Hallie Cantor’s “Like This, But Funnier” pokes fun at the entertainment industry's incessant appetite for burnt-out screenwriters
Playwright and screenwriter Alfredo Félix-Díaz on duality, divinity, and literary heritage in "Parted Gods"
"The Daughter Industry" author Soham Patel on the commodification of daughters and sons
The author of "Adult Braces" on confronting old patterns, embracing change, and finding freedom on (and off) the road
BOMB Magazine Founder Betsy Sussler talks Aristophanes, Faulkner, and the enigmatic presence of the American South in "Station of the Birds"
The Pulitzer Prize-winning author on leaving the door open and writing toward a sense of inevitability
The millennials in Andrew Martin's "Down Time" spend COVID lockdown preoccupied with interpersonal nightmares
Anna Nygren’s “blush / river / fox” is a foray into the exuberant capacities of multilingual writing
Eight editors behind trans periodicals discuss trans activism and the power of t4t publications
Vigdis Hjorth on her latest novel, "Repetition," and how writing brought retroactive empathy for her younger self
“Lean Cat, Savage Cat” is fueled by sex, drugs, rock, and the seductive allure of self-creation
Karan Mahajan, author of “The Complex,” on risks in fiction, reinventing genre, and writing what you want to learn about
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