that he would just give it to me. Sometimes he brings a six-pack, sometimes a whole case. Today he brings a case. I’m sure they were brown bottles, and that they were warm.

Here’s what is certain. He pulls into my driveway. He keeps the headlights on. No. They might be turned off. I tell my parents I am going out with a friend, then John and I go to Indian Rocks Beach, the closest to my house. The beer rides by my feet, then we carry it onto the sand.

We sit on two plastic lounge chairs with wide horizontal slats, white, just beyond the lights of the condos. We look around to make sure we aren’t seen. We try to make conversation, but it’s awkward because we have nothing in common, and I’m smarter than he is, and I don’t want to be there. I didn’t know we’d go to the beach together. Or I suggested it but didn’t know it would feel like this. I imagined it feeling more exciting. I don’t like the taste of the cheap beer, which fizzes and makes me burp. I’m bored.

We drink. I feel sleepy from the alcohol, though I’ve only had one bottle. It’s too dark to see the horizon. The waves rush the shore and atomize. I’m cold. At some point we start kissing, not because we feel moved to do it, but because that was the tacit agreement once John’s car left my street. 

Do I need to tell you that he unzips me? How his hand is clammy? How my body does not respond?

How, in my memory, this feeling is linked to the year I met him, when a friend of my friend’s older brother climbed into a waterbed next to us, and told me, It’s alright, it’s okay, while my friend slept? How I woke her up and she yelled at him to leave, like she knew exactly what he was doing there?

John and I didn’t become friends. We didn’t become lovers. We didn’t become equals. We didn’t start hanging out. He wasn’t my boyfriend. He wasn’t a boy I was talking to. He wasn’t my colleague. He didn’t love me. Didn’t long for me. Or think about me. Ask about me. He wasn’t an authority, or caretaker, or partner, or adult.


This memory is clear and specific. We were at a birthday party at John’s girlfriend’s house, the one they shared. People from the office were there. I remember learning about the party, and that he had a girlfriend, and wondering what she looked like. It wasn’t a feeling of jealousy, but something different, something I still can’t name, more akin to morbid curiosity. 

We were at the house they rented together—I remember being impressed by this, that he lived with someone, and that they had their own house—packed into their sunny kitchen in the afternoon, most people drunk but my parents and I sober. 

John was telling my parents that his girlfriend worked in the Charlotte Russe at the mall, a store where I had shopped and shoplifted. He called her the “clothes lady,” and I cringed at this ham-fisted nickname. We were standing in a conversational square with my parents.

Then John steps in closer, and my parents move away like water flowing down another celebratory groove, into another pool. John leans into me. How many times a day do you think I fuck her? he says. 

Meaning his girlfriend. He wants me to look at his girlfriend and imagine him fucking her on the table where, right now, in this very moment, she is serving herself tropical punch, beautiful and blonde and grown.

Nine times a day, he tells me. I fuck her nine times a day.

What did I say to this? Nothing. I was mute at the feeling of my stomach catching fire in my parents’ presence. The flush in my cheeks. The suggestion that he might have wished for her to be me or was glad that she wasn’t me, but that he wanted me to wish I were her because she was the one who fucked him.


Soon after, he was driving me home, but he didn’t drive me home. I climbed into his car, parked facing the main road. To the left was my house. He exited the plaza’s parking lot, pulled up to the corner, and turned right.

He took me past the place where the man had shown his dick to my friend. 

A few blocks further, across from the elementary school, he pressed into a shady neighborhood with green lawns and no sidewalks. I asked where we were going. He might have said we were going for a walk. 

We arrived at a park. I recognized it because my summer camp used to come here to look for fiddler crabs. 

The day was hot and humid. I wore a knee-length jean skirt and a button-up collared shirt, tight under my arms. I was carrying the purse I’d made out of jeans.

A boardwalk led us through mangrove thickets to a stilted gazebo looking out over an inlet. I stood at the wooden banister. The water was murky. Flying insects landed on the surface and shadows moved underneath.

I’ve written this scene a handful of times over the years. I feel like I’ve been writing it forever. I’ve written about this park in other stories without telling this part. I’ve written it as fiction. In the real story, John comes up behind me. He presses himself against me, bending me at the waist, over the water. I feel the sun on the back of my hair. I am confused, unsure if he is holding me affectionately, because his grip is rough. 

He tells me to lean back into him. Press my ass into him, he says, and grind against him. 

I attempt to do this without knowing why, what the purpose is, absent of the expectant signals like kissing, fondling, heavy breathing, that I think are supposed to precede sex. I notice the absence of any shape of an erection through the layers of thick fabric between us.

A couple interrupts John and me just as he’s trying to move me onto his lap. We play it off, say hello. Like it’s a normal day, and we’re a normal couple. We leave.


I want to say this next time was the last time I saw him, but it wasn’t. He continued working at my father’s company until it closed in 2008. He dated another woman who worked there, one closer to his age, who dumped him and then endured months of sustained harassment: flowers on her desk in the mornings, rumors circulating throughout the office, people asking her why she wouldn’t give John another chance. Her brother worked in the sales pit. There was no HR department. Or my dad was the HR department, and it was a different time, and there were other things happening within the company, which took precedence.

I could have but didn’t want to get John fired. I was afraid to get him fired, afraid of that responsibility, naïve to the impossibility of such an outcome, to the truth that it wouldn’t have been my fault if he were fired. He was very good at fucking himself. 

Others might have thought it was my fault, though, if John had been fired. Or known. About us. It’s possible I didn’t want to tell my father that I’d been lying about whether something was going on between John and me, like he had asked me. I thought I would be in trouble. I’m still unsure what I should have said was going on. I never confessed to anything, not until just a few years ago.

John was driving me home. It was 2003. I was a senior in high school, and I was wearing a knee-length khaki skirt and a seafoam green button-up elbow-length shirt. He drove a sports car, of course. I think it was white with black leather, but in my memory, it merges with the car with flames.

I want to say that the air conditioner was blasting. But it was near the end of the school year, so it would’ve been very hot out; the air wouldn’t have gotten cold in the five minutes it took for him to arrive at my house. We must have been sweating. As I write this, yes, I can feel my shirt tight against my skin.

I was tense. I didn’t want John to drive me home—I wanted my father, but John offered, and I wanted to be alone inside my house, not stuck at the office for hours. We pulled into the circular driveway. He said something about coming inside with me, but I said no, that I had homework. He got out of the car anyway. 

He followed me to the front door. It occurs to me now that my shirt was burgundy. Looking down at my keys, poised to turn the lock, the door cracking open, that’s what I see. Dark red.

He follows me in. I remind him that I have homework, but he says he’ll just come in for a minute. He shuts the door. He steps toward me, and I step away. He shoves me up against the wall in the entryway and tries to kiss me, his hand searching for the space under my skirt, but unable to find it. The fabric is too long and stiff.

I fight against him, as he insists. I shove him away from me. He says something like, Come on. I shove him to the door. This is what I want to think happened. That I was decisive. Somehow, I get him to leave. Somehow, I lock the door after him. I wish I remembered my technique. I watch him through the sheers as he turns away, despondent. 

In my memory, this image merges with another. Another man in the circular driveway, a man very much like John, but not John. A boyfriend from that summer. Soon after I made John leave, this man held me down in his bed and had sex with me. I shoved him off, too, kicked him. 

The next time I saw that man, he was standing in my parents’ foyer. He insulted my outfit. Asked me why I always made myself look like shit. I told him he should leave. Just like John, he walked to his car. Climbed inside. Drove away.


In 2017, I searched John’s name. I sometimes did, over the years. He was married with stepchildren. His wife owned a yoga studio in Tampa. Together, a few years earlier, they’d run some kind of telemarketing or direct sales phone scam, evidence of which has since disappeared from the internet. Finding this, I thought: Figures he wouldn’t do something honest. I thought that he didn’t age well. His eyes got buggier. I wonder if he’s having sex with his wife’s teenage daughter. Should I tell his wife what we did? She accepted my follow request. I wonder if she’s reformed since they were scam artists. 

I wondered if I’d made this all up in my head. I wondered, What does consent mean? Did I invite his attention? Yes. Did I know enough to do that? 

His wife is a lot older than he is. 

Should I send his wife an anonymous letter? Should I take a yoga class at her studio? I bet he works at a Verizon store now. Or on a car lot. Or delivers Jimmy Johns. 

I bet he hasn’t read a book in ten years. I bet he never thinks about the coworker he sexually harassed. I bet he never thinks about me. 

Is he going bald? I wonder if this is still his home address. I wonder if he fucked any of my friends. 

My friend’s sister worked at my father’s office for a period, in sales. I was told she did a lot of coke. I was told she had issues. 

Then her sister, my friend, worked in the office too. She later told me John had forced her to give him a hand job on their lunch break.

I also thought: Here’s someone I know from the literary world on his wife’s Instagram. 

He looks happy standing in front of this tree. 

Why does he deserve to find love? 


I search for him again in 2024. Two years ago, he was indicted in an SEC lawsuit for embezzling hundreds of thousands of dollars from a “digital media and content technology company,” as the temporary co-CEO. His name is all over the internet. He funneled a large part of the money through his own competitor company, which he’d lied about not being affiliated with. 

A letter from the chairman of the board warned that John had “manipulated and lied” to the company to steal this money. His wife helped him embezzle another $250,000 through her own job at iHeartRadio. 

A Change.org petition by the shareholders alleged that John’s “disingenuous conduct has apparently resulted in a halt on all trading of the Company’s stock.” 

There is an entire sub-Reddit dedicated to the SEC investigation and lawsuit, and a Twitter hashtag, populated by the company’s stockholders, hosts frequent Live discussions about how to recoup lost money.


Around this time, I also find John’s Blogspot. It is named after him, with the phrase “words of the day” in the title. He hasn’t updated it since 2014. His posts were no more than a few lines, full of misspellings, with pithy or philosophical themes. “A contained thought is a seedling of tomorrows reality,” says one. “Negative or Positive, it is going to grow. Depending on the amount of water and sunlight you choose to provide to it, will only then determan what tomorrow will bring.” 

Another one says, “Forgiveness is the most powerful weapon against our enemies.” There are quotation marks around this, but he doesn’t credit the line to anyone.

The third-to-last post shows John standing in front of a small single-engine airplane, smiling in black sweats. “We all have had things in our lives that we enjoyed doing and then stopped for what ever reason,” the post says. John advises you to think of one of those things you used to love doing and start doing it again. 

John’s last post says only, “The only difference between tragedy and laughter is time.”

8 Craft Books to Inspire Your New Year’s Writing Resolutions

Many New Year’s Resolutions are health-centric—a promise to eat healthier, exercise more, or finally quit smoking. But for writers, caring for your creativity is just as central to your wellbeing.

To give you some extra motivation, we’ve rounded up books on writing that are filled with new ways of approaching the craft and practical advice from well-known authors. Whether you’re looking to start a new writing practice or finally get to work on the novel idea you’ve been chewing on for the past few months, these books will give you the inspiration you need to begin.

On Writing: A Memoir of the Craft by Stephen King

With more than 70 books under his belt, Stephen King is a pop culture icon. On Writing is a memoir of his writing career, beginning with his childhood in Maine, where he would submit short stories to science fiction and horror magazines; to publishing his first novel, Carrie; to surviving a car accident that nearly killed him.

But On Writing is also filled with straightforward, actionable advice for writers. (For example: “The road to hell is paved with adverbs.”) You don’t need to be a horror fan to find inspiration.

Bird by Bird: Some Instructions on Writing and Life by Anne Lamott

Anne Lamott ends her introduction of Bird by Bird by saying, “As of today, here is almost every single thing I know about writing.” And that’s just what the book is. Lamott fills the pages with tips on creating characters, the benefits of short writing exercises, guidance on how to craft dialog that sounds natural, and inspiration to help you just get words to paper without being bogged down by perfectionism. It’s heartfelt, funny, and wide-ranging.

1000 Words: A Writer’s Guide to Staying Creative, Focused, and Productive All Year Round by Jami Attenberg

In 2018, author Jami Attenberg and her friend came up with a challenge: to write 1,000 words every day for two weeks. In the years since, this challenge became a literary movement, with more than 30,000 participants (and counting!) writing in unison for two weeks of the year. 1000 Words is a collection of Attenberg’s new and previously published affirmations and motivations to writers. And nestled between Attenberg’s pages are letters of advice from more than 50 writers, including Roxane Gay, Celeste Ng, and Maris Kreizman.

Writing Past Dark: Envy, Fear, Distraction, and Other Dilemmas in the Writer’s Life by Bonnie Friedman

Yes, writing can bring joy. But it can also bring guilt, jealousy, fear, and a slew of other anxiety-inducing emotions. This book is a much-needed pep talk to writers facing common emotional blockers like procrastination and imposter syndrome. Pull it down from your bookshelf whenever self-doubt creeps in.

Big Magic: Creative Living Without Fear by Elizabeth Gilbert

Elizabeth Gilbert’s book isn’t focused on the craft of writing. Rather, it’s a how-to guide to embracing all forms of creativity in your life. With a playful but direct attitude, Gilbert argues that you can live your best creative life not through quitting your job and applying to an MFA program, but through little actions you take every day.

Story Genius: How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel by Lisa Cron

Author Lisa Cron dismisses the longstanding writing dichotomy of “pantsers” and “planners.” Instead, she proposes that writing requires tapping into the science of how our brain works—and how it craves stories. Her book Story Genius argues that no matter how great your idea or how flowery your prose, your writing will get nowhere if you don’t have a solid understanding of what a reader’s brain responds to. 

The Forest for the Trees: An Editor’s Advice to Writers by Betsy Lerner

Written from an editor’s perspective, The Forest for the Trees isn’t an instructional on writing. It’s instead part pep-talk for writers standing in their own way of starting or finishing their work, part runthrough of how the publishing industry works. It’s an empathetic, informative, and essential guide.

13 Ways of Looking at the Novel by Jane Smiley

But what, exactly, makes a novel? Pulitzer Prize winner Jane Smiley sets out to answer this with an in-depth look at the history and mechanics of novels. She does this by diving deep into famous works, from classics like Harper Lee’s To Kill a Mockingbird to more modern tales such as Ian McEwan’s Atonement. After looking at what makes each novel a success, Smiley uses the second half of the book to give tips on writing your own.

Electric Literature’s Most Popular Articles of 2024

Never far from the pulse, a quick glance over Electric Lit’s most popular articles from this year will tell you a lot about what preoccupies our collective consciousness. Our most popular reading list features crime novels, suggesting a heightened level of intrigue when it comes to all things dubious.

The most popular essay reconsiders “Barbie”, and “Poor Things”, and whether or not these films are the beacons of progressive ideals they purport to be. And the most popular author interview features Percival Everett on James, his National Book Award winning novel that reimagines Mark Twain’s Huck Finn, told from Jim’s perspective. I think this says a lot about what’s keeping our readers up at night, what has their curiosity piqued.

We’re thinking deeper, looking beneath the surface, reading between the lines, and actively facing who we are, who we’ve been, and who we will soon become. We’re on the precipice of another exciting year in books, and surely an eventful year in culture. For now, enjoy this quick jaunt down memory lane at the most popular articles published by EL this year.—Denne Michele Norris, Editor-in-Chief


Here are the most popular posts of the year by category, starting with the most read:

Reading Lists

7 of the Funniest Crime Novels Ever Written by Jamie Harrison

These off-kilter books by writers with a killer sense of humor take murder plots to hilarious, absurd ends.

“And what is funny, anyway? Wanting to kill someone can be funny, at least in hindsight, and writing is all about hindsight made real. The ritual humiliation of the hero is funny, whether you’re watching Peter Wimsey suffer for love of Harriet Vane or watching the truth dawn on a Lawrence Block protagonist.”

7 Very Short Books That You Can Read in One Sitting by Michael Jeffrey Lee

Often, the shortest works of fiction have the most emotional punch packed into their sparse pages. Michael Jeffrey Lee recommends his favorite slim collections of short-short stories.

“I gave these books my full attention, savored every word.  

I came to view them as heroic—especially in a world filled with baggy prose.    

They got in, they got out, they were precise and concise. 

They were diamonds, or daggers, or single burning rays of sunlight—whatever metaphor you like.”

9 Literary Mysteries With a Big Winter Mood by Ceillie Clark-Keane

These novels embrace the cold, offering readers the perfect blend of atmospheric storytelling and suspenseful escapism. Whether it’s the frosty landscapes or snow-covered campuses, these stories wrap you in their wintry embrace:

“I have a certain type of book that epitomizes a winter read to me. A dense but approachable text that promises not only to challenge me, but to last for a while. A quiet but urgent literary mystery that makes me want to read carefully and pick the book up again and again. A slow, steady pace with a historical timeline that begs to be read closely over long afternoon stretches, with time and attention, when the only thing to do is stay inside.”

14 Literary Podcasts For Every Type of Reader by Willem Marx

EL Contributing Editor Willem Marx gives us a rundown of the rapidly expanding world of book podcasts, with shows that range from behind-the-scenes publishing gossip to interviews with contemporary luminaries of the poetry world. 

“Sometimes it’s not about catching up on the newest news or the hottest debut, sometimes it’s about taking a bath with a cup of tea on a Sunday morning and listening to famous writers laugh about their MFA students while going nuts about their favorite short story writers.”

7 Novels About Women Over 60 Who Defy Societal Expectations by Andrea Carlisle

Too often, older women are overlooked and left out of literature, but Andrea Carlisle isn’t willing to let them slip out of frame. She recommends a diverse and inspiring litany of novels that include women protagonists over the age of 60 without flattening or stereotyping them.

“A character’s past may be interesting or helpful in our understanding, but I think it’s important to show how an older woman deals with what’s right in front of her. In this way, we can deepen our understanding of what it means to live a long time.”

Personal Narrative Essays

I Loved “Barbie” and “Poor Things” but Neither Film Is a Feminist Masterpiece by Jun Chou

Poor Things and Barbie got plenty of Oscar buzz (or should we say Oscar snubs?). The films were lauded for their feminist themes, but Jun Chou points out that analysis only skims the surface — and frankly the portrayals are kind of corporate. Both films feature cartoonish depictions of villainous men and neither grapple with the insidious, but often subtle, ways in which the patriarchy oppresses women. 

“I want a Poor Things where Bella discovers the horrors and joys of menstruation for the first time! I want a Barbie where two Barbies kiss! Namely, I want films that paint the whole messy mural of feminine spectra. To settle for anything less would be a disservice to whichever plastic dream—or real—world we exist in.”

We All Want to Live in the Golden Girls House—Don’t We? by Corina Zappia

After her father died, Corina Zappia stayed with her mother and sister. It was easy for her to conjure negative stereotypes of aging, single women during that time, but one show brought her relief: The Golden Girls. Blanche, Rose, Dorothy and Sophia’s antics become a comfort and a vision for how fulfilling her life, as a childless woman in her 40s, is and will continue to be. 

“The Golden Girls has been telling aging single women what the rest of the world never has: that our lives are just as interesting and worthwhile without a man in the picture, that as women we’re capable of providing as much if not  more comfort and assistance to each other in our golden years than a partner ever could.” 

This Year, Ask Yourself What Kind of Writer You Want to Be by Jami Attenberg

Novelist Jami Attenberg, of 1,000 Words of Summer fame, penned this January essay about the joins of starting — and sticking — to a new project. It coincided with the publication of her craft book 1000 Words: A Writer’s Guide to Staying Creative, Focused, and Productive All Year Round — which is essential reading for any writer who needs a little motivation to keep cranking out words. 

“You may be starting a new project, too. Now might be a good time to ask yourself why you want to write it, and what kind of writer you want to be.”

Autistic Literature Will Flourish When We Stop Insisting That Writers Qualify Their Autism by Rafael Frumkin

While on tour for the release of his short story collection, Bugsy and Other Stories, Rafael Frumkin felt he often had to qualify his autism, in order for readers to accept that he could write autistic characters. In this essay, he considers a world where authors can write about a  character’s nuanced experience of autism  — without getting called out for not perfectly reflecting every person’s unique reality.   

“It might be liberatory for both writer and reader if the reader could treat books as singular reports on singular experiences, could actually adopt a sense of curiosity about how a narrative diverges from a certain subjecthood’s commonly held criteria instead of demanding an impossible “authenticity” that may not exist in the first place. Wouldn’t it be a relief if we could all take off our lab coats and read stories without worrying whether the author meets a specific set of diagnostic criteria?”

All Academia Is Dark Academia by M. L. Rio

Worship of an institution, a strict set of rules, praise for working oneself to the point of harm—am I describing Catholicism or academia? M. L. Rio writes about how—because of the constraints of late-stage capitalism—academia resembles something awfully similar to the Catholic Church. It’s dark, or darkly humorous.

“Like the church, academia demands—and rewards—uncompromising devotion and unquestioning acceptance. In church and on campus, you don’t contest your higher power. God brooks no challenges to his wisdom, and academic administrations project the same infallibility, even when their practices are both illogical and morally bankrupt.”

Interviews 

In “James,” Percival Everett Does More than Reimagine “Huck Finn” by Bareerah Ghani

Percival Everett’s National Book Award-winning James retells Mark Twain’s Huck Finn from Jim, or James’, perspective. In Everett’s telling, James wields language as a weapon, whether he’s arguing with white philosophers or code-switching to protect himself from racist white people. Bareerah Ghani and Everett talking about freedom, anger and the power of language.

“I think almost all writers of color, all the people who create art while oppressed experience and survive the world because of irony. It’s not unique to me certainly, it’s just how we have to move forward. If we were completely earnest about everything, we would never see tomorrow. Why would we bother?”

Sarah Manguso Says Wifehood, Not Motherhood, is What Really Fucks Women by Marisa Wright

In a political climate where conservatives have become obsessed with forcing women to become mothers, it’s easy to read birthing and rearing children as another tool of the patriarchy. Sarah Manguso’s Liars interrogates the idea that motherhood is bound to cis, hetrosexual marriage. 

“Traditional marriage is a patriarchal tool used to control and dehumanize women. Motherhood, on the other hand, doesn’t need patriarchy, which is why conservatives so doggedly work to convince us that it’s trivial and that mothers shouldn’t need any resources, beyond our own bodies, to survive it.”

Julia Phillips’s New Novel is Inspired by a Fairytale About a Girl Who Falls in Love with a Bear by Morgan Leigh Davies

Like the best fairytales, Julia Phillips’s Bear uses the surreal to grapple with real world challenges that are difficult to parse. Yes, one sister starts a relationship with a bear in this novel. But the family is also navigating the disconnection and financial strain that came with the Covid-19 pandemic. The bear becomes a symbol in this book for the limitations one sister feels due to these external, very real circumstances.

“It lets them say, I get to be wild, I get to be free and the externalized animal is just a way for me to access the internalized animal and a way for me to leave the world that I’ve found so constraining and so stifling and see what else is out there.”

Alvina Chamberland Takes a Scalpel to Straight Men’s Secret Attraction to Trans Women by Shze-Hui Tjoa

Alvina Chamberland’s ephemeral, stream-of-consciousness novel Love the World or Get Killed Trying examines what it’s like for a transwoman to move through the world. It’s a shockingly tender and vulnerable book. Interviewer Shze-Hui Tjoa talks with Chamberland about desire, fetishization, and why the world needs books like this. 

“I need it to be out there in the world, a novel written by a trans woman that dares to be literary and poetic and abstract and realist and non-linear and dreamy. A novel which politically confronts straight men’s behavior towards us and demands change, and personally exposes both the universal and specific experiences that have shaped my life—my hope is that this vulnerability can connect and build bridges between people with very different structural positions.”

Mosab Abu Toha’s Poetry Is a Heart-wrenching Account of Everyday Life in Gaza, and Here Is What He Wants You to Know by Bareerah Ghani

In the midst of Israel’s ongoing occupation and genocide in Gaza, poet Mosab Abu Toha sat down with Bareerah Ghani to talk about the family members he’s lost, the violence Palestians face, and the importance of holding on to memories. Abu Toha’s second collection Forest of Noise, frequently lingers on photos and features epistolary poems where the speaker longs to preserve the everyday amidst the chaos and violence of genocide. 

“I, as an individual, could be anyone who has been killed, has been wounded. I’m a father. I could be in the place of parents who lost their children and their whole family. I could be the father who was killed with his own children, his parents and his extended family. I could be any one of these people.”

The Misfits 

(Articles That Didn’t Fit Into Any Other Categories)

Predicting the 2024 Pulitzer Prize for Fiction by Bradley Sides

Bradley Sides shares his picks for the 2024 Pulitzer Prize. Like Oscar or Grammy predictions, this list is good fun and it shines a light on some of the amazing books published this past year. Sides may not have correctly guessed the winner (Night Watch, by Jayne Anne Phillips) or the finalists (Same Bed Different Dreams, by Ed Park and Wednesday’s Child, by Yiyun Li), but he did pick books that could have been contenders and are worth adding to your to-be-read pile. 

“Even if predicting the Pulitzer is difficult, it is good fun to try. No matter what book wins, the announcement of the Pulitzer will bring attention to books, and I’m all about celebrating books. I think pretty much all of us here are.”

Help Us Choose the Saddest Book of All Time

Executive Editor Halimah Marcus was inspired to launch this vote by Harlan Lev’s DJ set of the same name. EL’s readers chose from contenders as varied as The Notebook, On Earth We’re Briefly Gorgeous and Normal People to pick the saddest book in a March Madness (or March Sadness, as we called it) style bracket. I won’t spoil the winner, but all the books on this list are reliable for sparking a good cry.

“These are the books that have broken our hearts in the best and worst ways, the ones that will compel any reader to go on a long, long walk while playing the same depressing songs on loop and contemplating the tragedy of life.”

The International Indie Publishing Houses Shaking Up the Book World by Willem Marx

Willem Marx rounds up international indie presses that are taking bold risks on new authors, crowdfunding publications and otherwise innovating in contemporary literature. Marx recommends a few books from each of these presses so that readers can pick up new titles and expound their collections. 

“In the vast, wild territory of the written word, publishing houses step in, identify individual authors, bundle them into categories and groups that often cut across easy identifiers, and make a public statement about what’s worth reading. Each press presents an opinion on what contemporary literature is, or should be. Every publication (ideally) moves the dial—sometimes a smidgen, sometimes a whole degree or two—making space for new voices and perspectives, drawing attention to ideas, and re-forming the literary maps of readers.”

23 Indie Presses to Support After the Close of Small Press Distribution by Vivienne Germain & Willem Marx

When Small Press Distribution (SPD) closed in March of this year, it was a massive blow to the independent publishing community. More than 385 indie publishers relied on SPD to get their books into the hands of readers. These 23 presses could use your support year round—not just when there’s a crisis. 

“Most small presses make little profit. They’re primarily motivated by their love for books and the literary community: filling gaps in the market, bucking trends, broadening the sphere of voices that get read, handling authors’ work with great care, and propelling innovation and diversity in literature.”

Your Horoscope for the Year of the Dragon by Aaron Hwang

The Chinese Zodiac author Aaron Hwang predicts new beginnings for writers under the Year of the Wood Dragon. This essay offers hope for new projects and underscores the importance of imagination and beginnings in the New Year. 

“Dreams loom large under the Dragon, and our visions for ‘what might be’ take hold of us. Our imagined worlds become more vital, more urgent perhaps even than reality. Art takes on a life of its own that can energize or overwhelm.”

Guides 

The Best Books of the Season According to Indie Booksellers by Jo Lou

Here at Electric Lit, we stan booksellers. Every season, Deputy Editor Jo Lou asks indie booksellers across the country about their favorite new and upcoming titles. Their suggestions often include a mix of the hottest books and coolest hidden gems of the year. 

“To sort through this glorious deluge [of new releases], we asked our trusted friends with the most impeccable literary taste for their recommendations for the buzziest new books, the ones they’re most excited for and can’t stop talking about.”

75 Books By Women of Color to Read in 2024 by R. O. Kwon

R. O. Kwon has been compiling these anticipatory reading lists each year in a tradition that now runs eight years strong. Her efforts to make authors of color more visible have moved the needle in an industry that can, at times, feel overwhelmingly white.

“I maintain the hope that, one day, American letters will be so inclusive that a piece like this will no longer be useful. But for now, here are some 2024 books I’m excited to read.”

42 Queer Books You Need to Read in 2024 by Michelle Hart

Michelle Hart’s column centers and uplifts queer stories at a time when LGBT authors face mounting censorship. This year, for the first time, she split the article into two parts, released in January and June, to capture the full spectrum of queer voices publishing daring new work.

“While we’re thrown a couple bones every now and then, given some gestures at progressive appeasement, our stories are still routinely passed over. Queer culture—our fashion, our humor, our art—has always moved everyone forward, toward a better, freer, more-fun world; we are and have been the tide that lifts, so our stories deserve not only to be included but centered.”

15 Small Press Books You Should Be Reading This Season by Wendy J. Fox

I frequently find that the books being released by small presses are more likely to make daring choices and commit to them completely. 2024 has been filled with economic challenges for these tiny workhorses of the publishing industry, so what better way is there to financially support your favorite indie press than by buying one of these recommended titles?

“Small presses expand the bounds of literature to create a diverse and more inclusive landscape that reminds us that even when it feels like things are falling apart, there is always room for hope.”

20 Novels In Translation You Need to Read this Winter and Spring by JR Ramakrishnan

Writer and translator J.R. Ramakrishnan invites you to step beyond the confines of the Anglophone literary world. These newly translated books offer a rich tapestry of diverse stories from across the globe: 

“Translated literature is no longer the forgotten, othered cousin of the Anglo-American literary scene. At Electric Literature, we have long been enamored by international frontiers, the global writers who write in their native (or acquired) tongues, and the translators who coax each word into English.”

Humor 

Honest Blurbs of Classic Books by Jo Lou

If you’ve ever browsed through a bookstore and thought, “I wish these blurbs actually prepared me for this reading experience,” then this satirical guide from EL’s Deputy Editor Jo Lou is for you.

From the Book Waiting to Be Read on Your Bedside Table by Sue D. Gelber

Sometimes that to-be-read pile feels a bit more like a stockpile of matches on a dating app than something that is surmountable. We get it. You buy a book and then it sits on a bookshelf or a nightstand for months before you crack open the spin. In this humor piece by Sue D. Gelber a neglected book pines for its reader. 

“I know you like to see what else is out there. I’ve watched you scroll through BookTok. I saw you updating your profile on Goodreads. We both know you aren’t “currently reading” 103 titles but hey, everyone’s playing the same game, right?”

Lies Writers Tell Themselves Before 10 A.M. Bingo by Susan Perabo & R.L. Maizes

Pull out this Bingo card and count the ways you’ve put off writing. This handy sheet will help you track all the ways you’ve been procrastinating this week or even this month. Featuring handy excuses like “I’ll just watch one episode, then I’ll write” and “I’ll outline today and write tomorrow,” this Bingo sheet will make you laugh and hopefully motivate you to actually pick up a pen. We promise, you’re actually “the greatest writer in the world.”

How To Take an Author Photo by R.L. Maizes & Ali Solomon

Author photos are basically their own genre, replete with their own tropes. R.L. Maizes and Ali Solomon break down the most common poses from the James Dean (exactly like it sounds: leather jacket and a cigarette) to the Talk Show Host (hand under your chin, listening intently… to what? This is a photo). 

“Push your hair behind your ear with one finger while considering what it would be like to have a job that’s actually useful, like firefighter, or accountant, or… hair clip.”

A Facebook Announcement From Your Author Friend Who Has Some News by Jeff Bender

Sharing news as a writer can be tricky. You want to celebrate your achievements while balancing humility and vague-posting because let’s face it the story/poem/essay you’ve had accepted won’t be out for months.

“You might say it’s a pretty big deal to have journeyed this far. Not all writers vault the moon, you know. I had one unfortunate author-friend (let’s call her Sandra) who would post her news merely once or twice, and with a simple thank-you to whoever was involved. At one point she was even “humbled.” But, sadly, she never made it over the moon. You can imagine where Sandra is today. (Dead, probably. I don’t know. She isn’t posting, which is the same as being dead.)”

The Most Anticipated Literary Adaptations Coming to TV and Film in 2025

It seems the films that withstand the test of time best are those that use well-written books as their source material. From classics like The Godfather, Fight Club, and Jaws, to pop culture phenomenons like the Marvel Cinematic Universe and The Hunger Games series, it’s always thrilling to see these stories take on new lives of their own with each and every iteration. In 2024 we saw the book world take over Hollywood once again with American Fiction—based on contemporary classic Erasure, by Percival Everett—winning the Oscar for Best Adapted Screenplay, and with fellow page-to-screen films like It Ends With Us, Dune, and now Wicked completely dominating popular culture.

Beloved books like Animal Farm, Klara and the Sun, and Frankenstein are just some of the books slated to receive screen adaptations in the coming year. Add them to your list and decide for yourself the answer to one of culture’s most hotly contested questions: which version was better, the book or the movie?

Mickey7 by Edward Ashton

In Edward Ashton’s Mickey7, space colonist Mickey Barnes is an Expendable—meaning he is a disposable employee, sent on fatal missions that will likely end in death. But each time he dies, a new body is regenerated with most of his memories intact. While on a mission to colonize Niflheim, misplaced assumptions lead to the accidental creation of two Mickeys at once. The novel’s film adaptation, Mickey17, is scheduled for a theatrical release by Warner Bros. Pictures on April 18. The science fiction black comedy was produced, written, and directed by Parasite-director Bong Joon-ho, and stars Robert Pattinson, Naomi Ackie, Steven Yeun, Toni Collette, and Mark Ruffalo.

Klara and the Sun by Kazuo Ishiguro

Longlisted for the Booker Prize and the Carnegie Medal in Fiction, Kazuo Ishiguro’s Klara and the Sun follows the solar-powered Klara, an Artificial Friend that carefully watches over Josie, a sickly child that chooses her to be her companion. Directed by Taika Waititi, and starring Jenna Ortega, Amy Adams, Mia Tharia, and Aran Murphy, this devastating sci-fi novel’s adaptation gives fans much to be excited about. The film is slated for a 2025 release.

Animal Farm by George Orwell

George Orwell’s satirical allegorical classic novella follows a group of farm animals as they rebel against their farmers, in hopes of creating a society where all animals are equal. But of course, “some animals are more equal than others.” The film adaptation is set to be released on July 11, with Andy Serkis as its director.

Bonjour Tristesse by Françoise Sagan

The sensational French novel-turned contemporary classic follows self-absorbed Cécile, a seventeen-year-old girl who joins her widower father for a free-spirited two months just outside of Paris. While entangling herself in a blossoming relationship, Cécile teams up with her new lover to keep her father from his mistress. This sprawling and understated novel receives its second film adaptation, set for a theatrical release in summer 2025. The film stars Chloë Seveigny, Claes Bang, Lily McInerny, and Nailia Harzoune, and is Too Much and Not the Mood-writer Durga Chew-Bose’s directorial debut.

Frankenstein by Mary Shelley

Mary Shelley’s English Gothic classic is set to receive its latest adaptation in the coming year. Directed by Oscar-winning Guillermo Del Toro, and with rising stars Oscar Isaac, Jacob Elordi, and Mia Goth, the film brings a fresh take to the timeless tale: while striving to bring life back from the dead, Victor Frankenstein creates a horrifying creature in the process.

Washington Black by Esi Edugyan

Esi Eugyan’s Man Booker Prize finalist Washington Black follows eleven-year-old Washington “Wash” Black, an enslaved boy on a Barbados sugar plantation, when he is chosen to be the servant for his enslaver’s brother—who turns out to be an abolitionist. Tom Ellis and Sterling K. Brown (who just made waves in fellow page-to-screen adaptation American Fiction) are set to feature in the exciting TV mini-series adaptation. The series is set to release on Hulu in 2025.

The Running Man by Stephen King

Stephen King’s 1982 thriller is set in a dystopian 2025, where the United States’ economy is in shambles. The nail-biting novel follows Ben Richards, who participates in a reality show where contestants must evade a team of hitmen in order to win money. The film adaptation, produced and directed by Edgar Wright, and starring Glen Powell, Katy O’Brian, Daniel Ezra, and Michael Cera, is expected to bring a frightening new way to look at the year 2025. The film is scheduled for a November 21 release with Paramount Pictures.

Bridget Jones: Mad About the Boy by Helen Fielding

A national bestseller and the third chapter in the Bridget Jones series, Mad About the Boy follows Bridget Jones as she confronts single-parenthood and the dating scene four years after the death of her husband. Now, the dating scene is much different—sexting, social media, and online dating are the new norm, and Jones’s new endeavors prove both hilarious and endearing. The film adaptation is scheduled to be released on Peacock on February 13, with Renée Zellweger reprising her role as Bridget Jones.

The Amateur by Robert Littell

This spy thriller classic follows Charlie Heller, a quiet man who works as a cryptographer for the CIA, who seeks to find who murdered his fiancée when the Agency decides against looking into her case. This slick, edge-of-your-seat mystery is bound to make for a stunning film adaptation full of suspense, and is set to star Oscar-winning actor Rami Malek and Emmy-winning actress Rachel Brosnahan. The film is scheduled for an April 11th release through 20th-Century Studios.

The Electric State by Simon Stålenhag

In this 2018 graphic novel by Simon Stålenhag, a teenaged girl and her toy robot travel west, embarking on a cross-country mission that reveals a society disparaged by high-tech and virtual-reality systems. The dystopian science fiction tale is to be adapted into a Netflix film, set to be released on March 14th, 2025. The film will be directed by the Russo brothers—known for cultural juggernauts Avengers: Endgame and Avengers: Infinity War—and features a star-studded cast, including Millie Bobby Brown, Chris Pratt, Ke Huy Quan, and Anthony Mackie. Fans of this unsettling, electrifying tale have much to look forward to in the new year.

Recommended Reading’s Most Popular Stories of 2024

It’s been a crazy year. It feels like the world has turned upside down, right side up, and sideways…and as we compiled 2024’s most read issues from Recommended Reading, it became clear that you felt like that too. Of all 53 stories we published, these five have one thing in common—instability. They are stories about a world in flux. Sometimes that world is small, the size of one man’s ego as in the year’s most read piece, an excerpt from Jo Hamya’s novel about a father suddenly realizing his daughter knows far more about him than he thought.

At other times it’s enormous—the flicker of a lightbulb is enough for the protagonist of Kaveh Akbar’s Martyr! to sell all his shit, buy a camel, and start over. Radical changes can be a sign of confidence, but they can also be a sign of desperation and fragility as we see in Elif Batuman’s “The Board,” a Kafka-eyed view of the modern real estate market. 

In another top read by Brian Evenson, life itself becomes unstable when a man’s mother insists that the childhood he remembers didn’t really happen. At that point, reality begins to flicker and horror ensues.

As Recommended Reading closes out the year with an astounding 658 published issues, including 2024 contributions from the likes of Marie Helene Bertino, Sarah LaBrie, Laura van den Berg, K-Ming Chang, Ryan Chapman, Djuna Barnes, Juliet Escoria, and Lorrie Moore, it’s a good time to remember that all these stories are free and accessible to everyone. But the behind-the-scenes work isn’t free. Please consider making a donation to our year-end fundraising campaign. We need your support as Recommended Reading embarks on its 14th year of publication.

– Willem Marx
Contributing Editor


The list starts with the most-read, continuing in descending order.

“Her Father’s Sex Life Is the Star of the Show” by Jo Hamya, recommended by David Nicholls

This excerpt from Jo Hamya’s The Hypocrite—which has landed on many of 2024’s most notable “best of” book lists—is Recommended Reading’s most read story of the year! Recommender David Nicholls describes tearing through it with “shoulders clenched” and it is indeed a nailbiter about love, sex, and the theatrical tragedy of family relationships. This excerpt follows a famous, self-satisfied author as he attends the opening of his daughter’s play—a performance which he quickly realizes—centers on his own sexual exploits. Slowly, it dawns on the man that his daughter “is aware of the possibility of his body existing unclothed, and that she has found it to be a problem in the world.” Moreover, “Sophia is aware he has a cock.” 

“The Bedtime Story That Keeps Him Awake” by Brian Evenson, recommended by Eric LaRocca

“Good Night, Sleep Tight” is the titular, skin-crawling story from Brian Evenson’s latest collection. In it, a young father reflects on his mother’s disconcerting habit of scaring him as a child. Once in a while, without warning, she would tell him a terrifying story after dark. To this day, he can’t sleep in total darkness…and to this day she denies telling the stories. His nightmarish memories become more than an exercise in uncovering childhood trauma—although the man insists that “It hadn’t damaged him, he wasn’t traumatized, he didn’t need a therapist, he was ok, he was normal, he was”—when his mother requests that he, his wife, and his young son come to stay the night. As recommender Eric LaRocca puts it, the story’s disconcerting resonance comes from a penetrating question at its very heart: “Can we trust our loved ones? Moreover, should we trust our loved ones?”

“My Son’s Love Life Is None of My Business, Except It Is” by Yukiko Tominaga, recommended by Weike Wang

Teenagedom is the period when children break out of their family’s protective shell—as the fifteen year old boy in this story tells his mother, “My life is happening as we speak. It’s here and now. And it’s all mine.” Yukiko Tominaga’s gorgeous (and gorgeously titled) debut novel, See: Loss. See Also: Love, is about all that and more. Following a single, immigrant mother, it brings an enormous amount of heart and honesty to the complex relationship she has with her son in crushingly expensive San Francisco. As recommender Weike Wang puts it, “the most beautiful thing about this book, and this particular story, is how surrounded by love she nonetheless is. Her son loves her. Her housemates, neighbors, friends. They share in her woes and her joys. They keep her close to the pulse of life and, from a place of enormous care, remind her of universal truths: ‘Kyoko, you know, dead people don’t get hurt. Only alive ones do.’”

“Not All of His Problems Are a Performance” by Kaveh Akbar, recommended by Karen Russell

Provoking a deluge of acclaim, poet Kaveh Akbar’s National Book Award Finalist debut novel, Martyr!, follows Cyrus Shams, a recovering addict, an unpublished poet, a young man haunted by death, God, and the meaning (or meaninglessness) of life. Of the novel, recommender Karen Russel writes “Akbar’s work already means so much to so many of us, and now he’s written one of the best novels I’ve ever read…From the lightning bolt surprise of its title to its expansive, transcendent final pages, Akbar remakes the form with a playfulness and a seriousness that feel inextricable.” This excerpt begins with Cyrus receiving a dubious sign from God and ends in a hospital exam room years later as he tests the social skills of fledgling doctors by acting out the pain of others. Russel captures the book best when she says, “Lifeward is where Martyr! leads us.”

“The Board” by Elif Batuman, recommended by Alina Ştefănescu

Who better to celebrate the hundredth anniversary of Franz Kafka’s death than Elif Batuman? “The Board,” included in the Kafka-anniversary celebrating anthology A Cage Went in Search of a Bird, takes an unmistakably Kafkaesque bureaucratic hellscape and twists it into a modern story about setting down roots (or not-setting-down-roots…) in an overpriced city. It’s a story about the “forever renter,” shrub-like real estate agents, and opaque, stuffy, possibly insane coop-boards. The brilliant feat, as Alina Ştefănescu describes it, is in Batuman’s “capacity to contemporize the distancing syntax that Kafka employed to estrange humans from their own claims and statements of fact” and create a “wobbling world” in which prime real estate is six or seven stories down an iron ladder. 

Can You Guess the Book Titles from These Emojis?

Put your book smarts to use in this fun quiz, devised by the Electric Literature team. We’re challenging you to guess the book titles based on emojis! From classic novels to contemporary bestsellers, these emoji will give you a hint, but can you crack the code? If you’re stumped, don’t worry, scroll on to the very bottom for the answer key.

Answer key:

  1. Black Beauty by Anna Sewell
  2. The Joy Luck Club by Amy Tan
  3. Conversations With Friends by Sally Rooney
  4. The Cat in the Hat by Dr. Seuss
  5. To Kill a Mockingbird by Harper Lee
  6. A Farewell to Arms by Ernest Hemingway
  7. The Color Purple by Alice Walker
  8. In Cold Blood by Truman Capote
  9. James and the Giant Peach by Roald Dahl
  10. Life of Pi by Yann Martel
  11. The Handmaid’s Tale by Margaret Atwood
  12. A Tree Grows in Brooklyn by Betty Smith
  13. The Year of Magical Thinking by Joan Didion
  14. The Wheel of Time by Robert Jordan
  15. Sex and Rage by Eve Babitz
  16. Infinite Jest by David Foster Wallace
  17. Bluebeard by Charles Perrault
  18. My Brilliant Friend by Elena Ferrante
  19. The House on Mango Street by Sandra Cisneros
  20. In the Time of the Butterflies by Julia Alvarez
  21. The No. 1 Ladies’s Detective Agency by Alexander McCall Smith
  22. The Mouse Trap by Agatha Christie
  23. The Masque of the Red Death by Edgar Allan Poe
  24. The Haunting of Hill House by Shirley Jackson
  25. Angels and Demons by Dan Brown

The Commuter’s Most Popular Posts of 2024

There’s no perfect metaphor for the experience of looking back on a year of The Commuter issues. It’s a little like holding a whole packet of loose M&Ms in your hand all at once. There’s an element of wandering through the mirror-room at the funhouse, but also The Commuter is way more fun than that because there are no rules when it comes to what makes a Commuter piece a Commuter piece. This collection of the year’s top five most read issues proves that: There are funny pieces, philosophical pieces, tearjerkers, and wacky stuff that doesn’t fit any category but is unmistakably brilliant (I’m looking at you, Mrs. Morrison!). 

Work by the likes of Mary Jo Bang, Sandra Newman, Daniel Borzutzky, Amy Chu, and Sarah Carson have appeared this year. There have been stories about taking a test on the “Whole Wide World”, poems about Pikachu, along with celebrations of plain normal stuff.

Yes, this has been an (expletive-here) year for a lot of people, but I think we can all come together around the fact that The Commuter makes the world brighter. More than 90% of the work published in TC comes from unsolicited submissions and debuting writers. It looks for the needles and funky flowers growing deep in the haystacks of whatever contemporary literature is. It’s a haven for experimental writing that actually pays its contributors. And so, as The Commuter gears up for its seventh year of publication, please consider donating to our year-end fundraiser by December 31st. Happy holidays, and enjoy The Commuter’s most popular pieces of 2024!—Willem Marx, Contributing Editor

The list starts with the most-read, continuing in descending order.

My Superstitions Are Your Inheritance by Esther Hayes

Part love song, part lullaby, part elegy for a lost child, Esther Hayes’ flash story has made waves this year—not only is it the most read piece on The Commuter, it was chosen by Carmen Maria Machado to win Selected Shorts’ 2024 Stella Kupferberg Memorial Short Story Prize. In it, a mother speaks across space and time to her child, describing rules for how to handle brooding hens, butcher pigs, and have children. “I know I sound cruel,” the narrator admits, “but please forgive me. Superstitions are all I have to protect you.”

I’m in Love with My Ex’s Absence by Christopher Boucher

“I loved you, and when you left, you left a Space. And I fell in love with that Space.” So begins Christopher Boucher’s poignant short story about heartbreak, love, and the eerie void that opens up when a relationship ends.

Be a Woman, Be Yourself, Be Miserable by Sheila Heti

These are the “B”s excerpted from Sheila Heti’s phenomenal Alphabetical Diaries—a decade-long project that saw Heti pare down hundreds of thousands of words from her diaries and then organize each sentence alphabetically. The result is intimate, hilarious, raw, and sounds like this: “Because I am in debt and don’t know how I’m going to live. Because I am not writing. Because I am sad. Because I am with a man. Because I couldn’t leave, I tried to find the dinner party interesting, but I was unable to find anything interesting about Lemons’s new girlfriend. Because I had love until this weekend, I didn’t think money was important.”

The Cancer Is Calling From Inside the House by G. H. Yamauchi

Beginning with a life-changing breast cancer diagnosis, this graphic narrative follows a woman as she faces the possible futures that suddenly feel all too real. She will grow old or she won’t. She will be an integral part of her grandchildren’s lives or she will be gone. “Can anyone be philosophical all the time? I can’t,” the story notes. Even though it’s impossible to always be pragmatic about tragedy, this is a piece about embracing life’s hard truths and its beautiful ones.

Mrs. Morrison Corrects Her Obituary by Taisiya Kogan

Making her literary debut in the pages of The Commuter, Kogan’s darkly humorous story imagines one Mrs. Morrison making a few pointed changes to the way she would like to be remembered: “Amelia Morrison, beloved [neglected] wife and [disappointed] mother, [also, a limber and enthusiastic lover to several of her husband’s grad students] passed away last night [which dear hubby only noticed today].”

The Most Popular Personal Narrative Essays of 2024

In 2023, we saw a widening gap in places publishing longform creative nonfiction, and we announced that Electric Literature would step in to help fill that space. The response was tremendous, and our first submission call for general creative nonfiction reached its cap in just 36 hours. This initiative ultimately became our Personal Narrative series, publishing a new essay every Thursday on our site. 

We published our first Personal Narrative in January 2024, and it’s been so exciting to watch this series grow throughout the year. We wanted this to be a space for nonfiction about anything—from longer-form versions of work that weaves the personal with the cultural to general nonfiction tackling any subject or situation at all. We sought out formally experimental work to well-crafted traditional narratives, and everything in-between. In short, we hoped that EL’s Personal Narrative would feel expansive: a home for urgent and artful nonfiction of all kinds.

Looking at this year’s most-read Personal Narratives shows that we succeeded in that goal. The breadth is sweeping, ranging from a lyric description of grief and addiction to an essay excavating the links between writing workshops and a toxic social movement. They hone in on unique slices of life—modeling for life drawing classes, working as a phone psychic, learning the ins-and-outs of holiday retail—and use that lens, and a particular kind of writing magic, to craft an essay that becomes, by the end, more than the sum of its parts.

Opening our doors to Personal Narrative was exciting on its own. Discovering the excellent, fresh nonfiction we published this year has put ever-greater wind in our sails. The five essays below are our most popular of the year, starting with the most read. Read them, and you’ll see why this series has been so exciting for us to bring into the world, and why we can’t wait to continue to help it grow into 2025 and beyond.

—Katie Henken Robinson
Associate Editor, Electric Literature

Editor’s note: The descriptions below were written by Jalen Giovanni Jones.

An Addict Is Only a Tourist in the Land of the Living by Adam Spiegelman

Adam Spiegelman recounts the difficult years he spent struggling with addiction alongside his friend Nick, who passed in 2021. The pair weren’t fast friends, nor were they a natural fit sexually—but what consistently kept them together was their dependency on drugs. As Spiegelman reflects on his days as a “junkie,” as he calls it, he recalls the addict’s precarious relationship with life and death, painting the identity as one that cradles between these two worlds. While smoothly weaving in references to literature on mourning from the likes of C.S. Lewis and Freud, Spiegelman forces us to reckon with friendship and mortality in entirely new ways. 

For Three Weeks, I Was a Phone Psychic for Miss Cleo by Heidi Diehl

Heidi Diehl transports readers to the summer of 2001, when she was hired to work under the infamous Miss Cleo as a psychic phone operator—without any of the psychic abilities or training. Despite its temporal distance, Diehl’s experiences serve as eerie premonitions for current social dilemmas: communal voicemail systems would serve as prototypes of social media, while early 2000s fads like Miss Cleo’s psychic services exploited voyeuristic compulsions that dominate our screens today. With stunning clarity, Diehl wrestles with the human urge to share and listen to stories. As she succinctly writes: “I wanted something impossible—to listen without the story touching me, to take someone else’s drama without revealing my own. But I wasn’t actually safe from the story. I was always part of it, even when it wasn’t mine.”

Working Black Friday in the Rich Part of Town by Emily Mester

Excerpted from her debut essay collection American Bulk, Emily Mester recounts the time she was working her first job out of undergrad: as a retail worker for Ulta, in the rich part of town. Recollecting her months enduring entitled Karens and tiptoeing through workplace politics, Mester tackles head-on the exploitative relationship that customers of all tax brackets have with service workers, and vice versa. Weaving honesty with clever humor throughout, “Shrink” exposes the true cost that consumer culture has on our relationships with each other and ourselves. 

A Perfect Body Wasn’t the Right Shape For Me by Dayna Mahannah

The essay starts with writer Dayna Mahannah in only sandals and a trench coat, before she takes them off and climbs onstage in front of a classroom of art students ready to draw her. It’s her first time doing this, and to her own surprise, she felt grand. But as we read, we learn she wasn’t always so comfortable with her body. Mahannah braids scenes of her first day as a life drawing model, with her experiences as an aspiring runway model between the ages of twelve to seventeen. Mahannah provides a sobering account of her battle with disordered eating and body image issues as she strived for the perfect body. With frankness and vulnerability, she reminds us of the autonomy we have over our own bodies, even in spite of its many possible interpretations.

Fake Authenticity Is Toxic, and So Are Iowa-Style Writing Workshops by Laura M. Martin

Newly single and having just moved to a new town, Laura M. Martin is happy to indulge in a newfound freedom and unruliness. But when independence started to feel like isolation, they decided to find their community through Connection Games—group activities that attempt to streamline genuine, deep connections between strangers, as part of the trending “Authentic Relating” movement. Through nuanced reflections on the movement’s contradictory practices, Martin draws parallels to similar problematic practices in Iowa-Style Writing Workshops that have dominated the literary world for decades. “Who can work on self-improvement when they’re under attack?” Martin asks, of both the “Iowa Method” and of Connection Games. Through careful and measured reflections, Martin makes us reconsider what constitutes trust and true connection—in friendship, and in writing.

The Best-Selling Books of 2024 Among Electric Literature’s Readers

We’ve gleaned a lot about our readers from examining this year’s most purchased books on the site. It turns out you guys embrace a diverse range of genres and topics, whether it’s a cleverly self-aware murder mystery or a biting collection of feminist poems. Themes emerged, too: many of these titles share an appreciation of dark humor, a love of magical realism, an affinity for feminist and intersectional concerns, or an aspiration to make visible what is normally hidden. We’re especially proud to see so many small-press books here, given the comparably less space that is afforded to them in traditional media.

Nearly every type of reader will find a book that resonates with them, considering the talented and eclectic slate of writers. Jami Attenberg offers invaluable productivity tips for writers; Donika Kelly depicts mythological beasts with a razor-sharp poetic eye; Andrea Carlisle refuses to go gently into old age. These fifteen books represent just some of the exciting literary voices that we are honored to support.

Here are the most purchased books on Electric Literature this year, starting from the most popular:

How to Solve Your Own Murder by Kristen Perrin

Frances Adams has spent sixty years trying to prevent her own murder (as foretold by a fortune-teller), gathering intel on everyone she meets in her small town. But her efforts are in vain, and when she’s found dead, her great-niece Annie has to pick up where she left off solving the crime. This enthralling premise will hook you into the story, and Kristen Perrin’s careful plotting and witty dialogue will keep you rapt. As Perrin demonstrates, just because a book is about murder doesn’t mean it can’t be funny. How to Solve Your Own Murder promises a cozy evening of binge-reading before the highly anticipated sequel comes out in April!

The Rock Eaters: Stories by Brenda Peynado

Brenda Peynado’s glittering short stories wear the garb of fantasy but pack the punch of a political call-to-action. Her fabulistic stories, many of which center around young women coming of age, offer lenses into imaginative or troubling new worlds. “Thoughts and Prayers,” set in the aftermath of a school shooting, conjures a particularly lasting image, with adult characters who are paralyzed to do anything but pray to the hulking angels on their roofs. Throughout the collection, Peynado’s characters resist easy categorization into good and bad, right and wrong. Instead, she interrogates existing structures of power and imagines how they could be uprooted by magic.

The Curious Lives of Nonprofit Martyrs by George Singleton

George Singleton returns with another top-notch collection of short fiction centered around the landscape of the Carolinas and the eccentric, quick-witted men who live there. He savors the Southern terroir of his settings without relying on stereotypes or snap judgments, instead crafting characters who push against convention. They run into problems that are frequently absurd or outlandish, and each narrative twist leans headfirst into that stereotype. The seventeen stories that make up this collection are full of Singleton’s singular, gritty voice.

There Was an Old Woman: Reflections on These Strange, Surprising, Shining Years by Andrea Carlisle

Our society is all too eager to let its older members fade into the background, but Andrea Carlisle refuses to be the silent old woman in the corner. Instead, in There Was an Old Woman, Carlisle dissects the ways ageism and misogyny meld to birth phenomena like the anti-aging industry. She considers historical portrayals of older women in literature and art and traces a line to the present-day media landscape. Her essays are also packed with tender personal anecdotes and observations of her beautiful natural surroundings. Andrea Carlisle is the ultimate literary companion for women entering their golden years.

Her Body and Other Parties: Stories by Carmen Maria Machado

Carmen Maria Machado’s debut collection of short fiction has achieved cult classic status by now, and for good reason. Machado’s work is particularly notable for the immediate, evocative way she writes about the female body: as queer, as erotic, as disfigured, as surviving patriarchal violence. From the biting feminist critique of “The Husband Stitch” to the otherworldly, transcendent mode of “Especially Heinous,” each of these stories captures a haunted, fantastical world in amber. Throughout, Carmen Maria Machado shows off her claustrophobic, vivid, and entirely unique fictional voice.

Bestiary: Poems by Donika Kelly

Donika Kelly’s debut book of poetry is populated by beasts of all manners, from mythological monsters like the minotaur to quotidian ones like the speaker’s father. She writes with a clear-eyed ferocity about nature, love, family secrets, and occupying her body as a Black woman in America.

Critical Hits: Writers Playing Video Games edited by J. Robert Lennon and Carmen Maria Machado

Video games represent a form of storytelling that has become increasingly integral to culture and society. This anthology of essays proposes a collaborative spirit toward new media, and it was collaboratively edited over the pandemic by J. Robert Lennon and Carmen Maria Machado. These myriad authors detail their personal experiences with gaming and consider how the technology offers new possibilities and complications. It’s hard to go wrong with a book that includes new work by Hanif Abdurraqib, Nana Kwame Adjei-Brenyah, Tony Tulathimutte, Vanessa Angélica Villarreal, and more. 

The Book of Disbelieving by David Lawrence Morse

The Book of Disbelieving contains not just short stories but whole worlds painstakingly captured in David Lawrence Morse’s clear-eyed prose. He releases the reader gradually into each story, richly painting the fantastical realms and hinting at the secrets that lie within. In the especially surprising “Spring Leapers,” a parable-telling reverend observes his new village partaking in a bizarre annual tradition that soon turns deadly. Morse invokes curiosity with each of these tales, prompting the reader to reflect on mortality, memory, and human nature.

The Goodbye Process: Stories by Mary Jones

Mary Jones takes a scalpel to grief in this exquisitely crafted collection of short stories centered around life’s myriad goodbyes. She moves deftly between narrative moods as she showcases different aspects of love, loss, and letting go. These deeply felt, original stories have a way of sneaking into your heart and staying there.

1000 Words: A Writer’s Guide to Staying Creative, Focused, and Productive All Year Round by Jami Attenberg

The 1000 Words movement began at Jami Attenberg’s writing desk as she faced a looming deadline; she challenged herself to write one thousand words every day for two weeks, without second-guessing what she was putting down on the page. One viral hashtag later, and Attenberg is embracing this judgment-free perspective in a craft guide full of motivation and productivity tips. More than fifty other literary luminaries—including Camille Dungy, Lauren Groff, and Alexander Chee—contribute writing advice, making this one of the most inspiring craft books on the market.

The Other Side of Silence: Voices from the Partition of India by Urvashi Butalia

The partition of India and Pakistan into two separate countries in 1947 caused the displacement and death of ordinary people on a massive scale. Yet decades later, the full scale of this event is still not well-understood. Urvashi Butalia addresses this gap with a careful documentarian’s approach, using oral interviews, diaries, and letters to understand the human impact of partition. Butalia pays particular attention to people on the margins—women, children, lower castes—resulting in a touching and personal account of history.

Thunder Song: Essays by Sasha taqʷšəblu LaPointe

In LaPointe’s Coast Salish community, there is a belief in the power of music to heal. These virtuosic personal essays underscore that power and continue a documentary thread from LaPointe’s great-grandmother. The essays in Thunder Song showcase LaPointe’s fresh perspective and captivating intellect as they move through her family archives and the indigenous communities of the Pacific Northwest.

The Kudzu Queen by Mimi Herman

As a lifelong New Englander, I had never heard of the invasive species kudzu or its history in the American South, which Mimi Herman reimagines in this enchanting work of historical fiction. Fifteen-year-old narrator Mattie captured my heart immediately with her earnest enthusiasm and huge imagination. The Kudzu Queen is at once a tenderly wrought coming-of-age narrative and an irresistible historical drama.

I Love You So Much It’s Killing Us Both by Mariah Stovall

Main character Khaki is desperate to disappear, whether into the thrum of the punk-rock music scene or into her codependent, questionably platonic relationship with childhood friend Fiona. As she considers whether to rekindle the friendship, Khaki ruminates on concerns about mental health, attachment, codependence, identity, and the racial dynamics of their relationship. The resulting debut novel sparkles with intellect, pathos, and a pounding bassline.

You’d Look Better as a Ghost by Joanna Wallace

Claire is an introvert, an aspiring artist, a caustic wit grieving the recent death of her father—oh, and a part-time serial killer. When she suspects someone from her bereavement support group has witnessed her latest murder, Claire must scramble to prevent her macabre side-hustle from being exposed. This darkly comic thriller is packed with eccentric characters and deadly antics.