It may come as no surprise that we absolutely love a good short story. When you sit down with an all-consuming piece of writing, whirl through it from beginning to end in one sitting, and come out the other side transformed in only a few pages—that experience is something like magic. 

Another experience that’s something like magic? Discovering a new writer you can’t wait to follow throughout their career. Combine both of those feelings, and you get this year’s best short story collections: every—yes, every—short story collection on our top five list this year was a debut, as were several of our honorable mentions. How lucky for all of us, because it means talented, exciting writers are entering the scene, and we can look forward to following them throughout the years. These books are master classes in the art of the short story, full of unputdownable writing that you won’t easily forget. We hope you love them as much as we did.

The books included on this list were chosen by a vote from the EL community. Here are Electric Lit’s Top 5 short story collections of 2024, followed by the best short story collections of the year.

The Top 5 Short Story Collections of the Year:

Green Frog by Gina Chung

This masterfully inventive collection weaves literary fiction, Korean folklore, and science fiction elements into deeply revelatory narratives that reframe how readers contemplate the human condition. Through explorations of Korean American womanhood, transformation, fate, and legacy, Gina Chung proves in this debut her mastery over thoughtful precision. Equal parts entertaining and emotionally riveting, these stories will stay with you long after you’ve read them. Find “Presence,” one of the brilliant stories from the collection, published in Recommended Reading.

Ghostroots by ‘Pemi Aguda

In the first story of Ghostroots, a woman wonders if she’s destined to perpetuate the same evils as her deceased grandmother, with whom she shares an uncanny resemblance. Setting the rest of the collection in motion, Aguda’s stories ask: are we fated to the violence passed down from our ancestors? Or is freedom from our generational ties possible? Through elegant prose that threads together the strange, the supernatural, and the ordinary, each story finds new ways to haunt you long after you’ve read them.

Mystery Lights by Lena Valencia

Through explorations of the supernatural and the mundane, Lena Valencia’s debut collection wrestles with the unsettling horrors of womanhood. As haunting as they are enlightening, these stories interrogate deception, self-deception, and existential dread against the backdrop of the Southwestern desert. Valencia’s tales exhibit subversion at its finest. Find our interview with the One Story managing editor about her collection here, as well as a story from the collection published in Recommended Reading.

Craft: Stories I Wrote for the Devil by Ananda Lima

This electrifying collection of interconnected stories opens on a young Brazilian writer who meets and sleeps with the Devil at a Halloween party. After their encounter, the writer keeps in touch with the Devil and writes him a series of haunted stories—the very same stories that make up the remaining pages of Craft. When unfolded, the layers of this frame narrative form an innovative, eclectic patchwork. Lima’s prose is at once claustrophobic and yet startlingly intimate, marking her impressive fiction debut.

Women! In! Peril! by Jessie Ren Marshall

Traversing through stories both speculative and realistic, Marshall’s debut collection interrogates queerness, Asian and Asian American identity, and womanhood through the lives of twelve women. Packed with wry humor and sharp social commentary, Marshall’s stories prove ferocious. Check out our interview with the author, where she discusses defying societal norms through Women! In! Peril!

Electric Lit’s Additional Favorite Short Story Collections

Beautiful Days: Stories by Zach Williams

This daring debut book ventures to lift the folds of reality and probe the depths of the surreal, the menacing, and the absurd. The understated precision of Zach Williams’ prose allows these stories to exist in a captivating liminal realm, hovering between a dream and a nightmare.

Bugsy & Other Stories by Rafael Frumkin

This collection of six longer stories examines themes of taboo, neurodiversity, and sexuality with a vibrant pen. Frumkin’s ability to stare directly at the strange and the subversive creates a whirlwind, mesmerizing reading journey into these surreal new worlds.

Choose This Now by Nicole Haroutunian

This genre-defying kaleidoscope of a book follows best friends Val and Tal—and the women that orbit around them—following a rattling incident at a Halloween party. Haroutunian’s witty, pulsating prose draws the reader into this beautifully rendered world.

Concerning the Future of Souls by Joy Williams

Joy Williams probes the depths of the surreal and the fleeting in this collection of ninety-nine bite-sized stories. Her fiction moves in associative, ungovernable leaps between topics as disparate as religion, psychoanalysis, art, and literature. Williams draws from her background as the daughter of a minister to craft the overarching narrative that corrals these fragments: the tale of Azrael, an angel who is ambivalent about his job collecting souls. Her prose is sparse, clear-eyed, and sharply observant, inviting the reader to immerse themselves in her fantastical micro-worlds.

Diversity Quota by Ranjan Adiga

Ranjan Adiga constructs unique narratives centered around the Nepali diaspora and characters who struggle toward upward mobility. Adiga blurs the line of the traditional immigrant narrative, questioning assumptions around race, class, and gender. His tightly focused style and expert plotting make each short story a treat to receive, even when immersed in uncomfortable themes.

I’ll Give You a Reason by Annell López

The stories in Annell López’s debut collection offer a rare sensitivity. While confronting the hard truths of Dominican immigrant life in Ironbound, Newark, López’s prose is simultaneously delicate and methodical. Through seventeen stories, López’s honesty inspires resilience in an unforgiving world.

A Kind of Madness by Uché Okonkwo

Okonkwo’s debut book showcases some of the best qualities of short fiction: immersive world-building, taut suspense, and endings that leave you questioning. Her stories pay close attention to the concerns of relationships of women and girls in modern-day Nigeria. The sparse but unflinching prose bears witness to Okonkwo’s masterful blending of African and western literary sensibilities. Her stories are tense from beginning to end, full of turmoil, and always deeply human.

Kurdistan +100: Stories from a Future State edited by Orsola Casagrande and Mustafa Gündoğdu

Republished in 2024 by Deep Vellum, Kurdistan +100: Stories from a Future State imagines a freer future for Kurds, one that sees independence as a possibility by 2046 — a century after Kurds last had independence through the Kurdish Republic of Mahabad. Exploring subjects such as eco-activism, drone warfare, and retroactive social justice, this anthology of stories writes against the boundaries of what’s possible.

Mouth by Puloma Ghosh

In her debut collection, Puloma Ghosh blurs the line between the real and the absurd to explore our most fanged and aching desires. Through contemplations on sexuality, the body, isolation, and longing, Ghosh’s stories blend genre and literary fiction in eleven eerie, yet elegant stories.

Neighbors and Other Stories by Diane Oliver

Diane Oliver, the author of Neighbors and Other Stories, died in 1966 at the age of 22. With the posthumous release of her collection, these stories explore race and racism in the mid twentieth century. Intimate, precise, and chilling, her stories prove timeless.

Ninetails: Nine Tales by Sally Wen Mao

Sally Wen Mao’s fierce collection reimagines the nine-tailed fox spirit of Asian folklore. With vibrant, lyrical prose, Ninetails inspires hope as its characters search for truth and belonging in a world so determined to be difficult.

Roman Stories by Jhumpa Lahiri, translated by Todd Portnowitz

Since Lahiri’s 2015 commitment to only writing in Italian, her short fiction has taken on a fresh, clear-eyed mode when translated into English. This collection is no different, circling its lens around Italian characters—often interlopers or migrants—who observe the world from a cool distance. These vignettes drip with delicacy and tension, an impressive display of Lahiri’s signature style.

Sad Grownups by Amy Stuber

In her debut collection, Amy Stuber writes toward hope in a world intent on taking it away. Confronting American consumerism, narrow versions of acceptability, and the worsening climate crisis, Stuber’s writing exhibits sensitivity, urgency, and care. With stories full of clarity and hilarity, the stories in Sad Grownups showcase the true strength of the short story form.

Sluts: Anthology edited by Michelle Tea

Edited by Michelle Tea, Sluts: Anthology is a multi-authored collection celebrating queer pleasure and connection. The anthology explores what it means to be sexually promiscuous in contemporary American culture, with cathartic entries from writers Gabrielle Korn, Jeremy Atherton Lin, Brontez Purnell, and many more.

Softie by Megan Howell

These striking, spunky, unforgettable short stories center around women and girls on the cusp of change, often just an arm’s reach away from some kind of freedom. Megan Howell has an unrelenting voice and constructs taut narratives that wind both reader and characters into a spiral of worry. Her debut collection is sure to both dazzle and haunt.

Some Soul to Keep: A Short Story Collection by J. California Cooper

The reissue of this little-known classic by J. California Cooper has been eagerly anticipated by her devotees since her passing in 2014. Cooper’s prose stylings are most often compared to other authors from the Black literary folk tradition like Zora Neale Hurston, but the tender closeness of her narration is uniquely Cooper. These five “long-short stories,” as Cooper calls them, pay intimate attention to the concerns of Black women in rural areas, especially their familial, romantic, and community ties.

A Sunny Place for Shady People by Mariana Enríquez, translated by Megan McDowell

The queen of short horror returns with her third story collection to be translated into English, giving us a return to her usual ghostly themes but with plenty of new tricks up her sleeve. Here, Enríquez shows off her knack for rendering body horror, her affinity for neo-noir aesthetics, and her empathy for the tragedies of the mundane.

There Is a Rio Grande in Heaven: Stories by Ruben Reyes Jr.

This slick, stylish debut traces a thread from El Salvador to the United States, interrogating the familial and migratory challenges of Salvadoran diaspora members. Reyes’s observant eye is piercing and unrelenting as he unfolds these poignant, sobering stories.

There Will Never Be Another Night Like This by John Salter

The protagonists of these stories are frequently spiraling out of control or breaking their own hearts, and always rendered in vibrant technicolor. John Salter has mastered the art of giving the reader just enough information and then upending his own carefully constructed world with a devastating revelation. The resulting collection has a fitful, roiling momentum that does not let up until the final page. Salter has a knack for realistic dialogue and a sharp eye for the tragedies of the everyday.

Your Utopia by Bora Chung, translated by Anton Hur

These fascinating, technology-soaked stories take readers to outer space, unrecognizable futures, and brand-new realms. Chung excavates the loneliness and grief at the heart of each imagined utopia with her singular narrative voice and astounding imagination.

This has not just been an excellent year for poetry, it’s also been a tremendously important one. As governments, AI, and social media algorithms seek to suppress our voices, we need poets now more than ever—whether they’re writing rallying cries that empower us to resist or quietly reminding us of our shared humanity. This year, Palestinian and Palestinian diaspora writers have been at the forefront of this effort, publishing essential work in the midst of an ongoing genocide and reminding us of the power that poetry can wield in the face of oppression. We cannot afford to take their immensely important work for granted. The poets on this list have given us a gift, something deeply human and connective in an increasingly automated and separated world. We are infinitely lucky to have them writing in the world today.

The books included on this list were chosen by a vote from the EL community. Here are Electric Lit’s Top 5 poetry collections of 2024, followed by the best poetry collections of the year.

The Top 5 Poetry Collections of the Year:

Bluff by Danez Smith

Danez Smith’s galvanizing new collection reckons with police brutality, racism, and Covid-19 in a divided country. A series of anti poetica and ars america poems reveal Smith’s disillusionment with the neoliberal literary scene and its acceptance of apolitical stasis. Their urgent, fierce voice cements Danez Smith as a poet of vital importance for the present moment.

Wrong Norma by Anne Carson

Carson characterizes her latest volume of poetry as “wrong” because the pieces are unlinked. Ranging in subjects from Roget’s Thesaurus to meditations on a woman swimming in a lake, these twenty-five prose poems feel as though they intentionally capture the way the human mind moves from thought to thought, skipping from one to another with little connective tissue at times. Featured alongside the poems are drawings by Carson herself. The effect is a collection fully immersed in the lyric tradition, earning it a place on the the National Book Award shortlist.

Root Fractures by Diana Khoi Nguyen

Root Fractures, Diana Khoi Nguyen’s much anticipated sophomore collection, examines how families respond to tragedy. How they pick up the fractured pieces, if you will. Khoi Nguyen turns a loving, yet critical eye toward her mother’s life in the aftermath of the Fall of Saigon, her father’s experiences as an immigrant in America, and the aftermath of her brother’s suicide. These poems examine how trauma takes root over generations, providing a fresh perspective on diaspora, identity, and loss.

Forest of Noise by Mosab Abu Toha

This harrowing collection highlights the importance of bearing poetic witness in times of violence and oppression. In fall 2023, Mosab Abu Toha was living in Gaza with his family, constructing Palestine’s first English-language library, when the current iteration of the Israeli occupation began, destroying his library and putting their lives in danger. In the aftermath, amid detention by Israeli forces and evacuation to refugee camps, Toha scribbled poems wherever he could, the poems that would eventually make up Forest of Noise. He uses stark diction, a compassionate tone, and an unshrinking documentary eye to construct this haunting book.

The Moon That Turns You Back: Poems by Hala Alyan

Hala Alyan’s fifth collection of poetry is a blistering, prescient, and formally innovative ode to the landscapes she has loved, from Palestine to Lebanon to the United States. Her stunning “interactive fiction” poems each offer three parallel narratives ballooning from a single beginning and ending line, inviting the reader to generatively reconstruct the poem alongside the writer. Thus, Alyan foregrounds collaboration, recreation, and survival even in the face of unspeakable violence. Her poems are at once technically precise and politically resonant, bringing to mind the unbreaking strength of Palestinian resistance.

Electric Lit’s Additional Favorite Poetry Collections

After by Geoffrey Brock

In his third poetry collection, Geoffrey Brock posits a unique take on the “after” poem, those  lyrics written in response to works by other poets and artists. Some of those poems are after poems in the traditional sense, while others are written in the aftermath of the death of his father, the poet Van K. Brock. As a result, the collection ponders what one writer, whether they be actual father-and-son or more of a poetic mentor, inherits from another. 

Bad Mexican, Bad American by Jose Hernandez Diaz

This unassuming little book hides poems of deep imagination and off-kilter innovation. Hernandez constructs surrealist prose poems in the vein of authors like Baudelaire and Simic, yet makes them his own with a whimsical flair. He flexes his literary muscles in confessional linear verse, too, particularly in the standout narrative poem addressed to his father. The collection shows off the wide variety of modes in which this talented, imaginative, and wholly unique poet can sing.

Consider the Rooster by Oliver Baez Bendorf

Oliver Baez Bendorf troubles the boundaries: of countries, of genders, of time periods. His poems contemplate both the threat of ecological collapse and the often-erotic beauty of nature. Often, gender concerns interrupt and interact with environmentalist commentary as Bendorf positions his transgender identity as “a way of arranging the / world through change.” Even the shape of the physical book—landscape orientation with wide margins—acts both to safeguard the formal integrity of Bendorf’s poems and to emphasize the importance of Earth’s landscapes. The wide range of forms in this collection, including prose poems, sestinas, and speculative ekphrasis, cement Bendorf’s status as one of the most interesting poets working today. 

Girl Work by Zefyr Lisowski

Winner of the Noemi Press 2022 Book Award in Poetry, Girl Work dissects the demands of capitalism, the fallibility of memory, and the “hunger of being a dead girl in a sea of / dead girls.” Zefyr Lisowski draws on myriad life experiences—a brief stint in sex work, childhood as a queer person in the South, the death of her father, her love of horror movies—to create a deeply confessional meditation on beauty and labor. The specter of past sexual violence haunts every page, especially the visual poems, wherein overlapping prose blocks depict a mind crowded by intrusive memories. Lisowski achieves feats of form, prosody, and hybridity in this ambitious, tightly constructed collection.

I could die today and live again by Summer Farah

Summer Farah’s debut is a pleasant surprise, a veritable Russian nesting doll of a collection. Though set in the video-game realm of Hyrule from The Legend of Zelda, the book contains a second setting: Palestine, haunted by the Israeli occupation. Her dense blocks of prose portal and warp, drifting musically between Farah’s preoccupations. Cycles of life and death, like a video game character regenerating, guide the book along its breakneck pace.

Instructions for The Lovers by Dawn Lundy Martin

This Lambda Literary Award-winning poet returns audaciously with a collection that tests the limits of meter, line, and language itself. Slipping in and out of lovers’ beds and mothers’ homes, Dawn Lundy Martin reclaims her body and her selfhood from a society always poised to strip her of power. The perfectly wrought micro-poems, careful prosody, and resolute diction of this collection cement Martin’s reputation as a poet with a remarkable eye and ear.

Interrogation Records by Jeddie Sophronius

Winner of the 2023 Gaudy Boy Poetry Book Prize, Interrogation Records turns an docupoetic eye to the Indonesian mass killings of 1965. Jeddie Sophronius takes an archivist’s posture as they sift through historical documents, many of which are collaged and interpolated in their poems. At the same time, Sophronius’s Chinese-Indonesian heritage—similar to many of the 1965 victims’ backgrounds—gives the poems an extra layer of empathy. Their unflinching, immediate poetic voice offers an alternative to the silence that has previously clouded this tragic event. Now more than ever, voices like Sophronius’s are vital tools against censorship and persecution.

The Invention of the Darling by Li-Young Lee

Li-Young Lee’s fifth poetry collection, and the first published in more than a decade, oscillates between the divine and the mundane. The collection has similar themes — family, exile the immigrant experience  — to Lee’s other books, but the imagery is fresh and poignant. These poems are an act of love, written by someone enchanted by the world.

Modern Poetry by Diane Seuss

In the follow-up to her Pulitzer prize winning frank: sonnets, Diane Seuss takes on the subject of poetry itself. Namely, her journey from erstwhile student to virtuoustic poet, capable of jumping from ballad to fugue to other more archaic forms. Her characteristic, at times self-deprecating, humor breathes life into a collection that tries to tackle the question of what poetry means — not only to Seuss, but to society as a whole — today. It’s no wonder the book made the shortlist for the National Book Award in poetry.

Song of My Softening by Omotara James

In Song of My Softening Omotara James spotlights bodies other writers shy away from — those that are fat, female, Black, and queer. The collection is split into two sections “The Sacrifice,” and “The Feast,” but each one contains a kind of celebration of the self and all its forms. She instructs readers to love their bodies, while also acknowledging the limits others may put on us as a result of our physical appearance.

Soon and Wholly by Idra Novey

Idra Novey’s Soon and Wholly juxtaposes two Americas: the rural world of Novey’s Appalachian childhood and the city streets where she’s raising her own family. In doing so, she weaves together the shared concerns of rural and urban Americans, two groups often cast in opposition to one another. Novey’s gaze isn’t limited to the mountains, plains, and coast of America, however. They traverse continents,  dipping into both the wilderness of her own childhood and lingering on a woman housesitting in central Chile during wildfire season. These poems grasp the urgency and complexity of our time.

Theophanies by Sarah Ghazal Ali

In this striking debut, Sarah Ghazal Ali uses the Qur’an and the Bible to explore the intersections of faith, family and womanhood. One central question of the collection is naming. Ghazal Ali writes on the origins of her name in one sequence and draws on the Ghazal, a poetic form with which she shares a name. The result is a collection deeply concerned with faith, identity, matrilineage, and how one identity can cause friction with or even splinter another. 

Ward Toward by Cindy Juyoung Ok

Winner of the Yale Younger Poet Series, Cindy Juyoung Ok considers how the language of institutions — prisons, psychiatric hospitals, hospice wards — constrains the identities of those inside. Her poems bring to the fore narratives of mental illness, abuse, and death with an arid kind of humor, inviting readers to consider how the absurdity of our present moment manifests in everything from the climate crisis to the institutionalization of teenagers. These poems demand tenderness in troubling times. 

With My Back to the World by Victoria Chang

This ekphrastic collection turns its eye toward the works and writings of painter Agnes Martin. In her research-laden poems, Victoria Chang considers Martin’s abstractions alongside topics like feminism, depression, spectacle and grief. The poems appear alongside ​​collages of images and early drafts, giving the book a palimpsest quality and offering insight into the poet and painter’s process.

[…]: Poems by Fady Joudah

This unforgettable collection provokes from its very title: the ellipsis represents an unfinished thought, a loss for words, a life extinguished, erased. Joudah sustains the tension of the collection by reminding us always of the impossibly high stakes, the lives lost every day in his native Palestine. He employs a measured tone and lyric precision that cut to the heart of the tragedy, allowing the poems to speak on both the personal and the academic level. The collection leaves the reader with re-fortified belief in the cause of Palestinian resistance and with gratitude to be living at the same time as such a monumental talent.