Michael Bond, the Genial Gentlemen Behind Paddington Bear, Dies at 91

Plus Nelson Mandela’s prison letters will finally be published, and a new 1984 play incites shocking bodily reactions from its audience

In today’s literary roundup, Paddington Bear creator Michael Bond dies at 91, Nelson Mandela’s prison letters will be published by Liveright, and the graphic adaptation of Orwell’s 1984 isn’t going over too well with audience members. Or maybe fainting and retching is the point? Hard to say…

Paddington Bear creator Michael Bond dies at 91

The world first met Paddington Bear, the good-natured bear from Peru donning an old hat and battered suitcase, in 1958. Michael Bond, the likewise affable creator of the fictional children’s character, has died at the age of 91. The death was announced by his publisher, Harper Collins, which stated that he died of a short illness. The prolific writer published more than 200 books total, including about one Paddington book per year for the first decade of the series. The idea for the iconic character came during his last-minute shopping on Christmas Eve, when he saw a forlorn plush toy laying about. He was shopping near Paddington Station, and the rest is history. He was a man of many talents and audiences; in addition to the Paddington series, Bond wrote adult books and even created an animated TV series. For many, including Bond himself, Paddington Bear was a helper through difficult times. “If I bumped into Paddington one day, I wouldn’t be at all surprised. He feels very real to me, you see,” he once told the Sunday Telegraph.

[NPR/Colin Dwyer]

Nelson Mandela’s letters from prison to be published

During his 1962–1990 imprisonment, Nelson Mandela’s lonely, confined life quickly led to a lot of letter writing. In fact, he wrote hundreds of them to family, friends, supporters, and government officials. Soon, the public will have access to these correspondences, as W.W. & Norton imprint Liveright will be publishing two versions of the letters. The first, which is scheduled for July 2018 (100 years after Mandela’s birth) will consist of facsimiles of 250 letters with a foreword written by his granddaughter; the next two-volume set, to be released in 2019, will compiled with scholars and specialists in mind. The letters, many of which have never been seen before by the public, chronicle the apartheid-era revolutionary’s experiences and feelings, including being denied attendance to both his mother and older son’s funerals. The letters are sure to illuminate his courageous and tenacious spirit — one that made him a symbol of freedom and bravery across the world.

[NY Times/John Williams]

Theater adaptation of 1984 leaves people vomiting and screaming

After the Trumpian Julius Caesar debacle, another New York City play is stirring up some controversy. 1984 premiered at Broadway’s Hudson Theatre on Thursday, an adaption of George Orwell’s acclaimed dystopian novel. It was clear from reading the book that Oceania doesn’t seem like a fun place to live, but clearly the stage version took things to the next level. During previews in London, instead of a night of leisure and enjoyment, audience members were screaming, fighting, and vomiting by the end of the performances. Like the 1949 book, the play is set in a dystopian future run by Big Brother awash with propaganda, censorship, and a good amount of torture. This particular adaptation does not downplay the graphic aspects of the novel, depicting the intense psychological and physical torture of the main character Winston Smith. Given these reactions, security guards have been posted around the building and theatergoers have been warned to leave their under-14 year olds at home because this is not for the faint of heart.

[The Washington Post/ Travis M. Andrews]

A Story About Witnessing Your Own Calamity

Hillary Clinton Is Reading a Lot of Mystery Novels and You Should Probably Join Her

A complete breakdown of the whodunits, sagas & poetry volumes helping the former Secretary of State through this difficult time

There are many admirable qualities about former Presidential candidate Hillary Clinton, and her penchant for reading (not just the news and briefings) is one of them. Now that she a bit more free time on her hands, without having to run an entire campaign and all that, she’s seized the opportunity by revisiting old favorites and and discovering a few new books, too. Yesterday, at the American Library Association conference, Clinton indulged the audience with how she likes to spend her free time these days, giving a very relatable answer of drinking wine, hiking, and reading. Sounds about right. She also listed a number of books that have made their way across her nightstand of late, so keep adding to your summer reading lists because she’s named some good ones, and let’s be honest, you want to form a book club with Hillary Clinton. Two glasses of wine in, think of the stories.

1. My Brilliant Friend, by Elena Ferrante

Clinton said that she finished all four of Ferrante’s Neapolitan novels, which revolve around two female friends who grow up in post-war Italy, and which detail the coming-of-age of not only a strong relationship but of a city and a country. Also focusing on themes such as class and power, these books definitely sound right up our former Secretary of State’s alley. And everyone’s, frankly. There’s a reason why they’re an international sensation.

2. A Great Reckoning, by Louise Penny

I didn’t peg Hillary Clinton as the mystery-loving type, but at the conference, she confessed that she “devoured” Penny’s novels. The Great Reckoning is one of the author’s many thrillers about Chief Inspector Gamache of Quebec, this one dealing with Gamache’s challenging new role as commander of the Sûreté academy in light of an unexpected murder of a former friend and colleague…Dun dun dun.

3. Death at La Fenice, by Donna Leon

Similar to Penny’s novels, Leon’s mysteries focus on the fictional Commissario Guido Brunetti and take place in Venice, Italy. Death at La Fenice is the first in the series, in which a high-profile conductor is poisoned during intermission at the opera house. In a classically brilliant mystery move, the hero Brunetti sets out to discover who the killer is.

4. Maisie Dobbs, by Jacqueline Winspear

Continuing on with European-set mysteries, Winspear’s Maisie Dobbs series is about a young maid who becomes a London PI in the aftermath of the Great War. Hillary definitely loves some good, old-fashioned female power.

5. A Test of Wills, by Charles Todd

After years of fighting in WWI, Ian Rutledge returns to his job in Scotland Yard. Struggling with a bad case of shell shock and having to battle his inner demons, Rutledge must investigate the murder of a retired officer.

6. The Return of the Prodigal Son, by Henri Nouwen

When Nouwen encountered Rembrandt’s painting The Return of the Prodigal Son, he was cast into a spiritual journey. This book, which seems in fitting with Clinton’s faithfulness, is a moving meditation on the various themes of the parable, including homecoming, compassion, reconciliation, and love.

7. Shaker, Why Don’t You Sing? by Maya Angelou

Angelou stated that she pledged her loyalty to Hillary Clinton and her campaign ever since Bill Clinton was inaugurated in 1993. The support and admiration clearly goes both ways. Shaker, Why Don’t You Sing? is Maya Angelou’s fourth volume of poetry, published in 1983. Written during one of the most productive moments of Angelou’s career, the volume contains powerful poems including “Caged Bird” and “A Plagued Journey.”

8. A Thousand Mornings, by Mary Oliver

Given her love for hiking, it comes as no surprise that Clinton enjoys the work of Mary Oliver, which chronicles the poet’s observations of nature and everyday life.

9. The Jersey Brothers, by Sally Mott Freeman

Based on the real lives of three brothers, The Jersey Brothers tells the story of their experiences during WWII. When the youngest brother is captured in the Philippines, the other two try to bring him home.

10. The View From Flyover, Country by Sarah Kendzior

The View from Flyover Country is the most topical selection on the former candidate’s nightstand. A collection of essays by St. Louis journalist Sarah Kendzior, the book explores issues such as labor, gentrification, media bias, and the economy.

Literature’s Great Alternative Families

The Writing Life on the Road: Jeff VanderMeer’s Tallahassee

Visiting the author of Borne and the Southern Reach Trilogy in his natural habitat to discuss panthers, slugs and Nabokov’s notecards

Electric Literature’s contributing editor Michael J Seidlinger is on the road as part of his project, #followmebook, visiting writers and exploring the limits of social media. As part of a limited summer series called “The Writing Life on the Road,” he’s sharing his conversations with writers he encounters as he makes his way from New York to California. This week, Jeff VanderMeer, author of Borne and the Southern Reach trilogy, shares details and insights from his writing life in Tallahassee, Florida.

What follows are highlights from Jeff’s interview with Michael. His responses have been edited for clarity.

Setting the Scene: A Very VanderMeer Landscape

We’re at St. Marks Wildlife Refuge, the end of the road so to speak, at the lighthouse that was inspiration for my novel Annihilation. Spread out before us are the marsh flats and brackish water that lead out to the coast. The beach is maybe a quarter mile distant in front of us, and behind us there’s more beach.

The lighthouse in St. Marks Wildlife Refuge

Living the Good Life in Tallahassee

I like people, I have a lot of friends, but I don’t really feel the need to be social on a daily basis. I don’t have a need to be interacting with a community of writers every week or anything. I don’t need to be in a place like New York or San Francisco that has something going on every week. They say Tallahassee is a great place to raise a family, but what they’re really saying is that the quality of life is pretty high, and it’s not too stressful. Anything else that I need I can get from the internet or from traveling. It’s nice to have a home base where not only is the city completely full of tree cover — it’s called Tree City USA — but you drive 15 minutes out of town, and you’re in some kind of wilderness or there is some sort of nature trail you can take. I do feel real appreciation for living in Tallahassee because I moved around a bunch when I was a kid and didn’t really have a place that I could call my own before. I lived in Fiji for five years, but that doesn’t really make me a citizen of Fiji. We traveled around the world a lot — lived in Ithaca for a while, lived in Gainesville — but it wasn’t until I was in this place that I really felt part of the landscape, which relaxed me into writing things like Annihilation.

Finding Inspiration in Nature: Encounters with Animals

A lot of my encounters with wildlife wind up in my books. I was attacked by a wild boar out here, and that became a scene in Annihilation. I saw a Florida panther a while back, and that experience permeates the spirit of a lot of my books. It’s not in there as a direct encounter, but it appears in situations the characters can’t control. It’s the idea of being powerless while this thing comes towards you, and you’re not sure if it’s going to try to eat you or not, and there’s not really anything you can do about it. The physicality of some of those encounters goes into things like the giant bear in Borne and some of my other work. So there are a lot of animals that are in there that are the direct result of encountering them in the wild.

It’s probably safer not to encounter a panther in the wild. But if you happen to, use it in a novel.

The Need for Quiet & Taking Notes on Leaves (Actual Leaves)

When I’m working on a novel, part of working on it is hiking at the local park or somewhere else. I’ll have a very specific input, which is the scene or the problem I’m working on, and I’ll usually get the answer while I’m hiking. My subconscious is always whirring like a machine in the background. Suddenly, because you’re not fragmented, an idea comes into focus and pops into your head. I had to learn early on what kinds of leaves you can write notes on, because when I ran out of paper I’d use leaves but some of them just kind of fall apart in your pocket. I always get inspiration when I’m working out in the gym, where you have to be very much aware of what you’re doing. You’re very much in your body and not in your mind, and then, because your brain is distracted or in a certain kind of place, an idea comes to you. Sometimes it’s enough to just step away from the computer, so I don’t have a million emails in my face and I can actually think about my work.

The Writing Life on the Road: You’ll Never Be an Appalachian Writer

Finding Inspiration in Nature: Slugs of Paradise

I think Fiji kind of started that because it was a tropical paradise. I kept a bird journal there, and spent a lot of time interacting with nature, walking around beaches and things like that. For that reason, I have always felt a huge affinity for bodies of water, specifically the sea but not necessarily just the sea. I’ve always felt a huge affinity for animals, too, and an animal point-of-view. I remember very vividly that a friend of mine came across a sea slug called a “spanish dancer” that had washed up and my immediate reaction was to put it back in the ocean. My friend’s immediate reaction was to stomp it and hack it to death with seemingly no thought whatsoever as to the fact that it was a living creature.

Can you see why they call it a spanish dancer? Don’t tread on it.

Why He Writes in the Mornings, Unless He Doesn’t

I tend to write best in the mornings, but I do a lot of editing in the afternoon. However, certain novels — like this new one that I’m working on, Hummingbird Salamander — are night novels, and the tone requires me to write it at night. I don’t know why. Usually I’ll just let the project determine what my routine is, because some of the routines that are successful for one project will not be very useful for another and they will constrain the kind of fiction I can do.

Writing Routines: Longhand, Type, Repeat

Usually the texture and tone take a while to develop, so I’ll immerse myself in it by writing longhand, then typing it up, then breaking it down again by rewriting it in longhand, and doing that process of building it up and tearing it down until it seems like it’s right. Then I might step away from longhand and I might not. It just depends. Whatever seems to be going the most smoothly is what I’ll stick with, and that applies to things like outlining. Some of my books I’ve done more script outlines on, and some I’ve had almost no outline at all. Again, it just depends on what the book requires.

One thing that Nabokov used to do really stuck with me. He’d let a novel accrue on notecards no matter how much of an outline or structure he had in his head. He’d put a thought or bit of dialogue or scene fragment as it came to him on one notecard, and then he’d be able to assemble those in chronological order for the novel, so it wouldn’t be a pain in the ass to sort through it all. I do something very similar. I naturally think about the novel before I write, and I let that stuff accrue By the time I’ve typed up all the notes in chronological order, I’ll have 30,000 or 40,000 words in scene fragments, leading all the way to the end. That seems to really work for me rather than forcing myself to write particular scenes.

A Story About Witnessing Your Own Rape

“Maroon”

by Ladi Opaluwa

That night in school, you were seated on the floor, turning over the pages of a notebook and contemplating the task ahead. You flipped back and forth, fanning the flame of the candle nearby. The pages were many and you were sleepy. You thought you should sleep now and wake at midnight. Or read now and sleep till dawn. Already, your mind was full of other pending decisions. When do you loosen your braids? What do you wear tomorrow for the exams? And more urgent, what will you have for dinner? You shut your eyes to ease the stress of indecision. Soon, with your back on the bed, you were dozing. The breeze helped. The thunder, the lightning and the rain that followed were like a dream. You did not hear Pastor James knock.

He came in the heavy rain to your room off-campus and sat on your mattress, dripping water from the hem of his jeans. He talked about a fallen tree that almost knocked him off his motorcycle, him and Linda; the Linda in Sociology whom he gave a ride, whose big bosom caressed his back, making the drive on the bumpy Old Egume Road pleasant.

“She rode my back,” he said, raising his voice over the clatter of rainfall.

You smiled and shook your head.

“I said she rode on my bike.”

Your smile widened even as you tried to purse your lips. You giggled, and then laughed.

He asked why you were laughing and you said nothing.

He told of one of his pretty course mates who stood by the roadside, waving frantically at passing vehicles.

“I don’t think she knew I was the one,” he said. “Sadly, I had a passenger already.”

You had come alive and were ready to return to the Eng 306 notebook you were reading earlier, but Pastor James reached further into his memory and pulled out random campus tales that you failed mostly to understand. The plots were confusing. You could not tell the end of one story from the beginning of another. They were a series of unrelated events stringed as one long narration, animated by his loud voice. There was the story of two Aminas and a missing laptop, Amina Ibrahim and Amina Yusuf. One was the owner and the other was the suspect. That you understood. But you could not tell which of the two equally pretty Igala ladies was owner or thief.

You wanted him to slow down, to explain more, and delineate the features of each lady, but then, he had moved on, talking about a man in his department, a very wealthy young man with two wives and many girlfriends all over campus and beyond. The worst part, Pastor James said, the girlfriends knew he was married with two wives but didn’t care. He had money.

You were curious about the missing laptop but let him carry on without interruption. His words became meaningless. They simply passed through your head without settling. They came in one ear and went out the other. He became only a voice, a hollow voice with a lone audience, persistent on entertaining. You wondered why he was telling you stories about people you did not know, episodes that were of no interest to you. Perhaps the telling was the objective.

As he rambled on, you flashed a torch at the wall clock. Moments later, you yawned and stretched. He shook himself like a wet duck and asked you to drop the curtains. You hesitated a while and then did his bidding.

“You know my problem with you?” he asked after you returned to the floor. “You are too quiet.”

“I am not that quiet-o,” you said.

He sneered, and after a suddenly loud thunderclap, said, “People are going to suffer this night.”

“Thank God. I was thinking of going to class but something told me not to go,” you said.

“God save you this night,” he said and lay back on the bed. “Cold for finish you.”

You worried that he would leave a wet patch on the bed. You worried, also, that the rain would linger and it would be hard to get rid of him. It was nearly 9 p.m. You yawned again. As he failed to acknowledge your prompt, you offered to make him tea.

“My dear don’t bother yourself,” he said. “If I want something, I will ask for it. You know me.”

Noodles then, you suggested. Despite his objection you set about preparing it, your last two packs of Indomie, saved for the next day, for breakfast and for lunch. Your stove was in the room. It was a studio flat that housed all your property. All domestic activities, except bathing in the washrooms adjourning the block of eight rooms, were confined to the room.

Your generosity was part of a resolve at the start of the year to be more accommodating, more tolerant, as your friends always urged. You appeared happy but murmured whenever you turned away from Pastor James to the cooking. You were broke, left with just your fare home. But at least you pretended to be hospitable. That must be a virtue.

“Where were you even going?” you asked, leaning on a cupboard.

“Here.”

“Here?” you asked, because he had never visited you except for the night he brought Blessing on his motorcycle and entered just to say hello. He had lingered a while without sitting, looking around the room and commenting on every item that caught his attention. After he left, Blessing told how he had taken her to Domi Bite where they had a lousy meal of plain boiled rice with watery stew over which he belched twice. And instead of taking her back to Inikpi hostel, he had driven her to a forested location.

“So what happened?” you had asked.

“Nothing.”

“Tell me na,” you had pleaded. “What happened, what did he do?”

“Nothing, really. We just sat there for a while and then left.”

You had been disappointed. You wanted an event, a long story with a tragic end.

Blessing had compensated you with another story about Miracle, the tall, lanky fellow who came to school as Monday and within months changed his name to Miracle, on the instruction of the Holy Ghost. At first he would be angry at whoever addressed him by his old name and spew some bollocks about sins against God. Later, he simply refused to answer to Monday, and gradually, Miracle began to catch on.

“We were on a bus coming back from Idah,” Blessing had said. “The two of us were in the back seat. I was very tired so I slept off. And can you believe what that goat did? He put his hand in my top and was touching my breast.”

You had laughed so hard that she joined in, laughing, too, then told you to stop.

“It’s not funny.”

“So what did you do?”

“I slapped his hand off, of course. But do you know the worst thing?” she had asked. “He tried it again, the dog.”

Blessing had spent the night at your place. When you heard her sniffling in her sleep, you turned your back on her and stilled yourself. Early the next morning, as she was leaving, she paused at the door and said, “You know PJ is an asshole.”

Pastor James was a student like you. He was the founder of the Living Spring Campus Fellowship, where he preached on Sunday, Tuesday, and Thursday evenings. His services were attended by about four hundred students drawn from the older, orthodox fellowships to his liberal doctrines. Female members could wear pants to fellowship, and didn’t have to cover their heads. Romantic relationships were encouraged.

Among friends with whom you attended the fellowship, you were the only one that did not hold an executive position, though like them, you hardly missed services. For the second year you had been overlooked for a post. You were not really disappointed, knowing as well as anyone you deserved to be overlooked, for despite your diligent attendance, you were only half committed. You were a passive-aggressive: neither in nor out, not leading and not following either, or to put it plainly, a rebel, as Mama, the ladies’ leader, once said, noting that rebelliousness was synonymous with witchcraft. Your position on the scale of relevance might be hundredth.

So it was natural that you should be surprised to get a visit from Pastor James. No one from fellowship visited. At least, not Pastor James. Blessing did, sure, and by extension, her friends Ilemona, John, Miracle, and other executives of the fellowship, all of whom you considered sycophants and attention seekers.

You liked attention yourself, but you would not take a step out of your room to seek it. You were too lazy to work for it, to go up the stage and sing a number one week, and the next testify about a healed headache, and another week about your increasing CGPA. You would leave fellowship immediately after the closing benediction while others remained to shake hands with Pastor James. You wanted the reward of their effort. You wanted fame or at least, a measure of recognition. You wanted your name mentioned from the stage once in a while. You wanted people to recognize you without you knowing them in return. Unmerited fame. In the absence of that, you would keep to your corner and continue as though you didn’t mind obscurity.

You served the noodles on a flat ceramic plate with a fork tucked in it. He asked that you join him. You declined at first but the aroma of your cooking, rather than his insistence, persuaded you.

You were both on the floor, facing each other, the meal between you. You ate slowly, making sure to wind every string perfectly around the fork before eating.

“Why are you so shy?” Pastor James asked.

You neither answered nor smiled as you might have done in lieu of a reply, having begun to fully regret your generosity, feeling foolish for letting him impose on you at that time of the day. You would not ask him to leave though. It was rather late to be upfront. Once on the path of politeness, you had to go all the way, else the distance covered would count for nothing.

“Let me feed you,” he said, bringing his fork to your mouth.

You shot your head back and said, “No.”

“Then feed me.”

“Let’s just eat,” you said.

“No. Feed me.”

You stared at him for a while and said, “I am not eating anymore.”

“Thank God,” he said, “I will eat everything.”

He put the plate on his lap and continued to eat.

You sighed and drew nearer the candle and tried to read. Now that you were sure he should go, what could you do? What could you have done earlier?

“So, have you had sex before?” he asked, still eating.

You looked up from the book and glared at him.

“What kind of question is that?”

“A very simple question. Yes or no.”

“Why do you want to know?”

“Must there be a reason?”

“Then there is no need to know.”

“Okay, do you have a boyfriend?”

“I won’t tell you.”

“I know you don’t.”

“If you know, then why did you ask?”

You returned to your book. He asked you to put out the candle. You eyed him and said, “No”, louder than you intended. You were being antagonistic without a cause, you thought. You were like that, dissenting without reason, like Mama had said at that Ladies Meeting when you opposed her idea that ladies were uniform attire for the fellowship’s fourth year anniversary. The red linen material she suggested would cost five thousand naira each, which, as you had pointed out, was the monthly allowance of many. Yours was fifteen thousand naira.

It turned out you were alone in your objection. The argument that had prolonged the meeting was not over the cost of the material but the choice of linen over taffeta, over satin, over gabardine, over ankara; and why red and not maroon, or burgundy, or pink, or fuchsia. The triviality of the deliberation annoyed you.

On the day of the anniversary, 25th August, you had come wearing a maroon silk gown and sat at the back row of the Old Lecture Theatre, watching as the people you tried to save from penury arrived in different styles of red, linen gowns, with complementing shoes and purses. The subservient lot, you had muttered, how they love to be led, to be prodded in a direction.

In a world not insistent on specifications, you, too, were in red. What was maroon but a darkened red? Your particular shade wasn’t even very dark. It was bright enough to be red.

In your semi-compliant attire you had sat watching the dance, musical, and drama presentations. You did not participate in any event. Even when Mama had proposed you present a poem in praise of women, you had told her you were not a poet. You were too selfish to commit fully. All you wanted was to be allowed to seat and watch, to be a witness.

The rain had stopped and the candlelight was out. You were sitting beside Pastor James, looking into the darkness though seeing nothing. You sat still, pretending not to feel him draw closer. You knew where he was going but wanted to be sure, to wait and see, to be a spectator over yourself, a witness to your own calamity.

He took your hand and you let him hold it. You even smiled when he observed that everything about you was just so small. Though he did not ask, you knew what he wanted, but you doubted your instincts. You wanted to see further, to know how far he would go, what he would really do. He couldn’t have any evil intention. Not likely. You tried to imagine his alternative motive.

He caressed your legs and noted that you were very hairy. You said nothing because you hated to talk. You believed he would know to stop. He continued and you did nothing to stop him. You let thoughts take precedence over action.

It seemed inevitable that he would lean into you and push you onto the mattress and lie on you, his weight bearing down on your chest, leaving you breathless; and that you would be unable to free yourself, however hard you fought, because you were trapped, buried under him. You were talking a lot, telling him to get up, begging him to stop, threatening to shout.

He told you to shut up and behave like a matured woman.

“Seriously,” you said calmly, “get up.”

“Am I hurting you?” he asked.

“Yes.”

“Is that what you will tell your husband when you marry?”

You rarely thought of marriage. You didn’t even have a boyfriend. You were 19, technically an adult, but young enough to let him carry on, begging instead of calling for help. He was 26. He was gyrating on top of you, slobbering over you, his cheeks rubbing your face, his stubble pricking, and his manhood grinding your pelvis. You were weak from punching and wriggling to extricate yourself.

You stopped talking and started crying. A while later, after quick successions of banging against you, he pressed himself firmly against you and then collapsed on you.

“I know you won’t tell anybody,” he whispered, and in a minute, he was gone.

You remained in bed, eyes closed, feeling dirty and urinated upon. You wished to turn into a mouse and scurry into a hole.

It was past ten when you launched out into the dark, headed for Inikpi hostel. The path was invisible. You went ahead on the confidence of your daytime knowledge of the unpaved road hemmed by bushes on the right and Eagles Lodge on the left. Some of the rooms in the lodge were illuminated by candlelight.

You took short, calculated steps to avoid the puddles. At this pace it would be midnight before you reach the hostel. Frogs croaked all around. You feared what might jump at you from the bush. A car lumbered by, honking. You stopped and waited for it to pass, telling yourself to fear not. Once, you stepped into a puddle and fetched some mud in your shoe. The road ahead looked scary. After Eagles Lodge was Millionaires Quarters, and for about half a kilometer after there would be no houses but bushes on both sides of the road. You will reach the male hostels first. At all times, Dangana and Isah Ocheja hostels have male students whistling at female passers-by; boys who will walk up to you, tugging at you, demanding your attention. After the male hostels you will get to some lecture theatres, two cafeterias, and then, Inikpi.

Blessing, being the fellowship treasurer, would think you had a financial emergency and had come to borrow some money. You had been reluctant the first time she offered to lend you some money from the fellowship treasury. However, the deal had proven to be without consequence. Whatever the purpose of your visit, you both would end up on her narrow bed on the lower bunk, gossiping about other fellowship members, especially Miracle, or else, talking literature and CGPAs.

As you went you searched for the word to describe your ordeal. You found none. A strange cry from the bush caused you to freeze. You stood, not knowing whether to go forward or backward. The hostel was still far, yet you feared returning to yourself. You feared that alone, you would cry all night and not sleep. But the hostel was far, and it was late. You tried to convince yourself that the situation was not urgent, that you were exaggerating and overreacting, creating a tragic tale out of an innocuous episode. In a month, you thought, you and Blessing would be huddled on her bed, laughing over the event which you would then describe as a pseudo sexual experience.

You were at a crossroad, surrounded by bushes and darkness and the whistling of insects. Your thighs ached from the as yet ineffable encounter. As you lingered over which way to go, you remembered your exams and the books you had to read, then you hurtled back the path you had come.

You lit a candle and read till it burnt out. You lit another candle and read to the last page of the notebook, by which time you had memorised more than was required for the exams. Still, you continued reading, choosing your material randomly, magazines, textbooks, notebooks, burning out more candles.

The World Is a Cargo Cult

A wedding consumes the beginning of Modern Gods — though fittingly it is a second wedding, a slightly awkward re-do, an uncomfortable acknowledgement that an event which was supposed to be blessedly enduring and singular is in fact just a construct, able to dissolve and even be replaced. This second wedding is also a harbinger of the rest of Nick Laird’s double-stranded new novel, in which two sisters are suddenly dropped into situations far outside their known worlds.

The wedding at the novel’s start is Alison’s, a Northern Irish woman who, after a failed first marriage to a terrible alcoholic, is marrying Stephen, a man who seems evenly tempered and sober, if to the point of being bland. Alison’s sister Liz is a New York-based professor who flies home to Ulster to attend the wedding before traveling on to Papua New Guinea, where she is set to film a television series for the BBC about the “world’s newest religion.” The day after the wedding, Alison learns of her husband’s secret past, while Liz quickly finds herself enmeshed in the politics of a South Pacific ‘cargo cult’ and its enigmatic leader, a local woman who broke with the island’s equally fanatical Christian missionaries. Though the two stories could not be farther apart geographically, both sisters find themselves in a situation that they weren’t prepared for — Liz navigating a threatening cult in the jungle and Alison wondering if she can reconcile the truth about her husband.

I had the pleasure to talk with Laird, an award-winning poet and novelist, over coffee about researching cargo cults, the danger of surrounding yourself only with your own beliefs, and how he might never shake his former job as a lawyer on the Bloody Sunday inquiries.

Carrie Mullins: Your novel follows two sisters, Alison and Liz. Their storylines are very different, and I wondered, which came to you first?

Nick Laird: Neither of them really came first — it was always a book about two sisters. I wanted it to have two halves, a home half and an away half. The two halves hang together; for me they end up dealing with the same things: how we talk to the dead, what we owe the dead. I always knew it was going to be partially set in Ulster, and then as far away from that as possible, a sort of through-the-looking-glass.

The books that have meant the most to me over the years are books set in a faraway country, like those by Joseph Conrad, but also books like Franzen’s The Corrections, where a character dips into the narrative and then goes off somewhere else to have another storyline, with links back-and-forth between them. So I knew the kind of book I wanted to write, though obviously the book you’re left with is almost nothing like the book you envisioned it would be.

CM: I read in the acknowledgements that you were doing a Guggenheim Fellowship. What led you to create New Ulster in Papua New Guinea? Can you tell me a little about the research process?

NL: I’m meant to be doing a nonfiction book on poetry called The End of Poetry. I haven’t quite started that yet, but a lot of the material is already there. It’s based on essays I’ve been writing for the Guardian and other places. So the research was just for many years, I read a lot of books about Papa New Guinea. Finally my wife said to me, Please stop ordering books about Papa New Guinea, our flat can’t take anymore. I just had bookcases and bookcases of them. I’ve been to Fiji and spent time there years and years ago, but actually had never been to PNG, and in a way I wanted it that way, I wanted this to be a kind of made up place, partially because of the kind of latitude that gives you as an author. There is an island called New Britain and one called New Ireland but none called New Ulster. I wanted it to be an obvious, direct flip that seems to be a straight allegory but then changes and becomes its own thing, so that was the idea. I also knew I wanted to write about animals and birds — I’m very interested in ornithology.

Author Nick Laird. Photo by Zadie Smith.

CM: Did you learn anything fascinating or weird when you were researching these cultures?

NL: The cargo cults are interesting to me because — do you know who David Attenborough is?

CM: Of course. I want him to narrate my life.

NL: I know, he’s just the best. That’ll be the saddest day when he goes. I grew up on him, like everyone, and in 1960 he went to PNG. In his book Quest in Paradise, he talks about meeting a leader of a cargo cult. This cargo cult had started around the Second World War when an American GI called John had given the tribe lots of things like chocolate bars and fridges, and they’d seen the American jeeps. Then this guy left with the American army and he became a kind of messianic figure who the cult thought would return. They called him John Frum, which they think is a corruption of John from America. They’d been worshiping John Frum for years and David Attenborough said to them, You’ve been waiting for John Frum to return for twenty years and it’s obvious he’s not returning. And the leader of the cargo cult said, Well you’ve been waiting for Jesus Christ for two thousand years. So the idea that Christianity itself is a cargo cult or any kind of nationalism that works towards this ideal future is a cargo cult was interesting to me.

In Northern Ireland there’s the same kind of thing — people are in these content bubbles. Same as in the Trump era, and any place where you surround yourself with an attitude that reflects your own beliefs. I wanted to play with some of those ideas.

“The idea that Christianity itself is a cargo cult or any kind of nationalism that works towards this ideal future is a cargo cult was interesting to me.”

CM: I was going to say that the book felt really relevant. Belef and Alison are really two sides of the same coin, both believed in something, Christianity and the sanctity of its institutions, and then we see what happens when there’s a vacuum of belief. Like you said, a lot of people right now are facing that void and filling it with, well, with scary things.

NL: Yeah I was interested in this idea: where do you locate the transcendental, what do you move towards? If you’re a writer or a poet, it tends to be in the momentary flash of observation or detail or something beautiful you notice, whereas the scary side of that is to look for the transcendental in this imagined future. You know: Everything good will come if you only do this. These forms of control were interesting to me, and Liz comes at it form a very cold perspective in a lot of ways. But she is someone who observes these little moments of transcendence; she likes to look at things rather than working towards a greater goal.

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CM: Part of these stories, and their power over us, tends to be the character at the center. Like when your character, Stephen, is talking about how he ended up involved in the mess that he did, he said, well you knew who the local bigwigs were and seeing them wield their influence was really impressionable. You see that ability to influence in Belef, too, who created a following out of nothing. She’s magnetic, and I was wondering how you created that charisma.

NL: I don’t know. Does it work?

CM: I think it does.

NL: She makes me laugh, Belef — you can’t really quite put your figure on why she has this personal force, what Walt Whitman called talent. It’s the talent to lead or move people. Part of it is a kind of reaction to missionaries and her husband disappearing and her child dying; it hardened her and sharpened her. But she’s just one of those people who’s very secure in herself. Everyone is drawn in by the gravity she’s exerting.

In terms of how you get the character, I never really know how the characters come along. I just draft and redraft until it seems right. Usually the character speaks English and it’s the language, it’s what they say, that lets onto what kind of person they are. But with Belef it wasn’t the language because she speaks a sort of mix of pidgin and English, so I wanted her to have that kind of head-down bullishness. Most of the cargo cults are led by men so I was interested in how a woman would do it, and it’s meant to be partially about the violence that’s been done to women. Like in Northern Ireland, of course it’s mostly men who kill but it’s the women who suffer in the end, who have to raise the kids alone, have to make money, and have to grieve across generations.

CM: Is there more pressure when you’re writing about Northern Ireland? Do you feel a burden to be “authentic?”

NL: I think I actually do. I wouldn’t expect to say yes to that question; I think that if you’re a white male you’re meant to have artistic freedom, you’re sort of able to speak on behalf of whoever. My wife [Zadie Smith] gets asked, do you feel a pressure to speak on behalf of mixed race people, or black women, but white men don’t get that. Being a Northern Irish Protestant, I feel a responsibility to complicate the narrative. The narrative is very, very simplistic when it comes to Ireland. People like me, who are Protestants in Ireland, tend to be viewed, especially in America, as colonial figures, but of course we’ve been there for a lot longer than most people have been in America. We have mixed heritage, Catholic and Protestant and all the rest, so when it comes to Northern Ireland I do feel I need to complicate that narrative.

When you grow up, you have all these received narratives from church and state and they’re all very fundamentalist, they’re all very black-and-white and extreme. So when it comes to literature, you want give scope to the full humanity, make it complicated and ambitious and difficult in a way. People talk about whether or not writing is political, and my answer to that has always been that it is political because once you try to fully realize someone, then it closes down a lot of avenues like political violence, and it makes it much harder when you know someone has a past. What does Trump say, that democrats aren’t even people? That kind of rhetoric is very dangerous.

“Being a Northern Irish Protestant, I feel a responsibility to complicate the narrative. The narrative is very, very simplistic when it comes to Ireland.”

CM: So do you feel like your work will be received differently back in Northern Ireland?

NL: Yeah. I did an interview for the Irish news a few days ago and they put it up as a book by a Tyrone-born, ex-Saville Inquiry lawyer. I was a lawyer and for years I worked on the Bloody Sunday inquiries. I’d represented the British Prime Minister Ted Heath and Secretary Lord Crawford, he was in charge the Sunday where they shot dead fourteen civil rights protesters. And I felt like that’s the immediate slant on me, instead of just a writer. It’s hard to escape the shadow of many years of history in Northern Ireland.

CM: Do you actively have to engage with that while you’re writing? Or do you just write and decide you’ll deal with it afterwards?

NL: I think I just write really, but I remember after my first novel, my parents got anonymous phone calls, people ringing them up and giving them grief about various things I’d written in the book. So I’m not not aware of annoying people. You have to write what interests you. But most of the people I’d annoy won’t be reading the book, so we’ll be all right.

Attention Travelers — Please Remove All Jackets, Shoes, Laptops, Belts…and Books?

Plus Oprah has picked a new novel for her book club and a program to combat book deserts will help out Florida kids

The start of the week may be slow, but the literary world is always around to help distract you from those post-weekend blues. In today’s roundup, the TSA may be asking travelers to reveal something sacred and secret…which books they’re reading, Oprah anoints a literary superstar, and vending machines in South Florida will be offering free books to children.

TSA wants to go over your reading habits with a fine-tooth comb

As if TSA procedures weren’t harrowing enough, we might have to start showing agents which books we’re reading. The Wall Street Journal reports that new security measures are being put in place that will ask travelers in the security line to take out their reading materials and paper goods just as they would their laptops. The new practice was reportedly tested in May in Kansas City, MO — apparently, it did not go well, and testing had to be halted after only a few days. But John Kelly, the Department of Homeland Security Secretary, told Fox News that the department will “likely” enforce this policy. “What we’re doing now is working out the tactics, techniques, and procedures, if you will, in a few airports, to find out exactly how to do that with the least amount of inconvenience to the traveler,” Kelly said. The ACLU has raised concerns regarding the privacy breaches of this potential new requirement. Looks like the TSA is going to see more copies of Fifty Shades of Grey than it bargained for. Oh, and were you planning on bringing that copy of 1984 on vacation to the shore? Good luck…

[The Hill/Brandon Carter]

Imbolo Mbue’s novel Behold the Dreamer is Oprah’s new Book Club pick

Oprah Winfrey has crowned a new literary superstar. On Monday, the talk show host announced a new pick for her famous book club: Behold the Dreamers by Imbolo Mbue. A powerful tale of immigration and striving, the book tells the story of Jendi and Nene Jonga, a couple from Central Africa who come to America with hope and high spirits. Eventually, they realize the American Dream isn’t all it’s cracked up to be. Winfrey extolled the novel for its relevant themes. “It’s got everything that’s grabbing the headlines in America right now. It’s about race and class, the economy, culture, immigration and the danger of the us-versus-them mentality,” Winfrey said. The story weaves in truths from Mbue’s own immigration to America from Cameroon. Oprah added that the book is ripe with ideals such as the pursuit of happiness, love, and family. She calls it a perfect beach read and because there is no reason not to believe everything Oprah says, I can’t wait to get my hands on a copy.

[CBS]

10 Books on the American Immigrant Experience

Vending machines to give 100,000 books to children in South Florida

Many of us can’t imagine a world in which books aren’t readily available at libraries, bookshops, or to borrow from friends and family. Unfortunately, this is the case in many communities considered to be ‘book deserts,’ or areas where printed books and reading materials are difficult to obtain. To combat this, a partnership between Jet Blue and Random House Children’s Books has resulted in a program that offers free books to communities in need. Last year, the reading program helped communities in Detroit and Washington D.C. Today, four vending machines will be installed in Broward County in South Florida to distribute 100,000 children’s books. This year, books will be available in both Spanish and English.

[Fox4/Justin Sullivan]

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The Quiet Death of Privacy in “The Circle”

The adaptation of Dave Eggers’ novel nails the insidious rhetoric of Silicon Valley

Emma Watson as Mae Holland in ‘The Circle’ (2017)

The Circle, the large communications conglomerate from which James Ponsoldt’s film gets its name, is all about sleek surfaces and minimal design. When Mae (Emma Watson) first lands a job at the California company’s Google-esque compound, she’s greeted by glass buildings, open-concept office spaces, and desks that only house screens and keyboards. Just as its product TruYou helped to declutter the digital footprint of its users — integrating social media profiles, payment systems, email addresses, and “every last tool and manifestation of [people’s] interests” into one central account — The Circle’s campus is likewise a study in simplicity. In transparency, even.

Keeping with the Dave Eggers’ novel on which The Circle is based, Ponsoldt’s film follows Mae as she rises within the company’s ranks. She begins as a lowly “Customer Experience” (CE for short) rep. A newbie to the world of zinging and smiling (think tweeting and liking), Mae quickly masters the many screens she’s encouraged to oversee at her CE job (including her phone, a tablet, and three monitors at her desk, all of which keep her abreast of customer complaints, social events on campus, and conversations happening across the company) before she immerses herself in her corporation’s mission to “close the circle” and, in the PR-ready lingo of The Circle, “reach completion.” As it turns out, this means imagining a world in which Circle users are constantly being surveilled.

Tom Hanks in ‘The Circle’

Eamon Bailey (Tom Hanks), one of the three men who first founded The Circle, states his aims bluntly in the film: “Knowing is good. But knowing everything is better.” Upon introducing their new product, a small HD camera that can be easily and wirelessly installed anywhere in the world (imagine logging on to check out the waves at your favorite surfing beach! Or having access to your apartment’s closed circuit cameras at the tip of your fingers!), Bailey recruits Mae to be the first Circler to go fully transparent: donning the SeeChange camera around the clock, thereby giving millions of viewers a front row seat to her entire life.

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Clearly, Eggers’ premise was aimed at litigating some of the darker consequences to our oversharing digital economy. For every minute connection one might feel posting on social media or communicating with someone on the other side of the world, Eggers provocatively showed the many freedoms simultaneously being relinquished. When we first meet Mae in the film, she is blissfully kayaking by herself. This is an activity that later will bring her grief from her coworkers, who can’t fathom her never posting anything from these trips alone. In their estimation, not only is she depriving herself of ways to mingle and meet people with a similar interest, she’s robbing her worldwide followers the chance to experience her peaceful kayak mornings. It’s all a bit too blunt — and that’s even before Eggers ties Mae’s ambivalence about The Circle to the various sexual encounters she has with men, each a stand-in for the different ways of relating in The Circle’s world.

In moving to the big screen Ponsoldt wisely sidesteps these tricky erotic encounters. Instead, Mae becomes more of an active agent in her own narrative, leaving room for the director to nail the ripe-for-self-parody moments at the start of the film, as the young ingénue first navigates her new workplace. If the adaptation of The Circle falters at all it’s in the shared shortcomings that beset Eggers’ technophobic manifesto. Mae’s descent into a wholehearted belief in The Circle’s autocratic policies feels all too tidy, more a way for Eggers to make his overarching point than an investment in a believable character arc. Still, depicting an all-too-plausible dystopia, the film manages to perfectly skewer Silicon Valley’s (ab)use of language when it comes to the commodification and dismantling of individual privacy.

“With the technology available,” Bailey says at one point in the novel,

communication should never be in doubt. Understanding should never be out of reach or anything but clear. It’s what we do here. You might say it’s the mission of the company — it’s an obsession of mine, anyway. Communication. Understanding. Clarity.

It’s one of the many moments where Bailey’s (and The Circle’s) rhetoric is so farcically self-serving that you wonder how Mae — or any of her coworkers, let alone their customers — doesn’t see right through it. The blatant obfuscation mostly goes unremarked in the novel and film, though Hanks, doing his best Gates/Jobs/Zuckerberg impression, makes Bailey’s speeches more convincing than they are in the text. For those at The Circle, his slickly expressed ideas feel intuitively correct, like thoughts they’ve had but never felt compelled to articulate. The presentations, breathlessly anticipated by those in the company — playing in the film like a mix of an Apple keynote speech and a TED talk — get at the way that contemporary digital branding pushes language and logic to a near breaking point. When we hear Circlers advocate for “clarity” and transparency, what they’re in fact proposing is the dissolution of personal privacy, a sleight of hand central to the insidious Silicon Valley rhetoric that both Eggers and Ponsoldt stridently call out.

In the presentation when Bailey announces that Mae will go transparent, he has them restage one of their earlier conversations. He wants to walk the audience through what had led Mae to make revelations crucial to the future of his company. But, in presenting them he reduces her ideas to epigrammatic one-liners, of the type you’d find in a Hallmark card or on an inspirational poster. Or, in the marketing copy of The Circle’s advertising:

SECRETS ARE LIES

SHARING IS CARING

PRIVACY IS THEFT

The sharing economy on which the company’s philosophy rests (as well, crucially, as their bottom line) is one that leaves no room for secrets. Bailey is a man who earnestly asks “What if we all behaved as if we were being watched?” while trying to make that panopticon-like proposition seem desirable. The implicit moralism of his pronouncements — which go unquestioned by the world at large and ultimately drives Mae to inexplicably abandon her need for privacy, to instead champion transparency at all costs — is what makes at least the message of Eggers’ text so astute, despite the awkward bluntness of its execution. The film ends up playing like a supbar Black Mirror episode, where a tyrannical dystopia becomes, in Mae’s eyes, blissfully utopic: “a glorious openness, a world of perpetual light,” as she puts it in the novel. But it still gives us a fascinating Orwellian riff on Silicon Valley — only, instead of the thought-limiting language of newspeak what we get are platitudes that seem utterly benign.

Shelley Enters the Woods

Continue reading Episode 3: The Secret Song
Previous episode: Episode 1: The Girl Goes Missing

1. Everything looked different at night. Shelley watched the police cruiser speed toward town and disappear. The world became dark again. Pedaling as hard as she could, she sang to ward off the unappealing shadows of the abandoned farms and unused mills, each familiar sight now looking slightly unfamiliar, looking stark in the half-light. It was a song her grandmother used to sing whenever they went to church, though she hadn’t been in some time.

Why should the shadows come?
Why should my heart be lonely,
Away from heaven and home?
For Jesus is my portion
My constant friend is He
For His eye is on the sparrow
And I know He watches me.

By the time Shelley had finished the last verse, the town square, obscured by several broken streetlamps, was finally in view. There, in the middle of the square was the Civil War memorial, a statue of a Union soldier cradling a Confederate comrade. The state line between Kentucky was only 20 miles south, and several generations ago town members had fought on both sides of the conflict. Beside it was an eternal flame, for the fallen of World War II and Korea, which had not been lit in years. Across the square lawn, the town hall and police station, with their lights on, though looking empty. Shelley glided quietly past, the blue shoebox rattling in the wire basket as she turned onto Main.

There, along the street, were the blank, square-faced shops, all lifeless at 7:30 on a Friday night — the hardware store, the pharmacy, the gas station, and the restaurant, the Lighthouse, which closed each day after lunch. The tobacco store, the laundromat that had been abandoned four years before, and the hair salon with blown-up photographs of hairstyles from the 1980s, each of their windows covered with several degrees of dust.

But all of these places, which had been so familiar just hours earlier, seemed eerie now, phantomed.

When she turned down Beecher Street to go to the library, Shelley saw the flashing red lights once again. Seems like some sort of trouble, she thought. Before she buried the bird, she decided she ought to at least investigate.

Two squad cars were parked near the corner of Beecher and Evergreen. Shelley stood her bicycle beside a crowd of more than a dozen people in the middle of the street, mostly neighbors who lived on the block, though some folks, like glum-looking Anselm Peters — an octogenarian who showed up at every minor incident, including fires, bar fights, and domestic disputes — were, like Shelley and her grandmother, devoted enthusiasts of the police radio scanner.

Deputy Gary Polk, with his wide neck and slumped shoulders, was asking the crowd to please back up onto the sidewalk. Other neighbors began to arrive in housecoats, bathrobes, and pajamas. Gary waved his arms, ushering more of these onlookers off the street, and grabbed the radio from his vest to whisper:

“This is 304 to base. Talked to some people around here, and they all said the bicycle belonged to a girl named Jamie Fay. We just spoke to her mother, but she hasn’t seen her for the last couple hours. You want to call Wes and ask him how he wants to proceed? Over.”

There was an explosion of static, and soon the cigarette-soaked voice of Darlene Wills came back over the radio. “You get a description of the girl? Over.”

“I got a pretty good one: female, 12 years old. Brown hair, blue eyes. And this is what she was wearing before school today: yellow shirt, jeans, white shoes. Over.”

The fact that the girl was someone Shelley knew—knew intimately—caused an otherworldly, indistinct feeling to take hold, sort of like fainting and coming to. She felt she had to tell somebody right away. She spotted Mrs. Blake, the pianist at church, standing on the sidewalk across the street from the Fays.

Shelley approached her and said, “I babysat Jamie Fay for three years.”

Mrs. Blake looked interested, though unsurprised. “You did?”

“From the time she was seven ’til she was 10. Then her mom stopped working,” Shelley said. “She was Miss Somerset in the Founder’s Day parade last year.” Unbidden, she added, “She’s not one to run off.”

The woman nodded, apparently in agreement.

Shelley quickly crossed the street, passing among the onlookers and gossips, and found a yarn chime hanging in a tree in front of Jamie’s house. One of the deputies was speaking to Mr. and Mrs. Fay on the front lawn. Other neighbors continued to arrive and crowd the sidewalk. Shelley ignored them and extended a hand to the chime. It was a few old spoons and forks that the girl, Jamie, had tied together with blue and white string. Above that hung a blue and pink God’s eye, which Shelley had taught her how to tie. “It’s supposed to represent the power of understanding things that are unknowable,” she had read from a craft book on the day they made them. “To observe everything that might be a mystery.” Shelley now put a thumb and finger to the diamond-shaped decoration and immediately had an idea of where the girl might be hiding.

But arrogance or ambition or maybe her sense of adventure won over, and she decided not to tell anyone. Instead of speaking, Shelley climbed onto the seat of her bicycle and began to pedal off.


2.Between the town square and the rural farm road, Shelley had the idiotic fantasy of going see if the girl, Jamie, was where she thought she was. If she was there, Shelley planned on getting her quickly back home. Nobody had to know she was involved. Better to let Jamie answer the police and her parents’ questions and stay out of it. Shelley ignored the stoplight, which only ever blinked red after 6 p.m., took a right on Main, gliding past the smalls street of shops, past the gas station, past the creamery.

Just along the rural route was a narrow gravel road that led past the blue bridge and over to the woods. The girl, Jamie, had a queer habit of hiding out there. What she most liked to do was disappear into a copse of trees, down by the river. Shelley and the girl had made a number of forts there over the past few summers, and one day had even built a castle made of sticks and logs, both of them able to climb inside and hide. Shelley had warned her to stay away from the caves — as there were all manner of myths about Confederate deserters and runaway slaves who had gone seeking shelter and ended up meeting their ends when the caves filled with water. Jamie, a good student and soprano in the church choir, always obeyed. So the first place to look was the woods. Why Shelley had not told one of the deputies, she did not know — other than pride and a sudden sense of excitement, she would not have been able to explain until much later.

The woods were much farther from town than she remembered, now that it was dark. Even as she rode, Shelley began to doubt that Jamie would have walked out there all by herself. But she was already halfway, crossing the metal bridge, and the woods were opening before her.

There was a field, an unpainted fragment of an abandoned farmhouse, the shape of the forest like arms reaching up, crowding out the dark sky. Farther on, the intersection of moonlight passing through the endless branches, a brief fragment of the moon.

Dust and mud from the road, flying up. Wind at her back, blowing at her hair, urging her on.

The feeling of timelessness, the moon a partner to the forest, giving everything a paler shade.

Beyond a passel of peeling birch trees up ahead, Shelley saw a shadow, something moving. Before she could slow down, a figure stepped out of the woods, the face of a ghoul appearing just beyond the front of her handlebars, only a few feet before her.

Shelley crashed — first swerving into some brambles and fallen branches as she pulled hard on the brakes. A moment later, she tumbled headfirst over the handlebars into the culvert.

The crash ended with Shelley on her back with several different kinds of sticks in her hair. Before she could look up and scream, the shadow switched on a flashlight and was moving toward her. It was a man, standing alongside the road, his features obscured and weak. Once she was able to right herself again, she noticed the black-and-white squad car parked along the ditch, the town crest etched along the grimy side panel.

Eventually Shelley could see it was Deputy Will Farnum, and that he was hunched over, frightened, out of breath. He was a tall man, with closely cropped hair and a receding hairline. He looked more terrified than she did.

“Are you okay?” he murmured, still fighting for breath.

“Deputy Will,” Shelley said, lifting her bike and smiling. “I’m okay.” She found the blue shoebox containing her pet bird in the grass, righted her bicycle, and returned the box to the basket in front.

The deputy stood, straightening his lanky knees. “I’m so sorry, Shelley. You gave me quite a scare,” he wheezed. “What are you—what are you doing out here this time of night?”

“I was just going for a ride. On my bicycle. What are you doing out here?”

“Looking for that girl. One of her neighbors said she liked to come out here. I was having a look, and somehow I got turned around.”

He pointed faintly in the direction of the woods.

“The knees of your pants are all covered in mud,” Shelley said.

“The thing of it, Shelley, is that I did something stupid. I lost my keys.”

“You what?”

“My keys. The keys to my patrol car. The sheriff is going to have my head if I can’t find them. It’s the third time this month I lost something.”

He looked down and pulled at a retractable silver keychain attached to his gun belt, which was now absent of any keys. “I’ve been looking for them for the last half hour or so. It doesn’t look like I’ll find them.”

“Would you like me to help you look?”


3. She gave the deputy a slight smile and began searching through the waist-high grass near the police vehicle.

The deputy knelt down beside her, slowly flashing the light from side to side in the brambles before them.

“It’s awful nice of you, Shelley. But you’ve always been kind. I’d be obliged if you didn’t happen to mention this to anyone. I’m pretty embarrassed as it is, and you know the sheriff. He can be awful unforgiving sometimes.”

“It’s okay,” she said. She added, “I didn’t see you at lunch today.”

“I was up in Ahern all afternoon, in court, for an arraignment. Something to do with the Dove family.”

Shelley looked at him and blinked nervously.

“When I got back to town, I got the call on the radio and came out here, and then I dropped my keys,” he said. “It’s been a long day.” The deputy stood upright and stopped searching. “How about you? How was your day?”

“It was long, too. I hate to mention it, but Mr. Peepers died.”

“Which one was he, the box turtle or the little mouse?”

“The parakeet.”

“Oh. Well, it must have been the heat. It’s been awful hot for September.”

“That’s what my grandmother said. But parakeets are from the tropics, aren’t they?”

“I guess they are, Shelley. But animals, they got senses we don’t. They know when trouble is coming.”

It was then that she noticed a scratch on the side of the deputy’s face.

“Your cheek is bleeding, Deputy.”

He frowned and felt at it with the back of his hand. “I must have cut it on one of those branches over there. This is just my luck. I hate to say it, but I was born unlucky. Reminds me of when I used to be a schoolteacher at the high school.”

“You were a schoolteacher?”

“For a few years. I was I was terrible at it. I had the exact wrong disposition. I kept wanting to help those kids, to inspire them but I…I was too nervous. I made them all anxious. They ended up making some terrible jokes about me, sayings and the like. Anyways, for me, I guess it feels like the whole world is always coming to an end.”

“I never would have guessed that.”

“No? Well, I had a sister who passed away when I was young. After that, everything was different.”

“I’m sorry to hear that, Deputy.”

“She was my older sister. Sissie, we called her. She passed away when I was 10. They found a tumor, right there in the back of her head. Everybody said I was different after that. I used to spend hours staring in mirrors. I had an aunt who said you could talk to the dead through them. You ever try that? Talking to someone who’s not actually there?”

Shelley thought of the empty chair that sat at the kitchen table, the one that had once belonged to her mother.

“They don’t ever talk back. No matter what you say.”

“No.”

“It’s the reason I never got married. I’ve been in love with someone all my life who wasn’t even there.” He paused. “Listen to me go on.”

The deputy began to search through the weeds again. Shelley leaned over and used both hands to feel among the stiff grasses and bare ground.

After a while the deputy looked up. “Were you out here looking for that girl? Jamie Fay?”

Shelley gave a slight nod. “I used to babysit her. She used to come out here sometimes to play hide-and-go-seek and build forts. I thought maybe — I don’t know. Thought I might be able to find her.”

Up in the tree, the deputy’s flashlight caught something bright red. The deputy held the light on it, and both Shelley and he saw it was a tree full of God’s eyes, all of them pink and white and red, all of them of different sizes, 30 or 40 of them, hung at differing lengths with string and yarn. Shelley put out a hand, watching as each of them spun in the darkening air.

“Looks like she’s been busy,” the deputy said.

Shelley held one of the smaller God’s eyes in her palm. “Looks like she’s trying to tell somebody something,” she said. The angular object hung there patched-together and frayed, as uncanny as blood.


Continue reading Episode 3: The Secret Song

It’s Harry Potter’s 20th Anniversary and Fans Are (Understandably) Going Wild

Social media, bookstores, and schools are honoring the book that started it all

June 26, 1997 is a date many readers know and cherish. On this day 20 years ago, Harry Potter, his beloved companions, his treacherous enemies, and the wizarding world entered (and promptly dominated) the literary canon via Harry Potter and the Philosopher’s Stone. For weeks now, Potterheads everywhere have been preparing for the anniversary of the book that started it all, and on this magical day, the festivities have peaked. All over the globe, celebrations have commenced to honor a world and a set of characters that have been received like no other; in fact, to this day, the book remains one of the best-selling titles of all time. To honor this momentous year, a number of events and goings-on reveal the magic that is the Harry Potter fandom.

Mini Potterheads gather to beat a world record

The Guinness World Record for Largest Gathering of People Dressed like Harry Potter is really a category and as of Friday, it has been topped by over 100. Nearly 700 robed and bespectacled students from eleven Bolton primary schools gathered on the lawn to successfully beat the record. Wearing a Gryffindor tie was not enough; Guinness judges take this category very seriously, requiring that everyone also wears glasses, carries a wand, and dons the signature forehead lightning bolt. Yet, from the looks of the photos, a number of kids are missing integral parts of the costume, which frankly, has us questioning whether these kids were the largest group of Harry look-alikes in history. Bloomsbury Publishing worked with the schools to host the gathering, offering each participant a free copy of the book.

Social media magic spells have fans celebrating together worldwide

Considering the wide expanse of the HP fandom, social media is a great way to connect with fellow Hogwarts fanatics, and it surely has not disappointed on the 20th anniversary. Twitter teamed up with Bloomsbury and Pottermore to create an official emoji, which appears when users enter #HarryPotter20. (Bloomsbury gets a big thanks on this anniversary — the publisher famously saw potential in Rowling’s story after the manuscript had been rejected by over ten other houses.) Naturally, the hashtag continues to be the top worldwide trend on the site, with fans reminiscing and recounting their experiences with the boy who lived. J.K. Rowling tweeted to her following of nearly 11 million people to reflect and offer thanks for the support the series has received. “20 years ago today a world that I had lived in alone was suddenly open to others. It’s been wonderful. Thank you.#HarryPotter20,” she wrote. Facebook also had some surprises in store; when typing in “Harry Potter” into a status, effects mimicking a wand casting a spell will appear on the user’s screen.

Bookstores continue to be harbringers of joy by planning special anniversary events

Bookstores around the country are preparing a host of events to celebrate the 20th anniversary. 20 bookshops have been selected by Bloomsbury to compete in a themed family quiz. Other stores are organizing costume competitions, simulated house sorting, and Triwizard quizzes for both long-time fans and Harry Potter beginners. Waterstones Aberdeen is planning a treasure hunt and an evening game of Quidditch Pong. All in all, it looks like a day full of magic for Potter fans.

Literature’s Great Alternative Families

The Case for the Child Saint of Indiana

1.

The girl is petitioning for the sainthood of another girl who has died. She did not know this girl personally, which, in her opinion, makes her a more impartial and trustworthy petitioner. Anne spoke with her just once, though she had seen her plenty of times. The dead girl went to her school. In life, the saint was only two years older, though now Anne is catching up, since the dead do not grow older and must eternally remain their age at their death-date.

Anne writes impassioned letters to the local priest, the bishop, and Cardinal Maida, who lives in Detroit. These letters outline the candidate’s virtues and accomplishments: She was a straight-A student. She gave free piano lessons to one of his sister’s friends. She was pure of heart. She occasionally read books out loud to old people at the retirement home. She wanted to be an optometrist, to help people see.

There has also never been a saint from Indiana, a fact Anne points out to bolster her case, politically.

2.

There are many available library books about saints, but only one about how someone is made a saint. Its cover shows a flock of monks and nuns soaring above clouds, each with a fat yellow halo.

Should a candidate show promise, the book tells her, he is assigned an Advocate for the Cause of Sainthood, usually a cardinal, who makes a case for the candidate’s beatification. Until that cardinal is assigned, Anne will be this advocate. She will gather the evidence. She will compile the accounts of the saint’s supernatural deeds.

In order to get someone beatified, you must to prove they’ve caused miracles by way of intercession. This means, as far as the advocate can figure, they are a kind of answering machine for God.

And so Anne prays to her, hoping she might intercede on her behalf. So far she has answered several of these prayers, including a request for the smooth recovery of his aunt after her hip replacement. Anne includes this in the letters.

3.

In addition to the letters, she keeps a manila envelope containing a copy of her obituary, notes from interviews with her friends, a newspaper article detailing the accident on the freeway, and a list of possible miracles.

Anne saw her perform one of these last summer, at the parish picnic. She made a dollar bill levitate between her hands. Seated at one of the card tables near the dunk tank, she took a dollar, crumpled it up, and then gently cupped it in her palms. After a few twitches, the bill floated three, four inches above her hands.

Anne’s sister said she could see the string in the right light, like spiderweb. She had looked it up later and found out you could buy this kind of string online. You put one end in your mouth and taped the other to the table. But Anne didn’t see any string.

“Was that real?” Anne asked the girl later that night, the one time she spoke with her.

She smiled. She had very large teeth.

“You saw, right?”

When she learned the girl had died, she thought of that balled-up dollar bill bobbing in midair.

4.

The advocate could never be a saint herself. She is far too evil. She entertains evil thoughts. She watches forbidden TV shows in the basement. She soaks paper towels in hand sanitizer and watches them burn up in invisible flame. She has wished terrible things would happen to her teachers (tiger pit, amoebic dysentery), or to his sister (mustache, Madagascar hissing cockroaches in bed). The advocate has lived a selfish life, she knows it. She is not some magical person. But if she saints the dead girl, she will have done some good in the world. Even if Anne can’t be a saint, getting the girl beatified could make her better.

This is another sign of the saint’s sainthood.

5.

She needs more evidence. This is why she has not heard back from the bishop or Cardinal Maida. To this end, she has written to the family, begging for their cooperation in her mission, but they have yet to respond.

One afternoon she walks to the dead girl’s house to interview them. (She found the address in the parish directory, opposite a family portrait in which the girl, her older brother, and her parents stood in front of a gray backdrop that looked like the bottom of a storm cloud.)

The advocate walks along River Road, where he sees a heron snag a minnow from the soupy brown water.

She imagines a spring erupting from the saint’s yard upon her arrival. Or a flock of white doves roosting on the roof. A blue flower that never wilts its petals. One hundred crumpled-up dollar bills floating like little green clouds above her head.

The house is four miles away. By the time she gets there it is much later than she’d imagined. Inside she can see the girl’s parents watching TV. Law and Order, is her guess.

She wants to interview them. Do they recall any instances of bilocation? Stigmata? Did their daughter corporally mortify? Experience visions?

The dead girl’s father changes the channels during commercials. The advocate can see the gold watch on the man’s thick wrist. On the wall is a framed painting of a kiwi.

Spying on them, watching them watch TV, she feels like she is dead herself. She cannot bring herself to ring the doorbell or ask for an interview. She cannot think of how to start the conversation.

A dog barks at her through the skinny windows on the stoop, and then the door opens. It is the candidate’s mother. She wears a large pink robe.

“Can I help you?” she asks.

“Can I use your bathroom? It’s an emergency. I’m sorry.”

“Um. Sure. That’s fine I guess.”

The house smells like cooked fish. The dog leaps up and puts his paws on her shoulders like he is trying to dance with her. The saint’s mother leads her to a bathroom near the front door.

Anne does not have to use the bathroom, so she says a quick prayer of apology for lying to the saint’s mother, flushes the toilet, and runs the sink.

She has plenty of time to interview them, she tells herself as she scans the bathroom wall for any blobs resembling Christ or the Virgin. Maybe she could call the girl’s brother, who’s in college in Bloomington.

She tries to sneak a glimpse of the living room before she leaves, but all she sees is the painting of the kiwi.

Before returning home, she takes a few blades of grass from her yard and slips them into a Ziplock sandwich baggie. They’ll go in the envelope.

A saint is anyone who goes to Heaven. It should not be so difficult to prove the girl is up there, sitting on furniture made of cloud, watching a TV made of cloud. Why shouldn’t she be counted in the Communion of Saints?

The advocate walks the long way home in the dark. She has not told her parents where she was going, only that she was taking a walk. They will be worried about her.

It occurs to her that the amount of time it will take to get the candidate sainted is much longer than the girl had to live. It could take the advocate’s whole life, or longer.

Love Blind