You are the Stepson

The man is running, gasping, down a winding blacktopped road lined with monstrous, inexpensive-looking homes. It is suburban dusk in the springtime: the lukewarm air smells of sweet damp lawn-cuttings, virgin asphalt, and dogwood blossoms. Behind and beneath these smells is another smell — the acrid tang of burnt coffee, emanating, as always, from the man’s armpits and his breath.

For the purposes of this story, the man will be identified as L.

L. is nobody’s idea of attractive: avocado-sized Adam’s apple, birdlike wrists, curly orange-gray hair. His bony body is distinguished by a round, larded belly that appeared suddenly one day when he was 33 years old.

L. is possibly a sociopath.

He definitely has a cancerous lump on his person.

L. is running from his stepson, who is slowly pursuing him on a bicycle. The bicycle is too small for the stepson, and its chain is slightly rusted, which is why the stepson has not yet caught up with his stepfather. The stepson might be better served if he simply got off the bicycle and pursued his stepfather on foot. However, to be honest, he is savoring the slow-motion element of the chase, because it gives him pleasure to see his stepfather’s fearful expression — and, because the stepson is dreading what might happen next.

The stepfather stumbles and veers to the side of the road, coming to rest in front of a flowering dogwood. He leans into the tree, embracing it, fingers desperately caressing its bark as though attempting to read a message encoded there. The stepson drags his shoe along the paved road until the bicycle wobbles to a stop a few feet later. He’s almost disappointed that the stepfather has given up so easily.

Tucked within the stepson’s jacket is an M&P .32–20 that has never been fired. The stepson does not consider himself a violent person by nature, but he desires an apology from the stepfather.

Due to the situation with the ant.

Lyman

Firstly let me apologize for my handwriting which I realize looks like chickenscratch. Unfortunately you can’t teach old dogs new tricks and I am past the point of no return in regards to penmanship. Secondly I wish to state that I have nothing but positive things to report regarding this fine Bed & Breakfast. Don & Marissa have been splendid hosts — the meals uniformly excellent (homemade blueberry scones) — and I have very much enjoyed exploring historic Downtown Newport. It fascinates me to imagine the history that has occurred in this town — During the Revolution, General Rochambeau, head of French forces assisting General Washington, housed two of his aides-de-camp in our Colonial Inn (says the brochure). I wonder if these “aides-de-camp” possibly slept here in Room Number Nine (aka The Captain’s Quarters)?

Truly this room has been like a home away from home for me. The 12-over-12 paned windows and authentic colonial cove moldings are absolutely charming. And I was surprised & intrigued to note the distinctive rose-patterned wallpaper on the walls which is curiously reminiscent of the wallpaper in my childhood home of Paducah, KY — in truth if I blur my vision these walls might be my own childhood walls. I say curiously reminiscent because it is the story of this rose-patterned wallpaper of long ago that brings me to Rhode Island in the first place. A coincidence that makes my visit seem all the more pregnant. Let me explain to you what I mean.

Following the death of my beloved father my mother remarried a man by the name of Dr. Lyman Winterbottom. Lyman insisted that I call him Father and because he was a man who did not tolerate disobedience I did as he requested. But in my heart and mind he always remained Lyman. When Lyman moved into our home in Paducah he immediately took to complaining about the wallpaper that covered nearly every room of the house. This wallpaper as previously noted was not dissimilar from the wallpaper here in The Captain’s Quarters where I now sit & write. It was of a yellowish hue with light blue vertical stripes and a decorative pattern of miniature pink & white rosebuds. This was the wallpaper that my mother & father had picked out together and that my dear old Dad himself had applied to our walls. From the moment that Lyman set foot into our home he began to grumble about being surrounded by walls that were so feminine and milquetoast and old-fashioned. My mother laughed it off at first but it became clear over time that Lyman’s grudge against the wallpaper was significant and not humorous.

One fateful day Lyman spotted a large brown carpenter ant on the kitchen wall and spontaneously crushed it with his thumb — leaving a faint brown smudge on one of the flowers. He was a tidy man and this smudge annoyed him to no end. My mother scrubbed & scrubbed and yet the stain remained. The fact that such a tiny mark was so disturbing to Lyman gives a sense of his character. He claimed that because the stain was adjacent to his breakfast nook and at the height of his eyeballs he therefore could not help but observe it daily while drinking his Chock full o’Nuts. Lyman had the notion to remove the spot of wallpaper where this smudge remained and so with hammer and chisel (and turning a deaf ear to Mother’s protests) he chipped away at the offending area. “See there?” he said. “Look at the improvement. Now what say we remove it all?” Mother simply frowned at her now imperfect kitchen wall and said nothing.

Time passed and then a few weeks later Mother & I traveled to Caruthersville to visit with my late father’s family. Lyman stayed behind explaining that he had too many things to attend to about the house. When we returned three days later it was readily apparent what Lyman’s scheme had been — for there was a man in a gray uniform in our living room steaming the wallpaper off the walls.

Mother began screaming & crying for the fellow to stop but it was too late. He had already removed the wallpaper from all of the other rooms. And so we now looked upon surroundings of white naked plaster. As you can imagine my mother was terribly distressed and very much heartbroken by this action. I recollect that she compared it to having her own skin unnaturally removed from her body. I think that in hindsight the wallpaper had been a Symbol of my father and once the wallpaper was gone it was as though his memory and his spirit had been violently exorcised from our home.

Lyman eventually vanished from our lives as well but not before he had left additional heartbreak & destruction in his wake. I will spare you the details as they are not pretty to hear. Sometimes I look back on those years and wonder if I am misremembering the man or making mountains out of molehills. But then I recall the wallpaper and know that a man who would do such a thing might surely be capable of anything.

At this point in my tale I must confess. My reason for visiting this unfamiliar but beautiful town of Newport, RI is related to this aforementioned stepfather. After some investigative research I have learned that Lyman retired to Newport approx. 3 years ago and has been enjoying his Golden Years here in quiet seclusion. I have not seen him since he abruptly vacated the home of my mother & myself in the year 1977 which is almost 22 years ago. I hear that his days are numbered due to a cancer and I intend to surprise him with a visit. For Lyman has been nothing but a stain upon this world — and before he departs, I hope to help him discover the shame that he should rightly feel.

The shame that must surely abide somewhere in his unfurnished heart.

Lacey

Me and my mom bring Lacey to the doctor once a week because Lacey’s super fucking sick. Not sick enough, as far as I’m concerned.

On this specific morning, the lady at the desk tells me Dr. Pa is late. I go inform Lacey, and he says: “Where the hell is she?”

“I don’t know, Lacey,” I say. “She’s just late, Lacey.” Then I chuckle a small chuckle. I chuckle almost every time I speak Lacey’s name aloud. Cagney & Lacey. Lacey underpants. It’s a hilarious name.

“Enough with the chuckles,” Lacey growls. Lacey’s super-touchy about his name. And who can blame him?

Lacey is actually Lacey’s first name, which makes it even more stupid. Lacey’s last name is Roommate, which is also hilarious. Lacey Roommate. (It’s actually pronounced roh-oh-mah-tay. But still.)

In my brain, he’ll always be Lacey Underpants.

“I guess let’s wait,” I say, and my mom and me and Lacey sit down in Dr. Pa’s waiting room. I look over the magazines: Yankee, Maxim, Sunset. The covers of the magazines are wrinkled, like somebody pissed on them a long time ago, so I don’t even pick one up.

“I’m dying of thirst,” says Lacey. “Get me a cup of water?”

I glance over at my mom. She’s reading an article in Cosmo about finding your man’s G-spot, or something, and isn’t paying attention to us. I turn back to Lacey and tell him: “They don’t have any water.”

This is a lie. There’s a big Poland Springs cooler in the corner.

I treat Lacey generally poorly because Lacey moved in on my mom the minute my dad died, and has been married to her for six years, and has been screwing around on her since day one. He’ll bone anything that isn’t tied down. He’s boning this woman Margaret who comes over and reads him books out loud; he’s boning his ex-wife, even though she weighs about 400 pounds; he’s boning the surprisingly hot docent who volunteers with him at the Nautical Museum. He’s boning Barry Fitzpatrick’s stepmom. And I’m pretty sure he’s even boning our female mailman.

Lacey’s super brazen about his lifestyle, and I see it all, and I know he knows I see it all, and he doesn’t care. He has no regrets. “I’m living life, kid,” he always tells me. “No retreat, no surrender. No regrets!”

My mom sees nothing. So I’m the one who has to keep Lacey’s shitty secrets — a burden like the weight of all of those women combined, including the fat one.

And that’s why I don’t get Lacey a cup of water.

Full disclosure: Lacey’s blind. Which is why he doesn’t know I’m lying about the Poland Springs.

Lacey and my mom met at Blind Checkers Night at Saint Spyridon Greek Orthodox Church, where my mom volunteers. Neither of them are technically Greek.

You wouldn’t assume a blind guy could get so much trim, but you’d be sadly mistaken. Females apparently enjoy boning guys who can’t see them. My mom says that doing it with a blind guy is amazing, because he’s like a true artist of lovemaking, due to being more touch-oriented.

Whenever she starts down this road, I tell her, “I do not want to hear about this.”

Case in point: we’re sitting there in the waiting room, and she’s eating a Cinnabon, and out of the blue she says: “You know, Lacey loves it when I bite on his bottom when we’re doing the sixty-nine.”

I cover my ears and grimace, which makes them both giggle, and eggs my mom on.

“Lacey likes blowing on my body,” she says. “He pretends he’s the north wind, and I’m a tiny moist sailboat.”

“Ma!” I say. “Please, just, stop.”

“Honey, don’t be such a prude,” she says. “You’re old enough now to hear these things. Human sensuality is a beautiful form of self-expression.”

Lacey strokes my mom’s face and says, “I love fingering your dimples. It’s the penultimate eroticism.”

“Lacey!” I yell. “Inappropriate!”

But the two of them just laugh at me.

Sometimes I wonder what Lacey and my mom have in common. Then I remember that they both like getting my goat. It’s a favorite sport for them. Also, they both like Chock full o’Nuts coffee. That’s about it, as far as I can tell.

Dr. Pa finally comes rushing into the office, ignoring all of the patients and scurrying into the back room. After a few minutes, the receptionist says, “Mr. Roommate, the doctor will see you now.” Pronouncing his name the wrong way.

“Thanks,” Lacey says, standing and walking towards Dr. Pa’s office, though he’s about to walk smack into a wall. Lacey is pretty bad at being blind.

“Go with,” my mom tells me, not looking up. “I need to finish my article.”

I pause, I sigh, I make a disgusted noise. Then I get up and grab the arm of my stepdad and drag him into Dr. Pa’s office.

Dr. Pa is a Chinese lady with a massive bosom. Or maybe she’s Japanese, or from Iran, for all I know. She’s 100% super-fine, whatever she is. She smiles when she sees Lacey.

“Mr. Roommate,” she says, pronouncing his name the right way. “How are you feeling today?”

There’s a Billy Joel song, “Uptown Girl,” playing over the speakers in her office, and Lacey starts doing a stupid-looking doo-wop jig along to the music. “I’m good,” he says, shaking his pear-shaped ass. “Whoomp! There it is!”

Dr. Pa actually laughs, like Lacey is so incredibly charming. Lacey sits down and he and Dr. Pa start talking about Lacey’s diet, sleep, pain, blah-blah-blah. Meanwhile I’m just standing there, staring at my shoes, thinking about absolutely nothing at all, wanting them to hurry up and finish up already so I can escort Lacey out of there.

And that’s when I see the Dorito.

It’s really just a little piece of a Dorito, and it seems to be dragging itself across the floor, like it’s haunted. It takes me a couple seconds to get that there is an ant underneath. My first thought is, it seems pretty unsanitary, an ant and a Dorito in a doctor’s office. But, it’s also undeniably impressive. I read once that ants can carry 500 times their weight — or maybe 50 times. It definitely had a five in it. Either way, it’s impressive. I weigh 184 pounds; times 50, that’s like 10,000 pounds. I don’t even know what weighs 10,000 pounds. A doctor’s office?

So I’m watching this ant, and it’s actually weirdly entertaining, seeing it struggling with this enormous thing, just doing everything it can to haul this little piece of food to wherever it was going — probably to some kind of nest to feed his millions of children. Now, I’m not going to tell you that I got all inspired and emotional, standing there in Dr. Pa’s office, observing the efforts of this random ant. But let’s just say I’m watching that ant closely, and I’m curious to see where it’s trying to go to, and if it’s going to succeed. Because what it’s trying to do is something that is not easy.

Then Dr. Pa says, “Okay, hop up on the table, and let’s take a look at you.” And then Lacey stands up — and he crushes the ant and the ant’s Dorito underneath his big fucking blind foot.

Oblivious, Lacey says to Dr. Pa: “Oh! Naughty woman are you!” Talking like Yoda, for some reason. “Wanting to inspect my body, do you?”

Dr. Pa laughs, and they’re both laughing together, and I’m just staring at Lacey’s foot, picturing the ant underneath. The ant that Lacey never even knew was there.

Lacey shuffles towards the table, and I plainly see the ant and the Dorito on the floor. The remains of them; just a brown smear and orange dust. I turn to say something to Lacey. Dr. Pa is helping him onto the table, and her hand rests on his knee for a second or two longer than seems necessary or appropriate. She smiles at him. And Lacey smiles back at her, like he can actually see her smile. And then they both turn to me and say, at basically the same time: “You can go back to the waiting room now.”

And I realize: Lacey’s screwing Dr. Pa, too. He’s literally screwing everybody he knows.

My blood boils, and that’s when, out of nowhere: a gun appears in my head. Lacey’s gun, that he keeps in the Reeboks box under the bedskirt. As if he could even shoot the thing. I think about that gun, and wonder about how Lacey might feel if it was pointed at his ugly backside. If he would still have no regrets.

It makes me smile, just thinking about it.

Liptower

…SO — IF YOU FEEL COMFORTABLE DISCUSSING IT, I’D LIKE TO HEAR ABOUT THE EVENTS LEADING UP TO THE… INCIDENT. WITH YOUR STEPFATHER.

Yes. All right.

REMIND ME, WHAT WAS HIS NAME?

Liptauer. Peter Liptauer. I always just called him Liptauer, because it annoyed him — being addressed by his last name.

YOU ENJOYED ANNOYING HIM.

It’s funny, I’d actually call him Liptower. Spelled T-o-w-e-r, instead of T-a-u-e-r.

I’M NOT SURE IF I —

In my head, I mean. I’d change the spelling of his last name.

I SEE. THAT’S INTERESTING.

Is it?

WHY DO YOU THINK YOU DID THAT?

Not sure. It gave me… satisfaction.

IT WAS EMPOWERING.

Maybe.

DID YOU FEEL POWERLESS AROUND HIM?

No. I don’t know. It was just a stupid kid thing. I’d picture — it’s funny, I’d forgotten this — I’d picture an enormous tower, made out of slimy lips.

IT AMUSED YOU.

Yeah.

NOW, ABOUT THIS STORY. REGARDING LIPTAUER —

Yeah. It’s… it’s a weird story.

THERE ARE ABSOLUTELY NO JUDGMENTS IN THIS ROOM.

It’s even kind of a boring story.

IT SEEMS IMPORTANT TO YOU. BUT IF YOU’D PREFER WE —

I was twelve.

ALL RIGHT. TWELVE YEARS OLD.

It was nighttime, and I was in my bedroom. Up in the attic. The walls were slanted because of the roof, and I’d covered them with posters. It had some serious shag carpeting. It was a pretty cool room. Anyway, I was writing a book report for Cry, the Beloved Country. Ever read it?

I BELIEVE SO, YES.

So boring. What’s it even about? Anyhow, I’m in my room, trying to write this report, and then, well, I see this ant. On my desk.

AN ANT.

This little ant. A carpenter ant.

ALL RIGHT.

We used to get them every summer. Swarms of them. I’d put apple cider vinegar on a rag and wipe them up. Ants hate vinegar. It’s a good trick.

I’M NOT FAMILIAR WITH THAT.

Anyway, eventually, Liptower would get around to putting down some traps and they’d go away. So it was surprising to see this one single ant, because it wasn’t ant season. This was, like, a rogue ant. Flying solo.

GO ON.

So, it comes crawling across the desk towards me — and I was conditioned to kill these ants, because, like I said, we used to get tons of them. But for some reason, I didn’t kill this one. I just looked at it, and blew on it. Blew it backwards.

ALL RIGHT.

But then, after a second, it kind of got its bearings and started — you know, this is going to really sound kind of —

PLEASE, GO ON. I’M INTERESTED.

So — the ant was sort of running towards me again. As if it really wanted to come and see me, or something. So I blew on it again. And then it comes at me again. And I’m looking at it, thinking, this ant really wants to come over here. So then I put out my hand. Spontaneously.

TO PICK IT UP.

I guess. I just put my hand down, and the ant hopped right on it. Like it was a little dog or something. Some kind of pet. It starts running around on my hand, very excited. And I sort of studied it, and — it looked unique, somehow. Very black and smooth and shiny and streamlined. Kind of beautiful. Like, it looked like an alien robot ant. It just looked different from the normal ants we had.

HMM.

It was as if my eyes were microscopes, and I could see the ant unnaturally well, in extra detail. It’s possible that I’d never looked closely at an ant before.

SOMETIMES, THE FAMILIAR CAN SEEM UNFAMILIAR WHEN WE INSPECT IT. BRINGING IT TO OUR FULL ATTENTION.

Right. Right. Like when you say a word so many times —

THAT’S RIGHT —

— and it suddenly sounds weird. Like… yoghurt. Yoghurt. Yoghurt. Yo —

I UNDERSTAND.

Okay. So I’m looking at this ant, and then I’m like, What am I doing? And I put the ant down, and it runs around a bit, and then it starts coming for me again, and I blow on it really hard, blow it right off the table. Because I had to finish my book report.

OKAY.

Then, whatever, I don’t really think about it. I go to sleep, and the next morning I get up and I’m in the shower, and I start thinking about this ant again, for some reason. Just thinking about how it was strange. How it was acting like a dog. It was just an odd thing, the way it was acting. I know this sounds crazy.

IT DOESN’T SOUND CRAZY AT ALL.

If you did think it sounded crazy, though, you couldn’t say so.

PLEASE, CONTINUE.

I… so… anyways, so I’m thinking about this ant, randomly, and then I get out of the shower, and I’m drying myself, and then I… well, the ant was there. On the edge of the sink. Just sitting there. Like it was hanging out, waiting for me.

AN ANT WAS ON THE SINK.

Yes. But it was the same ant. I know, this is the part where it starts to sound crazy. It’s possible, I know, that it was some random other ant. But, the thing was, I just knew it was the same ant. It looked the same — all smooth and robotic-looking. It was like, this was the one ant in our house. The only ant. I feel certain.

I SEE.

I understand it’s theoretically possible that this was a different ant. A second ant. But it wasn’t.

ALL RIGHT.

I know, you’re thinking: Sure, whatever…

NOT AT ALL. GO ON.

I see the ant, and I put my hand out, and it climbs right up on me again. And it’s climbing all around on my hand, and my arm, like it’s… like it’s at Ant Disney World. Just, so happy. And the particularly weird part was it made me really happy, too. Having this ant on me. And…

GO ON.

I… I don’t know.

TAKE YOUR TIME.

No, it’s just…

I CAN SEE YOU’RE BECOMING EMOTIONAL.

IT’S ALL RIGHT. IT’S ALL RIGHT. TAKE YOUR TIME.

…Okay. I —

DO YOU WANT A —

No. I’m fine. This just sounds ridiculous. What I’m about to say.

ABSOLUTELY NOT.

It’s just, I knew that the ant was…

YOU’RE SMILING. I’M SO CURIOUS — WHAT WAS THIS ANT?

It’s just, the ant, I knew — it was… well, I knew it was my dad.

THE ANT WAS… I’M SORRY, DO YOU MEAN —

I don’t necessarily believe in, you know, whatever, but this wasn’t even about that — it was just, I recognized him. He —

YOUR FATHER PASSED AWAY WHEN YOU WERE… LET’S SEE, YOU WERE —

Six.

AND YOU REMEMBER HIM WELL?

You know, yeah. Pretty much. Semi-well.

YOU WERE CLOSE?

When he was home, yeah, we were really close. He was very — you know, loving, etcetera. But he wasn’t always around, consistently. It’s not all rose-tinted memories. He wasn’t… he didn’t, like… he traveled. He wasn’t in the backyard every weekend, teaching me how to throw a football, or whatever. I probably still can’t really throw a football the right way…

DID YOU LOOK UP TO HIM?

Yeah. No. I don’t know. Maybe let’s save, like, the dad-talk for another session.

WHATEVER YOU WANT.

I mean, the gist of it was, I missed him, and I was living with stupid Liptower, with his fucking opera music and, whatever, macrobiotic crap, and I don’t know… Can I just tell the story?

PLEASE.

It’s fine. I’m sorry. I —

JUST SO I FULLY UNDERSTAND — YOU BELIEVE THAT THIS ANT WAS… HOW WOULD YOU CHARACTERIZE IT? SHALL WE SAY, HE WAS THE REINCARNATION OF YOUR —

Well, when you put it like that, it sounds —

I’M JUST TRYING TO MAKE SURE THAT I —

All I can say is, it was just obvious. That he’d come back. And he was an ant. It was just something that I knew, positively. As sure as I’m here right now, sitting here, I was sure that he was my dad.

AND HOW DID THAT MAKE YOU FEEL?

It was… I mean, great, you know?

TO BE WITH HIM AGAIN.

It was one of the best moments in my life, being there with that ant. It felt like pure… love. Like he was the essence of love, there. Concentrated. And I started… I mean, I just started bawling. Standing there, naked, with this ant on my arm, crying. I had to sit down.

I’M SURE IT WAS VERY EMOTIONAL. IT SOUNDS AS IF —

It was just crazy, I know.

NO.

I felt like I was losing my mind with happiness. I kind of held my arm up to my face, and — I know how this sounds, but — the ant and I, like, touched noses. Like it gave me a kiss. I see how you’re looking at me…

IT’S ACTUALLY VERY TOUCHING.

It was.

SO THEN —

And so then, of course, there’s a knock on the door.

YOUR STEPFATHER.

That’s right.

WHERE WAS YOUR MOTHER?

I don’t know. Work. I’m sure. Working.

SO, YOUR STEPFATHER —

So Liptower knocks, acting all concerned. “Heyyy. You okay in there, buddy?” That’s how he talked. Mr. Sensitive. “Heyyy. Buddy? You all right?”

HE WAS WORRIED. HE HEARD YOU CRYING.

Yeah, but, no. Liptower… he was one of these people who wasn’t some obvious asshole — he wasn’t some evil stepfather in a movie, screaming and beating the shit out of me or whatever. He was the most normal, vanilla, boring-seeming person you’d ever meet. But there was something missing. If that makes sense. He acted very regular, but he had a weird emptiness. He was like a blank slate.

A CIPHER.

I guess. Like, you could imagine him being a great guy, but you could also imagine him torturing kittens in the basement or something. And, talking with him was like talking to someone from outer space. Some alien who had watched movies about humans, and did a pretty good impression of a human, but just wasn’t quite there.

HE LACKED EMPATHY, WOULD YOU SAY?

Empathy. Maybe. He was just a creep. He literally gave me the creeps — I’d be sitting somewhere, reading a book or something, and then my spine would start tingling, and I’d turn around and see Liptower standing behind me, watching me. He was always creeping around the house. And he’d say, “Howdy, partner, whatcha reading?” as if it was a normal thing to sneak up on somebody like that. But I knew what he was doing.

WHICH WAS WHAT?

Which was… I don’t know. I don’t know what his goal was. All I’m saying is that this wasn’t someone just innocently walking around the house. He was watching me. Following me. Waiting for something.

I SEE. THAT’S INTERESTING.

I guess.

SO… HE WAS OUTSIDE THE DOOR —

So he’s knocking, and I freeze, with my arm outstretched, and I immediately stop crying. And I’m like, “I’m fine, Liptower,” and he says, “Are you sure, pal?” And I tell him yes, and then he stands outside there for a long time. I can hear him, just breathing. And then he finally goes away.

BUT YOU FEEL CERTAIN THAT HIS CONCERN WAS NOT GENUINE.

Exactly. Why? Do you think that I’m —

I’M NOT SUGGESTING ANYTHING. SIMPLY CLARIFYING.

Trust me. Liptower was none too worried. I’m not making this up. About him being a closet psychopath.

I KNOW YOU’RE NOT.

But you’re thinking, maybe Liptower was actually a totally normal nice innocent guy, and maybe I’m —

ABSOLUTELY NOT.

I don’t care if you are thinking that. I know what I know.

PLEASE, TELL ME WHAT HAPPENS NEXT.

What happens next is, I’m in the bathroom, and I have to figure out what to do with him. With my father. Because — this ant is tiny. That’s the thing. It’s, like, about this big. I’m terrified I’m going to accidentally hurt him. So I put him carefully back onto the sink, and I throw on my clothes and rummage through the drawers of the little cabinet, and I find a box of matches. Matches for when Liptower would use the toilet — he’d light a match afterwards. Freak. So I throw the matches out, and I coax my dad into the box. And I whisper, “Dad, just hang out in there for a little bit. I’ll get you out soon.” And I slide the matchbox shut, and put it in my pocket.

HOW ARE YOU FEELING AT THIS POINT?

I’m feeling, I don’t know, nervous, but mostly just very happy and excited. But, definitely nervous.

SO, YOU —

I walk into the kitchen, and Liptower is there, eating some muesli or whatever. And he tries to still be all like, “Hey, kiddo, everything okay?” but I just ignore him and make a beeline upstairs to my room. I kept an old Chock full o’Nuts can full of spare change, and I dumped the change into a drawer and started making a nice little home in there for my dad. Because, the thing is, I had to leave to go to school, and I didn’t trust carrying him around in my pocket all day — I was terrified of crushing him. I had this fern on my windowsill, so I rip off some leaves and put them in there, just to give it a natural feel. And then I put some Kleenex in there as a sort of bed, and I put this little wooden train in, because carpenter ants like to chew on wood, for whatever reason. And I spit into a bottle cap and put that in there for him to drink, and I put a couple of Mike & Ikes in there, because I knew ants like sugar. So I figured he had enough to eat and drink for the time that I was at school. Then I take out the matchbox and slowly slide it open. And he immediately climbs out onto my hand, all excited. “You go in here,” I say, and I show him the coffee can — and then I very carefully put my dad in there. The ant.

ALL RIGHT.

And then I put on the lid, and poked a ton of holes in it. I thought about leaving the can on the windowsill, because I had some dumb idea that ants maybe needed sunlight. But then I thought some more about it, and I realized that’d probably cook him alive. And I thought about how carpenter ants spend a ton of time burrowing underground and into floorboards, and that he wouldn’t mind being in the dark, and so I put the can on the top shelf in my closet and tell him I’d see him soon. I stand there for about a minute, just talking quietly to my dad a little more, because I don’t want to leave him, then finally I say goodbye and start to shut the closet. And just then, I hear a sound, like footsteps on the stairs. And I get a terrible feeling in my stomach.

BECAUSE YOU THOUGHT YOUR STEPDAD —

Well, I wasn’t totally sure what I’d heard. I didn’t know if he’d even come upstairs — or if he had, what he’d seen, or what he’d heard. My door was wide open. But I was late for school and I just chose to believe that I was imagining it. I should’ve known. So I went downstairs, and Liptower was in the living room, rummaging through the hall closet. He said something about doing some spring cleaning. Liptower was sick at the time, which is why he just hung around the house all day, cooking and cleaning and listening to opera.

HE HAD CANCER.

That’s right. I guess I told you that before.

YES.

So I went to school. And I felt awful all day. Just an awful feeling in my gut.

YOU WERE WORRIED ABOUT —

Yeah, just a general worried feeling, all day long. It was torture. When the bell finally rang, I rode my bike home as fast as I could, though the chain was all messed up, so it took me forever. I burst into the house, and Liptower’s at the table, reading the paper. He says something to me, asking what I’m doing, but I just run past him upstairs and to my room. The door to the closet is wide open, and I’m already crying when I go look in there. And the coffee can’s gone.

IT WAS —

And I run downstairs, and I say, “Fucker, what did you do with him?” And Liptower’s smiling and frowning at me, in this fake calm way, and says, “Whom are you referring to?” And I know he knows. I know he knows what he did. “The coffee can,” I say. “Where is it?” And he’s like, “Coffee can…?” And he looks all pensive for a minute, then says, “Oh, in your room? Yes, I was cleaning. The can just seemed to be filled with trash. I tossed it.” And I can barely say anything. But I know. I know he’d been watching me, at the door. “Where’s the trash?” I ask him. I can barely talk. “I put it out,” he says, “Sorry, was it something important…?” And I’m running outside before he even finishes the sentence. And then I stop dead on the lawn, because there’s nothing on the curb. It’s empty. And I say, out loud, “Today is Monday.” Because the garbage men pick the trash up on Monday. And… I knew he was gone.

YOU SUSPECTED THAT YOUR STEPFATHER HAD INTENTIONALLY DONE THIS.

There was no suspecting. I knew it. I knew how he was. It was like, he’d been following me around for so long. Waiting for something like this. A chance.

AND —

So, I’m just standing there, totally frozen in place. And then Liptower comes outside, and he tells me he’s going for a stroll, to get some fresh air. Super casual. He doesn’t even ask me why I’m freaking out about this coffee can. See? He knew. And he starts walking down the street. I think he’s literally whistling a little tune as he walks. Not a care in the goddamn world.

AND THEN, WAS THIS WHEN YOU GOT THE —

Yeah. I ran inside. To his bedroom. When I got back outside, he was already halfway down the road. I can picture the scene exactly: Liptower ambling along, in his ugly yellow shirt. Blending in with the flowers on the trees. And I had this clear vision — a premonition — of him getting away with what he’d done. I couldn’t let that happen. My bike was still sitting there from before, so I got on it. I went after him. I had to. You see? Because he knew exactly what he’d done. He knew. He knew exactly. Don’t you see?

L. has started running again, though even more slowly now — so slowly that it might be more accurate to say that he is walking, or staggering. The stepson, who had been waiting patiently for the stepfather to catch his second wind, resumes his leisurely pursuit.

Despite the fact that he is barely exerting himself, the stepson is drenched in sweat. The air has become a few degrees cooler; his damp clothes cling uncomfortably to his flesh. Suddenly he wants this to be finished.

L. turns his head in the direction of the stepson — then, comically, trips and falls, letting out a yell as he crumples onto the asphalt. He makes no attempt to stand up again.

The stepson dismounts and approaches the man on the ground, tapping the gun against his leg. The stepfather forms a lattice with his fingers, covering his face. He says that he doesn’t understand. What is it, he says. What is it.

“You’re sorry,” says the stepson. “You’re sorry. You’re sorry. You’re sorry.”

The stepfather removes his hands from his face. He sits up.

He says: “For what?”

You are the stepson.

One of the Best Moments of My Life

We released a brand new issue of Recommended Reading today, “You Are the Stepson” by Matt Dojny. In her introduction, Halimah Marcus, Electric Literature’s Co-Editor, says it reads “as if the story was assigned by the fiction gods of on high.”

The sentence: “It was one of the best moments of my life, being there with that ant.”

Animation by Myles David Jewell. Music by Wes Buckley. You can find all of our Single Sentence Animations here.

Typographic Charles Dickens

Artist Juan Osborne spins “you are what you eat” into “you are what you write” in his typographic portrait of Charles Dickens. Osborne counted the words from 50 Dickens books, including Oliver Twist and Great Expectations, and then used the most frequent to create his portrait. Below are Dickens’ most commonly used words, according to Osborne:

“oliver (868), upon (755), replied (548), bumble (399), gentleman (366), lady (359), sikes (357), dear (330), jew (325), fagin (317), sir (314), away (298), another (275), without (253), woman (229), poor (204), window (202), shall (192), heart (185), quite (181), child (177), arm (172), brownlow (167), something (166), returned (164), doctor (161), master (161), manner (160), whether (156), moment (153), observed (152), seen (150), london (149), sat (149), indeed (147), present (147), office (145), rather (145), bill (144), speak (143), expression (139)”

See Osborne’s other typographic portraits of famous figures here.

ht Design Taxi

***
–Benjamin Samuel is the co-editor of Electric Literature. He uses words to paint himself into a corner on Twitter.

Hide the Kids from Kids’ Movies

Let’s face the ugly truth: uplifting kids’ movies — the ones where elephants fly and turbo-charged snails can achieve their high-velocity dreams — are simply unrealistic. “Almost uniformly, the protagonists’ primary liability, such as Dumbo’s giant ears, eventually turns into their greatest strength,” argues Luke Epplin at The Atlantic. “But first the characters must relinquish the crutch of the magic feather — or, more generally, surmount their biggest fears — and believe that their greatness comes from within.”

The problem, warns Epplin, isn’t just that parents are being subjected to one formulaic plot after another, but that we’re telling kids that they needn’t be satisfied with a life of monotonous drudgery. (Spoiler alert: life is monotonous drudgery). But Charlie Brown, America’s favorite loser, knows the truth. Epplin points to A Boy Name Charlie Brown as a narrative that sticks to the appropriately realistic truth: if you’re a loser you’ll always be a loser, so stop worrying about it and kick that goddamn football.

Now, I love Charlie Brown, and I love whimsical narratives about hopeless perseverance, but when cartoon characters get too real it can be disturbing. For example, there’s a scene in Toy Story 3 in which the plucky plastic heroes are pulled towards an incinerator. Do they panic? Do they refuse to give up without a fight? Do they maintain hope? Nope. They just give up and accept death and wait for the inferno to reduce their lives and dreams to ash.

Maybe Epplin is right and kids movies are responsible for “a generation weaned on instant gratification.” But maybe that’s better than the alternative.

Read the rest of the article here.

***
 — Benjamin Samuel is the co-editor of Electric Literature. Yes, he watched Toy Story 3, because there was nothing else on Netflix and he doesn’t have to explain himself. Find him on Twitter.

The 40 Best #FictionDates

From author sexting to Twitter love stories to blog trolls spewing vitriol about their spurned love, we’re pretty big fans of digital romance here at Electric Literature.

Last week, we hosted a contest with Other Press for the best tweets fitting the theme of #FictionDates. The contest was judged author Elizabeth Cohen, and three winners received signed copies of her brand new collection The Hypothetical Girl, a book of digital love stories.

Below are the 3 prize winning entries, along with other honorable mentions (including Jodi Picoult!).*

Elizabeth Cohen, author of the collection “Hypothetical Girl” (Other Press), judged a contest for the best tweets fitting the #FictionDates theme. Here are the winners and other notable entries.

*Lolita references have been excluded, because, there were too many of them and they were all awful by definition.

Is good writing linked to heavy drinking?

In a Guardian review and discussion of The Trip to Echo Spring — an upcoming release by Olivia Liang — Blake Morgan examines the history of the writer-drinker and why the two vocations are so often linked. Not surprisingly, it’s a muddled story, and not a new one — Shakespeare and even Homer warn against the excesses of alcohol abuse. Morgan’s article at times devolves into a dizzying litany of alcoholic anecdotes, but in the final paragraph he most strongly suggests that productive booze-hounds might be the exception, not the rule, echoing (in my mind) Mary Karr’s well-circulated May interview with The Fix:
“I’ve been sober almost 25 years and anything anyone’s ever bought from me has been written when I was sober…[L]ook at somebody like George Saunders — I think he’s the best short story writer in English alive — that’s somebody who tries very hard to live a sane, alert life. You’re present when you’re not drinking a fifth of Jack Daniel’s every day. It’s probably better for your writing career, you know?”

***
–Jake Zucker is the Editorial Assistant for Electric Literature’s Recommended Reading, and wears sunglasses on the net.

The Monster

LAURA WAS BECOMING UNSURE ABOUT WHAT TO DO with the monster in her closet. He shouldn’t have been there — she wasn’t a little girl; she was a grown woman with a full-time job and a roof over her head that she paid for herself with her full-time job. She had food in the fridge, dishes in the drying rack and dress pants pressed. Who had time or inclination to deal with monsters when there was work to be done, friends to have drinks with and love to pursue? Besides, the world was filled with enough scary stories as it was. Robbers, rapists, famines, and wars. Every day on the way to work, she passed people more unfortunate than she, and she knew if she stopped for a second, she would become a part of them, hungry all the time. She suspected she had a few scary stories lurking inside her and spent the better part of some nights guessing what they might be.

So the monster came at the right time in her life. She had just put her dog to sleep because of his eye tumors. She had also recently kicked out her boyfriend because he thought she was his mother. She told him he was mistaken, that she was not his mother, and then she helped him pack his things, fed him lunch and kissed him good-bye. After Bumblebee went to sleep and the boyfriend was sent on his way, her apartment smelled empty and her sheets were cold. She lay around on the couch when she didn’t have to be at work and kept telling herself not to feel sad — she had a lot going for her.

The loneliness made her sick and pale. Nothing made her feel better and she wondered if the loneliness had been there all along but that she had somehow avoided looking it in the face until now.

The monster appeared on Laura’s worst night. She was counting the dead bugs in the ceiling light when a low snuffling sound came from her closet. She was afraid because she thought it was a mouse, or worse, some city creature toughened by concrete and fed by garbage, the kind that could chew through walls and end up featured in the weird news section of newspapers.

She approached the closet and turned the knob slowly, so she wouldn’t startle whatever was inside. When she opened the door, she found the monster curled up on her shoeboxes amid clothes that had fallen off their hangers. He was about the size of a large raccoon but lithe and hairless with skin the color and texture of old scabs. He had bat-like ears and a beak-like snout from which sharp teeth protruded in cockeyed directions. His eyes were bright and bulbous and his front feet were long and dexterous, tipped with curved claws.

The monster gave a gurgling cheep that seemed to mean hello.

Laura didn’t run. She was intrigued by the little beast. She felt close to him even though he could have been from a toxic waste dump or from a litter of chupacabras. Here was the cutest little nightmare she had ever seen, far more benign than her own nightmares, an almost comforting knot in her daily string of scary stories. She held out her hand and the monster snuffled it, nuzzled it, then came creeping out of the closet into the full light of the room, cheeping all the while. The monster had scars on his back and his ribs stuck out beneath his scab-skin.

“You poor thing,” Laura said.

The monster’s belly grumbled from the air winding through his intestines, apparently without any obstacles.

“Let’s get you something to eat.”

Laura turned to go to the kitchen, wondering if the monster would like some of Bumblebee’s dog food. The monster shambled after her, moving like an ape trying to stay upright.

Laura poured the old dog food into Bumblebee’s empty bowl. The rattling of the dry kibble hitting the aluminum bowl filled the apartment. The monster ate eagerly, shoveling the food into his mouth with his hands, crunching the food with loud chomps and snorting for more. All of her dead bug counting seemed silly as she watched him feed.

From that time on, Laura and the monster were inseparable.

Things were wonderful at first. Laura came back from the office ready to play with the monster. She hadn’t given him a name and felt like he didn’t need one. Why call him anything but what he was? Sometimes she thought of him as Her Monster. She brought him toys from Petco, and when he burned through Bumblebee’s dog food, she started giving him old leftovers, too-ripe fruits, and stale bread.

The monster was more responsive to her than her dog or ex-boyfriend or even most of her friends and family. He nodded, growled and purred at all the right parts of her stories and curled close to her when he sensed her fear. Laura was afraid often, but the monster put her at ease so she didn’t have to think about the poor outside or all the dead people she had known or how the list of dead people she had known was growing and would never stop growing.

At first, the only problem was that the monster refused to go outside with her, not even to meet her friends. Laura didn’t mind because the monster seemed perfect in every other way.

Over drinks Laura’s friends were skeptical when she told them about the monster, but she was so happy and confident that they believed her anyway. Some of them were even a little jealous and wished a monster would show up in their closets on their worst nights. When Laura’s friends came over, the monster was charming and shook their hands. He made them cosmopolitans and fetched a game of Pictionary for them all to play. The monster turned out to be excellent at Pictionary.

“What a nice monster,” said Diane.

“He knows how to throw a party,” said Michael.

“I might have to kidnap him,” said Lisa.

Laura beamed; she felt like they were all praising her.

In truth, Laura’s friends were suspicious of the monster. On the way back to their respective apartments, they discussed Laura and her new relationship.

“It’s a little creepy. Covered in scabs and scars,” said Michael.

“And its eyes. There’s something nasty there. Something hungry,” said Lisa.

“It growled at me when it was sure no one would notice,” said Diane.

“But — ”

“But Laura seems happy.”

“She seems new.”

“She was broken before, but this monster — ”

“Might be making her better.”

A week after the monster met Laura’s friends, she was cooking meals for him and he was welcome to whatever he wanted in the fridge. He had already started moving his things in through the hole in the back of the closet from where he first came: Soggy rucksacks of rotting meat, five-year-old Time magazines, jars of animal organs and pickles, and stolen wedding rings. Laura didn’t say anything when he filled her closet with these items. He was entitled to have his own room.

When Laura was at work, or out with friends or helping her mom replace her kitchen cabinets, the monster would eat almost everything in the fridge. She tried to go shopping every day to accommodate the monster’s appetite. The fridge was often so empty you could see most of its sticky stains. She was getting fed up with the monster’s eating habits; he was getting expensive.

One night Laura was too tired to get groceries after work.

“Looks like it’s rice and a can of beans for us tonight, monster,” she said.

The monster whimpered in protest.

“Sorry, buddy,” she said.

He growled, showing all of his teeth, of which there were at least 100, thin as fish bones. “Hey, there’s no need for that. I was too tired. I had a long day,” she said.

i dont care, the monster said.

Laura was shocked, not that the monster could speak, but that his first words to her were cruel. His voice was a low gurgle, as if he were trying to talk with blood in his throat.

give me give me what i want. now.

Laura stood up.

“No,” she said.

bitch whore, give me, idiot. now. what i want.

He spoke in a tangled angry language, repeating the same sounds over and over again as if reciting a chant.

“I’m sick of you,” Laura said. “Sick of you.”

She wanted to sound like someone with power, but her throat was coated with the sad mucous that comes before tears.

“You’re eating everything and always making a mess. You don’t even clean up after yourself. And now you’re calling me names. How about no dinner at all?”

The monster threw himself off the chair onto the linoleum floor, hitting it headfirst with a thud that sounded like something heavier than he had fallen, like a cast iron pan or Laura’s leather bound edition of Moby-Dick. He tried to hold his breath, puffing up so much that he seemed he would disappear with a pop back to the sullen dimension of imagined worlds. All his breath escaped with a long squeal. He writhed and shrieked as if a hand were clutching his insides. His bulbous eyes bled and his skin broke open in a vertical slice parallel to his vertebrae.

Laura begged him to stop. She dropped to her knees and tried to keep him still, and when he wouldn’t stop, she started to cry. She too felt as if a hand were clutching her insides.

“I’ll get us food,” she said.

The monster’s spasms slowly subsided. After several minutes, he lay almost still, twitching and gasping for breath. Laura cradled him in her arms and his bones felt like a bird’s. She spoke to him gently, like she imagined a mother would do. She apologized and felt his forgiveness in the way he curled against her. She bandaged the wound on his back with gauze pads and Band-Aids before she called for pizza.

In the morning, Laura changed the monster’s bandages and found a fresh layer of smooth skin, a fresh scar.

Laura might have stayed happy, but such incidents became more frequent. Nuzzling on the couch and playing after work was no longer the norm. The monster’s appetite grew until he ate all the cans in the house, as well as the cosmetics and household cleaners. He had taken to beating his chest and urinating in the corners.

“How are your ribs still showing through your belly?” Laura asked.

The monster threw a lamp, which shattered on the wall by her head.

i need

Sometimes, Laura thought of kicking the monster out.

i need i need i need

“What do you need?”

But most of the time, the idea of going back to how she had been seemed much worse.

i don’t know

“You must know.”

food you food you

Laura started missing work to care for the monster. She spent so much time cleaning him, finding food for him, tidying his messes, and learning his language that she often forgot to eat. Her paychecks no longer covered all the food the monster needed, so she started eating newspaper and toilet paper. Good thing she was young and strong, good thing she could take it so the monster could keep living, she thought to herself, even while wondering if there was any reason why she shouldn’t crush the monster’s skull and toss him out her balcony window. Even as she thought about microwaving him or drowning him in the toilet, she was crawling on all fours trying to see things from his perspective. Maybe if she could see things from his perspective, she could placate him and her life would go back to normal. But that was not to be: the monster started walking upright around the apartment, a little taller than a toddler and striding with the confidence of an adult. Laura suspected the monster had been able to walk like that the entire time, like he had been able to speak the entire time. He had just been waiting, but for what?

When she tried to read one of her books, the monster would tear it out of her hands. When she tried to sleep, the monster would roar in her ear. When she went to the bathroom, the monster would wait outside the door, lightly scratching his claws along the grainy painted surface.

As Laura stared at a pile of crushed Cheerios on the carpet, she understood that the monster was trying to consume her life, or whatever she had that counted as a life. Laura climbed to her feet and dusted the dirt from the floor off her hands. She would go right out the apartment door, and run away. It was that easy, but when she turned the knob, the door wouldn’t budge.

i have a present for you

The fleshy lump was a dead pigeon plucked of all its feathers except for one, which stuck up cartoonishly. Beads of blood coagulated where the feathers had been yanked especially hard. The pigeon was still warm and soft. Its beak had been pried open and a piece of paper was stuffed inside. Laura plucked the paper from the beak and smoothed it out with her thumb and forefinger. It was a line from one of her favorite poems:

“Hope is a thing with feathers.”

i made it

“Thank you. It’s very nice,” Laura said.

The monster smiled. Laura went to her bedroom. She set the pigeon on her nightstand and lay down on her bed. She slept for days but did not sleep. The hours were a long scream, the minutes were sucking mud filled with worms, the seconds were hammers rapping the temporal artery. She might have been going to work and having drinks with friends and pursuing love during this time, but mind and body were not her own. The cadence of her voice was wrong when she spoke: the emotions she was supposed to be having were imitations from television shows. Her smile felt like it was missing a few teeth.

When she opened her eyes, it was night and the moon shone through the naked window — one that used to have blinds. The monster was sitting on the bed watching her, his bulbous eyes glistening and cold. A string of drool swayed back and forth from his mouth.

i have eaten almost everything. tell me what you want.

“What I want?”

yes. the lie or the truth?

Laura thought for a while. She didn’t want to hear anything from the monster.

“How about lie first then truth?”

you’ll be all right because you have a lot going for you.

“The truth?

you’re living it, babe.

The monster hopped nimbly off the bed and crossed the bedroom in quick strides.

i’ll be right back. i need to find something to drill through your skull so I can stick my finger into your prefrontal cortex. the man who lives in the apartment next to you, the one you’re afraid of because of his beard, has a nice collection of power tools.

Laura rolled on her back and stared at the ceiling light. The plain fixture was gone, and so were most of the plastic-coated guts that coiled up through the apartment walls. The room was empty. Her fingernails were chipped and powdery from scraping the dry wall. She had a paint taste in her mouth. She couldn’t move; it was if her bed possessed a powerful gravitational force and she was stuck to it, prone. The wound in the ceiling stared back at her.

Laura rolled off the bed onto the shredded carpet. She could barely move. She had lost twenty pounds, but her arms shook with the effort of supporting her weight. Laura crawled into the closet and stared into the hole from which the monster had first come. Spider webs framed its entry and the darkness promised an abyss from which she might never return. At least the abyss wasn’t her apartment, she thought. As she crawled, she wondered if the tunnel led to other homes and apartments just like hers, where the monster had already gone to feed and pillage. As the tunnel forked, she wondered if some paths led to endless drop-offs, if others led to all the closets she had had at different times in her life. Did the tunnels ever end? For now, she didn’t care. It was good to have some time alone inside her head.

About the Author

Ali Simpson received her MFA in creative writing and literature from SUNY Stony Brook Southampton. In addition to The Southampton Review, her work has been published or is forthcoming in The First Line and Carrier Pigeon. She is currently working on a collection of speculative fiction, When Meat is Given a Second Chance. She works as a publishing assistant and lives in the forest.

About the Guest Editor

Dedicated to publishing fine fiction, non-fiction, plays, screenplays, poetry, literary cartoons, photography and art, The Southampton Review opens its pages to writers from across the globe whose work is compelling. Our pages are equally devoted to emerging and established writers and artists.

CONTEST: #FictionDates

An aspiring actress meets an Icelandic Yak farmer on a matchmaking site. A cancer support forum means romance for an English professor, a Canadian fisherman, and an elementary school teacher in Japan. You inhabit a famous literary character tweeting romantic overtures hashtagged #fictiondate.

The first two sentences sum up stories from Elizabeth Cohen’s The Hypothetical Girl which threads online interaction through its plots. The third is how you can win a signed copy of the book and tote bags from Other Press.

Tweet as a famous literary persona (living, dead, or fictional) something that captures the #FictionDate theme to enter. For example: “I’m looking for someone flawless with whom I can paint the town red. — @PatBateman #FictionDates”

Author Elizabeth Cohen will pick the prize-winners, and the best tweets will be featured here on The Outlet.

Tweet your most charming and/or scandalous #FictionDates by 6 pm EST today, Aug 7. And don’t forget to include the #FictionDates hashtag.

INTERVIEW: The Atlas Review’s Marathon Reading of Solaris

by Josh Milberg

On Saturday, August 3 The Atlas Review, in collaboration with Marina Abramović Institute (MAI), will host a marathon reading at Wythe Hotel in Williamsburg beginning at 2:30pm. Over the course of eight hours, more than 55 participants will read from Stanislaw Lem’s classic sci-fi novel Solaris.

I emailed Dolan Morgan, Contributing Editor at The Atlas Review to find out more about the collaboration.

Electric Literature: Let’s start with the obvious: Eight hours is a long time to do anything, including work, which is the reason we have Facebook. Is the idea for people to come and go, or should people plan to carbo-load and stick it out for the entire marathon reading?

Dolan Morgan: Yes it’s going to be a lengthy event, no doubt about that. And the long durational nature of the reading embodies a unique overlap of interests for The Atlas Review and Marina Abramović Institute (MAI). Atlas, at our reading series down at 61 Local, asks writers and artists to collaborate every month, while MAI aims (among other things) to preserve and stage long durational work. A marathon reading accomplishes each mission simultaneously, and we absolutely invite people to partake in the full experience. To quote the institute: “a long durational work encourages both its performers and audience to step outside of traditional conceptions of time and examine what this experience means to them” — and a marathon reading is no exception. Listening to a book read aloud for hours on end can be emotionally riveting, mildly boring, and something else entirely, a kind of mysterious other-zone that is probably different for each individual listener. You’ll find this zone around hour two or three, when the world melts away and there’s just the sound of one idea after another floating toward you through space. Solaris is an incredible book, too, and worth diving into completely. That said, people are of course welcome to come and go as they please. Wythe Hotel has provided an amazing venue, and there’s an adjoining room where people can take a break if they need it. Hell, walk over to the water and stare at the Manhattan skyline for a while if you need to.

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EL: Is it important for attendees to be familiar with Solaris, or will the event serve as an introduction to the novel?

Morgan: Foreknowledge of Solaris is entirely unnecessary. If you’ve never read the book, this is a surprisingly intimate way to get acquainted. And for those who have already read the book, you’ll find that the marathon reading format mirrors many of the themes of the book; the onslaught of numerous bodies giving life to a larger and unified voice below matches perfectly the sentient ocean’s ongoing attempts to communicate through numerous shapes and forms. Hopefully, too, listeners become lost in their own thoughts as the characters do in the novel.

EL: Is this more reading or more performance art?

Morgan: I’d say it’s difficult to make the distinction. While this event is nothing like an evening of a few readers sharing their poetry and stories, Saturday will follow the basic blueprint of marathon readings that have come before it: we’re celebrating a new translation of a classic work of literature, allowing us to swim in the gorgeous language and overwhelming imagery, and one person after another will take the stage to read pieces of the book until we’re done. However, Marina Abramović has designed a pivotal feature of the evening that will most definitely set it apart from other similar events, a twist that will further blur the line between traditional reading and performance art. We can’t reveal this portion of the event until Saturday, but we’re excited to see it come together.

EL: Marina Abramović recently collaborated with Jay-Z and is now collaborating with you all at Atlas. Is there a through-point here?

Morgan: Besides Jay- Z himself being a lot like an enormous planet that mimics our inner thoughts and emotions, forcing us to reconsider how we communicate with each other and ourselves, the through-point here is almost certainly long durational performance. Jay-Z rapped for 6+ hours, we’ll read Solaris for just as long (or even longer), and MAI aims to be an enduring home for long durational works. So, it’s either Jay-Z’s similarity to a distant fictional planet, or it’s long durational work. One or the other.

EL: Any advice for those who plan on attending?

Morgan: Get there early! A lot of people have said they plan to attend, so if you want a great seat, you’ll need to stake your territory sooner than later. Other than that, just come prepared to immerse yourself in a magnificent novel by one of the world’s most original authors.

EL: Who should we be hyped to hear read?

Morgan: Of course, we’re looking forward to Marina Skyping in, and we’ve got a few secret guests that should be fun, too, but we’re also so glad to be joined by the Gigantic Magazine staff — they’re putting out a badass collection of science flash fiction, so it’s sort of perfect. Who else? Michael Barron is not only reading but delivering a brief introduction to the book, and the wonderful Ken Kalfus will give us the final pages. It’s an honor to host Rachel Rosenfelt of The New Inquiry, whose marathon reading of Frederic Tuten’s The Adventures of Mao on the Long March a few years back at the Jane hotel was an inspiration. Atlas Review contributors Benjamin Hale and Catherine Lacey are both fantastic performers, and I can’t wait to hear how they interpret their sections. Sean H. Doyle won’t be wearing a gorilla costume (as he briefly threatened), but we’re sure he’ll deliver something special. There are so many more amazing people: Jason Diamond, Marco Roth, Nelly Reifler, Tobias Carroll, Ariana Reines, Lynne Tillman, Stacey D’Erasmo, Donald Antrim, Justin Taylor, Jenny Zhang, Sasha Frere-Jones, Kendra Grant Malone, Ben Fama, Megan McShea, each bringing a different feel to the book. And that’s not even half the list. Really, who could you not be hyped to hear read? Maybe Robb Todd? No, we’re definitely excited to hear Robb read. On the other hand, you should not be excited to hear Philip K. Dick read; Dick once suggested that “Stanisław Lem was a false name used by a composite committee operating on orders of the Communist party to gain control over public opinion,” and our long list of readers taking on Lem’s voice would probably not have done much to disabuse him of that opinion.

Anyway, see you Saturday.

***

— The Atlas Review is a new, independent literary magazine, comprising poetry, short stories, essays and visual art.

— Marina Abramović Institute (MAI) is dedicated to the presentation and preservation of long durational work, including that of performance art, dance, theater, film, music, opera, and other forms that may develop in the future. MAI will foster collaboration between art, science, technology, and spirituality, bringing these fields into conversation with long durational work. MAI will provide an educational space to host workshops, lectures, residencies, and research.

— Josh Milberg is Director of Promotions and Outreach for Electric Literature and thinks you should listen to “A soggy sad solar pageant.”

AUGUST MIX by Ken Baumann

I’VE SWALLOWED MY REED

I didn’t listen to music while writing Solip. I found its voice too singsongy, too gross, too tremulous on its own. But I discovered some music outside that voice’s time with me, and I’ve found music since Solip’s publication that seems to sync with its curses and entertainments. Listen, or ignore, at whim.

* denotes that song was not available on Spotify

1. “Windowlicker” — Aphex Twin

This song probably laid the reflective eggs that lead to Solip’s voice. I’ve probably listened to it 300–400 times since I was 16. I love its funky sickliness.

2. “Good Friday” — Why?

The deadpan echo of that guitar hook and Yoni Wolf’s voice feels doomed and just right. And that chorus — If I’m sinking and laughing at something sunken in, I am — seems dead on to Solip’s style of dissolving hysteria.

3. “Señorita Panchita” — Neville Marcano

Give this guy all the gold. Everything in this song seems charming but slightly bent — his half-assed lilt and delivery, the off-tune woodwinds, the uneven tempo. All qualities that make me feel like it’s kin.

4. “Come Up and Get Me” — Death Grips*

This song feels perfectly built for today. Obliterative bass, machine claps, words like Artaud grew up in the projects and is now screaming at you, hoarse invitations, threats, self-hatred. It’s loud and it’s trying to destroy itself. Sound familiar?

5. “Way Too Gone (feat. Future)” — Young Jeezy

The weirdest Young Jeezy song. Scifi synths, delayed bass… I feel like this is the loneliest thug rap song that ever got radio play. It seems like Jeezy made this song as a ghost.

6. “A Year In a Minute” — Fennesz

Another one that I’ve listened to endlessly. There are songs that feel like palatable pieces of death, and this is one of them. There’s a portal hidden in it.

7. “Hatred of Music I” — Tim Hecker

This is another.

8. “Autumn 2” — Max Richter

Ricther recomposed Vivaldi’s The Four Seasons and seemed to isolate its essential creepiness in this one. Recently, I listened to this song 62 times in a row.

9. “Hunger Games” — Death Grips*

Another slippery, hunchbacked, childish, saccharine, dirty fucking song that I want to take over my living room randomly, as a chaotic exercise.

10. “Reeling The Liars In” — Swans

Just make this the American national anthem, already.

11. “You Fucking People Make Me Sick” — Swans

The song that plays over the death montage in the 800 hour long film based on a schizophrenic child’s fairy tale that the Hollywood studios shepherd all their wealth together to make and get projected from every screen available to us.

12. “La Valse 2” — Ravel

Plug in good headphones, max the sound, listen. Ravel composed this before suffering a life-altering head wound that would render his music repetitive and degenerative. A new theory is that the wound gave Ravel dementia. If so, this song — especially its early grumble awake — is majestic prophecy, pure and simple.

13. “Every Single Night” — Fiona Apple

I can feel her nerves taking over. Again: childish, feverish, desirous, hyperbolic. I don’t want to live inside this, but I love it.

14. “Like a Prayer” — Madonna

Whoever cut the theatrical trailer to Gummo knew that this song does not belong in the popular universe. Did Madonna get possessed by an abusive gargoyle dominatrix? What children had to die for her to summon this song with their blood? This song has been ransacking Heaven since its release, crushing its holy pillars and backing God up against the last wall.

15. “The Chalet Lines” — Belle and Sebastian

One of the most beautiful tragedies I’ve heard.

16. “God Only Knows (Stack-O-Vocals)” — The Beach Boys

These men made their voices into this. They often wore turtlenecks. Taken alone, these voices feel captured in an impossible-to-escape box, looping and praising beyond the last living ears.

17. “Let’s Live” — Aaron Neville

Romance.

To bring it back to Solip’s epigraph:

The call of love sounds very hollow

among these immobile rocks.

— Gustav Mahler

***

— Ken Baumann lives in Los Angeles. For more, see kenbaumann.com.

Cover credit: @ean11