Ukraine-Russia Book Battle Escalates

The Ukraine may soon face a book shortage, publishers say, after the country’s parliament passed a ban on the importation of books from Russia. The ban, which has been under consideration for several months, reportedly caught publishers off guard. Many now fear that the prohibition, slated to be in place through the end of winter, will result in a reading material drought.

The legislation is the latest escalation in an ongoing culture war that culminated most prominently in Russia’s 2014 annexation of Crimea.

Russia has for years suppressed certain branches of Ukrainian literature. In late 2015, the Ukraine in turn banned 38 Russian language texts that spread, according to Ukrainian State Television and Radio Committee, “hate ideology” and amounted to “information warfare.” The country also banned certain films deemed to glorify Russian security service and declared persona non grata several Russian entertainers, as well as French defector Gérard Depardieu, who, in addition to acquiring Russian citizenship, has also acquired a penchant for befriending authoritarian rulers with old age.

The new book ban will be a heavy blow to the Ukrainian book buyers market. As reported by the Guardian, Russian imports account for up to 60% of Ukrainian book sales. Publishers say that translation expenses and relatively meager domestic demand explain (in part) the reliance on Russian imports. Ivan Stepurnin of Ukraine’s Summit Books told the Guardian that he expected the ban to result “in a shortage of books in various sectors of the market — especially in educational literature and world classics.”

Lit As Last Bastion: Natalka Sniadanko On Suppression, Solidarity & Language In Ukraine

Russia, never a bastion of free expression, has over the last six years banned hundreds of Ukrainian books on the supposed grounds that the titles incited ethnic conflict. Some of those books were allegedly found in the Ukrainian Literature Library in Moscow in a 2015 raid, leading to the arrest of the library’s director, Natalya Sharina. Sharina has been confined on house arrest since the time of the raid and continues to maintain her innocence. Her trial, which began in November 2016, levels charges of distributing “anti-Russian propaganda” and embezzlement. Amnesty International and other human rights groups continue to call for Sharina’s release. Last week, it was announced that she was filing an appeal to the European Court of Human Rights in Strasbourg, which has jurisdiction over human rights violations in Russia. The Court has not yet responded to the application.

Ted Wilson Reviews the World: Tony’s Balloon Party

★★☆☆☆ (2 out of 5)

Hello, and welcome to my week-by-week review of the world. Today I am reviewing Tony’s Balloon Party.

Most parties have balloons, but only Tony’s Balloon Party has only balloons. That’s right — it’s a balloon-only party, meaning the balloons are the guests — each one with a face drawn on as if it is alive. Admission is $5, cash only, and only one attendee is allowed at a time. When I arrived, there was no line.

I slipped the $5 into Tony’s mailslot and could feel him yank the bill out of my hand. Then a voice said, “You have 15 minutes.” I asked if he would be at the party and he said no, but that he’d be watching.

The entire party takes place inside the kitchen, which you enter through the side door. All other rooms have been made inaccessible with handwritten signs that say simply “NO.” From behind one of the doors I could hear what sounded like fingernails scratching on the wood and I hope it was just a cat.

There’s a carrot and cheese platter but the balloons are really the centerpiece of the party. There are balloons of all colors. Some are standard balloon-shaped balloons while others are mylar balloons in more custom shapes and with images on them. The best balloon I saw was in the shape of a star and it had an image of Pac-Man on it. I reached out to touch one with a woman’s face on it when Tony’s voice came over a speaker and said, “Stay away from Daphne.”

When I accidentally popped one of the balloons, a door flung open and a guy who I assume was Tony came screaming at me to get out. I quickly tried to re-inflate the balloon but the damage was too severe, and Tony’s face was all red and he looked like he wanted to fight but he also looked like he wanted to cry so I hurried out of there.

When I drove past Tony’s the next day I saw a big sign on the lawn that read “NO MORE BALLOON PARTY.”

I have to say, I’ve been to better parties. But I’ve also been to worst. Like the one where the host was arrested for murder. She didn’t do that, but we didn’t find that out until 22 years later after new DNA evidence revealed someone else was the killer.

BEST FEATURE: Now that Tony’s Balloon Party is out of business, the field is wide open for competitors.
WORST FEATURE: None of the balloons were filled with helium. Just Tony’s breath.

Please join me next week when I’ll be reviewing baby wipes.

Watch: Found Footage of Marcel Proust

A Canadian film professor with a penchant for wedding videos may have just discovered the only known video footage of Proust

Proust, still life. Now see the exciting live action show!

A Canadian professor believes he may have found the only known video footage of the legendary Marcel Proust. Jean-Pierre Sirois-Trahan, a film instructor at Laval University in Quebec, was screening the 1904 wedding video of Élaine Greffulhe, daughter of the Countess of Greffulhe, whose spritely reputation as Paris’s it-girl inspired Proust’s character Oriane de Guermantes. (You know, just your typical end-of-week Netflix and chill.) While watching the film, Sirois-Trahan saw a man who looked a lot like Proust. So far, several notable academics have come down in agreement.

A clip from the footage, which can currently be viewed on the Guardian’s site, shows Proust quickly descending a staircase and navigating around a group of old people. Then, voilà! Just like that he vanishes out of the frame.

Marcel Proust on film: discovery of what could be the only existing footage – video

Despite the brevity of the clip, scholars are nevertheless over the moon about the discovery. Jean-Yves Tadié, a Proust specialist, told the Guardian, “I find this discovery very moving, and all the more so because Proust always had an ambiguous relationship with moving images.” Tadié expressed shock that nobody had thought to sift through the Greffulhes archives before. (The surnames in this story are magnificent, aren’t they?)

Luc Fraisse director of the Review of Proustian Studies, has also weighed in on the new footage and says the circumstantial evidence is strong: “Because we know every detail of Proust’s life, we know from several sources that during those years he wore a bowler hat and pearl grey suit… It’s moving to say to ourselves that we are the first to see Proust since his contemporaries.”

However, Fraisse did note that he wished Proust weren’t moving so fast.

Sirois-Trahan, who appears to be ever the realist, thinks it’s important to point out that there’s no concrete evidence that the speedster is indeed Marcel Proust. However, the evidence seems to be mounting, and the video is still an important historical window into 20th century Parisian life.

Imagine American Literature Without Immigrants

Americans around the country are going on strike today to highlight the importance of immigrants to American culture, history, and economy. Today’s “A Day Without Immigrants” is a response to the anti-immigrant agenda of the new administration. It also made us think — as we often do — of books. Just as America is the great melting pot, American literature has always drawn strength from immigrants, exiles, and refugees. Here are ten authors who we couldn’t imagine American literature without.

Vladimir Nabokov

While Lolita is a strong contender for the mythical “Great American Novel” title, Nabokov was born in St. Petersburg, Russia in 1899. His family fled Russia after the Russian Revolution, going into exile in France and Germany before ultimately settling in the United States in 1940. Here, Nabokov switched from writing in Russian and French to writing in English, producing such stellar works of literature as Lolita, Pnin, and Pale Fire.

Junot Díaz

Born in Santo Domingo in the Dominican Republic, Díaz immigrated with his family to the states when he was six years old. His hilarious and moving fiction tends to focus on the lives on Hispanic Americans, often in the state he grew up in, New Jersey. His 2007 novel The Brief Wondrous Life of Oscar Wao won the Pulitzer Prize and the National Book Critics Circle Award.

Jhumpa Lahiri

Lahiri was born in the United Kingdom to parents who were Bengali immigrants. Her debut book, the story collection Interpreter of Maladies, focused on the lives of immigrant Americans and won the Pulitzer Prize. Her 2003 novel The Namesake was adapted into a film starring Kal Penn.

Viet Thanh Nguyen

Continuing our string of Pulitzer Prize winning-novelists, the most recent Pulitzer went to Viet Thanh Nguyen for his debut novel The Sympathizer which takes place during the Vietnam war. His story collection, The Refugees, is out this month. You can read one of the stories, “Black-Eyed Women,” in Electric Literature’s Recommended Reading.

Jamaica Kincaid

Born in 1949 in St. John’s, Antigua, Kincaid has been a major voice in postcolonial literature and studies for the past several decades. Her works of fiction and non-fiction have won plenty of awards, including the Lannan and Guggenheim.

Art Spiegelman

Arguably the most celebrated graphic novelist alive, Spiegelman is one of the central comic creators who helped raise the medium’s critical reputation. His breakout graphic novel Maus about the Holocaust made critics realize that graphic novels could be literature of the highest order. (He also made the incredibly cool Garbage Pail Kids.) Born Itzhak Avraham ben Zee, he emigrated from Sweden in 1951.

Yaa Gyasi

One of the most exciting young American novelists, Gyasi, emigrated from Ghana when she was a young child. Her acclaimed first book, Homegoing, followed the lives of two half-sisters, one living in Africa and one in America. It won her a National Book Award 5 Under 35 award.

Porochista Khakpour

Another one of the best young American writers, Khakpour’s family immigrated to California from Iran. Khakpour’s second novel, The Last Illusion, follows an Iranian immigrant who is raised as a bird and lives in NYC during 9/11. Her memoir Sick is forthcoming from Harper Perennial. (You can read our interview with Khakpour here.)

Gary Shteyngart

Shteyngart’s family left the Soviet Union for the United States in the late 1970s. His hilarious satires often involve immigrants as well as commentary on Russian, Jewish, and American life. When the Trump administration announced their Muslim travel ban, leading to protests at JFK and other airports, he tweeted:

Thomas Paine

It’s basically impossible to imagine what America would be without Thomas Paine. One of the “Founding Fathers” of America, Paine was an influential philosopher, political theorist, and essayist who immigrated to America as an adult only a few years before the American Revolution.

These are just a few of the many immigrant writers who have made American literature great. Immigrants are so central to American literature that we couldn’t possibly list them all. Please add your favorite immigrant authors in the comments below.

Death, Dialogue, and Delirium

How does one best describe Samantha Schweblin’s Fever Dream? One option would be to simply refer would-be readers to the title, which is apt. Another might be posit it as the result of some unlikely literary mash-ups: an interrogation blended with a deathbed confession; Gene Wolfe’s sinister/pastoral Peace interwoven with Silvina Ocampo’s hallucinatory tales of class and obsession. The novel takes its epigraph from Jesse Ball’s The Curfew, another narrative that’s notoriously difficult to pin down. Fever Dream is a short, terse novel; it’s also as expansive as the mind itself, and terrifying in the ways in which it evokes a panicked psyche spilling out its most horrific memories, fixations, and secrets.

“It’s the boy who’s talking, murmuring into my ear.” So says Amanda, the narrator of this novel, very early on in the proceedings. She’s just been told about worms–more properly, of a sensation that evokes the feeling of worms moving through the body. The questioner alternates between describing sensations for Amanda (evoking the final scenes of Synecdoche, New York, as the voice of Dianne Wiest directs Caden Cotard at the end of his life) and interrogating her, of trying to pinpoint exactly when things went wrong.

Soon more details emerge: Amanda is the mother of a young girl, Nina; the voice asking questions is that of David, a boy ailing as the result of a poisonous substance he drank. David’s sickness has led his mother, Carla, to take extreme measures: an occult technique called a “migration,” in which a person’s soul and the poison killing them are linked together. At least, that’s what seems to be happening in the novel’s early pages. Still, Schweblin also leaves space for ambiguity: “I want to tell Carla that this is all a bunch of nonsense,” Amanda says as she looks back on her memories of this event. “That’s your opinion,” David responds. “It’s not important.

The title of Fever Dream serves as a constant reminder of the terrain we’re in as readers. At times, the give-and-take between Amanda and David can seem stilted, like an interrogation pushed into some realm far beyond stylization; on the other hand, that seems entirely appropriate for a fever dream. So, too, is the case with the strange twists the plot takes, which can defy logic–but, perhaps, not the logic of a fever dream.

Schweblin’s novel abounds with bizarre and unsettling imagery. At one point, Carla tells Amanda about a terrible sight she has recently seen: “three more dead ducks in the yard, stretched out on the ground like the day before.” Between a horse that plays a significant role in an early scene with David, the ducks that have met a horrid fate, and the metaphorical worms that are invoked on its opening page, animals are in abundance here. This, too, makes sense: for a novel that deals intimately with the fallibility of bodies and our own mortality, a juxtaposition of the natural world seems quite appropriate.

Fever Dream is an experiential book: it creates a powerful sense of mood from its earliest pages, but it also leaves a looming ambiguity in place over the course of its pages. Questions of memory and of identity run throughout the book, and events and figures slowly begin to blur as the winding plot takes turn after turn. (Again: fever dream.) Near the novel’s end, one character alludes to another “hallucinating me,” and the head-spinning mental gymnastics that ensue only add to the free-floating, highly ominous mood.

Attempting to describe Fever Dream isn’t an easy task. The shifting power dynamics that fuel its energy make for a thrilling reading experience, with their revelations causing the reader’s knowledge of what’s come before to alter again and again. Perhaps it’s a conspiracy plot like no other; perhaps it’s as ephemeral as its title suggests. Still, let’s not give dreams too hard a time: they can make for some of the most compelling stories we experience, and the best of them endure longer than the more formal stories we inhale. To say that this novel perfectly evokes the experience of its title, then, is meant as the highest compliment: the delirium of the unconscious, and all the terrors it can dredge up.

Who Is the Best Fake Novelist on TV?

At Electric Literature, we spend a reasonable amount of time (a lot) discussing literary companions to various TV shows and limited series, scouring imdb to figure out which of our favorite authors have development deals with HBO, and breaking down all the best books being adapted for the screen. But there’s one important question we’ve yet to address, a question that’s just begging for an exhaustive, deadly serious analysis featuring career breakdowns, video evidence and of course references to the almighty text…

Who is the best fake novelist on TV?

Television loves a good author-character, preferably one who drinks, smokes and is repulsed by Los Angeles and/or New York but nonetheless makes liberal use of the sexual opportunities afforded by those cities. (On a related note — prepare for a litany of white men ahead. TV is still pretty convinced that’s what an author looks like.) A fake novelist is a handy device. Need a high-brow veneer for your murder mystery? You got it. Want a haughty artist to scold your bourgeois characters for their trivial ways? Done. Want somebody to sell out? That’s what every novelist is always waiting to do!

TV is currently flush with authors: fake crime writers, fake romance novelists, fake eroticists, fake whatever-the-hell-that-guy-on-House-of-Cards-is. Each has his or her literary merits, but we need more. We need a winner.

This is a competition broken down into three categories, each analyzed and rated on a scale of 1–10 by our literary scientists, then tabulated by professionals at the storied Boston accounting firm of Norm Peterson, CPA.

The categories:

  • Quality of Prose — This is the most essential question, first among equals for our purposes. How good is the writing? Is it really good or just ‘this is how a literary novel sounds’ good? Since both criteria are currently accepted in the book world, both will accepted in the fake book world.
  • Zeitgeist — Is your work popping off right now? Or are you stuck on zombies and vampires? Are you writing about apocalpyses when the rest of the book world has moved onto near-future authoritarian dystopias?
  • Literary Trappings — Do you live like a novelist should? (Drugs, sex, murder, cussin’ out philistines, writing longhand, wearing blazers, etc.)

Now that the rules are laid out, let’s get to the contenders. Call it the Fake Pulitzer. The Fake National Book Award. Slap a sticker on somebody’s book cover. This is the fake prize the bookish TV masses have been clamoring for.

THE CONTENDERS

Noah Solloway, The Affair (Showtime)

The Literary Bona Fides

Solloway’s evocatively-titled novel, A Person Who Visits a Place, was largely ignored by critics and readers alike, but that was before he went to Montauk. Descent, Solloway’s follow-up, is an erotic thriller based on his sexual misadventures in the eastern tip of Long Island. While Descent caused some — let’s say — tension in Solloway’s personal life (what really happened that summer on the shore, McNulty???), it also brought him the literary celebrity he so desperately craved. He transformed into “the new bad boy of American letters,” the one Jonathan Franzen was dying to meet, the PEN-Faulkner nominee, the (spoiler coming)…convicted manslaughterer. His next novel, presumably underway in the big house, is historical fiction.

How about some excerpts?

From Descent:

— “He lifted her skirt just an inch. He paused. They listened together to the sounds of the marina, hearts shaking in their skin.”

— “She was sex. The very definition of it. She was the reason the word was invented. No marriage, no matter how strong, could survive her.”

How does he rate?

Quality of Prose: 4 (Wait, where is the heart shaking? In THEIR SKIN?!?)

Zeitgeist: 6 (Sexually charged thrillers are timeless, but not all that timely.)

Literary Trappings: 8 (‘He was a novelist. The very definition of it…’)

Jimmy Shive-Overly, You’re the Worst (FXX)

The Literary Bona Fides

Jimmy’s debut novel, Congratulations! You’re Dying, received a lukewarm critical reception and quickly made its way to remainder tables. After struggling with his sophomore effort for years, the young LA-based author finally decided to pursue a lifelong dream (his true vocation, it seems) by writing “the first truly literary erotic novel since Portnoy’s Complaint.” That book, titled The Width of Peaches, has yet to be released, but early readers are turned on and singing its praises. The author has described the story as addressing “the very concept of the familial paradigm in art,” meaning it’s about incest — a steamy love affair between half-siblings. The ultimate taboo.

How about some excerpts?

From The Width of Peaches

“As Malcolm bent the 17-year-old Sally over the lip of his tanker desk, he thought back to her baptism. That summer’s day in ’73, every car radio blaring ‘Search and Destroy,’ a warm rain lashing down like sweat flinging off a groupie’s bouncing tits.”

“Simon and Kitty stood before Pauline’s crumbling fieldstone marker. Moments later, in a nearby crypt, Simon repeatedly plunged into Kitty, the sounds of their passion mixing with the wet summer air and the cicadas’ desperate, deafening, doomed song.” [*the end*]

How does he rate?

Quality of Prose: 7 (the English have mastered the fundamentals of prose)

Zeitgeist: 7 (literary erotica is the new monster-gothic; incest is evergreen)

Literary Trappings: 8 (Drinking, drugs. LA-hate. Self-regard. Misanthropy.)

Nick Miller, New Girl (FOX)

The Literary Bona Fides

Miller’s writing career got off to a bumpy start with the long-gestating, now (presumably) abandoned draft of Z is for Zombie, a post-apocalyptic zombie novel notable for its various misspellings of the word “rhythm” (admittedly not an easy word) and a mid-narrative word search containing no words. But Miller’s second effort, while not yet acquired by a publisher, is being hailed by advance readers as a literary achievement of the first order. The Pepperwood Chronicles is about “a hardboiled Chicago cop turned New Orleans detective.” His adventures include swamp boats, food and women.

How about some excerpts?

From The Pepperwood Chronicles:

— “Julius Pepperwood loves three things in his life: his gumbo, his sex, and more of that sweet gumbo.”

“The sun baked down on Pepperwood’s back as he moved over to the St. Charles Street Car. The driver handed him a brown paper sack. Without opening it, Pepperwood knew what was inside: blood-soaked beignets.”

From Z is for Zombie:

— “No one in the sleepy mountain town of Rithem City knew what the meteor meant, but the one thing Mike Jr. did have was a whole lot of rittem. Whoa, what bit me in the face?’ Mike Jr. said to his dad Mike Sr., who sucks.”

From Miller’s break-up poetry chapbook:

— “Shall I compare thee to a summer’s day? No, a summer’s day is not a bitch.”

How does he rate?

Quality of Prose: 7 (Melville & Miller — masters of the first sentence)

Zeitgeist: 8 (a shrewd move from zombies to crime)

Literary Trappings: 6 (points for owning a bar, living with roommates)

Tom Yates, House of Cards (Netflix)

The Literary Bona Fides

Yates is the author of the cult classic Scorpio, which was based in part on the stories older men told him during his time as a prostitute. Other publications include God’s Cauldron (unrelated to prostitution) and some super-intense online game reviews that apparently caught the eye of gamer-and-murderer-in-chief, Frank Underwood. Yates’ latest work is a Presidential commission. The pitch was a classic publishing gambit: a vaguely fictionalized bildungsroman that wins popular support for the President’s struggling jobs program. (Seems like Random House trots that one out every four years.) Unfortunately, Yates’ novel — the first chapter anyway — cut too deep, focusing on the troubled relationship of the President and the First Lady, and was promptly canned by its fearsome, audience-addressing patron.

How about some excerpts?

From Yates’ untitled Presidential novel:

“The Fourth of July means nothing anymore. Overcooked hotdogs and fireworks that always leave you disappointed, bite size American flags made in China waved half-heartedly by five year olds who’d rather be playing Minecraft. But the third of September, that’s a date which matters. It’s the day, three decades past, that a redneck from Gaffney married a debutante from Dallas. And the Earth’s axis tilted that day. Though neither they, nor we, knew it at the time.”

“Here’s a woman who describes her vows as a suicide flirting with a bridge’s edge, and a man who wears his wedding ring as a badge of shame, for the debutante deserved more. But truly, what more could she desire? Together, they rule an empire without heirs. Legacy is their only child.”

From Yates’ review of the game “Monument Valley”:

“Whoever you are, whoever you think you are, believe that you’re also a silent princess. Your name is Ida. Your journey is one through a forgotten landscape of twisting staircases and morphing castles, atop floating stones defiantly crossing an angry sea, within dimly-lit caverns cobwebbed with ruins M.C. Escher could only grasp at in a dream state.”

How does he rate?

Quality of Prose: 3 (if only he were a silent princess named Ida)

Zeitgeist: 1 (unless and until WPA fiction finally hits it big)

Literary Trappings: 8 (props for career as a listening prostitute)

Jane Villanueva, Jane the Virgin (CW)

The Literary Bona Fides

Villanueva is an aspiring romance novelist and will become a published one come hell or high water. (The last we heard, the goal was a draft before the birth, but that has to be out-of-date by now.) We don’t know a great deal about Jane’s text, but we do know a little about her tastes. First, she’s a traditionalist and believes in the sanctity of genre customs. Second, her favorite authors: Amanda Elaine (played by Jane Seymour) Angelique Harper (Kathleen “Bird” York). Third, she’s gunning for an MFA and already has experience with cloying writing groups. All in all, it’s a promising start.

How about some excerpts?

No excerpts, but a nice line from a death scene:

“You are my flesh and blood. Nothing you could do is unforgivable to me.”

How does she rate?

Quality of Prose: 7 (understated, from the heart — that’s the stuff)

Zeitgeist: 6 (romance is due for a moment, we’ve forgotten how to love)

Literary Trappings: 7 (never a dull moment)

Christopher Plover, The Magicians (Syfy)

The Literary Bona Fides

Plover is the author of the Fillory and Further series, which follows the Chatwin children through a grandfather clock and into an alternate world of magical adventures. There are five known volumes in the series — The World in the Walls, The Girl who Told Time, The Flying Forest, The Secret Sea and The Wandering Dune — as well as a long-rumored, recently discovered sixth book called (wait for it…) The Magicians. Plover was a rough contemporary of JRR Tolkien, and while his fame and reputation never quite reached Lord of the Rings level, the students of Brakebills College for Magical Pedagogy (whose publishing imprint puts out Plover’s books) are really into the series. (Mind you, this information is mostly from the books, rather than the show. For much more, check out Andrew Liptak’s biography of Plover in Gizmodo.)

How does he rate?

Quality of Prose: 8 (Brakebills students are a shrewd readership)

Zeitgeist: 8 (our society must retreat deeper and deeper into fantasy)

Literary Trappings: 5 (points for tweed)

And the Fake Pulitzer Goes To…

Jimmy Shive-Overly

Shive-Overly gets the nod, with Plover, Villanueva and Miller rounding out the 2017 shortlist. Jimmy is the quintessential young novelist: eccentric, self-involved, a little frowzy, obsessed with the progress of his own career and fascinated by incest. The Width of Peaches is a savvy move — following-up a middling literary debut with a genre novel is a tried-and-true maneuver. He chose the right genre, too. American letters is in desperate need of an erotic revival, and Shive-Overly has come through with a “masterpiece of multi-generational sexploitation literature.” (Think, García Márquez meets Cinemax.) His career is about to take off, and the Fake Pulitzer loves to catch an author on the rise. Who knows, a few more seasons (er…books) as powerful as the last and Shive-Overly may be poised to join the fake canon.

Yes, there’s a canon.

THE HALL OF FAME

Ah, the annals of Fake Pulitzers-past. These authors need no introduction, but we will provide you with some choice excerpts from their finest works.

Hank Moody, Californication (Showtime)

Bona Fides: Author of South of Heaven, Seasons in the Abyss, God Hates Us All, Fucking and Punching, Lew Ashby: A Biography, and Californication

From God Hates Us All (a book Showtime went to the trouble of publishing):

“Good morning, Hell-A. In the land of the lotus-eaters, time plays tricks on you. One day you’re dreaming, the next, your dream has become your reality. It was the best of times. If only someone had told me. Mistakes were made, hearts were broken, harsh lessons learned. My family goes on without me, while I drown in a sea of pointless pussy. I don’t know how I got here. But here I am, rotting away in the warm California sun. There are things I need to figure out, for her sake, at least. The clock is ticking. The gap is widening.”

— “I pop a cassette into the Buick’s stereo. It’s the Ramones. I turn the volume up high and roll down the windows. The highway air tastes of fumes, but it still feels goddamn good to breathe.”

Jessica Fletcher, Murder She Wrote (CBS)

Bona Fides: Author of many, many mystery novels. Solver of crimes.

From A Story to Die For (look, we’ve never actually seen Murder She Wrote, and from the video evidence it seems Jessica Fletcher is speaking these words extemporaneously at a writing workshop, but it’s a taste of her style)

“But because I’m a romantic I still believe that we have the potential to be nobler than we know and better than we think. That the darkness I’ve seen is only a shadow on the potential of the human heart. Warren, in his own way a romantic, made hard by the world around him until he finally made a tragic mistake. He walked away from his own moral compass.”

Lucas Scott, One Tree Hill (CW)

Bona Fides: Author of An Unkindness of Ravens and The Comet

From An Unkindness of Ravens:

“Suddenly, it was as if the roar of the crowd, the echo of the final buzzer, the cheers of my teammates were all sounding from a thousand miles away. And what remained in that bizarre, muffled silence was only Peyton, the girl whose art and passion and beauty had changed my life. At that moment, my triumph was not a state championship, but simple clarity.”

From The Comet:

— “It was more than just a comet because of what it brought to his life: direction, beauty, meaning. There were many who couldn’t understand, and sometimes he walked among them. But even in his darkest hours, he knew in his heart that someday it would return to him, and his world would be whole again… And his belief in God and love and art would be re-awakened in his heart.”

From the show’s theme song (presumably penned by Scott):

“I ain’t trying to be anything other than what I been trying to be lately.”

Ken Cosgrove, Mad Men (AMC)

Bona Fides: Author of “Tapping a Maple on a Cold Vermont Morning” and “The Punishment of X-4”; ad man, wearer of patches

From “Tapping a Maple on a Cold Vermont Morning” (actually published):

— “First came finding the trees. We had tagged them that summer — loops of red twine, tied tightly around craggy trunks — when Fitz had been home, when the chill of winter had seemed distant and unthinkable.”

— “What would happen, I wondered, if we did not come back, one day soon, to collect it? What if the sap hardened? What if it became frozen — not just in the frigid air, but in time, sealing its secrets in a golden egg of amber?”

The plot of “The Punishment of X-4,” as described by Mrs. Cosgrove:

— “There’s this bridge between these two planets and thousands of humans travel on it every day, and there’s this robot who does maintenance on the bridge. One day he removes a bolt, the bridge collapses, and everyone dies.”

Philip Pullman Announces a New Trilogy Set in the His Dark Materials Universe

The first volume — The Book of Dust — is due out in October

Fantasy stalwart Philip Pullman announced last night that he has a new trilogy in the works. Beginning with The Book of Dust — due out in October, 2017 — the as-yet-unnamed series will be a companion to Pullman’s juggernaut His Dark Materials series (The Golden Compass, The Subtle Knife, and The Amber Spyglass), which ran between 1995 and 2000, selling nearly 18 million copies worldwide and inspiring a 2007 big-budget adaptation starring Nicole Kidman.

Returning to the authors’s noted multi-dimensional universe (which includes our own strange world), The Book of Dust will reportedly feature former protagonist Lyra Belacqua, albeit as an infant. The title references a particle central to the original series. In an interview with NPR, Pullman said: “what I really wanted to explore in this new work…[is] the nature of Dust, and consciousness, and what it means to be a human being.” Skipping forward, the second and third volumes will take place ten years after the conclusion of The Amber Spyglass, rejoining Lyra as she enters adulthood.

Given the fractured timeline, Pullman has an answer for those curious about what to call the new trilogy in relation to His Dark Materials: “it’s not a sequel, and it’s not a prequel, it’s an equal.”

Midweek Links: Literary Links from Around the Web (February 15th)

All the best literary links that are fit to, well, link

Lit Hub looks at famous literary couples in case you missed it on Valentine’s Day:

Leonard had to propose three times to Virginia; at first she wasn’t sure if she was sexually attracted to him. Actually, at first she was sure she wasn’t; but that ultimately changed. When she finally accepted his offer, she wrote to a friend: “My Violet, I’ve got a confession to make. I’m going to marry Leonard Woolf. He’s a penniless Jew. I’m more happy than anyone ever said was possible — but I insist upon your liking him too. May we both come on Tuesday?”

And here’s a list of the most romantic quotes from books.

But not all love is romantic. We look at some of the best platonic relationships in literature.

Did you love the movie Hidden Figures? Tor lists 5 books you should read.

Attention YA readers, Philip Pullman is writing a sequel trilogy to His Dark Materials: “The Book of Dust will return to the world(s) and characters of His Dark Materials, Pullman said, and Lyra will be integral to the new story — but not in the way she was before.”

Do the characters in your favorite books feel like they invade your life? Well, science says that might actually be the case.

Colson Whitehead reviews George Saunders’s new novel. (And we interview Saunders here.)

Neil Gaiman is writing about the Norse gods… and one of them sounds like a certain president:

The action begins as the Norse gods, worried that their home in Asgard is vulnerable to alien incursions, debate how to make its borders more secure. “What do you propose?” one asks Odin, the most powerful of them all.

“A wall,” Odin responds

Foragers

“Foragers” by Jennifer Sears

Every Tuesday and Thursday afternoon, the girls met on the second floor balcony of the public library at their favorite table next to the two-story window overlooking the street. Cold wind pressed against the glass as each girl arrived wearing coats under coats, mittens under mittens, heavy turtleneck sweaters, and, buried far underneath, two layers of socks custom made by a local needle champion known for her perfectly turned heels. Her tightly knit masterpieces had become a secret emblem for their club.

In the girls’ minds, the table on the balcony was their very own. It had exactly five chairs, a sign! The table was meant for them. They’d come to expect it on those afternoons, demanded it when necessary, and the librarians acquiesced, cowed, the girls believed, by their unyielding demeanor. They were, after all, very good girls who knew to whisper in libraries. They never giggled or sang. They never brought boys. They were self-sufficient, requesting assistance only when necessary.

“We never use the word help,” the girls agreed.

Their favorite librarian knew which books the club needed — large reference volumes with detailed plates and illustrations — always the same books. On slow afternoons, she even had the books waiting on their table. The other librarians sometimes scolded her for encouraging them. Why, the girls heard them say.

Their librarian was curious and perhaps a little jealous, the girls decided.

“She wishes she could be one of us,” Cat said.

The girls smiled around their table. The librarian could never be one of them.

Initiation into their club had been a silent process. Each girl recognized her self in the others. Their shadowy habits were the same. At school during the terrifying shuffle between classes, they were the girls who crept close to the walls to avoid the stray arm or backpack that might bump or bruise their refined bodies. They were the girls who turned away from people they’d known their whole lives.

Everyone watched them. Everyone wanted to interfere. They were the skinniest girls in school.

Every Tuesday and Thursday at their table on the balcony, each girl set out a calculator, a spiral notebook, and a silver water thermos — with no history of contamination! — purchased just for those afternoons. Together, they filed to the drinking fountain where each girl watched the next fill her thermos to the same line. No member was allowed the satisfaction of knowing she had the least water weight inside herself during their meetings.

Other patrons watched their procession. Periodical readers gazed up from the floor below. Returning to the table, the girls set down their thermoses, opened the books, and began.

First, they consulted the Anatomy Coloring Book containing black and white line drawings of the human body neatly divided into subsections and systems. Dividing these among themselves, the girls turned to more complicated volumes and medical books that identified parts and organs in Latinate terms printed in microscopic fonts that made the girls feel like scribes divining codes from mysteries begun long ago. Adding the weight of each organ, the weight of each bone, the mass of each muscle, the club searched for the body’s purest weight: the perfect minimum.

Equations, facts, and diagrams filled their notebooks. The female encephalon: 44 ounces. Spleen: 7 ounces. Each ovary: 1 to 2 drachmas. The club adored the organs willing to downsize along with them: “…the combined weight of both kidneys in proportion to body weight is 1 to 240.” The heart stumped them with its riddle: it grows heavier throughout life, resulting in a proportion of 1 to 149. But how heavy was the heart at their age, sixteen?

Melinda began with the Digestive System, teeth to rectum and, on completion, advanced to the Organs of the Senses: nose, eyes, the labyrinth of the ear, the tongue. Susan worked on the Great Groups of Connective Tissue, including cartilage and bone. She complained the most. Scientists were always leaving things out, avoiding specifics, and wasn’t being specific their very job? Some sections and parts were described with no mention of weight at all!

The girls shook their heads. Even the scientists were against them.

Lisa Simon, a former math champ during the days when grades mattered, tried to determine how the each member’s skeletal frame might affect her perfect minimum. She assessed their proportions — this girl shorter, that taller — in combination with bone density. But when she asked each girl to divulge the exact measurement of her wrist, they all refused.

They knew Lisa Simon was jealous. Lisa Simon was the biggest in their club.

Along with her investigation of the Female Organs of Generation, Cat coordinated the project, tabulating their results in a yellow notebook. She made sure no member hoarded information for herself. Angelica, the skinniest member of the group, sat next to the window. Cat didn’t make her do numbers. Angelica simply observed their diligence with a distant smile.

Calculations and numbers filled their pages as they worked through the winter. Snow banked and drifted around the maple saplings in the parking lot across the street, but the club still arrived, never mentioning the shocked stares of faraway relatives who invaded their lives during the holidays and tried to interrupt their routine.

Though they were girls who often caught colds — girls teachers didn’t expect to see at school anymore — no member ever missed a session with the club. What if the others learned something? Found the secret? Got ahead?

In February, they returned to the knitter’s studio for new socks to reward their perseverance and to help them remember at all times that they were chosen — a club.

The woman shuddered when they explained why they needed extra pairs. Not enough fat left on the bottom of their feet. Their heel bones pressed too sharply against their soles, pricking the inside of their skin. On that same visit, they asked the knitter to embroider on each ankle an ancient Greek line drawing of a pomegranate they’d found in a library book.

“An insignia,” they begged. “A special symbol meant only for us!”

To their surprise, the old woman refused. “Girls, girls,” she said, grabbing Cat’s bony shoulders in her hands.

On the second floor balcony of the library, the girls all indulged Angelica. A delicate presence with enormous blue eyes and a pale frizz of hair, Angelica had popularized fainting spells at school. In her seat beside the window, Angelica sat motionless for hours or consulted an anatomy book made for artists and drew human figures. The club admired Angelica’s drawings though one disturbed them, a detailed silhouette of the female body filled with tiny circles. Cells, Angelica explained.

The implication of those circles overwhelmed them. So many numbers, so much work still ahead!

Other times, Angelica told stories. In the story they loved most, a specialist told Angelica she fascinated him. As her mother watched, he made Angelica stand naked in front of a full-length mirror. She shivered as he brushed his fingertips across her bare collarbones.

“How do you do it?” the specialist asked.

In the mirror, Angelica saw her mother begin to cry.

The girls nodded around the table. They all made their mothers cry.

The specialist touched the reflection of Angelica’s eyes. “Tell me,” he said. “What do you see?”

The club listened with envy. Angelica’s eyes indeed set her apart. Her eyes seemed to grow larger by the week as her cheekbones sharpened below them. The club, too, had wondered, could Angelica see something more? As they worried over details, foraged through facts in pursuit of one number, did Angelica know a simpler truth she hoarded for herself?

Angelica was the skinniest, and they could all see she was getting even skinnier!

Finally, Angelica offered a hint. They’d read the facts aloud at that very table. Animals, when nearing their minimum, lose peripheral vision. Their minds rule out distractions. Nothing exists but the hunt. They see only the prey in front of them.

“Human minds are the same,” Angelica said. “My peripheral vision is gone.”

The other girls nodded, anxious for the day their minds would free them from distractions, when even their sight would get skinny!

Tracking her eyes across each face at the table, Angelica said, “I see nothing but numbers in front of me.”

Angelica was the first to be taken away.

On the first Thursday in March, Lisa Simon was late. As the club waited, sun gleamed across their table, reflecting off three silver thermoses. Though they never spoke of Angelica or took her empty chair, each girl wondered if Angelica was still holding out, restrained, as girls sometimes were, to a hospital bed with an IV unit dripping calories into her, counting butt squeezes and tiny stomach crunches beneath the white sheets, making contractions so small no one would see?

During sleepless nights, each member prepared and practiced such things.

Lisa Simon still hadn’t come. The girls filed to the fountain, filled up their thermoses, returned to their table, and began.

Halfway through the session, a car drove into the parking lot across the street. As Lisa Simon ran toward the library door, the club saw her pretty stepmother get out of the car. She looked toward the upper part of the window.

“I’m sorry,” Lisa Simon whispered when she reached their table.

The club kept working.

Lisa Simon wanted to explain. That day in school, a boy in her physics class, a boy they’d all known forever, had walked toward her desk while the teacher was out of the room. He must have forgotten no one talked to them anymore, Lisa Simon said. Had they noticed? People only stared and whispered about them now.

The club continued with their books and numbers. Lisa Simon was speaking too loudly. She was ruining their reputation. They were after all very good girls who knew to whisper in libraries. They didn’t waste their time with silly boys.

Lisa Simon went on. That boy said he could see she needed help. It was obvious, he said, that she needed things. He offered to get things for her. For them. The club. Everyone in this town is on something, he had whispered.

The other girls pretended they hadn’t heard the numbers cheapened in that way, their project dismissed as a passing phase, a self-absorbed game. They knew people blamed the influence of fashion models, foolish girls who were cheats in their eyes. It was easy to be skinny with such long legs. Those girls needed cigarettes and drugs. Those girls needed money and fame. They needed help because they got skinny for other people. They didn’t understand the inspiration, the purity, or the discipline of the numbers. No one understood. They, the club, were like no one else.

“I told,” Lisa Simon said.

The club looked out the window. Lisa Simon’s stepmother was still there. She was looking for them! Angrily, the girls turned back to the project. The numbers would never betray them.

“I’m sorry,” Lisa Simon said again.

Lisa Simon was the biggest in their club. She was not one of them.

Lisa Simon was the next one taken away.

In April, as the club worked in the balcony, a group of popular girls and boys from their school entered the library and took a table in the periodical section on the first floor. The club leaned closer to their numbers, but they couldn’t block out the sounds of those boys. They heard boys slapping each other on their backs, boys telling jokes, boys laughing with each other, boys laughing with pretty girls among the newspapers, chairs, and tables.

The club worked even harder.

One boy jumped on a table and began stomping. He shouted back at a patron who stood up and complained. The popular boys and girls laughed harder. Other patrons turned to watch.

Even the club stopped their work. Susan went to the metal railing that edged the balcony and looked onto the first floor. Her movement caused one of the girls to look up. She pointed. The popular kids turned. The other patrons looked to see what had silenced the room. Everyone stared at the club.

It was a test! The popular boys and girls were sent to test the club’s allegiance to the numbers. Cat opened the yellow notebook and began to recite from their collected facts. “Fat is first detected in the human embryo during the fourteenth week,” she whispered.

Fourteenth week Susan and Melinda recorded in their notebooks.

The kids below began laughing again. They laughed louder and louder until one of the librarians escorted them through the front door.

“Thank goodness,” Cat said after the library resumed its order. She closed the yellow notebook. “Thank goodness those children are gone.”

Susan and Melinda nodded though they all watched the group walk down the street, the stupid boys with their stupid arms around the stupid girls.

“Those kids are always laughing,” Susan said. “We never laugh.”

Cat and Melinda turned back to their work.

Susan said she was sorry. She was interrupting the routine, and the routine had been tried enough for one day. But she couldn’t stop noticing how much those kids laughed. Their laughter distracted her more than the looks and stares.

The club kept working.

Susan went on. Were they even supposed to happy? She needed to know because her family wanted her to be happy. They wanted her take pills, Prozac or Elavil. They didn’t understand. There was no way to learn the calorie count of those pills. How would she know how many leg lifts and sit-ups were needed to cancel out the numbers swallowed with those pills? Doctors might even inject calories into them. How could she be happy if she couldn’t do her equations? Her mind would never rest.

The club kept working.

Besides, Susan said, there was no time to be happy. Adding up the fat and calorie count of everything she absorbed. Subtracting the expenditure of every activity, even walking — 3 calories per minute — and breathing — 15 calories per minute. The calculations and facts never ended. She memorized the calorie count of food she only looked at and food she’d never seen. Things like shad — 71.5 calories per ounce — and roe — 40 calories per ounce.

Shad, the club noted, 71.5 calories per ounce. Roe, 40 calories per ounce.

And the project, Susan said, didn’t they know their goal was impossible? The eyeball, embedded in the fat of the eyes’ orbit. Their tongues — fat, muscle, and nerves. Their fingertips, everything they touched was translated through layers of fat.

Eyeball embedded in fat. Tongue — fat, muscle, and nerves.

Susan watched them write the words in their books. She asked, didn’t they know their task was impossible? Even if they decided on the perfect minimum could they imagine stopping? Wouldn’t they still have to beat it? Wouldn’t they still have to beat each other?

“I’m sorry,” Susan said again.

Susan was the third one taken away.

At their table on the balcony, Cat and Melinda continued the project. They even kept up the water fountain routine though it seemed ridiculous to them now. They knew Susan was right about the project. A minimum wouldn’t allow them to stop. What were they without the numbers? They would still have to come to watch each other.

One afternoon, Melinda put down her pencil. She pulled off her socks. Her face flinched as she stood, her heel bones pinching the skin of her bare feet against the linoleum floor.

“Each night,” she whispered to Cat, “I make myself walk. One step for each number left. I want my body to feel what’s left.”

Melinda walked slowly along the edge of the balcony. Sunlight streamed through the two-story window, illuminating her narrowed face and the remaining fluff of her hair.

She gripped the metal rail. Her fingers — knuckles, tendons, and bones — echoed the anatomical drawings in the books on the table.

67. 68. Both girls counted each step. When Melinda stopped, she smiled at Cat. Both of them knew. Melinda was the skinniest.

Smiling still, Melinda rose onto her toes. She pulled herself onto the rail and leaned farther over the periodical section.

Cat turned back to their work. Melinda was breaking the rules, threatening to take that easier, obvious way out! She was stealing Cat’s chance to get ahead.

Cat yanked open the yellow notebook and searched for an entry that described how bones, when starved, begin to stockpile fat in their marrow. The club had read the story aloud. As they got skinnier, their very bones would sabotage their efforts, hiding more and more fat in their innermost recesses. Cat would remind Melinda it was useless to cheat in that way. She would only land in pools of her own fat that had long been preparing, waiting to thwart her.

But when Cat stood to read the passage aloud, Melinda was gone. There was no disturbance in the periodical section. Had the numbers told Melinda to step back, to start counting again? Smiling, counting, feeling each number left, she must have walked to the stairs and crept her way down, away from the project and away from Cat.

Melinda was the fourth girl taken away.

The next Tuesday, on the second floor balcony of the public library, Cat sat alone. Their favorite librarian had set out their books.

The librarians, the patrons, who would notice first the other girls had disappeared? Where are your friends? Cat expected someone to say. She would explain the project, its clear objective, and the organization of the data. The idea was mine, she would say. Because hadn’t everyone been watching? Couldn’t everyone see?

She was the skinniest girl in school.

Cat opened the yellow notebook and wrote: I win. I win. I win.

Readers Report Hearing Characters’ Voices

A new study of readers suggests that fictional characters shape our personalities, alter our speech and sometimes even talk to us.

Just a typical reader, being visited by an otherworldly presence.

If British novelist Edward Docx (no relation to Microsoft) was correct in his assertion to the Guardian that “all fiction is a form of madness,” then it won’t come as too great a surprise that avid readers may just be a little mad.

According to a recent study, 48% of readers experience frequent “visual or other sensory [activity] during reading.” That is, they basically hallucinate. (Call it imagination, if you want. We know the truth.) Even more interestingly, 19% of those surveyed claimed that fictional characters “stayed with them even when they weren’t reading, influencing the style and tone of their thoughts — or even speaking to them directly.” For example, an avid Hemingway reader might find him or herself compelled to think about the war while slugging wine at a bullfight. And, should he or she feel the need to speak at all, it’s quite possible only strong, athletic verbs would emerge.

The survey was performed by researchers from the University of Durham, in conjunction with the Guardian, at the 2014 Edinburgh International Book Festival. Over 1,500 readers participated. Charles Fernyhough, one of the study’s co-authers and a psychologist, calls the sensation “experiential crossing,” accounting for the confluence of fictional and physical stimuli within the reader’s consciousness. He wrote, for instance, that one respondent “described ‘feeling enveloped’ by [Virginia Woolf’s] character Clarissa Dalloway — hearing her voice and imagining her response to particular situations, such as walking into a Starbucks.” The study was focused on the general reading experience and did not hone in on specific genres, books or authors, leaving several lines of inquiry open for future research. What would happen, for example, if a reader of Chris Kraus’ I Love Dick were in a Starbucks, imagining Kraus’ fictional alter ego in a Starbucks, when suddenly IRL Chris Kraus enters that very same Starbucks and orders a latte? What then? These are the questions scientists must now answer.