Following Slowly

IT WAS A BRIGHT NIGHT, and the moon was shining on the snow, so it wasn’t hard to find her. He crossed the frozen creek and walked down to a little stand of piñon trees, and the heifer was there, lying on her side. There was frost clinging to her rust-colored fur, and her breath steamed up. She was tired. She scarcely turned her head at the sound of his approach.

He moved toward her with deliberate steps, talking above the sour crunch of the snow. “It’s okay there, girl.”

She was a new heifer, this her first calving. She’d probably been bred by a neighbor’s big bull, which had pushed through the fence that spring. Sonny walked around her and knelt down, lifting her tail, talking softly, the snow cold against his knees. He felt is pocket for lubricant, and rolled up his sleeves.

“It’s okay there, girl,” he said, pushing one hand inside her. The warmth revived his stiff fingers. He felt along the birth canal, closing his eyes to match his mind with the calf’s darkness. The heifer sighed, but didn’t move. He pushed his hand through the viscous warmth, along the outline of the calf’s body and the slick membrane that encased it. The calf was facing the right way, but one of its legs was turned back underneath it, its shoulders were caught on the cervix. It was too big. Sonny remembered having helped his father pull a calf that was similarly positioned — they’d struggled for an hour, and when the calf finally emerged it was stillborn, nothing more than a calf-shaped weight. For three days they tried to coax the cow to her feet with offerings of hay and water, but she could not stand. She wouldn’t even try. Finally, they shot her, and Sonny helped his father hitch her to the truck and drag her to the bone pile. They stood there for a while, his father breathing hard from his growing emphysema, and Sonny shifting from foot to foot, impatient. He didn’t know then that he’d run cattle himself, or that he’d irrigate the same ditches his father walked each afternoon. He thought he’d join the Navy. He wanted to see the world.

He leaned into the heifer now, his fingers working blindly to tear a hole in the amnion sac. There was a weak gush of oil-smelling fluid down his arm. He could feel it now — the slippery ears, the slick snout, the soft bulges of its closed eyes. He found its mouth and pushed two fingers inside. He waited. When he didn’t feel anything, he moved his fingers around, pushing at the calf’s tongue.

“Come on,” he whispered. “Come on, now.”

As he spoke, he felt it — a weak suckling.

He hurried, leaning until he was elbow-deep, pushing hard to turn the calf as the heifer pushed it back. She groaned and her muscles contracted around his arm. “Goddamnit,” he breathed, leaning into her, straining, his face touching her red fur. She swatted her tail in irritation.

When he got the calf turned, he reached around with his other hand to find his rope. He was sweating now, his breath coming out in gusts as he wound a half-hitch around the calf’s hooves. He pulled, but the calf wouldn’t budge. He sat on the ground and planted his boots against the heifer’s rump, pulling and grunting. The heifer was pushing too — he could see her body rocking forward, her neck stretching out. Once, she released a long bellow. Still it wouldn’t come. He’d have to use the truck.

He wiped his hands on his jeans and jogged to it. The night seemed colder in the cab, and he hunched behind the wheel in his bulky flannel coat, trying the engine once, twice, and then easing it across the shallow creek and between two little piñons.

The headlights glinted off the heifer’s eyes, and he saw that she was standing. She lowered her head and watched. The cows usually came to the sound of his truck, gathering around and craning their necks to see if there was any hay in the back, but this time the heifer looked wary. She stood in the darkness, her big sides heaving.

Sonny turned off the headlights. He’d give her a minute to lie back down, and if she didn’t, he’d pull the calf standing. It would be easier if she’d lie back down, so he sat in the dark and waited.

The moon shone yellow through the trees. It was well past midnight, and Sonny was tired. For some time, he’d had trouble sleeping. He fell asleep quickly, exhausted by a day of cows and cold, only to come awake a few hours later in some unexpected place — sitting in the hallway, or standing over the kitchen sink. Sometimes it was hard to know where he was, and he stood awed and dismayed by some common object — a door handle, a sink fixture, the floral pattern of the bathroom wallpaper. One night, his mother had found him on the utility porch, urinating into a stack of neatly folded laundry. My God, she’d said, what is wrong with you? He hadn’t come home for two days, his shame was so great. He’d parked his truck in a field and slept there, curled on the seat, waking now and again to start the engine for heat.

Even now, alone in the truck, the memory made him flush. He reached above the visor for a can of chew. He put a thick pinch behind his upper right cheek and leaned to get a soda can from the floor for a spitter. Then he sat with his hands in his lap, looking out through the windshield at the moon. Sometimes he forgot how good it was to be here, outside, and what it meant to sit alone in such quiet. Sometimes he had to remind himself.

When he turned the headlights on, she was lying down. He put his gloves on and climbed back out into the cold.

He woke after sunrise and the coffee was burned. His mother had left it heating. It didn’t taste too bad with a few spoons of sugar, and he sat at the table sipping and listening to the television going in the other room. The table was strewn with playing cards. His mother must have stayed up waiting for him. She had her back to him now, doing dishes.

“I heard from your brother last night,” she said over the sound of the faucet. “He said Deanette is going to play in a concert at Carnegie Hall.”

“Wow,” he said. “That sounds like a good deal.”

“They’re worried about letting her go to New York by herself, I guess, but Deanette’s awful proud.”

Sonny stirred his coffee. He hadn’t seen his brother’s kids in several years, but he remembered his niece as a glum child with an unruly mop of dark curls. She had a way of looking at people as though they were trying to deceive her, and Sonny had wondered how such a privileged child could feel so wronged. His brother was a well-paid architect, and by the time his children were ten they’d been to ten countries, and did not hesitate to trot out their passports to show this stamp and that. Deannette had sat with her arms crossed while her father showed videos he’d taken in the Swiss Alps and the Galapagos Islands, often videos of her, standing with her arms crossed, looking with endurance at the mist or the mountains or the crashing of the sea. One Christmas, Sonny had taken it upon himself to make her smile. He’d made faces at her until she laughed and made faces of her own. But so many years had passed that he couldn’t imagine what she looked like now. She’d finished grade school and gone into junior high while he was in prison; she’d gotten braces and had her braces removed. She’d grown from a sulky child into a young woman, and in that span of time Sonny had given her very little thought.

It was hard to say what he’d thought about. In the mornings, he worked in the prison bakery, where his mind kept to the bread and the men and the machinery moving around him, and for a brief time in the afternoon he was allowed outside, where he paced back and forth along the fence, because if he didn’t exhaust his legs he’d never get to sleep, and because it seemed a shame to waste his one opportunity to walk doing anything else. He didn’t think — he just walked. And later, in his cell, his mind clung to routine things. He kept his bed straightened, his fingernails clean and clipped.

Still, there were times when he was stacking loaves of bread or trying to keep his eyes on the floor, or when he was in some jostling line of unbathed men, that his former life flooded back and he could see the green of the ranch in summer, the white of snow, the kitchen windows steamed with his mother’s cooking, red cows in the fields with their heads lowered, the trailer in the desert where he lived after high school. He could see the dusty little bars off the highway where he used to go with his friends, sunsets and rainstorms and his own legs carrying him from place to place. He saw himself driving and laughing and sitting on barstools, his arm around a tall, freckled girl. He could smell the interior of his pickup truck and her perfume. These visions were stupefying; they sent him into a kind of paralysis. He accepted no visitors. When his mother came to see him the day after his father’s funeral, Sonny refused to leave his cell. He sat at the end of his cot, blank-faced, unable to move until he knew she was gone. His mind had shrunk to fit the size of his life.

After his release, his brother’s family drove seventeen hours to see him, but Sonny had gone out to tend to the cows, and when he saw their new car parked in the drive, he found himself unable to come inside. He didn’t want to be looked at. He felt they could know it all by looking. If they didn’t cry, as his mother had, they’d be overly cheerful. It exhausted Sonny to think of it. So he walked to the north end of the ranch, irrigating and getting bit by mosquitoes, and he didn’t come back until his brother’s car was gone.

“You must have come in late,” his mother said. “I tried to wait up.”

“That red heifer calved. You should have gone to bed.”

“I know. I drank too much coffee. Was everything all right?”

“I had to pull it, but it was up and nursing by the time I left. A little bull calf.”

“Oh, good.” She dried her hands on a dishtowel and came to stand by the table. Her brown curls were plumped and sprayed in a neat orb around her head, and she wore a pearl necklace over her a high-necked blouse.

“I’m going to do some shopping in town,” she said. “You’d better ride along.”

Her voice had a manufactured cheer to it, as though she’d practiced in her head how it would sound. She began picking the cards up from the table.

“I’ll probably just stay around here,” he said.

“Oh, come. Those cows can survive a morning by themselves.”

“I’ll probably stay.”

He moved some sugar crystals around on the tablecloth with his thumb. He could feel her looking at him, so he put on his heavy flannel shirt and went to the door. His boots were there, still white with snow. He banged them together, reminding himself to get the door re-sealed so the cold air couldn’t leak underneath it. Then he opened the door and stood there, looking out across the yard at the driveway and the frozen tops of the trees beyond. The sky was clear and blue.

“You go ahead,” he said. “I’ll get your truck warmed up.”

And he shuffled out.

He was feeding when he heard his mother’s truck rumbling away. He couldn’t see it from the field, but the engine made a droning sound as it moved away down the county roads, and he listened, thinking of how far sound traveled, how on some windless nights he could hear vehicles traveling many miles away, as far as the road to the dump and the highway into New Mexico.

The cows moved among broken hay bales, and he surveyed them, wishing he’d asked his mother to buy him a new package of razor blades. And something sweet. He’d always had a sweet tooth, and there was nothing he liked more than a piece of cake for breakfast with a glass of milk. Sometimes he liked to pour the milk over the cake and eat it with a spoon. But his mother bought sensible groceries: rice, beans, pork roasts, potatoes. She went to their meat locker and picked up packages of hamburger and steaks. It was forty miles to town, so she brought home enough to last a month. They never had dessert, with the exception of some canned peaches poured into a bowl. But Sonny didn’t complain. He was a grown man who should have had a family of his own, and although he knew his mother relied on him to take care of the ranch and their finances, he didn’t feel at liberty to add to the shopping list. He ate what she ate. He watched what she watched on television. When she urged him to take one of the upstairs bedrooms, he declined. He slept in the basement, on the same twin bed he’d used as a boy, under the same quilted blanket.

Around him, the cows shouldered each other and swung their heads, grabbing mouthfuls of hay and chewing them with slow, circular motions. A few watched Sonny incuriously as he counted them. The red heifer was there, with the young calf at her flank. Its legs were still spindly; its fur was a bright and undulled red. Sonny watched it, thinking how little the world seemed to surprise a newborn. The snow, the sun, the big jostling herd. The calves looked at everything as though they’d expected it.

When he got home, the house was quiet. His mother was still in town, and without her, the place felt empty. Even the clock had ceased ticking. Sometime the week before, it had suddenly quit, and Sonny had taken it down from the wall to find that its batteries had run out. He’d forgotten the thing ran on batteries, it had ticked so reliably, and for so long.

The clock had stopped at 4:15, and the sight of it there on the kitchen table gave him a feeling of dim anxiety. Four o’clock had been count time. “Count!” they called. “La Cuenta!” Every day, inmates up and facing the bars, while guards walked the corridors, counting. Guards in heavy boots, guards with batons. The same guards who told the men to bend over and spread their cheeks, who brought the mail and told jokes and made deals for cigarettes. Their footfalls were slow and deliberate. At the end of each tier, they called out in flat voices to the guards waiting below, guards who marked a sheet to verify that every man was present, every man alive. “The count! La Cuenta!” Every man shuffling to the front of his cell. Men with bare feet. Men with wide stances and dead, contemptuous eyes. Men who raged and snarled until the hair stood up on Sonny’s arms. Men who laughed, slow and easy, as though even this was a minor nuisance in their lives.

He walked through the house and poured a cup of burned coffee, now cold. There were oily patches at the surface and he sipped, hearing himself sip. There was not another sound. He drank the coffee and filled the cup with water from the faucet, then walked across the carpet in his dirty boots and sat down, listening to the quiet.

There had been no quiet in prison. Even as he slept he’d heard clanging doors, sliding locks, shouting and laughter and groaning in the bright night. Keys jangling, guards walking up and down, up and down, boots on concrete and ringing, buzzing, bells. In the quietest part of the night, he heard his cellmate breathing and whispering in the half dark, smelled his musky sweat from the bunk below. “Baby,” he’d say. “This is reality. This ain’t no joke. We’re living in Hell’s Glory. This here is why they call it hard time.”

His laughter was a low, mirthless rumble. He liked to talk, whether Sonny was listening or not, and some nights he spoke to the bottom of Sonny’s mattress like a friend at a sleepover, moved by some imaginary night sky to confide his thoughts and observations. “How’d we end up here, Baby? I still can’t figure that one out.”

He was an older man whose offenses unfolded in the stories he told — the time he robbed a liquor store in Salt Lake, the time he took his son from his ex-wife, the third time he violated parole — until Sonny began to wonder if more than a week had passed in his life in which he hadn’t run afoul of the law. He’d been in another prison before he became Sonny’s cellmate, and would be moved to another prison before Sonny’s time was done. But he didn’t seem to comprehend it. He looked around the cellblock and shook his head in disbelief.

“How’d we end up here, Baby? That’s what I’d like to know.”

Sonny understood how he felt. He’d slept through his own crime. How, he didn’t know. He awoke only afterward, on his back in a dusty field, a confetti of broken glass all around him. There were sirens, too, and he saw them before he heard them, red lights flashing across a sagging black sky. He looked down his body and saw his right leg hanging above him, twisted so that his toe pointed off to the side. The boot he’d been wearing was gone, and his foot was bare, the skin white in the darkness. There was blood on his jeans — a dark patch that spread and grew cold as he lay there. Shadows moved around him, talking shadows. He’d killed someone. Her name was Iona Mindich, and she was fifty-nine years old.

Sonny put his hands flat against his thighs. They trembled sometimes and he had to stuff them in his pockets or put them to a task. Across the room, the blank grey screen of the television miniaturized his reflection. There was work to do, but he couldn’t recall what. It didn’t matter what. He looked at the worn fabric of the couch and remembered lying there as a small boy, watching cartoons, and the strange loneliness he felt when his mother and brother were still asleep and his father had gone out to feed. It was hard to believe he’d ever been small enough to inhabit a single cushion.

He’d tried to imagine Iona Mindich as a child, but he couldn’t. He’d never seen anything of her but a photograph of a frail woman with wiry gray hair and a mouth that looked somehow crumpled. She’d lost her teeth to a childhood ailment, and the face she was making in the photograph was as close as she would get to a smile. For fifteen years she’d worked the graveyard shift at the supermarket bakery in town, and during that time he’d probably eaten dinner rolls she’d put in the oven, though he’d never seen her face. He’d seen it only in the newspaper, her flat gray eyes and mouse-gray curls. What details he knew of her life he’d learned from her sister, a small, pious woman who stood to deliver a convoluted monologue at Sonny’s trial. She spoke of her loss, and of righteousness, and declared with a quavering voice that the Lord hated the hands that shed innocent blood, that they were abomination, and that the name of the wicked would rot.

Baby — that’s what they’d called him in prison. He’d grown a beard, but they’d made him shave it, and there was nothing he could do about the youthfulness of his face, his smooth skin and dark eyes, his eyelashes long enough to be a woman’s. Inmates in the laundry had written it on his socks in big black letters: BABY. He’d been home a week when his mother took it upon herself to launder his sack of rumpled clothes and found them. Sonny found her soaking and scrubbing, crying into the sink.

“What does this mean?” she’d asked. “What did they do to you?”

Sonny had been unable to answer. He’d walked away, wanting to hide his face, mortified that she’d asked him. He could think of nothing worse than his mother imagining him raped, if that was the word for it, and he lay awake that night trying to find a way to reassure her that he was still a man, his father’s son, the same person she’d always known, regardless of what had happened to him. But there was no way to approach it, no way he’d ever in his life speak of it.

So they’d gone on in shared silence. She’d thrown the socks away and replaced them with new white socks, and hadn’t mentioned them again. And yet Sonny still felt the weight of her question. He felt it in her eyes sometimes, and in the quiet that settled over them during the long evenings in front of the television. They sat and watched, but sometimes it felt like neither was really watching it at all.

He should get up, he thought, and shovel a pathway to the shed. But he couldn’t yet move. He sat there, eyes heavy, watching the way the walls loomed. If he stared long enough they seemed to advance toward him, and if he concentrated he could convince them to back away.

Outside, a cow bellowed from a distant field, and a cold wind rustled the naked branches of the chokecherry bush by the door. He sat there for a long time, following his thoughts down dim passageways, following slowly, with resignation, until the door opened and his mother was standing there, a brown bag of groceries in each arm, and he got up to help her.

II.

She died that summer, leaving Sonny alone. He ate poorly, and his laundry piled up in the utility porch. The kitchen developed a layer of grime he was helpless to eradicate. It was two years before he boxed her things and moved out of the basement into one of the upstairs rooms.

Each year he made a profit, if modest, at the sale barn, and put everything into savings. He bought little except food and soap, the occasional pie at the bakery, the odd pair of jeans. He celebrated his mother’s birthday when it arrived, but failed to remember his own unless his brother called for a tongue-tied conversation. He sent generous checks to his niece for her graduation, her wedding, the announcement of her first baby, announcement of the next. He grew accustomed to evenings by himself, simple dinners of meat and frozen vegetables, the radio playing faintly from its place beside the stove. And while his dinners verged half the time on inedible, he made himself eat them — he made himself cook something and put it on a plate and sit down with a napkin and a glass of milk. It would have saddened his mother to see him as he was during that first year of her absence, drinking cold soup from the can, leaning over the sink to eat a forked steak.

In the fall, he cut firewood, and in the winter he burned it. In the spring, he planted alfalfa. At an auction he purchased a little antique tractor and painted it bright red. He didn’t know why he’d bought it, or what to do with it, so he parked it in a corner of the yard. When the paint faded, he touched it up. When grass grew up around the tires, he knelt and tore it away. It was the only gardening he bothered with. The wild roses, which his mother fought so hard to contain, grew unchecked. They spread across the yard, shoulder-high, a labyrinth of perfumed brambles and bees.

When summer was gone, he divided the heifers from their calves, and for a week his ears rang with the sound of their bawling. Day and night they called to each other, the calves in the corral growing more desperate as their mothers drifted further and further afield. Their babel reassured Sonny enough that he could sleep. It was their silence that woke him — a sudden hush that came over the ranch when the calves wore out. It was then that the shadow of a flying owl or a breeze rustling across the hillside could bring them to their feet, wide-eyed in communal panic, to slam against the bars of the corral like a great wave and flow over the downed fence and across the fields to the last place they saw their mothers, to the memory of milk, and he’d have to begin all over again.

During this time, a neighbor began to visit, an old rancher from the property to the north. Sonny had known him since boyhood, when he’d been conscripted to help wrestle calves or hay bales for a few dollars a day. It had been hard work for a boy of Sonny’s size, and when it was finished, he’d follow Bob Bitts to his rattletrap house, where the old man assembled plain meat sandwiches. There was nowhere to sit. The house was choked with furniture, but all was occupied by dusty boxes, these filled with oily tools and car parts and who knew what else. Magazines were stacked and strewn about, and Sonny caught glimpses of glossy women cupping enormous, pale breasts.

If Bitts had seemed an old man then, now he seemed ancient. His thick sideburns had gone white along with his hair. He’d grown squat and bandy-legged, Leprechaunish. His rounded belly pushed his jeans down so that he was continually pulling them up. Each week, he arrived in his battered truck, bearing what news he’d overheard at the post office and a bottle of whiskey. Though Sonny resisted the whiskey at first, he found that it warmed and calmed him. It became a small, but reliable pleasure.

Sometimes, in fact, Bitts stayed late into the night, and the two of them drank until the living room swam around them. Both were accustomed to solitude, but with the right amount of whiskey they found themselves in long discussions about things like evolution, the economy, outer space. Some nights, Sonny found himself giving philosophical orations that he didn’t entirely believe or understand, but felt powerless to stop. Even when he saw the old man’s head falling forward and his eyes drooping shut, still he talked, words streaming from him of their own volition.

Other times, it was the old man who held forth, telling such long, repetitive stories that Sonny had to shake himself awake. And some nights, neither had a thing to say, and they simply sat together like mutes.

One evening, Bitts arrived carrying a letter. He didn’t mention it, but poured himself a glass of whiskey and sat with the envelope between his thick, dry fingers. Sonny looked at it, recalling that Bitts sometimes prevailed upon neighbors to help him with his mail. He claimed far-sightedness, but everyone knew he was illiterate, that he could scarcely decode his own name on the outside of the envelope, let alone write it. According to Sonny’s mother, he’d known how to read once but had forgotten it over the years, as some people learn and forget foreign tongues. Many times she had written the old man’s checks while he hovered behind her, pretending to police every stroke of the pen.

“What’ve you got there?” Sonny asked.

Bitts rearranged himself in his seat. “There’s a piece of mail here I need to read. But my eyes are just about shot, see.”

He passed the envelope over the coffee table with some reluctance.

“It’s from my daughter,” he said. “I bet you didn’t even know I had a daughter, did you?

“I might have known, but I’d forgot.”

“Well, I damned near forgot, myself,” Bitts said. “I haven’t seen her since she was small. She lives in California. At least she used to. I can’t see, is my trouble. I’ve pored over it a hundred times, and I just can’t make the words out. I don’t know why people have to write so damned small!”

Sonny looked at the envelope.

“You just want me to read it aloud?”

Bitts nodded. “If you would.”

“What if it says something you don’t want me to know about?”

Bitts laughed. “Like I said, I haven’t heard from her in years. If there’s something in there you don’t want to know about, I guess I don’t want to know about it either.”

Bitts’s smile faded. Sonny opened the envelope. Inside there was a single page of jagged blue handwriting. It was not small, as Bitts had said, but in fact large and loopy, and it switched from print to cursive and back to print.

“Looks like you’ve got the same trouble as me,” Bitts said. “I just can’t see well enough to make it out.”

“I can see it all right.” Sonny turned slightly to find the lamplight. It felt strange to read a letter written to someone else, a letter written by a woman, and he was reluctant to interject himself between the words on the page and Bitts’s evident eagerness. But after a moment, he cleared his throat.

“Dear Daddy. I know it has been a long time since I’ve written to you — years and years. But I hope this letter finds you happy and healthy. For all I know you don’t even live at the ranch anymore, I just can’t imagine you anywhere else. And Mom said I could probably find you there.”

Sonny paused, conscious of the monotone sound of his voice, the way he stumbled over the handwriting, which seemed to get worse as the letter went along. He glanced at Bitts, who was leaning forward with his elbows on his knees, frowning at carpet.

“Maybe you didn’t know I got married,” Sonny continued. “But I did, and then I got divorced. Life is strange, and that’s why I’m writing. I’m coming to see you. I’m looking for a change of scenery, and if you want to know the truth, I want to get to know my Dad.”

Here, she’d drawn a smiley face — two dots with a lazy U-shape underneath it.

“Nothing is decided yet, but I think I might have found a place not too far from you. I hope to see you in a few short weeks. Your daughter, Betty.”

Sonny lowered the letter and looked at Bitts, who was staring out over the cluttered coffee table. His face — usually a deep, weathered red — had paled. He raised his shaggy eyebrows and let out a breath that puffed his cheeks. Then he took off his hat and smoothed down his white hair.

“Well, I’ll be damned.”

Carefully, Sonny folded the letter back into the envelope.

“I’m going to have to find somebody to clean the house,” Bitts said. “A professional, or a whole team of them. Somebody who knows their way around a vacuum cleaner. Can you tell what the date is? When it was sent?”

Sonny looked at the little printed circle in the corner of the envelope.

“Looks like February twenty-seventh.”

“That’s two goddamned weeks!”

“Just about.”

“Well, I’ll be damned.”

She arrived within a week, and only a short time later moved into a doublewide by the side of the highway. On Sundays, she fried chicken, and Bitts showered and parted his hair before going to her place for dinner. He went around town as proud and moony as a man in love. “She’s the only one in the family has any brains,” he told Sonny. “Her mother raised her in California, so she’s got more culture than any of us here.”

But people formed their own impressions, owing in part to an appearance she made at the mini-mart, braless, for some milk. She asked for a fancy cigarette that the store didn’t carry, and she had a tattoo of a skull on her upper arm that she made no effort to conceal.

Her name was Elizabeth Bitts D’Amico, but she introduced herself as Betty Bitts. When Sonny suggested that she must be dismayed by the backwardness of the town, she laughed out loud.

“I guess you’ve never been to Barstow.”

He hadn’t, though he didn’t say so. He was hammering a cedar plank under the eaves of her new doublewide, trying to cover a hole where some starlings had nested. Bitts had asked him to do it, as he didn’t trust himself on a ladder and didn’t want his Betty doing any rough work.

Betty stood just below him, on the second step of the porch, shading her eyes from the sun. It made him self-conscious to have her watching him, and he focused on not dropping the hammer on her bare feet. She wore a long, shapeless dress — Sonny didn’t know if it was a housedress or what — and from where he stood, her toes were visible, small and polished pink.

When he finished, she invited him in. It was a hot afternoon and she had a pitcher of sun tea sitting there on the table. He could see it from the porch.

“I’d better not.”

“Oh come on. It’s bad enough my Dad sent you up here. At least sit down a minute.”

“I appreciate the offer,” he said, wiping the sweat from his hairline. “But I’d better get home.”

At home, he took off his overalls and hung them over a chair. He retrieved a chocolate bar from the box in the pantry and ate it while he watched the news. The channel was out of Albuquerque, where there were fires and floods and gangs, crimes so unspeakable that Sonny turned the television off. He couldn’t stand the newswoman’s relish, her lipsticked pronunciation of horrors she’d never herself have to see.

He lay in bed, not asleep, but not awake either. He tried, as he did every night, to prioritize his work for the following day. But his thoughts strayed to Betty. She caused a rising thrill in his gut, a feeling he tried to deny and ignore. He reminded himself that he was an old bachelor, content to go days without speaking a word to anyone, and that he’d darkened his teeth with chew. He’d gained twenty pounds in the last few years, and his jeans hadn’t always kept up. He lived in pair of brown coveralls except when he went into town, and then he wore one of his father’s old dress shirts. He didn’t even know what people did to polish themselves up. He had no business looking at women or thinking about their feet.

But here in the privacy of his bed, he indulged in the memory of her, and a warm feeling that he might see her again. Despite himself, he began devising excuses. He’d double-check his work on the eaves. He’d knock down some of the weeds around her place — the sunflowers were approaching waist-high. He’d bring her some firewood, though winter was months away.

It kept him up late. He lay awake, his hands clasped over his chest.

It was the sunflowers he settled on finally. He put a scythe and a shovel in the back of his truck and drove up the highway. It was early afternoon. He hesitated before turning down her drive, worried that she might not be home. Or that she was. The realization made him flush with panic — her car was parked right in front of the house, a well-used green sedan.

He drove slowly, hands shifting on the steering wheel. What if she had a man there with her. What if she was in the middle of a bath, or doing something private, and felt intruded upon. What if she was in there doing drugs — he didn’t really know her, after all, and what kind of woman would wear a tattoo of a skull on her arm? Tattoos were reminiscent of places and things a woman shouldn’t know about, of fat men sweating as they etched them, of brown men marking themselves as part of this gang or another, of men whose every movement was a threat. He shouldn’t have come. He should have brought Bitts with him. He should have waited for some kind of invitation.

But it was too late. He was idling there, in view of the doublewide, and she was looking right at him. She had one hand on her hip and the other holding a garden hose, with which she was filling a bright blue kiddie pool. There was a toddler in it, a pale-skinned blonde boy splashing. There was another kid on the porch. The screen door swung open and another peered out, a chubby-faced girl wearing a shiny dress and a pair of pink wings.

Betty smiled. She lifted her hand in greeting.

Sonny got out. Everyone watched him. He ambled over to the far side of the kiddie pool. Behind him, he could hear the truck clanking faintly as the engine cooled.

“Hey Sonny.” She was shading her eyes from the sun, and her hair looked matted from sleep.

“I was just driving by,” he said. “I thought I’d stop and offer to knock down some of these weeds.” The boy in the pool turned to look up at him, his face scrunched against the glare of the sun. He had small square teeth and wore small white briefs.

“You mean the sunflowers? I sort of like them.” Then she hollered over her shoulder: “Lacey, turn off the hose!”

The little winged girl ran noiselessly down the steps and around the side of the trailer.

Betty nodded toward the boy in the pool. “This is Stephen,” she said. “That’s Tucker and Lacey. I’ve got two more back in California, my older girls. I bet you didn’t know I’d popped out so many.”

“I didn’t know either way.”

“They’re with their Dad a lot of the time. But I’ve got them the rest of the summer.” She looked around at the dry ground and the white side of the doublewide. “Now that I’m settled, I hope I can keep them for good.”

The older boy was sitting on the porch steps, watching Sonny through two of the rails. The girl ran to Betty’s side and took a handful of her shirt, then peered around to look at Sonny’s face. Sonny thought the urgency of his heartbeat would choke him, and that his distress would be visible to all. But the boy in the pool was busy splashing, and Betty was looking down at him, looking pleased.

“I guess they miss the ocean,” Sonny said.

Betty gave a slight smile.

“I’ve never seen it,” he continued. “But they say it’s something everybody ought to see.”

“We lived in the desert.”

“Oh,” Sonny said.

He looked down at the little boy in the pool and after a moment he spoke again. “What you need is a hot tub. Something they could swim in year round.”

Betty laughed, and pushed the hair out of her eyes. “Don’t get them started nagging for one.”

“I could install it,” Sonny said. “I could put it right there, off the edge of the porch, and you could sit there and look out at your sunflowers.”

Betty’s smile hadn’t changed. She looked down at her feet.

“Do you want some tea or something?”

Sonny didn’t answer. He stood there for a long moment, hands stuffed in his pockets, and Betty didn’t ask again. She lifted the boy from the pool and toweled him off, scolding when he stomped in the soft mud. The little girl giggled at her brother’s impertinence. Sonny remained at the edge of them with a stiff half-smile, hoping they would forget him, wishing insensibly that he could remain there, unnoticed, for the rest of the afternoon.

What we’re reading in 2013

Here is your 2013 literary forecast from Electric Literature and friends: dense text, a smattering of Alt Lit, and a 90% chance of George Saunders winning the Pulitzer. Beware of accumulated bookdrift on the floor next to your bed. And, as always, keep reading.

Michele Filgate, Events Co-ordinator at Community Bookstore:

Enon by Paul Harding (September) — It’s no secret that Tinkers is my favorite contemporary novel. I read Harding’s debut novel when it first came out and I still can’t stop talking about it. I’m eagerly awaiting his second novel scheduled for a September pub date, and centered around the grandson of George Crosby from Tinkers.

American Dream Machine by Matthew Specktor (April) — Tin House consistently publishes really

good books. (See Glaciers by Alexis M. Smith, for instance.) I’m friends with Matthew and really respect his taste in books and his contributions as Senior Fiction Editor of the Los Angeles Review of Books. His new book is described as “the story of an iconic striver, a classic self-made man in the vein of Jay Gatsby or Augie March.”

Roxane Gay, writer/blogger/professor/editor:

Don’t Kiss Me by Lindsay Hunter (Summer, FSG Orignals) is one of those books that truly stands apart, even in a thriving literary culture. She has a voice unlike any other. There’s ugliness in her stories. Most of the people Hunter writes aren’t terribly pleasant, but they are real. They are the people we know and love and hate. She also makes smart, unexpected choices with syntax and language and rhythm, controlling how her stories are read. Hunter gets in your face in the most seductively antagonistic way.

A. Igoni Barrett’s Love is Power or Something Like That (May) crackles with the chaotic energy of modern Nigeria. A young boy responsible for his family while his mother flounders with addiction and bad decisions, a man who cannot open his mouth for fear of his overwhelming halitosis is on the outside looking in, a man who pretends to be a woman to lure unsuspecting men from around the world uses the human heart as a way to make money, a corrupt, abusive police officer who is also a family man tries to understand the darkness in him — the characters and circumstances they are found in reveal people’s deepest flaws, and the ways they try to overcome them.

Halimah Marcus and Benjamin Samuel, Electric Literature editors:

Crapalachia: A Biography of Place by Scott McClanahan (March)

BS: I made it through the better part of 3 decades without becoming a fanboy of anything or anyone. I’m proud to say that Scott McClanahan broke that streak. I ❤ you, Scott. (You can read excerpts at Oxford American)

HM: Hypothetically, if Scott asked me to run away and join the circus with him, I’d say yes. [Editors note: this happened.]

The Slippage by Ben Greenman (April)

BS: This one combines two things I’m not very good at but keep attempting anyway: relationships and carpentry. If you haven’t read Ben Greenman’s work, check out his story in Electric Literature no. 5 or follow his impossibly prolific twitter feed.

HM: I’ll read anything by the man who (allegedly) coined the term “cyclopath” re: Lance Armstrong.

Woke Up Lonely by Fiona Maazel (April)

HM: I loved Fiona’s first novel, Last Last Chance, about family, drug addiction and a global pandemic, so I trust her to handle a story about a cult that cures modern loneliness. An excerpt from Woke Up Lonely (which has since been drastically altered, I’m told) was recommended by The Common in issue 2.4 of Recommended Reading.

BS: In grad school, Fiona once told my class that careless writing contributed to the dumbification of America and that’s how the fascists would win. Not only do I believe her, but I’d read anything written by someone with so much respect for the power of literature (and hatred for fascists).

The Unchangeable Spots of Leopards by Kristopher Jansma (March)

BS: I’ve read this already, so it might be cheating, but it’s absolutely brilliant and definitely worth cheating for. Plus, it’s so good his sales rep is willing to eat the galley.

HM: The Unchangeable Spots of Leopards is a celebration of literature the way Singing in the Rain is a celebration of cinema; thrilling and joyous, full of microcosm and homage. (Although no Gene Kelly.) Or, if you don’t like musicals: The Great Gatsby meets The Secret History.

Rontel by Sam Pink (February)

BS: This may also be cheating, since we’re publishing the eBook on Valentine’s Day. But I have to include it because this book will disrupt how you view the world and your conceptions of contemporary literature. You can read an excerpt here. Also, did I mention that we’re publishing the eBook next month?

HM: It’s difficult to describe how funny this book is without saying “fucking.” Special someone or no, you’re better off staying home and reading Rontel on Valentines Day rather than going on a date that is sure to disappoint. Sam Pink will not disappoint!

A Questionable Shape by Bennett Sims (May): “White Dialogues” by Bennett Sims is perhaps the most ambitious story we’ve published in Recommended Reading, full of philosophy, film criticism, and scholarly angst, and, because we’re Electric Literature and couldn’t resist, Jimmy Stewart gifs. Two of his other stories — “The Bookcase” (an invented episode of This American Life published in Zoetrope) and “House-sitting” (man alone in a cabin goes crazy, published by Tin House) show that what Bennett does is more than writing, it’s method acting with a pen.

Helen Terndrup, reviews editor, The Outlet:

I missed Tessa Hadley’s new collection, Married Love, when it came out in November, but after reading Bonnie Altucher’s review, I’ll be remedying that mistake as soon as possible. And I’m looking forward to Richard Pevear and Larissa Volokhonsky’s new translation of The Enchanted Wanderer and Other Stories, by Nikolai Leskov, which comes out in March.

Joe Winkler, writer/blogger:

Night Film by Marisha Pessl (August) — I didn’t judge Pessl’s stellar debut novel by its cover, but by the stunning author picture gracing the flaps of the book. When I read the novel — in one sitting through the night, by the way — I felt a strange intimacy towards this young writer who then just vanished from the literary world. Seven years later, after some delay and fuss, we hopefully will finally get to read her second novel.

The Bridge Over Neroch: And Other Works by Leonid Tsypkin (March) — I first read Tsypkin’s masterpiece Summer in Baden-Baden as an assignment and found it pretentious, purposefully dense, and prohibitive. On the fourth reading I still cannot figure out the magic mastery of his prose and imagery. Maybe this new collection of a novella and stories will provide some clarity; regardless it will prove beautiful and important.

Julia Fierro, founder of The Sackett Street Writers’ Workshop and author of The End of the World as We Know It (St Martin’s Press, 2014):

There are so many great books by Sackett Street writers coming out in 2013 (too many to mention!) so I’ve kept my list focused on writers not affiliated with SSWW.

The genre-bending “literary horror” novel, Red Moon by Benjamin Percy (May) — Werewolves live among us, colonized and drugged by the government. Nothing excites me more than literary writers taking on genre and, in the words of literary horror great Peter Straub, using it’s “power to thrill and transport” while delivering urgent meaning and message.

The Still Point of the Turning World by Emily Rapp (March) — Rapp’s writing never fails to move me, as a mother, as a reader, and as a writer. Her gift for tackling the unthinkably sad, and often tragic, while leaving room for a glimmer of redemption, is incomparable. I know her memoir about life with her son Ronan, about the love of a mother for a son who will soon die from Tay-Sachs, will be my most meaningful read of 2013.

Big Brother by Lionel Shriver (June, Harper Collins) — I’m still reeling from We Need To Talk About Kevin and I can’t wait to see how Shriver, the queen of dark literary psychological realism and complex women characters, tackles the topic of obesity. Shriver doesn’t give a damn if you don’t “like” her characters and I love watching her work to make them redeemable and sympathetic despite their flaws.

The Dinner, Herman Koch’s sixth novel (February), is set entirely over one dinner in a swank Amsterdam restaurant. Gillian Flynn calls it “chilling, nasty, smart, shocking and unputdownable,” and after Gone Girl, I’ll sink my teeth into anything she throws my way. I’m hoping for a Who’s Afraid of Virginia Woolf-ish escalating tension and my gut tells me I won’t be disappointed.

Erin Harris, literary agent:

George Saunders’ Tenth of December (January), because I love his unique sensibility and I’m a firm believer in the short story as a vital literary form.

Andrew Solomon’s Far From the Tree (out now), because I’m fascinated by psychology, and the question of nature versus nurture.

J.M. Sidorova’s debut novel The Age of Ice (July), because I’m interested in Russian history and the novel includes a magical element — the protagonist is immune to the cold.

Lisa O’Donnell’s debut novel The Death of Bees (January), because the fourth line is “Today I buried my parents in the backyard.” Yikes! No really, I’m drawn to narratives about families and family secrets.

Penina Roth, curator/host of the Franklin Park Reading Series:

Tenth of December by George Saunders — Several stories in this collection are written in the classic Saunders style — there are fantastical elements (human lawn décor and convict guinea pigs implanted with mood stabilizers), neologisms (de-elfify and the social lubricant Verbaluce) and otherworldly settings (a futuristic prison and a Renaissance Fair). Saunders is also one of the only writers (others are Michael Kimball and Scott McClanahan) who can hook me with tender realism, seen here in resonant stories about a terminally ill man and a traumatized vet.

Fame Shark by Royal Young (June) — I was in a writing group with Royal for a couple of years when he was working on this insightful, compelling memoir about his quest for celebrity and coming-of-age as the son of bohemian parents in the Lower East Side of the late 80s and early 90s. When he read from his work in progress at Franklin Park three years ago, he received a rock star reception. I’m really looking forward to Fame Shark’s release and Royal’s return appearance.

Vampires in the Lemon Grove by Karen Russell (February) — When I started brainstorming about a reading series in 2008, Karen Russell was on top of my author wish list, so I’ve been eagerly anticipating her new collection. Blending startling imagery, lyrical prose and macabre scenarios, her mesmerizing stories bring fresh insight to familiar rites of passage. Her characters may be werewolves, ghosts or vampires, but they’re full-bodied and vivid. Here’s her description of a high school music class in “The Graveless Doll of Eric Mutis”: “Mrs. Verazain put on old records where the dead violinists seemed to saw through Time, to let a soft green light flood out of the past and into the voices of my friends — back then I would have said that Music calmed me down better than pot and I didn’t like to miss it.” I can’t wait till she comes back to FP this spring.

Clare of the Sea Light by Edwidge Danticat (August) — I love Edwidge Danticat’s thought-provoking and poignant stories of Haitian families and immigrants, and I’m inspired by her advocacy for earthquake victims, disadvantaged women and struggling expatriates. I also feel a strong attachment to her work since she lived as a teenager and has set some of her fiction in Crown Heights, our home base. I’m excited about this long-awaited collection.

Elissa Goldstein, Online Editor, The Outlet:

The Zelmenyaners by Moshe Kulbak (December 31, 2012) — This classic Yiddish novel was published in two parts in the 1930s and has just now been translated into English by Hillel Halkin, who describes it as “one of the finest narrative works in any language to come out of Soviet Russia.” Here’s an excerpt: “In summer, Bubbe Basha steps outside. She sits on a stoop and basks in the sight of little Reb Zelmeles spilling from every doorway like black poppy seeds.” How can you read such a sentence and not be utterly delighted?

The Interestings by Meg Wolitzer (April) — I’m Australian, so I’m fascinated by American cultural institutions, especially those of the privileged upper-middle-class, like the suburbs, the New York Times, private universities, and summer camp — which is where this novel begins. Plus, Wolitzer is a bitchin’ feminist.

The Swan Book by Alexis Wright (September) — Wright’s second novel, Carpentaria, is one of the greatest Australian novels of all time. It’s a long, sprawling and often discomforting story about racism and segregation in the country’s remote far north. It’s also lyrical and bawdy and imaginative and engrossing, which is why it won pretty much every major Australian literary prize. I’m really looking forward to her follow-up, The Swan Book, which is also set in northern Australia, and (to quote the scarce press/info I could find online) “looks at changes in people’s worlds through the movements of the black swan.”

Matthew Winn, proprietor of Molasses Books:

My Life in the Bush of Ghosts by Amos Tutotla — An attractive Grove First edition of this came in the other day. I was thinking it was just the first English translation, but it is the fact that the young Tutuola, from West Africa, insisted on writing in English that gives this book much of its appeal. The English is simple and slightly off, and it gives the surreal, nightmarish stories a more vernacular, folk-tale vibe. As the jacket says, “The slimy or electric movements of nightmare, its sickening logic, its hypnotizing visual quality, its dreadful meaningfulness, are put down by an earnest and ingenious story-teller.”

The Street of Crocodiles by Bruno Schulz — This collection of short stories, originally titled something like Cinnamon Shop, is one of the few works from the Polish writer Bruno Schulz. This avant-garde collection is linguistically playful, metaphor heavy and narratively fanciful. While he didn’t produce much work, Schulz is considered “one of the great Polish-language prose stylists of the 20th century.” He was killed by a Nazi officer; The Street of Crocodiles was translated into English in 1963.

Rachel Fershleiser, Literary and nonprofit outreach at Tumblr:

The Smart One by Jennifer Close (April) because obviously, because I am super-predictable and so into her last book that her father printed out my Millions rec and asked her how she knew me (she doesn’t.) Girls in White Dresses was about friends, which I have, and The Smart One is about siblings, which I don’t, so I’m curious if I’ll feel the same intensity of recognition.

The Interestings by Meg Wolitzer, because she writes great books about gender and sex and family and art and ambition, and because this one is about alumni of an artsy summer camp, and I am a showtune-singing Jewess who grew up in New York in the 80s, so.

The Working Class Foodies Cookbook, because I love their webshow, about cheap, easy ways to make the food you love in restaurants. I submitted a recipe and I don’t know if it made the book, but I know I’m going to read it cover to cover either way.

Rebecca Schiffwriter:

New books by beloved authors often get described as “long-awaited,” and I always wonder who’s out there waiting for authors to write. But in the case of The Fun Parts (March), Sam Lipsyte’s first short story collection since his knockout debut Venus Drive, I am the mythical reader who has nothing better to do than wait and wonder what Lipsyte has done to the short story now, to see all the new ways he’s found to make me laugh and break my heart, often in the same line.

I’ve been looking forward to reading George Saunders’ new story collection Tenth of December so much that I accidentally pre-ordered two copies from Amazon. Both of the books arrived this week, and now I can’t decide which copy to keep and which one to send back. I open Copy #1 and read page 149: “Think: Life is Beautiful. So Glad Am Not Dead” and think it’s the keeper. But then Copy #2, page 74 makes a play for me with a line like, “Reading that made me feel a little funny that we’d fucked and I’d loved her. But I still didn’t want to kill her.” Saunders makes me want to write sentences, he makes me want to keep both copies, he makes me so glad am not dead.

Matthue Roth, writer:

Happy Punks 1 2 3 (March) by John & Jana — Is it illegal to put picture books on this list? Maybe I’m just trying to remind my own kids that I was once cool, or maybe it’s because I have my own picture book coming out this summer (an adaptation of Kafka stories for children), but the illustrations in Happy Punks 1 2 3 make me want to thrust it in front of my kids — not merely to show them that I once had hair that glowed in the dark, but because it voices a belief that you can rebel, not merely for the sake of rebellion, but for its own constructive, creative purpose.

Happy Talk by Richard Melo (May) — Soft Skull Press used to be my favorite publisher in the world. They were new and wild and they constantly did things that forced you to doubletake, and felt like a clubhouse of people who would be my best friends — and Richard Melo, whose debut novel Jokerman 8 was about wise, insane, and sexy enviro-terrorists, was like the crown prince of the group. His long-delayed follow-up takes place in Haiti in 1955, and it’s about a love affair and government conspiracies, and apparently there’s also stuff about Skylab and Jim Jones and the Nation of Islam — but I want to ignore the details and just settle in for the ride.

Kristopher Jansma, Electric Literature columnist and author of The Unchangeable Spots of Leopards:

His Wife Leaves Him by Stephen Dixon (June) — No one writes quite like Stephen Dixon and there’s no one I’d trust more than him to write about the loss of a loved one. He’s claimed it is not only the most emotional writing he’s ever done, but also his funniest and most adventurous. After fifteen books and over 500 stories, Dixon always leaves me thinking he’s only just getting started.

Vampires in the Lemon Grove by Karen Russell (February) — I’ve never been quite the same since reading Karen’s first story collection. She’s more than just a storyteller, although she is certainly that; Karen builds worlds and characters you’ve never seen before and you’ll never forget again. And you can’t help but think as you read along that she’s having ten kinds of fun doing it. These stories allegedly travel down darker paths, but readers can always trust in the guiding lantern of Karen’s lightness.

Woke Up Lonely by Fiona Maazel (April) — Not only do I love Maazel’s writing, and not only am I intrigued by this story about the leader of a cult which claims to cure loneliness, but there’s a character in it named Esme, so that gets my vote almost automatically.

A Constellation of Vital Phenomenon by Anthony Marra (May) — Last year I heard Whiting Award winner Anthony Marra talk a little bit about the research he did for this debut novel, including traveling all around Chechnya, and I’ve been dying to read it ever since.

***

— Elissa Goldstein is one-half of The Outlet’s editorial team. (The other half is here.)

The Lit List: January 19–25

The Lit List is a weekly compendium of New York’s finest literary events and readings. If there’s something you think we should know about, email dish@electricliterature.com.

We’ll be at Housing Works on 1/23 talking about giving away art for free! Scroll down for more info.

Saturday, Jan 19

Fireside Follies, Bushwick’s finest (and only?) reading series. Hosted by Eric Nelson and Michael Lala. Tonight’s readers are Rebecca Wolff (The Beginners), Scott McClanahan (Stories V!), Kathleen Alcott (The Dangers of Proximal Alphabets), and Jacob Kaplan.

The First Novelization: A Reading Series based on the Original Motion Picture. Dramatic readings of literary masterpieces such as Pretty in Pink, Grease AND Grease 2, Rambo IV, Saturday Night Fever, and much more.

Sunday, Jan 20

Asymptote’s second anniversary reading/party at The Living Theatre.

Wednesday, Jan 23

Open Source: A guide to free culture with Electric Literature, Man Bartlett, and Jeff Rosenstock at Housing Works Bookstore Cafe. Join a panel of experts in free culture for a frank discussion on the future of art and how to survive when you’re giving it away for free. Moderated by Maria Popova of BrainPickings.org.

Kate Zambreno and Lisa Cohen at Park Slope’s Community Bookstore on writing, women and modernism. Zambreno’s book HEROINES weaves together memoir and feminist literary scholarship, examining the minor roles to which women have been relegated in literary culture and criticism. In ALL WE KNOW, Lisa Cohen illuminates the lives of three forgotten women of the Modernist era, all part of a lesbian subculture and highly connected to the world of fashion, art, literature and culture in the 1920s and 30s.

New Directions’ Publisher Barbara Epler will be joined by translators Johnny Lorenz and Idra Novey to discuss the work and legacy of Brazilian author Clarice Lispector at The Center for Fiction.

Join n+1 and Occupy the Boardroom for one last reading and discussion of The Trouble is the Banks at St. Mark’s Bookshop.

The Vica Miller Winter Poetry Salon, featuring Tina Barry, Peter Marcus, Leah Umansky and Laura Cronk.

Thursday, Jan 24

The Museum of Emotions: A night with Bill Hayward and The Coffin Factory at Housing Works Cafe & Bookstore.

Join Barbara Browning, Kate Zambreno and Matias Viegener at McNally Jackson for a reading of their uncategorizable works and a discussion on critical fiction, experimental biography and autobiography, and the role of the Internet in the writing of their books.

Jerry Stahl, editor of The Heroin Chronicles (Akashic), will appear with contributors Nathan Larson, Sophia Langdon, and L.Z. Hansen at St Mark’s Bookshop.

An evening with Counterpoint Press at Greenlight Bookstore, featuring Karen Bender (A Town of Empty Rooms), Annapurna Potluri (The Grammarian), and Lynne Sharon-Schwartz (Two-Part Inventions).

Kick Assonance at KBG: Award-winning storyteller and Huffington Post blogger Leslie Goshko hosts tonight’s curated evening of original poetic works that’s sure to Kick Assonance! With Jeff Simpson, Mary Cool, and Andrew Schep.

Friday, Jan 25

Writers Reading to Writers Listening to Writers Reading to Writer (whew!) returns to Unnameable Books. Starring Lauren Hunter, Mike Decapite, Patrick Gaughan, and Lauren Wallach.

Paragraph Reading at KBG: with Robert Moulthrop, Tanya Rey, and Margot Berwin.

***

— Elissa Goldstein is one-half of The Outlet’s editorial team. (The other half is here.)

George Saunders and the Science of Fiction Writing

“You look at the data of human life fairly rationally, objectively, and whatever weird conclusions come out of it, you’re used to accepting it no matter what.”

— George Saunders on how his background as a geophysicist influences his writing.

For more Saunders, watch the rest of his interview from MSNBC’s Morning Joe:

***
— Benjamin Samuel is co-editor of Electric Literature. He failed high school chemistry, and that was long before he had Twitter to blame for his perpetual distraction.

Review: Married Love and Other Stories, by Tessa Hadley

by Bonnie Altucher

Wayward girls reveal their inner lives in a luminous collection

I expected Married Love, Tessa Hadley’s second story collection, to be brilliantly crafted. She writes in a lucid and lyrical style, illuminating the suppressed intensity of her characters’ inner lives with a deftness that feels like clairvoyance. What’s new about these stories is their surprising wildness, like that of a friend whose intelligence and reliable sympathy give way to a thrilling naughty streak.

Hadley, who lives in Wales, first began to publish in her forties, after staying home to raise three children. The author of four novels as well as two collections, she has been gaining acclaim on both sides of the Atlantic. (Six of the dozen stories in Married Love previously appeared in The New Yorker.) I’ll venture a guess that this late emergence from a wholly domestic to public (published) sphere at least partly informs Hadley’s narrative preoccupation with painful or ecstatic self-exposure.

In “The Godchildren” an older woman displays herself in erotic poses for an invisible audience, her desire to be recognized as a sensual object trumping caution and dignity. Her astonished spectators “…dreaded her giving herself away any further, and yet willed her to do so….They didn’t dare look at one another, for fear of spurting out with laughter.” In “She’s the One,” an unlikely bond between a bereaved teenager and a frustrated middle-aged writer occurs through a mutual “spilling,” each woman determined to compel the other’s painful confidence.

“Pretending” invites us into the overheated world of two school-mates who have nothing in common but make-believe, an intoxication the unnamed narrator discovers when she is forcibly befriended by “naughty” Roxanne from the local Home. Roxanne is poor and neglected, a vaguely threatening other, but her “possession” of the narrator’s imagination is Byronic. While play-acting, the narrator “didn’t exactly stop knowing that we were in the real playground, pretending something, but a different life welled up from inside me.” Hadley zeroes in on the engrossing dirtiness of childhood fantasy: “We did childbirth first, moaning and writhing against the iron pillars and throwing our heads from side to side, having our brows wiped (mostly I moaned; Roxanne wiped and presided.)” Fascinatingly, “Pretending” works both as a realistic story of childhood influence, and a model of a writing mind divided into separate principals: the “safe” inhibited narrator, who relies for inspiration on the fearless demon-child, Roxanne.

The stories in Married Love tend to be shaped with a gestural looseness. “The flow of the story’s finding its way to its end should feel as unpredictable as a sequence of events in life itself,” Hadley says in an interview included in the paperback edition. A striking example of unpredictability concludes “A Mouthful of Cut Glass,” in which we revisit two sisters, Hilary and Sheila, who originally appear in Hadley’s terrific first collection, Sunstrokes. This episode centers on Sheila, smitten with her working-class college boyfriend, who provokes in her a “tension of thwarted longing” that is “somehow the whole character of their relationship.” Sheila’s frustrated longing for a man she already possesses has less to do with their class differences than with the mirage of possession. “The closer Neil came to her, the less familiar he was… (Sheila) wished that she could possess him as he only was when he was alone.” Satisfaction shimmers briefly in the final scene when clear-sighted younger sister Hilary enlists Sheila in a childish prank that breaks desire’s deadlock with an destabilizing rush of grace and mischief.

Hadley makes the connection between the sisters so believable and endearing that I was both elated by this ending and sorry to lose them. That may be the point of the subtle effect of estrangement that Hadley produces in her final paragraphs, the way the best portraits evoke what you don’t see and make you aware of the play of perspectives. This is another story where the two girls seem like stand-ins for the author herself, bringing her scenes of “thwarted longing” to a close in blissful waywardness.

Recommended if you liked: At Last by Edward St. Aubyn, The Lucky Ones by Rachel Cusk

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— Bonnie Altucher writes fiction in Manhattan. You can find her here.

Franklin Park Reading Series’ Fourth Annual Short Fiction Night!

1. Beautiful, beautiful crowd. 2. J.E. Reich, writer and cool-person, with Moshe Schulman, another writer and equally cool-person.

I went to a reading on Monday night. It was at Franklin Park, down the street from my house in Crown Heights, and the series is called the Franklin Park Reading Series. A fine lady named Penina Roth hosts and curates it, and last night was their fourth annual Short Fiction Night. As always, the reading was a big to-do and delivered on its promise of fantastic short fiction from the likes of Kashana Cauley, Hugh Sheehy, Gabriel Blackwell, Amber Sparks, and Said Sayrafiezadeh. The Coffin Factory and Small Demons sponsored it and gave away a bunch of stuff for bookish people, and to boot, these five authors regaled the packed crowd with stories of hot German girls gone missing, the Marx brothers, realist fairy tales, an unpublished speech for a guy named Barack Obama, and salacious cartography. Guys, it was awesome, why weren’t you there?

1. Kashana Cauley, dropping wisdom about 200-lb. pigs. 2. Elise Anderson, Franklin Park Reading Series intern and bundle of tumblr awesomeness, reads off some raffle tickets.

Kashana Cauley was up first, and read three little realist fairy tales that were simultaneously hilarious and emotionally rending, as all good fairy tales should be. In “Northern Retreat,” a man schleps a 200-lb. pig to the middle of nowhere, and then decides to move further and further out into that nowhere. “After a month, the city sounded like a vicious rumour.” The sounds of the city are replaced by the “low hiss of the garden snake.” Cauley’s third piece has a homeless man rob an apartment building “full of old ladies,” only to be reminded of the building he’d lived in with a woman he was going to marry nine years ago.

1. Hugh Sheehy, whose German accent is at once charming and unsettling. 2. Rosie Clark, a teacher at Red Hook Playgroup pre-school, with Drew Kimmas, a writer.

Next up was Hugh Sheehy, whose work-in-progress has the working title of “Germans.” I loved Sheehy’s delivery: at times sardonically abandoned, with the occasional turn of self-deprecation to give his twenty-something barista narrator some flesh and soul. Out in some town in Ohio, “the German girls stood out, fresh and tall, giddy with their secret” in line at the narrator’s cafe, where he’s worked since high school. “Do you have Americano,” one of the Germans asks, “the drip does not agree with me, or my insides.” The narrator, sensing his last chance to impress the girls, says “Americano is a stupid name for it… We all sensed the weakness of my comment immediately.” Months later, the jeans of one of the German girls he’d ogled turned up on the evening news, in a river.

1. Joseph Riippi, who might be appearing somewhere in Brooklyn with a writer whose name rhymes with Blot Bananaman, and Polly Bresnick, a writer and swooner. 2. Dudes, this is Gabriel Blackwell: “Detainee Marx, Groucho reports that he would give one hand and at least half a foot a breast, depending on the girl, and depending on how cold the tape measure was.”

Gabriel Blackwell was last before the break, and I had some feelings come out during his story “A Night at The Opera” from his collection Critique of Pure Reason, a nod and rib-jab to another German named Kant. Blackwell stepped before the mic without acknowledgment of us or the stage, and immediately rattled this wonderful sentence off: “The Agency’s stated priority is the reacquisition and demobilization, deconcatenation, detention, and debriefing of the stated targets [Marx, Groucho; Marx, Chico; Marx, Harpo].” In the rhythms and vocabulary of officialese, of state-sanctioned torture, Blackwell critiques the Agency’s “pure reason” with the comics that, arguably, did it best. Among phrases like “Lorazepam, a habit-forming amnesic sedative, is usually indicated… Detainees are thus rendered in optimum state ‘fully-awake-sleep,” Marx brother “Chico reports that it’s a-nice da-met-ya too, but he no have-a da list; anyway, there was-a nothing on it, he already got-a everything he need.” Those in positions of power can posture reason into any frame they please, but comedy can always unearth the ludicracy and danger of such posturing. This story ruled so hard.

1. Amber Sparks! “America, you are a commercial for Viagra and vaginal probes, and pants that feel like pajamas.”

After the break, Amber Sparks informed us that she’d moved to D.C. to make it as a speechwriter. Thankfully, for us, that failed — as a result, Sparks released a story collection that earned a hefty nod from The Atlantic Wire as best small press debut of last year. But first, she’s hoping that Obama is going to read a speech she submitted for his second inauguration. “If I turn into a film it will be a Jerry Bruckheimer film. If I turn into a flag, I hope it’s the American flag… America, you are Sean Hannity’s hair… America, you are purple tights and ripped sweatshirts when it’s not even 80s night… America, clear and beautiful like a mad lib.” After a story set at a Paul Bunyan theme park, Sparks ended her reading with the title story from her collection, May We Shed These Human Bodies. “And yet we did not die… and no one survived who remembered us as trees… It is easy to make new people, but difficult to grow them.”

1. Said Sayrafiezadeh, and a one-line fax: “I can no longer live with hearts on edge like this.”

Said Sayrafiezadeh ended the night with a sneak peak from his forthcoming story collection, Brief Encounters With the Enemy, a story titled “Cartography.” Rex, 23, living “on the edge of the city in a neighborhood on the verge of becoming a ghetto,” makes maps for a boss named Ned Frost, who has “bad breath, and fancied himself a poet.” Frost figures Rex is a closeted gay man, and if he could only understand this, they could be together. As Rex dutifully makes his maps, love letters start to fizzle out of an adjacent printer. “My cock feels full with the thought of you in my heart.” Since Rex isn’t attracted to Frost in the slightest, he gets fired within four months. At the end, there’s an emotionally confused Rex, an offer to return to working for Frost, and the end of a bus strike. “But for a moment, I felt as if I were free.”

Another stellar night from Penina and crew, and an equally stellar introduction to the new year for NYC’s literary nightlife. Next month promises to be even more fantastic: Lars Iyer is coming all the way from a magical land called Europe; Karolina Waclawiak, Tim Horvath, Dylan Nice, and Margarita Korol will also be in tow. It will be awesome. Do not miss it.

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— Ryan Chang is a writer originally from Orange County, CA living in Brooklyn. His fiction and essays have appeared in Everyday Genius, Vol. 1 Brooklyn, and elsewhere. He tweets here and tumbles here.

National Book Critics Circle announces finalists for 2012 awards

More book award news, this time from the National Book Critics Circle (not to be confused with the National Book Foundation!), who have revealed the finalists for the 2012 publishing cycle. Winners will be announced in New York on February 28, and a finalists’ reading will be held on February 27 at the New School’s Tishman Auditorium at 6pm.

Here are the fiction finalists (see the other categories here):

HHhH by Laurent Binet

Billy Lynn’s Long Halftime Walk by Ben Fountain

The Orphan Master’s Son by Adam Johnson

Magnificence by Lydia Millet

NW by Zadie Smith

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— Elissa Goldstein is one-half of The Outlet’s editorial team. (The other half is here.)

Travels in Central America

Excerpted from the novella

“IT’S ONLY THREE NIGHTS, Brett. He’s my banker.”

“No, that’s not what I’m saying. I want to meet him. I’m glad he’s coming. I understand. It’s just that I am barely back from Cancun. And now you’ve invited a friend to stay. Not a friend. Your banker.”

“Brett, it’s not like I called him up. He has an appointment in town with Sergio.” Sergio was one of Eduard’s partners, and he handled all of our family banking. He actually looked like I remembered Eduard looking. “It’s business. I don’t want him to stay in a hotel. It’d be different if we had a place here.”

“Right.”

“What is your problem with Eduard?”

“I don’t have a problem, it just seems a bit odd to have him staying in our home. Did he ask to stay with us?”

Eduard and I had been talking on the phone almost every night. He texted me during the day. We wrote long emails.

It had snuck up on me. He’d come down to Tulum after the weekend with Sadie in Cancun.

It should have been a one-night thing, but we had both become fanatical at the same time. I was amazed at my own weakness.

“I told you. I invited him to stay here.”

“A week?”

“I couldn’t exactly tell him how long he’s allowed to stay.”

“Your dad’s going to be in town at the same time. It’s not going to be very nice for him. He wants all of us to spend time together.”

“My dad can’t expect us to drop everything every time he comes to town. He doesn’t expect us to.”

“Whatever. I’m just asking for a bit of help.”

“You’re asking for a bit of help.”

“I don’t like your tone, Paul.”

“I’ve had the kids all by myself for weeks, and you don’t like my tone.”

I didn’t remind him that the whole time I’d been gone, I was checking on his properties. I didn’t say he’d had Bella, his mom, and his eldest son helping him, but I thought it. The more in the wrong I was, the easier it was for me to feel indignant. But I knew I was not in a position of leverage.

And of course I wanted Eduard to stay at our house.

“You’re supposed to be off work for at least a few days. It’s Christmas. I don’t know why he has to come during the holiday. It’s just not considerate.”

“I don’t set his schedule, Brett. Jesus. This is all part of expanding our properties.”

We had bought several hotels in resort locations a year before — some in excellent condition, some a mess — and we were still deep in renovations on a big place in Guatemala and a beachfront place in Panama. Paul’s family had lots of money, but Paul had to make his own money, naturally.

“We have plenty of money,” I said. “We can live on the income from your trusts if we just turn over Los Imperealos. Just the way it is you can sell. Or let’s have a party and bring some private people in. That’s what your mom did. She always says. Private investors.”

“I’m not ready for this fight again,” Paul said. “I promise while he’s in town I will make time to be home. I wish he weren’t coming. Nobody wishes that more than I do. And Bella can take care of all the meals — or we’ll go out.”

“No,” I said, “have it your way, Paul. If he’s coming, he’s coming. We’ll do it properly.”

10.

I had lived in Mexico for twelve years, but I had never made love to a Mexican man before. Most of the other ex-pats of a certain age had affairs with young Mexican men and I thought it was obvious. “Torreador,” Viola called hers; Becky’s nickname for hers was “Rabbit.” I tried “The Goat” on Eduard but it never stuck. His name was always Eduard. His features were masculine: he had rough skin around his cheeks, his shoulders were broad, and he was not muscled but he was beautifully shaped and he was tall. He had been a boxer when he was in high school and college, and sometimes he’d stand on the bed and use my arms from behind to show me how to throw punches. He was awkward though and I knew many of my friends would be surprised if they knew. On the outside there was something about the two of us, if you looked at us, that didn’t quite fit. But he would stop in windows and hold me and say: “Now that’s a beautiful couple” or “Look at the young lovers,” and kiss me. He could hold me by the back of the neck and toss me like a puppy. When he wore one of his suits and it was the cocktail hour and he took his first drink, my stomach turned, even after I knew him a year.

We could talk on the phone for five hours. One morning we started talking at just after eight and didn’t get off the phone until he had to go home at six my time. He asked unexpected questions that made me see everything from a perspective that I had not even imagined before. It sounds insincere, but he worried about Paul and the boys. One night, on the phone with him, in the car on the way back from the grocery store, I broke down crying and said, “I’m a terrible wife. I’m as bad as everyone says.” He said, “Don’t flatter yourself. You’re no better and no worse than anyone else.”

Sometimes, after we’d had an argument, he’d leave the hotel room and come back with a cut cheek, bruised ribs or a split lip. He was a grown man but he’d go get in a street brawl, in his suit and tie. I was never physically afraid of him. He was the most intimate lover I’ve ever had. “I listen to you,” he’d tell me, when I asked him how he knew to do the things he did.

11.

He didn’t believe me when I told him I had a past.

“Well, I won’t let you read my new book,” I said. It was a book I had been working on for five years, and would never finish. “You’ll think I slept with half of New York, and every-able bodied cowboy in Texas. Of course those were my drinking days. Most of that was before I met Paul. I mean it was all before Paul. Or before Paul and I were serious. There was one guy, a lawyer. I forgot his name. This was a decade ago. He was a friend of Paul’s. We were out at lunch, and when Paul left the table, I told him we should have a French affair. I suggested we meet in the afternoons for sex.”

“Sounds like a good deal for him.” Eduard didn’t like to hear about my former lovers. But I didn’t care. It wasn’t a casual affair and I wanted him to know me.

“He wanted to meet at his apartment. He was too cheap to pay for a hotel. I stood outside of his building for nearly an hour, wearing a new dress and these stupid Chanel sunglasses — ”

“I love those sunglasses.”

“Well. I finally called him. He didn’t answer. Then I got a text message. It said, ‘I forgot this is my laundry day. I only get one day a week to do laundry. Maybe next week?’”

“I don’t believe you.”

“That was the text. Word for word.”

“Did you meet with him the next week?”

I bit him on the shoulder.

“You honestly think I would meet with him after that?”

“I don’t even know why I’m asking. I don’t want to know.”

“He was astonishing. He had a whole toolbox. It was better than a porn movie.” I said it with a straight face. I was the one who’d introduced him to YouPorn. It took me a while to convince him I was joking. I said, “All of the women over twenty-seven are whores.” Of course I might have just been talking about myself.

12.

I was chubby as a kid. My mother told me, “Don’t worry your time will come.” Once, on an airplane, flying to Copenhagen where my grandmother is from, a handsome man sitting beside me spread a blanket across my legs and his own. My mom was asleep right next to me. Everyone had their chairs all the way back. I had closed my eyes. The man slipped his hand under the blanket onto my knee, and then slowly worked up to my thigh. I was wearing jeans and after fifteen minutes or so with his hand between my legs, he unbuttoned them.

“Did you come?” Eduard asked me. “How old were you? How old was he?”

“Oh this was just a few years ago,” I said. I knew he had pictured me as fifteen or sixteen in the story. “He was about your age, I’d guess. He had a beard and a nice tan. He had wrinkles at the corners of his eyes.”

“Did he ask for your number? Did he say anything? He must have known you were awake.”

“No, he just pretended like nothing had happened. I watched him get off the plane. I waited for him to look back.”

“Why wouldn’t he?”

“He didn’t,” I said. “Of course.”

I did not tell him about the time I was in London. I had been drinking and I was unhappy. An American man came up to me and said, “I’ll give you fifty pounds to suck my cock.” He had been drinking too. He was handsome and I went to my knees. He couldn’t come, and I started to give up. Then he took me by my hair and one arm and pulled me into an alleyway. He pushed me over a trashcan, pushed up my dress and pulled down my panties.

“I didn’t say you could fuck me,” I said. “You shouldn’t be doing it like this.”

He said, “You’re right,” and raped me in the ass.

There a lot of stories like that. Once I begin, I want to tell them all.

Sitting here in a small, borrowed room in Galveston, I want to forget the whole history of Brett and Eduard and tell each and every one of my other love stories and lies. But there are things I can never tell anybody.

13.

“I have most of what we need,” I said. I was making dinner for Eduard, who had arrived that morning. It was a warm day. I had the windows in the kitchen open and you could smell the flowers from the courtyard, the wet flagstones and our big cypress trees.

“But what don’t you have?” Paul asked. He took a handful of grapes, and Eduard stood in the doorway to the kitchen. He wore a T-shirt and a pair of jeans.

“Some onions and carrots, a leek, two bottles of red wine, and something for everyone to drink. Some limes for your dad? Gatorade if they have some, and maybe tonic water.”

Paul and Eduard went to the grocery store. I hadn’t been able to look at Eduard yet. If I could drink it would be easier. I broke down and went up to the medicine cabinet for some of Paul’s father’s klonopins. I took three, which might have been too many. When Paul came back half an hour later, I was relaxed. He put the bags one the counter and put his arms around me and kissed the nape of my neck. I said, “Where’s Eduard?”

“He’s in the car,” he said. “I remembered egg noodles and thyme.”

“Why doesn’t he come in?”

“I invited him to the races. Also I think he picked up on your feelings about his visit. He said he would switch to a hotel.”

“That’s crazy. Should I go out and get him?”

“No, let’s just leave him alone.” I didn’t know whether or not Paul had any suspicions about me and Eduard but I complained about him as often as I could.

“He is high maintenance. No more weeklong visits for Eduard.”

“He just got here, for crying out loud.”

“You haven’t been cooking the past eight hours.”

“I’m sorry. It’s just because he doesn’t have kids. He’s practically a kid himself. He has to be entertained all the time. Speaking of. I’m late.”

“You forgot the wine.”

“Shit. I did. Do you need me to go out again and get it?”

“Well, yeah.”

“Okay, it’s just that we’ll be late.”

“I don’t want to interrupt the boys’ games with the ingredients for their dinner.”

He kissed my forehead. “I’ll go.”

I knew that I could get the wine while his dad watched the kids. Or his dad could get it. Or the kids and I could get it. But for some reason I felt indignant.

I didn’t think, well, after all, I’m making dinner for my lover, who is staying in our home. Or, if I did think that, I thought as quickly, “There is no way for Paul to know that.”

I said, “I’m sorry, but I can’t make a daube without wine.”

Later Eduard often told me: “That day with the wine, when Paul and I had to make two trips. That’s when I knew you were in the wrong relationship.”

Everyone’s a poet, including this microbe

Christian Bök is part poet, part mad scientist. He’s read the entirety of Webster’s Dictionary three times, invented a language for a sci-fi TV show, and, most recently, brushed up on his genetic engineering skills to create the world’s first “living poem.”

According to Macleans, the project, called Xenotext, is a “short stanza enciphered into a string of DNA and injected into an ‘unkillable’ bacterium, Bök’s poem is designed to trigger the micro-organism to create a corresponding protein that, when decoded, is a verse created by the organism.”

So what’s wrong with writing poetry in your Moleskine, or on a coffee-stained paper napkin at a local open mic? Nothing, I guess. But it’s clearly not enough for Bök, and his imagination — “the biggest in the room” as he calls it — is inspired by less traditional sources (more Watson & Crick than a red wheelbarrow). “I am amazed that poets will continue to write about their divorces, even though there is currently a robot taking pictures of orange ethane lakes on Titan.”

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 — Benjamin Samuel is co-editor of Electric Literature. He looks forward to the day when natural selection will be our first line of defense for bad poetry. You can find him here.

The National Book Foundation announces changes to their award selection process

This morning, the National Book Foundation announced a bunch of changes to their award selection process, with the aim of broadening the “reach and impact of the award.” A longlist will now be released in advance of a shortlist, extending the hype — and book sales, natch — by an extra month. Also, judges no longer have to be writers, just “experts” in the literary field. With five judges in each category, they’ll never have to deal with That Awkward Moment When No-one Wins (*cough Pulitzer cough*). Hurrah!

READ ON: Our 2012 National Book Award Coverage is here.

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— Elissa Goldstein is one-half of The Outlet’s editorial team. (The other half is here.)