I AM ART: Things we say at the Franklin Park Reading Series

1. This is what a bar looks like 2. Are you a winner? Elise Anderson will tell you

Guys, I’m pretty sure spring is here to stay now, save any ire-ridden tantrums from that thing called the weather. So I was wholly unprepared for the mass of people an hour and a half early for Penina Roth’s monthly reading series, well on their way to drunken glee. Readers Maris Kreizman, David Gilbert, Teddy Wayne, Fiona Maazel and Heidi Julavits brought deliciously literary tales of Andrew Lloyd Webber, looking for a woman you met on the Internet inside the Met, Bieber fever, cults, and letters you wish you’d sent to a student in your MFA workshop.

1. Maris Kreizman and Andrew Lloyd Webber. Yeeeah, buddy. 2. Poet Angel Nafis appeared at Franklin Park. That’s a flyer for her poetry series at Greenlight Bookstore, “Greenlight Poetry Salon,” which happens on 4/24. You should go.

Maris Kreizman, maven of the tumblr Slaughterhouse 90210, told us about the time she was a middle-aged woman trapped in a tween body. “I was gap kids on the outside, panic attacks and 34Cs on the inside.” Kreizman took us through her 12-year-old self’s critical love affair with Andrew Lloyd Webber’s musical, since “clearly this was all shit [she] could relate to,” with that ideal mix of self-deprecation and nostalgia. “Thank you, Andrew Lloyd Webber, you soulful genius,” Kreizman closed.

1. David Gilbert on teenagers who get stoned. 2. Writer Ed Kearns with wife Nicole Kearns. This is what joy looks like.

Next: David Gilbert with a selection from his forthcoming novel, And Sons. Gilbert introduced us to Andy, a 17-year-old New York teen with literary aspirations and his good friend Doug, an “overweight golden retriever with a drug habit.” Stoned Andy and Doug travel to the Met, that building where “the most important mail is being sorted inside,” to meet a woman Andy met on the internet, a lady named Heather. During their search, Andy, in all of his stoned teenage glory, figures out life before the rest of us: “Suddenly Andy understood the human tendency towards expression … ‘I am art,’ Andy thought.” Shine on, you crazy diamond.

1. Teddy Wayne: “Stick out your tongue like, ‘Screw you, man, I just wanna hang out with my girl.’” 2. Tara Trate, a painter, and Brian Riggio, who tends to critters.

Teddy Wayne read from his new and widely acclaimed novel The Love Song of Jonny Valentine, whose titular hero is an 11-year-old “Bieber-esque” popstar on tour with his mom. We met Valentine on his way to a photo shoot with another pre-pubescent popstar, Lisa Pinto. “Celebgenic,” Valentine says, “they look good in photos and videos, but really wouldn’t stand out in real life.” Lisa is decidedly uncelebgenic, she looks “that good in real life.” And you know what else? Her “hands felt like luxury hotel sheets.”

1. Fiona Maazel: “The cancer had happened so fast…the skin of her hands and foot went horse hoof.”

And … we’re back: Fiona Maazel read from her new and popular novel Woke Up Lonely, which came out on Graywolf Press last week. Lonely concerns an increasingly popular cult at the tail-end of Dubya’s administration called The Helix, based in the suburbs of Cinncinati. If you saw our review of Maazel’s novel that went up last week, you’ll know that we really love her precision. Besides the wonderfully weird conceit, I experienced sheer joy and just listening to Maazel read these lines: “Because you are loved, you do not think about the crust in your eyes … because every first kiss holds the hope and promise in the world.”

1. Heidi Julavits: “Xanax?”

Pinch hitter Heidi Julavits closed out the night with excerpts from her “adult journal.” What did we learn? That Julavits watches The Bachelor, which is pretty much just like an art colony, where “crushes thrive in small spaces.” Julavits, who met her husband Ben Marcus while at an art colony, knows that “art communities are like singles mixers for the marrieds or otherwise spoken for And to close, Julavits read “Student Critique #81,” an unsent letter to a graduate student who participated in one of her workshops. It begins “Remember me? We had a writing workshop together. Also a lecture. But maybe you didn’t clock me because there were so many people in that room, and besides I was only the professor.”

Another great night from Penina and crew. Next month you can love it twice over. May 6 is a joint event with Harper Perennial to celebrate the launch of New Yorker editor Ben Greenman’s new novel The Slippage. Sir Greenman is bringing Sam Lipsyte (The Fun Parts), Amelia Gray (THREATS), Touré (I Would Die 4 U: Why Prince Became an Icon), and Claire Vaye Watkins (Battleborn) to help party. May 13 is the regular installment, which brings Karen Russell (Vampires in the Lemon Grove), Elissa Schappell (Blueprints for Building Better Girls), Roxane Gay (Ayiti), Leigh Newman (Still Points North), and Michael Heald (Goodbye to the Nervous Apprehension) to Crown Heights. Party Party Party.

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— Ryan Chang does not eat cheese but sometimes likes looking at it. He tweets here and tumbles here.

Review: All We Know, by Lisa Cohen

by Courtney Maum

Deliberations on success, art, and legacy, as illustrated by a trio of highly unconventional women

Lisa Cohen’s All We Know: Three Lives is an ambitious exploration of the life and times of three notable women: Hollywood personality Mercedes De Acosta, groundbreaking designer Madge Garland, and the entirely unclassifiable Esther Murphy. All were openly gay, all had famous lovers, and all were subject to more than their fair share of reversals of fortune, vertiginous swoops from glamorous heights to depraved depths, sham marriages, world wars and financial ruin.

But it’s not a mere juicy tell-all (though juicy it certainly is). For every sexy bombshell Cohen drops, there’s a nearly academic line of inquiry: What can be said to be the legacy of a person who left nothing tangible behind? Can a psychosexual obsession have lasting value? Where is the dividing line between art and commerce? What is success?

Her most enigmatic subject is the brilliant, alcoholic pedant and “bachelor heiress” Esther Murphy. Driven by a hyper-rational logorrhea that attracted many great thinkers and drove her lovers insane, Murphy’s unstoppable flow of discourse on politics and history marked her entire life. At times, it feels as though Cohen is over-determined to protect Murphy’s failure to produce any tangible achievements by blaming the customs of her times. And the portrait comes across, in places, as exhaustively overstuffed with information as Murphy was herself. But once you have heard Esther Murphy out on the topics of Marxism and the Restoration, you may proceed to Cohen’s unbelievably compelling second subject.

There’s simply no getting around it: celebrity gossip, even of the type that is yellowing with age, is simply riveting. And gossip was the inevitable byproduct of Mercedes De Acosta’s obsessive habit of archiving the liaisons — some fantasized, many more consummated — with the actresses she worshipped. Among the artifacts she intentionally left for posterity is a love poem Isadora Duncan wrote for her: “My kisses like a swarm/ of Bees/ would find their way/ between thy knees/and suck the honey/of thy lips/Embracing thy/too slender hips.” Red-hot blushes aside, De Acosta’s “rebellion against the mediocre, the prudish” in the wake of the First World War was wholehearted and vividly courageous, and even her emotional kinks (of which there were many) make for engrossing reading.

Designer Madge Garland once said of dresses that they “depend for their charm on the graceful movements of a supple body beneath.” In that light, fashion is indivisible from the person wearing it. It was because of this, not despite it, that Garland’s approach to clothing captivated some of the finest writers, painters, designers and photographers of her time. Weak and frail as a child, shy to the point of crippling paranoia, and referred to as “charmless” by her parents, Madge McHarg — renamed Garland at Gertrude Stein’s suggestion — remade herself by sheer will into one of the world’s great innovators in fashion. Her first lucky break (there were unlucky ones to follow) was to land a job at British Vogue at a time when the magazine was promoting a now-unimaginable roster of emerging talent: Huxley, the Woolfs and the Bells, Picasso, Edith Sitwell, and Man Ray, to name a few. But All We Know isn’t a simple roll call. Cohen invites us to witness the artistic process: Virginia Woolf, for example, in the wake of a photo shoot which Garland supervised, excitedly struggling to articulate what she called “frock consciousness” — an encounter which led to her short story “The New Dress.”

It is in relating Garland’s life that Cohen’s gift most shines. It’s a gift for transmitting to us the value of lives that, seen through the narrow spyglass of patriarchal standards, are generally dismissed as not having substance.

Gertrude Stein, musing on fashion in Tender Buttons, wrote: “A line distinguishes it. A line just distinguishes it.” This is precisely how Cohen illustrates the influence of these three lives: spinning web-like connections between one mind and another, showing how one source of inspiration moves out in concentric circles, wider and wider and wider.

Recommended if you liked: Fanny and Stella: The Young Men Who Shocked Victorian England by Neil McKenna, Truly Wilde: The Unsettling Story of Dolly Wilde, Oscar’s Unusual Niece by Joan Schenkar, Behind the Screen: How Gays and Lesbians Shaped Hollywood, 1910–1969 by William J. Mann

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— Jenna Leigh Evans writes fiction in Brooklyn. You can find her here.

A Grand Discovery at The Paris Review

Just in time for their annual fundraiser, The Paris Review has uncovered a delightful note from George Plimpton (the magazine’s founder, as well as many other things). During preparations to relocate their office to Chelsea, the staff “came across a batch of small, white booklets.”

“The Paris Review: Twenty Year Index, Issues 1–56 they were titled; they appeared to be lists of everything that had been published during the magazine’s first twenty-three years, and were put aside for recycling. Flipping through them later, we realized that the booklets also contained an introduction by George Plimpton, a founder of the magazine and its editor for the first fifty years of its history.”

Even if you aren’t going to tonight’s gala, you can still enjoy Plimpton’s introduction, which has been published on The Paris Review Daily. The note contains great insight into the history and culture of the magazine (a shipment of the magazine was once hidden from a US Customs censor), as well as some valuable advice (do not ask Hemingway about “the significance of the white bird that flies out of the gondola in Across the River and Into the Tree”).

Read it here.

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–Benjamin Samuel is the co-editor of Electric Literature. He channels his inner Plimpton on Twitter.

The Lit List: April 8–12

The Lit List is a sometimes-weekly compendium of New York’s finest literary events and readings. Everything’s free unless it’s not. Something we should know about? Email dish@electricliterature.com.

Monday, April 8

Where are Heidi Julavits, Fiona Maazel, Teddy Wayne, David Gilbert and Maris Kreizman hanging out? Franklin Park Reading Series. (Maazel just recommended some reading)

Tuesday, April 9

Invasion! Pank Magazine tells true stories at KGB

Wednesday, April 10

What did you do with a fifth issue? Carouse! The Coffin Factory carouses with Joshua Cohen and Kathleen Alcott at Housing Works

Joshua Henkin reads from The World Without You at Book Court. Make it a world with you?

Thursday, April 11

Can fiction be funny? Sam Lipsyte, Jim Shepard, and Fiona Maazel ponder while Volume One Brooklyn’s Jason Diamond looks on at the Center for Fiction

What’s the story behind the story? Diana Spechler, Nell Freudenberger and our very own columnist, Kristopher Jansma tell all at KGB

Is the best way of handling history ignoring it? So says Ned Beauman, author of The Teleportation Accident at McNally J

How “now” is now? Okay … how about now? Douglas Rushkoff on the effects of “presentism” at Greenlight

Saturday, April 13

Beer in Bushwick: n+1 issue launch at Secret Project Robot. Subscribers get in free. Everyone else: $10.

Sunday, April 14

Get literary all the live long day with McNally Jackson, Housing Works and friends. It’s like a mini AWP but better.

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— Erika Anderson is one-half of The Outlet’s editorial team. (The other half is here.)

The Original Great Gatsby Trailer (1926)

“No need to talk about THIS picture — Just look at these sample scenes!”

This trailer is the only surviving footage of the first film adaptation of F. Scott Fitzgerald’s The Great Gatsby, writes to Anne Margaret Daniel for the Huffington Post. According to a letter to their daughter, the 1926 film was so “ROTTEN” Scott and Zelda walked out of the theater. It’s doubtful the Fitzgeralds would walk out on Baz Luhrmann’s adaptation, because, what with the price of movie tickets these days…

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–Benjamin Samuel is the co-editor of Electric Literature. When he isn’t partying in West Egg, you can find him on Twitter.

They Got Real: Aleksandar Hemon and Colum McCann

Last Friday at McNally Jackson Books Aleksandar Hemon read from his new memoir The Book of My Lives and talked words with Colum McCann, an event sponsored by FSG Books and the PEN American Center. A few people showed up, then a few more and a few more, and next thing you knew it was the 4 train at rush hour.

1. Ohrly? Colum McCann & Aleksandar Hemon

First, things got serious. As a young man at the University of Sarajevo, Hemon took a poetry criticism class with the charismatic Nikola Koljević where they “unpacked poems like Christmas presents.” Later, Koljević became a high ranking figure in the Serbian Democratic Party, and played a role in the deaths of thousands during the Bosnian War. What did Hemon learn? “Just because you read Shakespeare doesn’t mean you won’t become a fascist.”

Second, Colum McCann and Sasha Hemon got real Q&A style. And so will we …

McCann: Why do you write? Hemon: The reason to do it is better than the reason not to do it.

McCann: Why write about a difficult subject like the death of your daughter? Hemon: If I avoid difficult things, I’m a hack. If I’m a hack, I should have a lot more money.

McCann: How did you start writing in English? Hemon: I believe in the audacity of despair.

McCann: Can stories save us? Hemon: No, but they help. Storytelling is a kind of basic agency. It’s how we affect and process the world.

McCann: What do you say when you’re writing a memoir? Hemon: I’m between novels.

1. Téa Obreht, B&N’s Miwa Messer, ed. Sean McDonald 2. McJ’s Alice Whitwham & FSG’s Sarita Varma

How did Hemon and McCann become pals? It involved a bar at 3am, the song Waltzing Matilda, and a choir of humming French men that made Hemon think, “I could marry this guy if it were legal.” To which we say, “Hemon, move to New York!”

Oh, and if you want to double check our quoting skills, listen to PEN’s recording of Hemon’s reading and his talk with McCann.

**

–Sean Campbell lives, writes, and occasionally updates his blog in Bed-Stuy

PU-239

“PU-239”
by Ken Kalfus

Someone committed a simple error that, according to the plant’s blueprints, should have been impossible, and a valve was left open, a pipe ruptured, a technician was trapped in a crawlspace, and a small fire destroyed several workstations. At first the alarm was discounted: false alarms commonly rang and flashed through the plant like birds in a tropical rain forest. Once the seriousness of the accident was appreciated, the rescue crew discovered that a soft drink dispenser waiting to be sent out for repair blocked the room in which the radiation suits were kept. After moving it and entering the storage room, they learned that several of the oxygen tanks had been left uncharged. By the time they reached the lab the fire was nearly out, but smoke laced with elements from the actinide series filled the unit. Lying on his back above the ceiling, staring at the wormlike pattern of surface corrosion on the tin duct a few centimeters from his face, Timofey had inhaled the fumes for an hour and forty minutes. In that time he had tried to imagine that he was inhaling dollar bills and that once they lodged in his lungs and bone marrow they would bombard his body tissue with high-energy dimes, nickels, and quarters.

Timofey had worked in 16 nearly his entire adult life, entrusted with the bounteous, transfiguring secrets of the atom. For most of that life, he had been exhilarated by the reactor’s song of nuclear fission, the hiss of particle capture and loss. Highly valued for his ingenuity, Timofey carried in his head not only a detailed knowledge of the plant’s design, but also a precise recollection of its every repair and improvised alteration. He knew where the patches were and how well they had been executed. He knew which stated tolerances could be exceeded and by how much, which gauges ran hot, which ran slow, and which could be completely ignored. The plant managers and scientists were often forced to defer to his judgment. On these occasions a glitter of derision showed in his voice, as he tapped a finger significantly against a sheet of engineering designs and explained why there was only a single correct answer to the question.

After Timofey’s death, his colleagues recalled a dressing down he had received a few years earlier at the hands of a visiting scientist. No one remembered the details, except that she had proposed slightly altering the reaction process in order to produce a somewhat greater quantity of a certain isotope that she employed in her own research. Hovering in his stained and wrinkled white coat behind the half dozen plant officials whom she had been addressing, Timofey objected to the proposal. He said that greater quantities of the isotope would not be produced in the way she suggested and, in fact, could not be produced at all, according to well established principles of nuclear physics. Blood rushed to the woman’s square, fleshy, bulldog face. “Idiot!” she spat. “I’m Nuclear Section Secretary of the Academy of Sciences. I fucking own the established principles of nuclear physics. You’re a technician!” Those who were there recalled that Timofey tried to stand his ground, but as he began to explain the flaw in her reasoning his voice lost its resonance and he began to mumble, straying away from the main point. She cut him off, asking her audience, “Are there any other questions, any educated questions?” As it turned out, neither Timofey nor the scientist was ever proved right. The Defense Ministry rejected the proposal for reasons of economy.

Timofey’s relations with his coworkers were more comfortable, if distant, and he usually joined the others in his unit at lunch in the plant’s low-ceilinged, windowless buffet. The room rustled with murmured complaint. Timofey could hardly be counted among the most embittered of the technical workers — a point sagely observed later. All joked with stale irony about the lapses in safety and the precipitous decline in their salaries caused by inflation; these comments had become almost entirely humorless three months earlier, when management followed a flurry of assuring memos, beseeching directives, and unambiguous promises with a failure to pay them at all. No one had been paid since.

Every afternoon at four Timofey fled the compromises and incompetence of his workplace in an old Zhiguli that he had purchased precisely so that he could arrive home a half hour earlier than if he had taken the tram. Against the odds set by personality and circumstance, he had married, late in his fourth decade, an electrical engineer assigned to another unit. Now, with the attentiveness he had once offered the reactor, Timofey often sat across the kitchen table from his wife with his head cocked, listening to their spindly, asthmatic eight-year-old son, Tolya, in the next room give ruinous commands to his toy soldiers. A serious respiratory ailment similar to the boy’s kept Marina from working; disability leave had brought a pretty bloom to her soft cheeks.

The family lived on the eighth floor of a weather-stained concrete apartment tower with crumbling front steps and unlit hallways. In this rotted box lay a jewel of a two-bedroom apartment that smelled of fresh bread and meat dumplings and overlooked a birch forest. Laced with ski tracks in the winter and fragranced by grilled shashlik in the summer, home to deer, rabbits, and even gray wolves, the forest stretched well beyond their sight, all the way to the city’s double-fenced perimeter.

His colleagues thought of Marina and the boy as Timofey was pulled from the crawlspace. He was conscious, but dazed, his eyes unfocused and his face slack. Surrounded by phantoms in radiation suits, Timofey saw the unit as if for the first time: the cracked walls, the electrical cords snaking underfoot, the scratched and fogged glass over the gauges, the mold-spattered valves and pipes, the disabled equipment piled in an unused workstation, and the frayed tubing that bypassed sections of missing pipe and was kept in place by electrical tape. He staggered from the lab, took a shower, vomited twice, disposed of his clothes, and was briefly examined by a medic, who took his pulse and temperature. No one looked him in the eye. Timofey was sent home. His colleagues were surprised when he returned the next day, shrugging off the accident and saying that he had a few things to take care of before going on the “rest leave” he had been granted as a matter of course. But his smile was as wan as the moon on a midsummer night, and his hands trembled. In any case, his colleagues were too busy to chat. The clean-up was chaotically underway and the normal activities of the plant had been suspended.

Early one evening a week after the “event,” as it was known in the plant and within the appropriate ministries (it was not known anywhere else), Timofey was sitting at a café table in the bar off the lobby of a towering Brezhnevera hotel on one of the boulevards that radiated from Moscow’s nucleus. A domestically made double-breasted sports jacket the color of milk chocolate hung from his frame like wash left to dry. He was only fifty years old but, lank and stooped, his face lined by a spiderwork of dilated veins, he looked at least fifteen years older, almost a veteran of the war. His skin was as gray as wet concrete, except for the radiation erythema inflaming the skin around his eyes and nose. Coarse white hair bristled from his skull. Set close beneath white caterpillar eyebrows, his blue eyes blazed.

He was not by nature impressed by attempts to suggest luxury and comfort, and the gypsies and touts milling outside the entrance had in any case already mitigated the hotel’s grandeur. He recognized that the lounge area was meant to approximate the soaring glass and marble atria of the West, but the girders of the greenhouse roof impended two stories above his head, supported by walls of chipped concrete blocks. A line of shuttered windows ran the perimeter above the lounge, looking down upon it as if it were a factory floor. The single appealing amenity was the set of flourishing potted plants and ferns in the center of the room. As Timofey watched over a glass of unsipped vodka that had cost him a third of his remaining rubles, a fat security guard in a maroon suit flicked a cigarette butt into the plant beds and stalked away.

Timofey strained to detect the aspirates and dental fricatives of a foreign language, but the other patrons were all either Russian or “black” — that is, Caucasian. Overweight, unshaven men in lurid track suits and cheap leather jackets huddled over the stained plastic tables, blowing smoke into each other’s faces. Occasionally they looked up from their drinks and eyed the people around them. Then they fell back into negotiation. At another table, a rectangular woman in a low-cut, short black dress and black leggings scowled at a newspaper.

Directly behind Timofey, sitting alone, a young man with dark, bony features decided that this hick would be incapable of getting a girl on his own. Not that there would be too many girls around this early. He wondered if Timofey had any money and whether he could make him part with it. Certainly the mark would have enough for one of the kids in ski parkas waving down cars on the boulevard. The young man, called Shiv by his Moscow acquaintances (he had no friends), got up from his table, leaving his drink.

“First time in Moscow, my friend?”

Timofey was not taken off guard. He slowly raised his head and studied the young man standing before him. Either the man’s nose had once been broken, or his nose had never been touched and the rest of his face had been broken many times, leaving his cheeks and the arches beneath his eyes jutted askew. The youth wore a foreign blazer and a black shirt, and what looked like foreign shoes as well, a pair of black loafers. His dark, curly hair was cut long, lapping neatly against the top of his collar. Jewelry glinted from his fingers and wrists. It was impossible to imagine the existence of such a creature in 16.

Shiv didn’t care for the fearlessness in Timofey’s eyes; it suggested a profound ignorance of the world. But he pulled a chair underneath him, sat down heavily, and said in a low voice, “It’s lonely here. Would you like to meet someone?”

The mark didn’t reply, nor make any sign that he had even heard him. His jaw was clenched shut, his face blank. Shiv wondered whether he spoke Russian. He himself spoke no foreign languages and detested the capriciousness with which foreigners chose to speak their own. He added, “You’ve come to the right place. I’d be pleased to make an introduction.”

Timofey continued to stare at Shiv in a way that he should have known, if he had any sense at all, was extremely dangerous. A crazy, Shiv thought, a waste of time. But then the mark abruptly rasped, in educated, unaccented Russian, “I have something to sell.”

Shiv grinned, showing large white canines. He congratulated him, “You’re a businessman. Well, you’ve come to the right place for that too. I’m also a businessman. What is it you want to sell?”

“I can’t discuss it here.”

“All right.”

Shiv stood and Timofey tentatively followed him to a little alcove stuffed with video poker machines. They whined and yelped, devouring gambling tokens. Incandescent images of kings, queens, and knaves flickered across the young man’s face.

“No, this isn’t private enough.”

“Sure it is,” Shiv said. “More business is done here than on the Moscow Stock Exchange.”

“No.”

Shiv shrugged and headed back to his table, which the girl, in a rare display of zeal, had already cleared. His drink was gone. Shiv frowned, but knew he could make her apologize and give him another drink on the house, which would taste much better for it. He had that kind of respect, he thought.

“You’re making the biggest mistake of your life,” Timofey whispered behind him. “I’ll make you rich.”

What changed Shiv’s mind was not the promise, which these days was laden in nearly every commercial advertisement, political manifesto, and murmur of love. Rather, he discerned two vigorously competing elements within the mark’s voice. One of them was desperation, in itself an augury of profit. Yet as desperate as he was, Timofey had spoken just barely within range of Shiv’s hearing. Shiv was impressed by the guy’s self-control. Perhaps he was serious after all.

He turned back toward Timofey, who continued to stare at him in appraisal. With a barely perceptible flick of his head, Shiv motioned him toward a row of elevators bedecked with posters for travel agencies and masseuses. Timofey remained in the alcove for a long moment, trying to decide whether to follow. Shiv looked away and punched the call button. After a minute or so the elevator arrived. Timofey stepped in just as the doors were closing.

Shiv said, “If you’re jerking me around …”

The usually reliable fourth-floor dezhurnaya, the suppurating wart who watched the floor’s rooms, decided to be difficult. Shiv slipped her a five dollar bill, and she said, “More.” She returned the second fiver because it had a crease down the middle, dispelling its notional value. Shiv had been trying to pass it off for weeks and now conceded that he would be stuck with it until the day he died. The crone accepted the next bill, scowling, and even then gazed a long time into her drawer of keys, as if undecided about giving him one.

As they entered the room, Shiv pulled out a pack of Marlboros and a gold-plated lighter and leaned against a beige chipboard dresser. The room’s ponderous velvet curtains smelled of insecticide; unperturbed, a bloated fly did lazy eights around the naked bulb on the ceiling. Shiv didn’t offer the mark a cigarette. “All right,” he said, flame billowing from the lighter before he brought it to his face. “This better be worth my while.”

Timofey reached into his jacket, almost too abruptly: he didn’t notice Shiv tense and go for the dirk in his back pocket. The mark pulled out a green cardboard folder and proffered it. “Look at this.”

Shiv returned the blade. He carried four knives of varying sizes, grades, and means of employment.

“Why?”

“Just look at it.”

Shiv opened the folder. Inside was Timofey’s internal passport, plus some other documents. Shiv was not accustomed to strangers shoving their papers in his face; indeed, he knew the family names of very few people in Moscow. This guy, then, had to be a nut case, and Shiv rued the ten bucks he had given the dezhurnaya. The mark stared up through the stamped black-and-white photograph as if from under water. “Timofey Fyodorovich, pleased to meet you. So what?”

“Look at where I live: Skotoprigonyevsk-16.”

Shiv made no sign of being impressed, but for Timofey the words had the force of an incantation. The existence of the city, a scientific complex established by the military, had once been so secret that it was left undocumented on the Red Army’s own field maps. Even its name, which was meant to indicate that it lay sixteen kilometers from the original Skotoprigonyevsk, was a deception: the two cities were nearly two hundred kilometers apart. Without permission from the KGB, it had been impossible to enter or leave 16. Until two years earlier, Timofey had never been outside, not once in twenty-three years. He now realized, as he would have realized if he hadn’t been so distracted by the events of the past week, that it wasn’t enough to find a criminal. He needed someone with brains, someone who had read a newspaper in the last five years.

“Now look at the other papers. See, this is my pass to the Strategic Production Facility.”

“Comrade,” Shiv said sarcastically, “if you think I’m buying some fancy documents — ”

“Listen to me. My unit’s principal task is the supply of the strategic weapons force. Our reactor produces Pu-239 as a fission by-product for manufacture into warheads. These operations have been curtailed, but the reactors must be kept functioning. Decommissioning them would be even more costly than maintaining them — and we can’t even do that properly.” Timofey’s voice fell to an angry whisper. “There have been many lapses in the administration of safety procedure.”

Timofey looked intently at Shiv, to see if he understood. But Shiv wasn’t listening; he didn’t like to be lectured and especially didn’t like to be told to read things, even identity papers. The world was full of men who knew more than Shiv did, and he hated each one of them. A murderous black cloud rose from the stained orange carpeting at his feet and occulted his vision. The more Timofey talked, the more Shiv wanted to hurt him. But at the same time, starting from the moment he heard the name Skotoprigonyevsk-16, Shiv gradually became aware that he was onto something big, bigger than anything he had ever done before. He was nudged by an incipient awareness that perhaps it was even too big for him.

In flat, clipped sentences, Timofey spoke: “There was an accident. I was contaminated. I have a wife and child, and nothing to leave them. This is why I’m here.”

“Don’t tell me about your wife and child. You can fuck them both to hell. I’m a businessman.”

For a moment, Timofey was shocked by the violence in the young man’s voice. But then he reminded himself that, in coming to Moscow for the first time in twentyfive years, he had entered a country where violence was the most stable and valuable currency. Maybe this was the right guy for the deal after all. There was no room for sentimentality.

He braced himself. “All right then. Here’s what you need to know. I have diverted a small quantity of fissile material. I’m here to sell it.”

Shiv removed his handkerchief again and savagely wiped his nose. He had a cold, Timofey observed. Acute radiation exposure severely compromised the immune system, commonly leading to fatal bacterial infection. He wondered if the hoodlum’s germs were the ones fated to kill him.

Timofey said, “Well, are you interested?”

To counteract any impression of weakness given by the handkerchief, Shiv tugged a mouthful of smoke from his cigarette.

“In what?”

“Are you listening to anything I’m saying? I have a little more than three hundred grams of weapons-grade plutonium. It can be used to make an atomic bomb. I want thirty thousand dollars for it.”

As a matter of principle, Shiv laughed. He always laughed when a mark named a price. But a chill seeped through him as far down as his testicles.

“It will fetch many times that on the market. Iraq, Iran, Libya, North Korea all have nuclear weapons programs, but they don’t have the technology to produce enriched fissile material. They’re desperate for it; there’s no price Saddam Hussein wouldn’t pay for an atomic bomb.”

“I don’t know anything about selling this stuff …”

“Don’t be a fool,” Timofey rasped. “Neither do I. That’s why I’ve come here. But you say you’re a businessman. You must have contacts, people with money, people who can get it out of the country.”

Shiv grunted. He was just playing for time now, to assemble his thoughts and devise a strategy. The word fool remained lodged in his gut like a spoiled piece of meat.

“Maybe I do, maybe I don’t.”

“Make up your mind.”

“Where’s the stuff?”

“With me.”

A predatory light flicked on in the hoodlum’s eyes. But Timofey had expected that. He slowly unbuttoned his jacket. It fell away to reveal an invention of several hours’ work that, he realized only when he assembled it in the kitchen the day after the accident, he had been planning for years. At that moment of realization, his entire body had been flooded with a searing wonder at the dark soul that inhabited it. Now, under his arm, a steel canister no bigger than a coffee tin was attached to his left side by an impenetrably complex arrangement of belts, straps, hooks, and buckles.

“Do you see how I rigged the container?” he said. “There’s a right way of taking it off my body and many wrong ways. Take it off one of the wrong ways and the container opens and the material spills out. Are you aware of the radiological properties of plutonium and their effect on living organisms?”

Shiv almost laughed. He once knew a girl who wore something like this.

“Let me see it.”

“It’s plutonium. It has to be examined under controlled laboratory conditions. If even a microscopic amount of it lodges within your body, ionizing radiation will irreversibly damage body tissue and your cells’ nucleic material. A thousandth of a gram is fatal … I’ll put it to you more simply. Anything it touches dies. It’s like in a fairy tale.”

Shiv did indeed have business contacts, but he’d been burned about six months earlier, helping to move some Uzbek heroin that must have been worth more than a half million dollars. He had actually held the bags in his hands and pinched the powder through the plastic, marveling at the physics that transmuted such a trivial quantity of something into so much money. But once he made the arrangements and the businessmen had the stuff in their hands, they gave him only two thousand dollars for his trouble, little more than a tip. Across a table covered by a freshly stained tablecloth, the Don — his name was Voronenko, and he was from Tambov, but he insisted on being called the Don anyway, and being served spaghetti and meatballs for lunch — had grinned at the shattering disappointment on Shiv’s face. Shiv had wanted to protest, but he was frightened. Afterwards he was so angry that he gambled and whored the two grand away in a single night.

He said, “So, there was an accident. How do I know the stuff’s still good?”

“Do you know what a half-life is? The half-life of plutonium 239 is twenty-four thousand years.”

“That’s what you’re telling me …”

“You can look it up.”

“What am I, a fucking librarian? Listen, I know this game. It’s mixed with something.”

Timofey’s whole body was burning; he could feel each of his vital organs being singed by alpha radiation. For a moment he wished he could lie on one of the narrow beds in the room and nap. When he woke, perhaps he would be home. But he dared not imagine that he would wake to find that the accident had never happened. He said, “Yes, of course. The sample contains significant amounts of uranium and other plutonium isotopes, plus trace quantities of americium and gallium. But the Pu-239 content is 94.7 percent.”

“So you admit it’s not the first-quality stuff.”

“Anything greater than 93 percent is considered weapons-grade. Look, do you have somebody you can bring this to? Otherwise, we’re wasting my time.”

Shiv took out another cigarette from his jacket and tapped it against the back of his hand. Igniting the lighter, he kept his finger lingering on the gas feed. He passed the flame in front of his face so that it appeared to completely immolate the mark.

“Yeah, I do, but he’s in Perkhuskovo. It’s a forty-minute drive. I’ll take you to him.”

“I have a car. I’ll follow you.”

Shiv shook his head. “That won’t work. His dacha’s protected. You can’t go through the gate alone.”

“Forget it then. I’ll take the material someplace else.”

Shiv’s shrug of indifference was nearly sincere. The guy was too weird, the stuff was too weird. His conscience told him he was better off pimping for schoolgirls. But he said, “If you like. But for a deal like this, you’ll need to go to one godfather or another. On your own you’re not going to find someone walking around with thirty thousand dollars in his pocket. This businessman knows me, his staff knows me. I’ll go with you in your car. You can drive.”

Timofey said, “No, we each drive separately.”

The mark was unmovable. Shiv offered him a conciliatory smile.

“All right,” he said. “Maybe. I’ll call him from the lobby and try to set it up. I’m not even sure he can see us tonight.”

“It has to be tonight or there’s no deal.”

“Don’t be in such a hurry. You said the stuff lasts twenty-four thousand years, right?”

“Tell him I’m from Skotoprigonyevsk-16. Tell him it’s weapons-grade. That’s all he needs to know. Do you understand the very least bit of what I’m saying?”

The pale solar disc had dissolved in the horizonal haze long ago, but the autumn evening was still in its adolescent hours, alive to possibility. As the two cars lurched into the swirl of traffic on the Garden Ring road, Timofey could taste the unburned gasoline in the hoodlum’s exhaust. He had never before driven in so much traffic or seen so many foreign cars, or guessed that they would ever be driven so recklessly. Their rear lights flitted and spun like fireflies. At his every hesitation or deceleration the cars behind him flashed their headlights. Their drivers navigated their vehicles as if from the edges of their seats, peering over their dashboards, white-knuckled and grim, and as if they all carried three hundred grams of weaponsgrade plutonium strapped to their chests. Driving among Audis and Mercedes-Benzes would have thrilled Tolya, who cut pictures of them from magazines and cherished his small collection of mismatched models. The thought of his son, a sweet and cheerful boy with orthodontic braces, and utterly, utterly innocent, stabbed at him.

The road passed beneath what Timofey recognized as Mayakovsky Square from television broadcasts of holiday marches. He knew that the vengeful, lustrating revision of Moscow’s street names in the last few years had renamed the square Triumfalnaya, though there was nothing triumphant about it, except for its big Philips billboard advertisement. Were all the advertisements on the Garden Ring posted in the Latin alphabet? Was Cyrillic no longer anything more than a folk custom? It was as if he had traveled to the capital of a country in which he had never lived.

Of course hardly any commercial advertising could be seen in 16. Since Gorbachev’s fall a halfhearted attempt had been made to obscure most of the Soviet agitprop, but it was still a Soviet city untouched by foreign retailing and foreign advertising. The few foreign goods that found their way into the city’s state-owned shops arrived dented and tattered, as if produced in Asian, European, and North American factories by demoralized Russian workers. Well, these days 16 was much less of a city. It was not uncommon to see chickens and other small livestock grazing in the gravel between the high-rises, where pensioners and unpaid workers had taken up subsistence farming.

Resentment of Moscow burned in Timofey’s chest, alongside the Pu-239.

Plutonium. There was no exit for the stuff. It was as permanent and universal as original sin. Since its first synthesis in 1941 (what did Seaborg do with that magical, primeval stone of his own creation? put it in his vault? was it still there?) more than a thousand metric tons of the element had been produced. It was still being manufactured, not only in Russia, but in France and Britain as well, and it remained stockpiled in America. Nearly all of it was locked in steel containers, buried in mines, or sealed in glass — safe, safe, safe. But the very minimal fraction that wasn’t secured, the few flakes that had escaped in nuclear tests, reactor accidents, transport mishaps, thefts, and leakages, veiled the entire planet. Sometime within the next three months Timofey would die with plutonium in his body, joined in the same year by thousands of other victims in Russia and around the world. His body would be brought directly to the city crematorium, abstractly designed in jaggedly cut, pale yellow concrete so as to be vaguely “life-affirming,” where the chemistry of his skin and lungs, heart and head, would be transformed by fire and wind. In the rendering oven, the Pu-239 would oxidize and engage in wanton couplings with other substances, but it would always stay faithful to its radioactive, elemental properties. Some of it would remain in the ash plowed back to the earth; the rest would be borne aloft into the vast white skies arching above the frozen plain. Dust to dust.

Yet it would remain intangible, completely invisible, hovering elusively before us like a floater in our eyes’ vitreous humor. People get cancer all the time and almost never know why. A nucleic acid on a DNA site is knocked out of place, a chromosome sequence is deleted, an oncogene is activated. It would show up only in statistics, where it remained divorced from the lives and deaths of individuals. It was just as well, Timofey thought, that we couldn’t take in the enormity of the threat; if we did, we would be paralyzed with fear — not for ourselves, but for our children. We couldn’t wrap our minds around it; we could think of it only for a few moments and then have to turn away from it. But the accident had liberated Timofey. He could now contemplate plutonium without any difficulty at all.

And it was not only plutonium. Timofey was now exquisitely aware of the ethereal solution that washed over him every day like a warm bath: the insidiously subatomic, the swarmingly microscopic, and the multi-syllabically chemical. His body was soaked in pesticides, the liquefied remains of electrical batteries, leaded gasoline exhaust, dioxin, nitrates, toxic waste metals, dyes, and deadly viral organisms generated in untreated sewage — the entire carcinogenic and otherwise malevolent slough of the great Soviet industrial empire. Like Homo Sovieticus himself, Timofey was ending his life as a melange of damaged chromosomes, metal-laden tissue, crumbling bone, fragmented membranes, and oxygen-deprived blood. Perhaps his nation’s casual regard for the biological consequences of environmental degradation was the result of some quasi-Hegelian conviction that man lived in history, not nature. It was no wonder everyone smoked.

For a moment, as the hoodlum swung into the turning lane at the Novy Arbat, Timofey considered passing the turnoff and driving on through the night and the following day back to 16’s familiar embrace. But there was only one hundred and twenty dollars hidden in the bookcase in his apartment. It was the sum total of his family’s savings.

Now Shiv saw Timofey’s shudder of indecision in his rearview mirror; he had suspected that the mark might turn tail. If he had, Shiv would have broken from the turning lane with a shriek of tire (he savored the image) and chased him down.

In tandem the two cars crossed the bridge over the Moscow River, the brilliantly lit White House on their right nearly effervescing in the haze off the water. It was as white and polished as a tooth, having been capped recently by a squadron of Turkish workers after Yeltsin’s troops had shelled and nearly gutted it. Shiv and Timofey passed the Pizza Hut and the arch commemorating the battle against Napoleon at Borodino. They were leaving the city. Now Timofey knew he was committed. The hoodlum wouldn’t let him go. He knew this as surely as if he were sitting in the car beside him. If the world of the atom were controlled by random quantum events, then the macroscopic universe through which the two Zhigulis were piloted was purely deterministic. The canister was heavy and the straps that supported it were beginning to cut into Timofey’s back.

He could have even more easily evaded Shiv at the exit off Kutuzovsky Prospekt; then on the next road there was another turnoff, then another and another. Timofey lost count of the turns. It was like driving down a rabbit hole: he’d never find his way back. Soon they were kicking up stones on a dark country road, the only traffic. Every once and a while the Moscow River or one of its tributaries showed itself through the naked, snowless birches. A pocked and torn slice of moon bobbed and weaved across his windshield. Shiv paused, looking for the way, and then abruptly pivoted his car into a lane hardly wider than the Zhiguli itself.

Timofey followed, taking care to stay on the path. He could hear himself breathing: the sound from his lungs was muffled and wet. Gravel crunched beneath his tires and bushes scraped their nails against the car’s doors. The hood slowed even further, crossing a small bridge made of a few planks. They clattered like bones.

Timofey’s rearview mirror incandesced. Annoyed, he pushed it from his line of sight. Shiv slowed to a stop, blinked a pair of white lights in reverse, and backed up just short of Timofey’s front bumper. At the same time, Timofey felt a hard tap at his rear.

Shiv stepped from his car. Pinned against the night by the glare of headlights, the boy appeared vulnerable and very young, almost untouched by life. Timofey detected a measure of gentleness in his face, despite the lunar shadows cast across it. Shiv grimaced at the driver of the third automobile, signaling him to close his lights. He walked in front of his own car and squeezed alongside the brush to Timofey’s passenger door.

“We have to talk,” he said. “Open it.”

Timofey hesitated for a moment, but the lengthy drive had softened his resolve and confused his plan. And there was a car pressed against his rear bumper. He reached over and unlocked the door.

Shiv slid into the seat and stretched his legs. Even for short people, the Zhigulis were too goddamned small.

“We’re here?”

“Where else could we be?”

Timofey turned his head and peered into the dark, looking for the businessman’s dacha. There was nothing to see at all.

“All right, now hand over the stuff.”

“Look, let’s do this right — ” Timofey began, but then comprehension darkened his face. He didn’t need to consider an escape: he understood the whole setup. Perhaps he had chosen the coward’s way out. “I see. You’re as foolish as a peasant in a fairy tale.”

Shiv opened his coat and removed from a holster in his sport jacket an oiled straight blade nearly twenty centimeters long. He turned it so that the moonlight ran its length. He looked into the mark’s face for fear. Instead he found ridicule.

Timofey said, “You’re threatening me with a knife? I have enough plutonium in my lungs to power a small city for a year, and you’re threatening me with a knife?”

Shiv placed the shaft against Timofey’s side, hard enough to leave a mark even if it were removed. Timofey acted as if he didn’t feel it. Again something dark passed before Shiv’s eyes.

“Look, this is a high-carbon steel Premium Gessl manufactured by Imperial Gessl in Frankfurt, Germany. I paid eighty bucks for it. It passes through flesh like water. Just give me the goddamned stuff.”

“No. I won’t do that,” Timofey said primly. “I want thirty thousand dollars. It’s a fair price, I think, and I won’t settle for anything less. I drove here in good faith.”

Timofey was the first man Shiv had ever killed, though he had cut a dozen others, plus two women. He wondered if it got easier each time; that’s what he had heard. In any case, this was easy enough. There wasn’t even much blood, though he was glad the mark had driven his own car after all.

Now Shiv sat alone, aware of the hiss of his lungs, and also that his armpits were wet. Well, it wasn’t every day you killed a man. But Timofey hadn’t resisted, it hadn’t been like killing a man. The knife had passed through him not as if he were water, but as if he were a ghost. Shiv sensed that he had been cheated again.

He opened and pushed away Timofey’s brown sports jacket, which even in the soundless dark nearly screamed Era of Stagnation. The canister was there, still strapped to his chest. The configuration of straps, hooks, and buckles that kept it in place taunted Shiv with its intricacy. He couldn’t follow where each strap went, or what was being buckled or snapped. To Shiv it was a labyrinth, a rat’s nest, a knot. To Timofey it had been a topographical equation, clockworks, a flowchart. “Fuck it,” Shiv said aloud. He took the Gessl and cut the thin strap above the cylinder with two quick strokes.

Already the mark’s body was cool; perhaps time was passing more quickly than Shiv realized. Or maybe it was passing much more slowly: in a single dilated instant he discerned the two cut pieces of the strap hovering at each other’s torn edge, longing to be one again. But then they flew away with a robust snap! and the entire assembly lost the tension that had kept it wrapped around Timofey’s body. The effect was so dramatic he fancied that Timofey had come alive and that he would have the opportunity to kill him again. The canister popped open — he now apprehended which two hooks and which three straps had kept it closed — and fell against the gearshift.

Powder spilled out, but not much. Shiv grabbed the canister and shoveled back some of what was on the seat, at least a few thousand dollars’ worth. He couldn’t really see the stuff, but it was warm and gritty between his fingers. He scooped in as much as he could, screwed the cylinder shut, and then dusted off his hands against his trousers. He cut away the rest of the straps, leaving them draped on Timofey’s body. He climbed from the car.

“Good work, lads.”

The two brothers, Andrei and Yegor, each stood nearly two meters tall on either side of their car, which was still parked flush against Timofey’s bumper. They were not twins, though it was often difficult to recall which was which, they were so empty of personality. Shiv, who had called them from the hotel lobby, thought of them as pure muscle. By most standards of measurement, they were of equally deficient intelligence. They spoke slowly, reasoned even more slowly, and became steadily more unreliable the further they traveled from their last glass of vodka. Nevertheless, they were useful, and they could do what they were told, or a satisfactory approximation of it.

“What do you got there?” said Yegor.

“You wouldn’t understand, believe me.”

It was then that he saw that Andrei was holding a gun at his hip, leveling it directly at him. It was some kind of pistol, and it looked ridiculously small in Andrei’s hands. Still, it was a gun. In the old days, no one had a gun, everyone fought it out with knives and brass knuckles and solid, honest fists, and pieces of lead pipe. You couldn’t get firearms. They never reached the market, and the mere possession of one made the cops dangerously angry. But this was democracy: now every moron had a gun.

“Put it away. What did you think, I was going to cut you out?”

Yegor stepped toward him, his arm outstretched. “Hand it over.”

Shiv nodded his head, as if in agreement, but he kept the canister clutched to his stomach. “All right, you’ve got the drop on me. I admit it. I’ll put it in writing if you like. They’ll be talking about this for years. But you’re not going to be able to move it on your own.”

“Why not?” said Andrei. He raised the gun with both hands. The hands trembled. For a moment, Shiv thought he could see straight down the barrel. “You think we’re stupid.”

“If you want to show me how smart you are, you’ll put down the fucking gun.”

“I don’t have to show you anything.”

“Listen, this is plutonium. Do you know what it is?”

“Yeah, I know.”

“Do you know what’s it’s used for?”

“I don’t got to know. All I got to know is that people will buy it. That’s the free market.”

“Idiot! Who are you going to sell it to?”

“Private enterprise. They’ll buy it from us just like they’d buy it from you. And did you call me an idiot?”

“Listen, I’m just trying to explain to you” — Shiv thought for a moment — “the material’s radiological properties.”

Shiv was too close to be surprised, it happened too quickly. In one moment he was trying to reason with Andrei, intimidate him, and was only beginning to appreciate the seriousness of the problem, and had just observed, in a casual way, that the entire time of his life up to the moment he had stepped out of Timofey’s car seemed equal in length to the time since then, and in the next moment he was unconscious, bleeding from a large wound in his head.

“Well, fuck you,” said Andrei, or, more literally, “go to a fucked mother.” He had never shot a man before, and he was surprised and frightened by the blood, which had splattered all over Shiv’s clothes, and even on himself. He had expected that the impact of the shot would have propelled Shiv off the bridge, but it hadn’t. Shiv lay there at his feet, bleeding against the rear tire. The sound of the little gun was tremendous; it continued roaring through the woods long after Andrei had brought the weapon to his side.

Neither brother said anything for a while. In fact, they weren’t brothers, as everyone believed, but were stepbrothers, as well as in-laws, in some kind of complicated way that neither had ever figured out. From Yegor’s silence, Andrei guessed that he was angry with him for shooting Shiv. They hadn’t agreed to shoot him beforehand. But Yegor had allowed him to carry the gun, which meant Andrei had the right to make the decision. Yegor couldn’t second-guess him, Andrei resolved, his nostrils flaring.

But Yegor broke the long silence with a gasped guffaw. In the bark of his surprise lay a tremor of anxiety. “Look at this mess,” he said. “You fucking near tore off his head.”

Andrei could tell his brother was proud of him, at least a bit. He felt a surge of love.

“Well, fuck,” said Yegor, shaking his head in wonder. “It’s really a mess. How are we going to clean it up? It’s all over the car. Shit, it’s on my pants.”

“Let’s just take the stuff and leave.”

Yegor said, “Go through his pockets. He always carries a roll. I’ll check the other guy.”

“No, it’s too much blood. I’ll go through the other guy’s pockets.”

“Look, it’s like I’ve been telling you, that’s what’s wrong with this country. People don’t accept the consequences of their actions. Now, you put a hole in the guy’s head, you go through his pockets.”

Andrei scowled but quickly ran his hands through Shiv’s trousers, jacket, and coat anyway. The body stirred and something like a groan bubbled from Shiv’s bloodfilled mouth. Some of the blood trickled onto Andrei’s hand. It was disgustingly warm and viscid. He snatched his hand away and wiped it on Shiv’s jacket. Taking more care now, he reached into the inside jacket pocket and pulled out a gold-colored money clip with some rubles, about ten twenty dollar bills, a few tens, and a creased five. He slipped the clip and four or five of the twenties into his pocket and, stacking the rest on the car’s trunk, announced, “Not much, just some cash.”

Yegor emerged from the car. “There’s nothing at all on this guy, only rubles.”

Andrei doubted that. He should have pocketed all of Shiv’s money.

“I wonder what the stuff’s like,” said Yegor, taking the closed canister from Shiv’s lap.

He placed it next to the money and pulled off the top, revealing inside a coarse, silvery gray powder. Yegor grimaced. It was nothing like he had ever seen. He wet his finger, poked it into the container, and removed a fingerprint’s worth. The stuff tasted chalky.

“What did he call it?” he asked.

“Plutonium. From Bolivia, he said.”

Andrei reached in, took a pinch of the powder, and placed it on the back of his left hand. He then closed his right nostril with a finger and brought the stuff up to his face. He loved doing this. From the moment he had pulled the gun on Shiv he had felt as if he were in Chicago or Miami. He sniffed up the powder.

It burned, but not in the right way. It was as if someone — Yegor — had grabbed his nostril with a pair of hot pliers. The pain shot through his head like a nail, and he saw stars. Then he saw atoms, their nuclei surrounded by hairy penumbrae of indeterminately placed electrons. The nuclei themselves pulsed with indeterminacy, their masses slightly less than the sum of their parts. Bombarded by neutrons, the nuclei were drastically deformed. Some burst. The repulsion of two highly charged nuclear fragments released Promethean, adamantine energy, as well as excess neutrons that bounced among the other nuclei, a cascade of excitation and transformation.

“It’s crap. It’s complete crap. Crap, crap, crap!”

Enraged, Andrei hoisted the open container, brought it behind his head, and, with a grunt and a cry, hurled it far into the night sky. The canister sailed. For a moment, as it reached the top of its ascent beyond the bridge, it caught a piece of moonlight along its sides. It looked like a little crescent moon itself, in an eternal orbit above the earth, the stuff forever pluming behind it. And then it very swiftly vanished. Everything was quiet for a moment, and then there was a distant, voluptuous sound as the container plunged into the river. As the two brothers turned toward each other, one of them with a gun, everything was quiet again.

Fiona Maazel Madness

March is over, and soon no one will care about your NCAA bracket (chances are no one did anyway). Fortunately, it is now officially the season of Fiona Maazel and she’s pretty much taken over Electric Literature on all fronts this week.

Over at Recommended Reading, Fiona guest edits and introduces “Pu-239” by Ken Kalfus. Here’s a highlight from her introduction: “Just a few weeks ago, I saw Obama on 60 Minutes say that when he took office, the first thing Bob Gates told him was to remember that at this moment, somewhere, somehow, someone in the federal government was screwing up. Which reminder asserted two things: One, that the president will always have someone else to blame, in essence: that deniability is king, and two, that incompetence is the currency most responsible for the buying and selling of our future. Want to know more? Read “Pu-239.””

Here on The Outlet, Judson Merrill reviews Fiona’s new novel Woke Up Lonely, which he calls “a grotesque full of emotional hunchbacks and crippled hearts” (in a good way, of course).

And tonight IRL, we’re co-sponsoring Fiona’s book launch at powerHouse. There will be a short movie, a short reading, food, drink, and Fiona. What more do you need?

***
 — Benjamin Samuel is the co-editor of Electric Literature and a disciple of Fiona Maazel. You can find him preaching her gospel here.

Review: Woke Up Lonely, by Fiona Maazel

A lively, surprising exploration of loneliness, longing, and surveillance as a substitute for intimacy

Fiona Maazel’s new novel, Woke Up Lonely, is a howl — melancholy and resonant, consistently pitched but too wild and haunting to be described as one-note. If Maazel’s lens is tightly focused, she points it in so many directions and picks up such fine detail that her study of loneliness becomes boisterous and surprising, broad on one page and incisive on the next, funny and repulsive in equal measure. It is a grotesque full of emotional hunchbacks and crippled hearts.

The book unspools in the middle of the second Bush administration, a world of constant surveillance and crippling isolation. A cultish self-help movement called the Helix is spreading across the United States, making the government increasingly anxious, and not just because of the whispers of armed insurrection. There is also the very real relationship between the Helix’s leader, Thurlow Dan, and the rogue government of North Korea. Thurlow is estranged from his ex-wife, Esme Haas, but they still dominate each other’s hearts and minds. In place of a relationship, they have wiretapping. Esme is a spy, and she’s built a career out of watching Thurlow from afar to better protect him from her bosses.

But plot synopses are for realist books, and intrigue is beside the point here. The espionage in Woke Up Lonely is just one more way for Maazel’s characters to chase a human connection. Even North Korea, the Hermit Kingdom, is in the same bind as the book’s characters — always watched and utterly isolated, its desperation to matter abroad starving it at home. Thurlow and Esme and the book’s four secondary characters — fumbling government employees whom Esme assembles to fail at spying on Thurlow — are emotionally malnourished, incapable of attachment, defeated by expectations of intimacy.

All six characters have different ideas about why they’re lonely and what will finally bring them peace: physical closeness, the shared roots of a sibling, artistic success, familial contentment, love. Their longing for and flailing toward those goals drives the book. Esme, though, holds it together. She weaves through all the character arcs, disguised in Mission: Impossible-style prosthetic make-up, watching everyone. Maazel uses Esme’s tradecraft to create a satellite’s-eye view of her characters’ isolation, to assemble a dossier of primary documents lifted from their lives. The book’s tight third-person perspectives are laced with case files and video surveillance, recordings and notes and congressional testimony.

As angry as Woke Up Lonely can be, this scrutiny, the care taken with the characters, picks up a wavelength of hope that reverberates throughout the book. Like the Helix, the novel believes that familiarity is a gateway to intimacy. If we know enough, if we dig past vital statistics and surface details, if we tune to each other’s feelings and fears, we can circumvent the borders separating us.

The book’s final act, though, does not settle for the “tell me something real” mantra of the Helix. All six characters descend into a maze of tunnels and gray commerce built beneath Cincinnati, where they’re finally unwatched and free to take action, to risk something in pursuit of the various grails that they believe will wash away their loneliness.

Maazel will never be accused of being maudlin — her writing is brash and ruthless — but there is a desperate, bloody heart pumping life through Woke Up Lonely, and the terrifying and elusive aim of her characters is wretchedly simple: make the leap from being observed to being connected.

Recommended if you liked: Catch-22 by Joseph Heller, Through the Looking Glass by Lewis Carroll, The Ballad of the Sad Café by Carson McCullers

Check out Fiona Maazel’s excellent story “Interpreters of Men Get It On”over at Recommended Reading.

***

— Judson Merrill lives and writes in Brooklyn. Some of his work, including his e-novella The Pool, can be found at judsonmerrill.com.

APRIL MIX by Karolina Waclawiak

Wanderers

I’m big on daydreaming and late-night escape plans. These are songs I listen to often and they all have a late-winter tinge of melancholy and latent aggression. I listen to the same songs over and over again until I can’t listen to them anymore. These songs have stayed on heavy rotation for years. Maybe because they all share the same power of trapping me in a dreamy state of longing. Sometimes witchy and sometimes forlorn, these songs are perfect to wander along to as you contemplate an existential crisis. But, it’s springtime, so why not end on a somewhat positive note?

1. Sparklehorse — It’s a Wonderful Life

Mark Linkous’s haunting voice is the perfect accompaniment to the saddest song about life and longing I have ever heard.

2. Beck — Chemtrails

Staring into the sky with someone and watching planes go by is one of the most enjoyable pastimes I can think of.

3. Appalachia — Chelsea Wolfe

Chelsea Wolfe is one of my favorites. Her voice is so witchy and beautiful. She makes me feel like anything is possible. This is from her acoustic album, which is beautiful.

4. Blind — Swans

Swans is my go-to in any situation. Michael Gira is a genius with lyrics. I love his sad, quiet songs and this particular one from Various Failures is one I often have on repeat.

5. Hair and Skin — Mazzy Star

Hope Sandoval’s voice is hypnotizing. She’s able to capture the essence of a human in very few words.

6. Smoke and Mirrors — The Magnetic Fields

Stephin Merritt is a lyrical genius and this is one of my favorite Magnetic Fields song ever. He’s able to encapsulate lust and want in such a small space. It’s remarkable.

7. Tattooed Lady Blues — Jon DeRosa

One of my favorite songs ever. A beautiful and angry song about lost hope in someone. Fading lives, etc.

8. Oh My Lover — PJ Harvey

PJ should be sainted. She puts her pain out for all to see. How can someone be so continuously brave? I have no idea.

9. The Fear — Pulp

Sex and sadness.

10. Reasons — Built to Spill

I remember when I first heard this song in someone’s car in, I think, 1999. It was electric. Maybe I should have titled this mix “Wanting” because all the songs share the same characteristics of misplaced want.

11. Nosebleed — Ceremony

Interestingly, this song only has three lines repeated over and over again like an incantation. Peaceful in its fury.

12. Jubilee Street — Nick Cave and the Bad Seeds

I’m transforming, I’m vibrating, I’m glowing
I’m flying, look at me
I’m flying, look at me now

There’s your hope right there.

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— Karolina Waclawiak is the author of How To Get Into the Twin Palms and the deputy editor of The Believer. You can find her on Twitter here.